Agamben, Giorgio, ‘Bartleby, or, On Contingency’, in Potentialities: Collected Essays in Philosophy (Stanford, Calif: Stanford University Press, 1999)
Alsop, E., ‘“The Mercurial Quality of Being”: Sudden Moves in Beau Travail and Billy Budd’, Adaptation, 7.1 (2014), 14–24 <https://doi.org/10.1093/adaptation/apt021>
‘American Literary History’ <https://www.jstor.org/journal/amerlitehist>
Anderson, D., ‘Re-Reading The Silence of Bartleby’, American Literary History, 20.3 (2008), 479–86 <https://doi.org/10.1093/alh/ajn021>
‘Arena: The Hunt for Moby-Dick’ (BBC2 England, 2009) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00B34C14?bcast=33003018>
Argersinger, Jana L., and Leland S. Person, Hawthorne and Melville: Writing a Relationship (Athens, Ga: University of Georgia Press, 2008)
Arsić, Branka., ‘Melville’s Celibatory Machines \-\- Bartleby, Pierre, and The Paradise of Bachelors’, Diacritics, 35.4 (2007), 81–100 <https://doi.org/10.1353/dia.2007.0025>
Arsić, Branka, Passive Constitutions, or, 7 1/2 Times Bartleby (Stanford, Calif: Stanford University Press, 2007)
‘ATQ: Atlantic Transcendental Quarterly’
Azzarello, Robert, Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature (London: Taylor & Francis Ltd, 2016)
Barnard, John Levi, ‘The Cod and the Whale: Melville in the Time of Extinction’, American Literature, 89.4 (2017), 851–79 <https://doi.org/10.1215/00029831-4257892>
Barnum, Jill, Wyn Kelley, and Christopher Sten, Whole Oceans Away: Melville and the Pacific (The Kent State University Press, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4403836>
Barrett, Faith, To Fight Aloud Is Very Brave: American Poetry and the Civil War (Amherst: University of Massachusetts Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4533137>
‘"Bartleby”’, Law and Literature, 23.3 (2011), 365–404 <https://doi.org/10.1525/lal.2011.23.3.365>
‘BBC Radio 4 - In Our Time, Moby Dick’ <https://www.bbc.co.uk/programmes/b09gzjm5>
Bercovitch, Sacvan, and Myra Jehlen, Ideology and Classic American Literature (Cambridge: Cambridge University Press, 1986)
Bergmann, Johannes Dietrich, ‘The Original Confidence Man’, American Quarterly, 21.3 (1969) <https://doi.org/10.2307/2711934>
Blum, Hester, The View From the Masthead: Maritime Imagination and Antebellum American Sea Narratives (Chapel Hill: University of North Carolina Press, 2008)
Brander Rasmussen, Birgit, ‘Indigenous Literacies, Moby-Dick, and the Promise of Queequeg’s Coffin’, Queequeg’s Coffin: Indigenous Literacies and Early American Literature <https://escholarship.org/uc/item/8b2686z9>
British Association for American Studies, ‘Journal of American Studies’, 1967 <https://www.cambridge.org/core/journals/journal-of-american-studies>
Bromell, Nicholas Knowles, By the Sweat of the Brow: Literature and Labor in Antebellum America (Chicago: University of Chicago Press, 1993)
Bryant, John, ‘Allegory and Breakdown in The Confidence-Man: Melville’s Comedy of Doubt’, Philological Quarterly, 65.1 (1986), 113–30 <https://search.proquest.com/docview/1290900960?rfr_id=info%3Axri%2Fsid%3Aprimo>
Bryant, John, Melville Unfolding: Sexuality, Politics, and the Versions of Typee : A Fluid-Text Analysis, with an Edition of the Typee Manuscript (Ann Arbor, Mich: University of Michigan Press, 2008)
———, ‘Rewriting: Politics, Textual Identity, and the Revision Narrative’, PMLA, 125.4 (2010), 1043–60 <https://doi.org/10.1632/pmla.2010.125.4.1043>
Cambridge Companions Complete Collection, The Cambridge Companion to Herman Melville, ed. by Robert S. Levine (Cambridge: Cambridge University Press, 1998) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521554772>
Castiglia, Christopher, ‘Approaching Ahab Blind’, J19: The Journal of Nineteenth-Century Americanists, 6.1 (2018), 14–24 <https://doi.org/10.1353/jnc.2018.0004>
