Agamben, G. (1999). Bartleby, or, On Contingency. In Potentialities: collected essays in philosophy. Stanford University Press.
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Arena: The Hunt for Moby-Dick. (2009). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00B34C14?bcast=33003018
Argersinger, J. L., & Person, L. S. (2008). Hawthorne and Melville: Writing a Relationship. University of Georgia Press.
Arsić, B. (2007a). Passive constitutions, or, 7 1/2 times Bartleby. Stanford University Press.
Arsić, Branka. (2007b). Melville’s Celibatory Machines \-\- Bartleby, Pierre, and The Paradise of Bachelors. Diacritics, 35(4), 81–100. https://doi.org/10.1353/dia.2007.0025
ATQ: Atlantic Transcendental Quarterly. (n.d.).
Azzarello, R. (2016). Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature. Taylor & Francis Ltd.
Barnard, J. L. (2017). The Cod and the Whale: Melville in the Time of Extinction. American Literature, 89(4), 851–879. https://doi.org/10.1215/00029831-4257892
Barnum, J., Kelley, W., & Sten, C. (2014). Whole Oceans Away: Melville and the Pacific. The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4403836
Barrett, F. (2012). To Fight Aloud Is Very Brave: American Poetry and the Civil War. University of Massachusetts Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4533137
"Bartleby”. (2011). Law and Literature, 23(3), 365–404. https://doi.org/10.1525/lal.2011.23.3.365
BBC Radio 4 - In Our Time, Moby Dick. (n.d.). https://www.bbc.co.uk/programmes/b09gzjm5
Bercovitch, S., & Jehlen, M. (1986). Ideology and Classic American Literature. Cambridge University Press.
Bergmann, J. D. (1969). The Original Confidence Man. American Quarterly, 21(3). https://doi.org/10.2307/2711934
Blum, H. (2008). The View From the Masthead: Maritime Imagination and Antebellum American Sea Narratives. University of North Carolina Press.
Brander Rasmussen, Birgit. (n.d.). Indigenous Literacies, Moby-Dick, and the Promise of Queequeg’s Coffin. In Queequeg’s Coffin: Indigenous Literacies and Early American Literature (Vol. 4, Issue 1). https://escholarship.org/uc/item/8b2686z9
British Association for American Studies. (1967). Journal of American studies. https://www.cambridge.org/core/journals/journal-of-american-studies
Bromell, N. K. (1993). By the Sweat of the Brow: Literature and Labor in Antebellum America. University of Chicago Press.
Bryant, J. (2008). Melville unfolding: sexuality, politics, and the versions of Typee : a fluid-text analysis, with an edition of the Typee manuscript. University of Michigan Press.
Bryant, J. (2010). Rewriting: Politics, Textual Identity, and the Revision Narrative. PMLA, 125(4), 1043–1060. https://doi.org/10.1632/pmla.2010.125.4.1043
Bryant, John. (1986). Allegory and Breakdown in The Confidence-Man: Melville’s Comedy of Doubt. Philological Quarterly, 65(1), 113–130. https://search.proquest.com/docview/1290900960?rfr_id=info%3Axri%2Fsid%3Aprimo
Cambridge Companions Complete Collection. (1998). The Cambridge Companion to Herman Melville (R. S. Levine, Ed.). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521554772
Castiglia, C. (2018). Approaching Ahab Blind. J19: The Journal of Nineteenth-Century Americanists, 6(1), 14–24. https://doi.org/10.1353/jnc.2018.0004
Castronovo, R. (2014). Occupy Bartleby. J19: The Journal of Nineteenth-Century Americanists, 2(2), 253–272. https://doi.org/10.1353/jnc.2014.0028
Chapter 2: Melville’s Zig-Zag World Circle. (n.d.). In Novels, maps, modernity : the spatial imagination, 1850-2000.
Claviez, Thomas. (2006). Rainbows, Fogs, and Other Smokescreens: Billy Budd and the Question of Ethics. Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 62(4), 31–46. https://doi.org/10.1353/arq.2006.0022
Clymer, J. A. (2006). Property and Selfhood in Herman Melville’s Pierre. Nineteenth-Century Literature, 61(2), 171–199. https://doi.org/10.1525/ncl.2006.61.2.171
Cohen, L. L. (2011). The Fabrication of American Literature: Fraudulence and Antebellum Print Culture. University of Pennsylvania Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3441922
Cole, R. (2006). At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man. Novel: A Forum on Fiction, 39(3), 384–401. https://doi.org/10.1215/ddnov.039030384
Collins, M. J. (2016). The Drama of the American Short Story, 1800-1865. University of Michigan Press. http://lib.myilibrary.com?id=971891
Coviello, P. (2013). Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America. New York University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1177318
Crain, C. (1994). Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels. American Literature, 66(1). https://doi.org/10.2307/2927432
Creech, J. (1993). Closet Writing, Gay Reading: The Case of Melville’s Pierre. University of Chicago Press.