Castronovo, Russ, ‘Occupy Bartleby’, J19: The Journal of Nineteenth-Century Americanists, 2.2 (2014), 253–72 <https://doi.org/10.1353/jnc.2014.0028>
‘Chapter 2: Melville’s Zig-Zag World Circle’, in Novels, Maps, Modernity : The Spatial Imagination, 1850-2000
Claviez, Thomas., ‘Rainbows, Fogs, and Other Smokescreens: Billy Budd and the Question of Ethics’, Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 62.4 (2006), 31–46 <https://doi.org/10.1353/arq.2006.0022>
Clymer, Jeffory A., ‘Property and Selfhood in Herman Melville’s Pierre’, Nineteenth-Century Literature, 61.2 (2006), 171–99 <https://doi.org/10.1525/ncl.2006.61.2.171>
Cohen, Lara Langer, The Fabrication of American Literature: Fraudulence and Antebellum Print Culture (Philadelphia: University of Pennsylvania Press, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3441922>
Cole, R., ‘At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man’, Novel: A Forum on Fiction, 39.3 (2006), 384–401 <https://doi.org/10.1215/ddnov.039030384>
Collins, Michael J., The Drama of the American Short Story, 1800-1865 (Ann Arbor: University of Michigan Press, 2016) <http://lib.myilibrary.com?id=971891>
Coviello, Peter, Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America (New York: New York University Press, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1177318>
Crain, Caleb, ‘Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels’, American Literature, 66.1 (1994) <https://doi.org/10.2307/2927432>
Creech, James, Closet Writing, Gay Reading: The Case of Melville’s Pierre (Chicago: University of Chicago Press, 1993)
Crimmins, Jonathan, ‘Nested Inversions: Genre and the Bipartite Form of Herman Melville’s’, Nineteenth-Century Literature, 64.4 (2010), 437–64 <https://doi.org/10.1525/ncl.2010.64.4.437>
Delbanco, Andrew, Melville: His World and Work (London: Picador, 2013)
Deleuze, Gilles, Essays Critical and Clinical (Verso, 1998)
DeLombard, J. M., ‘Salvaging Legal Personhood: Melville’s Benito Cereno’, American Literature, 81.1 (2009), 35–64 <https://doi.org/10.1215/00029831-2008-050>
Denis, Claire, and Denis Lavant, ‘Beau Travail’ ([S.l.]: Artificial Eye, 2000)
Dimock, Wai-chee, Empire for Liberty: Melville and the Poetics of Individualism (Princeton, NJ: Princeton University Press, 1991)
Dryden, Edgar A., ‘The Entangled Text: Melville’s Pierre and the Problem of Reading’, Boundary 2, 7.3 (1979) <https://doi.org/10.2307/303168>
Edelstein, Sari, ‘"May I Never Be a Man”: Melville’s Redburn and the Failure to Come of Age in Young America’, ESQ: A Journal of the American Renaissance, 59.4 (2013), 553–84 <https://doi.org/10.1353/esq.2013.0032>
‘Edgar Allan Poe Society of Baltimore - Works - Tales - Diddling Considered as One of the Exact Sciences [Text-02]’ <https://www.eapoe.org/works/tales/diddlnga.htm>
‘ESQ: Studies in the American Renaissance’, 51.1–3 (2005) <https://muse.jhu.edu/issue/19760>
Everton, Michael, ‘Melville in the Antebellum Publishing Maelstrom’, ESQ: A Journal of the American Renaissance, 52.3 (2006), 227–68 <https://doi.org/10.1353/esq.2006.0014>
Faggen, Robert, ‘Melville the Poet’, in The Cambridge Companion to American Poets (Cambridge: Cambridge University Press, 2015), pp. 104–18 <https://doi.org/10.1017/CCO9781316403532.009>
Fee, Tara Robbins, ‘Irreconcilable Differences: Voice, Trauma, and Melville’s Moby-Dick’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 45.4 (2012), 137–53 <https://doi.org/10.1353/mos.2012.0044>
Foote, Henry C., Universal Counterfeit and Altered Bank Note Detector (New York: Mann, Spear & Co., 1852)
Foster, Elizabether, ‘Introduction’, in The Confidence Man (Hendricks House Inc, 1979)
Frank, Jason, A Political Companion to Herman Melville (Lexington: The University Press of Kentucky, 2013)
Garland-Thomson, R., ‘The Cultural Logic of Euthanasia: “Sad Fancyings” in Herman Melville’s “Bartleby”’, American Literature, 76.4 (2004), 777–806 <https://doi.org/10.1215/00029831-76-4-777>
Gilmore, M. T., ‘“Speak, Man!”: Billy Budd in the Crucible of Reconstruction’, American Literary History, 21.3 (2009), 492–517 <https://doi.org/10.1093/alh/ajp022>
Gilmore, Michael T., American Romanticism and the Marketplace (Chicago, Ill: University of Chicago Press, 1985)
———, American Romanticism and the Marketplace (Chicago: University of Chicago Press, 1985) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485969>
———, The War on Words: Slavery, Race, and Free Speech in American Literature (Chicago, Ill: University of Chicago Press, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=570551>
Goldberg, Shari, ‘Benito Cereno ’s Mute Testimony: On the Politics of Reading Melville’s Silences’, Journal Of American Literature, Culture, And Theory, 65.2 (2009), 1–26 <https://muse.jhu.edu/article/266667>
Goldberg, Shari, Quiet Testimony: A Theory of Witnessing From Nineteenth-Century American Literature (New York: Fordham University Press, 2013)
Goudie, S. X., ‘Fabricating Ideology: Clothing, Culture, and Colonialism in Melville’s Typee’, Criticism: A Quarterly for Literature and the Arts, 40.2 (1998), 217–35 <https://www.jstor.org/stable/23124331?seq=1#metadata_info_tab_contents>
Graham Thompson, Male Sexuality Under Surveillance: The Office in American Literature (University of Iowa Press, 2003)
Greiman, Jennifer, ‘Melville in the Dark Ages of Democracy’, Leviathan, 18.3 (2016), 11–30 <https://doi.org/10.1353/lvn.2016.0039>
Greven, David, Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melvile (London: Routledge, 2016) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315584072>
Hager, C., ‘Melville in the Customhouse Attic’, American Literature, 82.2 (2010), 305–32 <https://doi.org/10.1215/00029831-2010-003>
Harrison, Henry Leslie, The Temple and the Forum: The American Museum and Cultural Authority in Hawthorne, Melville, Stowe, and Whitman (Tuscaloosa, Al: University of Alabama Press, 2007)
‘Hawthorne and His Mosses’ <http://xroads.virginia.edu/~ma96/atkins/cmmosses.html>
Herman Melville, Typee: A Peep at Polynesian Life (Penguin Classics) (Penguin Classics, 1996)
Howard, Ron, ‘In the Heart of the Sea’ ([Burbank, California: Warner Brothers Home Entertainment, 2016)
Hurh, P., ‘The Sound of Incest: Sympathetic Resonance in Melville’s Pierre’, Novel: A Forum on Fiction, 44.2 (2011), 249–67 <https://doi.org/10.1215/00295132-1260977>
Hurh, Paul, and Hurh Paul, American Terror: The Feeling of Thinking in Edwards, Poe, and Melville (Palo Alto: Stanford University Press, 2015) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3568941>
Hustis, Harriet, ‘"Universal Mixing” and Interpenetrating Standing’, Nineteenth-Century Literature, 69.1 (2014), 26–55 <https://doi.org/10.1525/ncl.2014.69.1.26>
Ivison, Douglas, ‘“I Saw Everything but Could Comprehend Nothing”: Melville’s Typee, Travel Narrative, and Colonial Discourse.’, ATQ, 16.2 (2002) <https://www.questia.com/library/journal/1G1-88583553/i-saw-everything-but-could-comprehend-nothing-melville-s>
James, C. L. R., Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In (Hanover, NH: Dartmouth College, 2001)
Johnson, Barbara, ‘Melville’s Fist: The Execution of “Billy Budd”’, Studies in Romanticism, 18.4 (1979) <https://doi.org/10.2307/25600211>
Jones, Gavin Roger, Failure and the American Writer: A Literary History (New York: Cambridge University Press, 2014)