Crimmins, J. (2010). Nested Inversions: Genre and the Bipartite Form of Herman Melville’s. Nineteenth-Century Literature, 64(4), 437–464. https://doi.org/10.1525/ncl.2010.64.4.437
Delbanco, A. (2013). Melville: His World and Work. Picador.
Deleuze, G. (1998). Essays critical and clinical. Verso.
DeLombard, J. M. (2009). Salvaging Legal Personhood: Melville’s Benito Cereno. American Literature, 81(1), 35–64. https://doi.org/10.1215/00029831-2008-050
Denis, C., & Lavant, D. (2000). Beau travail. Artificial Eye.
Dimock, W. (1991). Empire for Liberty: Melville and the Poetics of Individualism. Princeton University Press.
Dryden, E. A. (1979). The Entangled Text: Melville’s Pierre and the Problem of Reading. Boundary 2, 7(3). https://doi.org/10.2307/303168
Edelstein, S. (2013). "May I Never Be a Man”: Melville’s Redburn and the Failure to Come of Age in Young America. ESQ: A Journal of the American Renaissance, 59(4), 553–584. https://doi.org/10.1353/esq.2013.0032
Edgar Allan Poe Society of Baltimore - Works - Tales - Diddling Considered as One of the Exact Sciences [Text-02]. (n.d.). https://www.eapoe.org/works/tales/diddlnga.htm
ESQ: Studies in the American Renaissance. (2005). 51(1–3). https://muse.jhu.edu/issue/19760
Everton, M. (2006). Melville in the Antebellum Publishing Maelstrom. ESQ: A Journal of the American Renaissance, 52(3), 227–268. https://doi.org/10.1353/esq.2006.0014
Faggen, R. (2015). Melville the Poet. In The Cambridge companion to American poets (pp. 104–118). Cambridge University Press. https://doi.org/10.1017/CCO9781316403532.009
Fee, T. R. (2012). Irreconcilable Differences: Voice, Trauma, and Melville’s Moby-Dick. Mosaic: A Journal for the Interdisciplinary Study of Literature, 45(4), 137–153. https://doi.org/10.1353/mos.2012.0044
Foote, H. C. (1852). Universal Counterfeit and Altered Bank Note Detector. Mann, Spear & Co.
Foster, E. (1979). Introduction. In The Confidence Man. Hendricks House Inc.
Frank, J. (2013). A Political Companion to Herman Melville. The University Press of Kentucky.
Garland-Thomson, R. (2004). The Cultural Logic of Euthanasia: ‘Sad Fancyings’ in Herman Melville’s ‘Bartleby’. American Literature, 76(4), 777–806. https://doi.org/10.1215/00029831-76-4-777
Gilmore, M. T. (1985a). American Romanticism and the Marketplace. University of Chicago Press.
Gilmore, M. T. (1985b). American Romanticism and the Marketplace. University of Chicago Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485969
Gilmore, M. T. (2009). ‘Speak, man!’: Billy Budd in the Crucible of Reconstruction. American Literary History, 21(3), 492–517. https://doi.org/10.1093/alh/ajp022
Gilmore, M. T. (2010). The War on Words: Slavery, Race, and Free Speech in American Literature. University of Chicago Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=570551
Goldberg, S. (2013). Quiet Testimony: A Theory of Witnessing From Nineteenth-Century American Literature. Fordham University Press.
Goldberg, Shari. (2009). Benito Cereno ’s Mute Testimony: On the Politics of Reading Melville’s Silences. Journal Of American Literature, Culture, And Theory, 65(2), 1–26. https://muse.jhu.edu/article/266667
Goudie, S. X. (1998). Fabricating Ideology: Clothing, Culture, and Colonialism in Melville’s Typee. Criticism: A Quarterly for Literature and the Arts, 40(2), 217–235. https://www.jstor.org/stable/23124331?seq=1#metadata_info_tab_contents
Graham Thompson. (2003). Male Sexuality Under Surveillance: The Office in American Literature. University of Iowa Press.
Greiman, J. (2016). Melville in the Dark Ages of Democracy. Leviathan, 18(3), 11–30. https://doi.org/10.1353/lvn.2016.0039
Greven, D. (2016). Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melvile. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315584072
Hager, C. (2010). Melville in the Customhouse Attic. American Literature, 82(2), 305–332. https://doi.org/10.1215/00029831-2010-003
Harrison, H. L. (2007). The Temple and the Forum: The American Museum and Cultural Authority in Hawthorne, Melville, Stowe, and Whitman. University of Alabama Press.