Jonik, Michael, Herman Melville and the Politics of the Inhuman (Cambridge: Cambridge University Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5312920>
Kado, Martina, ‘The Ship as Assemblage: Melville’s Literary Shipboard Geographies’, Atlantic Studies, 15.1 (2018), 40–61 <https://doi.org/10.1080/14788810.2017.1347380>
Kamuf, Peggy, The Division of Literature: Or, the University in Deconstruction (Chicago: University of Chicago Press, 1997)
Karcher, Carolyn L 1945-, Shadow Over the Promised Land: Slavery, Race, and Violence in Melville’s America (Andesite Press, 2017)
Kelley, Wyn, A Companion to Herman Melville (Malden, Mass: Blackwell), xli <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251>
———, A Companion to Herman Melville (Malden, Mass: Blackwell), xli <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251>
———, Melville’s City: Literary and Urban Form in Nineteenth-Century New York (Cambridge: Cambridge University Press, 2009), c
Lawson, Andrew, ‘Moby Dick and the American Empire’, Comparative American Studies An International Journal, 10.1 (2012), 45–62 <https://doi.org/10.1179/1477570011Z.0000000003>
‘Leviathan: A Journal of Melville Studies - Special Issue Melville and the Civil War Poet’ <https://muse.jhu.edu/issue/32590>
‘Leviathan: A Journal of Melville Studies - Special Issue on Clarel’ <https://muse.jhu.edu/issue/26545>
Levine, Robert S., The Cambridge Companion to Herman Melville (Camb.U.P., 1998)
———, ed., The New Cambridge Companion to Herman Melville (New York, NY: Cambridge University Press, 2014)
Levine, Robert S., and Robert S. Levine, eds., The New Cambridge Companion to Herman Melville (Cambridge: Cambridge University Press, 2014) <https://www.cambridge.org/core/books/new-cambridge-companion-to-herman-melville/68435327716B3FCEE89685D927BD90D6>
‘Lisa Gitelman : Emoji Dick and the Eponymous Whale on Vimeo’ <https://vimeo.com/171102394>
Looby, Christopher, ‘Of Billy’s Time: Temporality in Melville’s’, Canadian Review of American Studies, 45.1 (2015), 23–37 <https://muse.jhu.edu/article/578466>
Luciano, Dana, ‘Melville’s Untimely History: “Benito Cereno” as Counter-Monumental Narrative’, Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 60.3 (2004), 33–60 <https://doi.org/10.1353/arq.2004.0007>
‘Mapping Typee: Space and the Genres of Truth’, ESQ: A Journal of the American Renaissance, 51.1–3 (2005), 115–20 <https://doi.org/10.1353/esq.2010.0024>
Marovitz, Sanford E., Melville as Poet: The Art of Pulsed Life (Ashland: The Kent State University Press, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3120197>
Marrs, C., ‘A Wayward Art: Battle-Pieces and Melville’s Poetic Turn’, American Literature, 82.1 (2010), 91–119 <https://doi.org/10.1215/00029831-2009-070>
Marrs, Cody, Nineteenth-Century American Literature and the Long Civil War (New York: Cambridge University Press, 2015)
———, Nineteenth-Century American Literature and the Long Civil War (Cambridge University Press, 2015) <http://ezproxy01.rhul.ac.uk/login?url=https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316362976>
Mastroianni, Dominic, Politics and Skepticism in Antebellum American Literature (Cambridge: Cambridge University Press, 2014)
McGettigan, Katie, Herman Melville: Modernity and the Material Text (Durham, New Hampshire: University of New Hampshire Press, 2017)
Melville, Herman, ‘An Uninscribed Monument’, 2009
———, ‘Clarel: A Poem and Pilgrimage in the Holy Land’, 1991
———, ‘Donelson’, 2009, pp. 23–36
———, ‘Introduction Published Poems: Battle-Pieces’, 2009, pp. 1–3
———, ‘Journals’, 1989, pp. 79–91
———, ‘On a Natural Monument’, 2009
———, ‘On the Photograph of a Corps Commander’, 2009
———, ‘On the Slain Collegians’, 2009, pp. 118–21
———, Pierre, or, The Ambiguities (New York: Penguin Books, 1996)
———, ‘Shiloh’, 2009
———, ‘Stonewall Jackson’, 2009, pp. 59–61
———, ‘Supplement’, 2009, pp. 181–88
———, The Confidence-Man: His Masquerade, New ed (Oxford: Oxford University Press, 2008)
Melville, Herman, and Harold Beaver, Redburn, His First Voyage: Being the Sailor-Boy Confessions and Reminiscences of the Son-of-a-Gentleman in the Merchant Service (Harmondsworth: Penguin, 1976)
Melville, Herman, and Robert Milder, Billy Budd, Sailor and Selected Tales, [New ed.] (Oxford: Oxford University Press, 2009)
———, Billy Budd, Sailor and Selected Tales, [New ed.] (Oxford: Oxford University Press, 2009)
———, Billy Budd, Sailor and Selected Tales, [New ed.] (Oxford: Oxford University Press, 2009)
Melville, Herman, and Tony Tanner, Moby-Dick, or, The Whale (Oxford: Oxford University Press, 1988)
Melville Society, ‘Leviathan: A Journal of Melville Studies’ <https://muse.jhu.edu/journal/601>
‘Melville’s Battle-Pieces and the Environments of War’, Journal Of The American Renaissance, 60.4 (2014), 557–92 <https://muse.jhu.edu/article/564081>
Meyer, Nicholas, ‘Star Trek II: The Wrath of Khan’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/001F4148?bcast=114177354>
Michaels, Walter Benn, Donald E. Pease, and English Institute, The American Renaissance Reconsidered (Baltimore: Johns Hopkins University Press, 1985), no. 9
Middleton-Kaplan, Richard, ‘Play It Again, Herman: ’, Leviathan, 11.3 (2009), 55–71 <https://doi.org/10.1111/j.1750-1849.2009.01224.x>
‘Minding the Body: Benito Cereno and Melville’s Embodied Reading Practice’, Studies in the Novel, 41.2 (2010), 157–77 <https://doi.org/10.1353/sdn.0.0059>
Modern Language Association of America. American Literature Group, ‘American Literature: A Journal of Literary History, Criticism and Bibliography’, ed. by Jay B. Hubbell and Clarence Gohdes, 1929 <https://read.dukeupress.edu/american-literature/issue>
Monnet, Agnieszka Soltysik, The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature (London: Routledge, 2016)
———, The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature (Farnham: Ashgate, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=513945>
Murison, Justine S., ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’, American Literature, 89.4 (2017), 697–726 <https://doi.org/10.1215/00029831-4257823>
———, ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’, American Literature, 89.4 (2017), 697–726 <https://doi.org/10.1215/00029831-4257823>
Newbury, Michael, Figuring Authorship in Antebellum America (Stanford, Calif: Stanford University Press, 1997)
‘Nineteenth-Century Literature’, 1986 <https://www.jstor.org/journal/ninecentlite>
Otter, Samuel, Melville’s Anatomies (Berkeley: University of California Press, 1999)
Pardes, Ilana, Melville’s Bibles (Berkeley, Calif: University of California Press, 2008)
Parker, Hershel, Herman Melville: A Biography (Baltimore, Md: Johns Hopkins University Press, 2005)
Parsons, Amy, ‘"A Careful Disorderliness”: Transnational Labors in Melville’s Moby-Dick’, ESQ: A Journal of the American Renaissance, 58.1 (2012), 71–101 <https://doi.org/10.1353/esq.2012.0012>
Pinchevski, Amit, ‘Bartleby’s Autism: Wandering along Incommunicability’, Cultural Critique, 78.1 (2011), 27–59 <https://doi.org/10.1353/cul.2011.0019>
‘Pip’s Oceanic Voice: Speech and the Sea in <em>Moby-Dick</Em>’, The Modern Language Review, 112.3 (2017) <https://doi.org/10.5699/modelangrevi.112.3.0567>
Potter, William, Melville’s Clarel and the Intersympathy of Creeds (Kent, Ohio: Kent State University Press, 2004)
Putzi, Jennifer, Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America (Georgia: University of Georgia Press, 2012)