Hawthorne and His Mosses. (n.d.). http://xroads.virginia.edu/~ma96/atkins/cmmosses.html
Herman Melville. (1996). Typee: A Peep at Polynesian Life (Penguin Classics). Penguin Classics.
Howard, R. (2016). In the Heart of the Sea. Warner Brothers Home Entertainment.
Hurh, P. (2011). The Sound of Incest: Sympathetic Resonance in Melville’s Pierre. Novel: A Forum on Fiction, 44(2), 249–267. https://doi.org/10.1215/00295132-1260977
Hurh, P., & Paul, H. (2015). American Terror: The Feeling of Thinking in Edwards, Poe, and Melville. Stanford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3568941
Hustis, H. (2014). "Universal Mixing” and Interpenetrating Standing. Nineteenth-Century Literature, 69(1), 26–55. https://doi.org/10.1525/ncl.2014.69.1.26
Ivison, D. (2002). ‘I Saw Everything but Could Comprehend Nothing’: Melville’s Typee, Travel Narrative, and Colonial Discourse. ATQ, 16(2). https://www.questia.com/library/journal/1G1-88583553/i-saw-everything-but-could-comprehend-nothing-melville-s
James, C. L. R. (2001). Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In. Dartmouth College.
Johnson, B. (1979). Melville’s Fist: The Execution of ‘Billy Budd’. Studies in Romanticism, 18(4). https://doi.org/10.2307/25600211
Jones, G. R. (2014). Failure and the American Writer: a Literary History. Cambridge University Press.
Jonik, M. (2018). Herman Melville and the Politics of the Inhuman. Cambridge University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5312920
Kado, M. (2018). The Ship as Assemblage: Melville’s Literary Shipboard Geographies. Atlantic Studies, 15(1), 40–61. https://doi.org/10.1080/14788810.2017.1347380
Kamuf, P. (1997). The Division of Literature: Or, the University in Deconstruction. University of Chicago Press.
Karcher, C. L. 1945-. (2017). Shadow Over the Promised Land: Slavery, Race, and Violence in Melville’s America. Andesite Press.
Kelley, W. (n.d.-a). A Companion to Herman Melville (Vol. 41). Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251
Kelley, W. (n.d.-b). A Companion to Herman Melville (Vol. 41). Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251
Kelley, W. (2009). Melville’s City: Literary and Urban Form in Nineteenth-Century New York (Vol. 100). Cambridge University Press.
Lawson, A. (2012). Moby Dick and the American Empire. Comparative American Studies An International Journal, 10(1), 45–62. https://doi.org/10.1179/1477570011Z.0000000003
Leviathan: A Journal of Melville Studies - Special Issue Melville and the Civil War Poet. (n.d.). https://muse.jhu.edu/issue/32590
Leviathan: A Journal of Melville Studies - Special Issue on Clarel. (n.d.). https://muse.jhu.edu/issue/26545
Levine, R. S. (1998). The Cambridge Companion to Herman Melville. Camb.U.P.
Levine, R. S. (Ed.). (2014). The New Cambridge Companion to Herman Melville. Cambridge University Press.
Levine, R. S., & Levine, R. S. (Eds.). (2014). The New Cambridge Companion to Herman Melville. Cambridge University Press. https://www.cambridge.org/core/books/new-cambridge-companion-to-herman-melville/68435327716B3FCEE89685D927BD90D6
Lisa Gitelman : Emoji Dick and the Eponymous Whale on Vimeo. (n.d.). https://vimeo.com/171102394
Looby, C. (2015). Of Billy’s Time: Temporality in Melville’s. Canadian Review of American Studies, 45(1), 23–37. https://muse.jhu.edu/article/578466
Luciano, D. (2004). Melville’s Untimely History: ‘Benito Cereno’ as Counter-Monumental Narrative. Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 60(3), 33–60. https://doi.org/10.1353/arq.2004.0007
Mapping Typee: Space and the Genres of Truth. (2005). ESQ: A Journal of the American Renaissance, 51(1–3), 115–120. https://doi.org/10.1353/esq.2010.0024
Marovitz, S. E. (2013). Melville as Poet: The Art of Pulsed Life. The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3120197
Marrs, C. (2010). A Wayward Art: Battle-Pieces and Melville’s Poetic Turn. American Literature, 82(1), 91–119. https://doi.org/10.1215/00029831-2009-070
Marrs, C. (2015a). Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press.
Marrs, C. (2015b). Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316362976
Mastroianni, D. (2014). Politics and Skepticism in Antebellum American Literature. Cambridge University Press.
McGettigan, K. (2017). Herman Melville: Modernity and the Material Text. University of New Hampshire Press.
Melville, H. (1989). Journals (pp. 79–91).
Melville, H. (1991). Clarel: A Poem and Pilgrimage in the Holy Land.
Melville, H. (1996). Pierre, or, The ambiguities. Penguin Books.
Melville, H. (2008). The Confidence-Man: His Masquerade (New ed). Oxford University Press.
Melville, H. (2009a). An Uninscribed Monument.
Melville, H. (2009b). Donelson (pp. 23–36).
Melville, H. (2009c). Introduction Published Poems: Battle-Pieces (pp. 1–3).
Melville, H. (2009d). On a Natural Monument.
Melville, H. (2009e). On the Photograph of a Corps Commander.
Melville, H. (2009f). On the Slain Collegians (pp. 118–121).
Melville, H. (2009g). Shiloh.
Melville, H. (2009h). Stonewall Jackson (pp. 59–61).
Melville, H. (2009i). Supplement (pp. 181–188).
Melville, H., & Beaver, H. (1976). Redburn, His First Voyage: Being the Sailor-Boy Confessions and Reminiscences of the Son-of-a-Gentleman in the Merchant Service. Penguin.
Melville, H., & Milder, R. (2009a). Billy Budd, Sailor and Selected Tales ([New ed.]). Oxford University Press.
Melville, H., & Milder, R. (2009b). Billy Budd, Sailor and Selected Tales ([New ed.]). Oxford University Press.
Melville, H., & Milder, R. (2009c). Billy Budd, Sailor and Selected Tales ([New ed.]). Oxford University Press.
Melville, H., & Tanner, T. (1988). Moby-Dick, or, The whale. Oxford University Press.
Melville Society. (n.d.). Leviathan: A Journal of Melville Studies. https://muse.jhu.edu/journal/601
Melville’s Battle-Pieces and the Environments of War. (2014). Journal Of The American Renaissance, 60(4), 557–592. https://muse.jhu.edu/article/564081
Meyer, N. (n.d.). Star Trek II: The Wrath of Khan. https://learningonscreen.ac.uk/ondemand/index.php/prog/001F4148?bcast=114177354
Michaels, W. B., Pease, D. E., & English Institute. (1985). The American Renaissance Reconsidered: Vol. no. 9. Johns Hopkins University Press.
Middleton-Kaplan, R. (2009). Play It Again, Herman: . Leviathan, 11(3), 55–71. https://doi.org/10.1111/j.1750-1849.2009.01224.x
Minding the Body: Benito Cereno and Melville’s Embodied Reading Practice. (2010). Studies in the Novel, 41(2), 157–177. https://doi.org/10.1353/sdn.0.0059
Modern Language Association of America. American Literature Group. (1929). American Literature: A Journal of Literary History, Criticism and Bibliography. https://read.dukeupress.edu/american-literature/issue
Monnet, A. S. (2010). The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=513945
Monnet, A. S. (2016). The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Routledge.
Murison, J. S. (2017a). "Nudity and other sensitive states”: Counterprivacy in Herman Melville’s Fiction. American Literature, 89(4), 697–726. https://doi.org/10.1215/00029831-4257823
Murison, J. S. (2017b). "Nudity and other sensitive states”: Counterprivacy in Herman Melville’s Fiction. American Literature, 89(4), 697–726. https://doi.org/10.1215/00029831-4257823
Newbury, M. (1997). Figuring Authorship in Antebellum America. Stanford University Press.
Nineteenth-Century Literature. (1986). https://www.jstor.org/journal/ninecentlite
Otter, S. (1999). Melville’s Anatomies. University of California Press.
Pardes, I. (2008). Melville’s Bibles. University of California Press.
Parker, H. (2005). Herman Melville: A Biography. Johns Hopkins University Press.
Parsons, A. (2012). "A Careful Disorderliness”: Transnational Labors in Melville’s Moby-Dick. ESQ: A Journal of the American Renaissance, 58(1), 71–101. https://doi.org/10.1353/esq.2012.0012
Pinchevski, A. (2011). Bartleby’s Autism: Wandering along Incommunicability. Cultural Critique, 78(1), 27–59. https://doi.org/10.1353/cul.2011.0019
Pip’s Oceanic Voice: Speech and the Sea in <em>Moby-Dick</em>. (2017). The Modern Language Review, 112(3). https://doi.org/10.5699/modelangrevi.112.3.0567
Potter, W. (2004). Melville’s Clarel and the intersympathy of creeds. Kent State University Press.