Rachman, S., ‘Reading Cities: Devotional Seeing in the Nineteenth Century’, American Literary History, 9.4 (1997), 653–75 <https://doi.org/10.1093/alh/9.4.653>
Reed, N. C., ‘The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities’, American Literature, 76.2 (2004), 247–73 <https://doi.org/10.1215/00029831-76-2-247>
Renker, Elizabeth, Strike Through the Mask: Herman Melville and the Scene of Writing, John Hopkins paperback ed (Baltimore: Johns Hopkins University Press, 1998)
Reynolds, David S, Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville (Cambridge, Mass: Harvard University Press, 1988)
Richardson, Mark, ed., The Cambridge Companion to American Poets (New York: Cambridge University Press, 2015)
Riley, Peter, ‘Melville’s Retirement’, Leviathan, 18.3 (2016), 112–28 <https://doi.org/10.1353/lvn.2016.0043>
Rochlitz, Hanna, Sea-Changes Melville - Forster - Britten : The Story of Billy Budd and Its Operatic Adaptation ([Place of publication not identified]: Universitätsverlag Göttingen, 2012) <http://www.oapen.org/search?identifier=610287>
Rowe, Joyce A., ‘Social History and the Politics of Manhood in Melville’s Redburn’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 26.1 (1993), 53–68 <https://www.jstor.org/stable/24780516?seq=1#page_scan_tab_contents>
Ruttenburg, Nancy, ‘Melville’s Handsome Sailor: The Anxiety of Innocence’, American Literature, 66.1 (1994) <https://doi.org/10.2307/2927434>
Ryan, S. M., ‘Misgivings: Melville, Race, and the Ambiguities of Benevolence’, American Literary History, 12.4 (2000), 685–712 <https://doi.org/10.1093/alh/12.4.685>
Salem Press, Billy Budd, Sailor (Grey House Publishing Inc, 2017)
Sanborn, Geoffrey, ‘Where’s the Rest of Me?: The Melancholy Death of Benito Cereno’, Journal Of American Literature, Culture, And Theory, 52.1 (1996), 59–93 <https://muse.jhu.edu/article/444898/pdf>
Sanborn, Geoffrey, and Samuel Otter, Melville and Aesthetics (New York: Palgrave Macmillan, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=797853>
Spanos, William V., Herman Melville and the American Calling: The Fiction after Moby-Dick, 1851-1857 (Albany, NY: State University of New York Press, 2009)
Steeves, H.P, ‘He Tasks Me! Khan, Ahab, and Star Trek’s White Whale’, Popular Culture Review, 2017 <https://view.joomag.com/popular-culture-review-vol-28-no-1-february-2017/0017803001486486823?short>
Thomas, Brook, Cross-Examinations of Law and Literature: Cooper, Hawthorne, Stowe, and Melville (Cambridge: Cambridge University Press, 1988)
Thompson, G., ‘The “Plain Facts” of Fine Paper in “The Paradise of Bachelors and the Tartarus of Maids”’, American Literature, 84.3 (2012), 505–32 <https://doi.org/10.1215/00029831-1664701>
Thompson, Graham, Herman Melville: Among the Magazines (Massachusetts: University of Massachusetts Press, 2018)
‘Thompson Lecture on Melville and Authorship’ <https://www.youtube.com/watch?reload=9&v=117_QycXUDE>
Wadle, Meghan M., ‘"Rightly Enough Called Girls”: Melville’s Violated Virgins and Male Marketplace Fears’, American Literature, 90.1 (2018), 55–82 <https://doi.org/10.1215/00029831-4326403>
Washington State University. Department of English, ‘ESQ’ <https://muse.jhu.edu/journal/375>
Weaver, Raymond, Herman Melville, Mariner and Mystic <https://archive.org/stream/melvillemariner00weavrich#page/n7>
Weinstein, Cindy, and Christopher Looby, American Literature’s Aesthetic Dimensions (New York: Columbia University Press, 2012)
Wendy Anne, Lee, ‘The Scandal of Insensibility; or, The Bartleby Problem’, PMLA, 130.5 (2015), 1405–19 <https://doi.org/10.1632/pmla.2015.130.5.1405>
Wiegman, Robyn, ‘Melville’s Geography of Gender’, American Literary History, 1.4 (1989), 735–53 <https://doi.org/10.1093/alh/1.4.735>
Yao, Christine, ‘Visualizing Race Science in Benito Cereno’, J19: The Journal of