Putzi, J. (2012). Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America. University of Georgia Press.
Rachman, S. (1997). Reading Cities: Devotional Seeing in the Nineteenth Century. American Literary History, 9(4), 653–675. https://doi.org/10.1093/alh/9.4.653
Reed, N. C. (2004). The Specter of Wall Street: ‘Bartleby, the Scrivener’ and the Language of Commodities. American Literature, 76(2), 247–273. https://doi.org/10.1215/00029831-76-2-247
Renker, E. (1998). Strike Through the Mask: Herman Melville and the Scene of Writing (John Hopkins paperback ed). Johns Hopkins University Press.
Reynolds, D. S. (1988). Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Harvard University Press.
Richardson, M. (Ed.). (2015). The Cambridge companion to American poets. Cambridge University Press.
Riley, P. (2016). Melville’s Retirement. Leviathan, 18(3), 112–128. https://doi.org/10.1353/lvn.2016.0043
Rochlitz, H. (2012). Sea-changes Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation. Universitätsverlag Göttingen. http://www.oapen.org/search?identifier=610287
Rowe, Joyce A. (1993). Social History and the Politics of Manhood in Melville’s Redburn. Mosaic: A Journal for the Interdisciplinary Study of Literature, 26(1), 53–68. https://www.jstor.org/stable/24780516?seq=1#page_scan_tab_contents
Ruttenburg, N. (1994). Melville’s Handsome Sailor: The Anxiety of Innocence. American Literature, 66(1). https://doi.org/10.2307/2927434
Ryan, S. M. (2000). Misgivings: Melville, Race, and the Ambiguities of Benevolence. American Literary History, 12(4), 685–712. https://doi.org/10.1093/alh/12.4.685
Salem Press. (2017). Billy Budd, Sailor. Grey House Publishing Inc.
Sanborn, G., & Otter, S. (2011). Melville and Aesthetics. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=797853
Sanborn, Geoffrey. (1996). Where’s the Rest of Me?: The Melancholy Death of Benito Cereno. Journal Of American Literature, Culture, And Theory, 52(1), 59–93. https://muse.jhu.edu/article/444898/pdf
Spanos, W. V. (2009). Herman Melville and the American Calling: The Fiction after Moby-Dick, 1851-1857. State University of New York Press.
Steeves, H. P. (2017). He Tasks Me! Khan, Ahab, and Star Trek’s White Whale. In Popular Culture Review (Vol. 28, Issue 1). https://view.joomag.com/popular-culture-review-vol-28-no-1-february-2017/0017803001486486823?short
Thomas, B. (1988). Cross-examinations of law and literature: Cooper, Hawthorne, Stowe, and Melville. Cambridge University Press.
Thompson, G. (2012). The ‘Plain Facts’ of Fine Paper in ‘The Paradise of Bachelors and the Tartarus of Maids’. American Literature, 84(3), 505–532. https://doi.org/10.1215/00029831-1664701
Thompson, G. (2018). Herman Melville: Among the Magazines. University of Massachusetts Press.
Thompson Lecture on Melville and Authorship. (n.d.). https://www.youtube.com/watch?reload=9&v=117_QycXUDE
Wadle, M. M. (2018). "Rightly Enough Called Girls”: Melville’s Violated Virgins and Male Marketplace Fears. American Literature, 90(1), 55–82. https://doi.org/10.1215/00029831-4326403
Washington State University. Department of English. (n.d.). ESQ. https://muse.jhu.edu/journal/375
Weaver, R. (n.d.). Herman Melville, Mariner and Mystic. https://archive.org/stream/melvillemariner00weavrich#page/n7
Weinstein, C., & Looby, C. (2012). American Literature’s Aesthetic Dimensions. Columbia University Press.
Wendy Anne, L. (2015). The Scandal of Insensibility; or, The Bartleby Problem. PMLA, 130(5), 1405–1419. https://doi.org/10.1632/pmla.2015.130.5.1405
Wiegman, R. (1989). Melville’s Geography of Gender. American Literary History, 1(4), 735–753. https://doi.org/10.1093/alh/1.4.735
Yao, C. (2015). Visualizing Race Science in Benito Cereno. J19: The Journal of Nineteenth-Century Americanists, 3(1), 130–137. https://doi.org/10.1353/jnc.2015.0003
Yothers, B. (2013). Romance of the Holy Land in American Travel Writing, 1790 1876. Ashgate Publishing.
Yothers, B. (2015). Sacred Uncertainty: Religious Difference and the Shape of Melville’s Career. Northwestern University Press.
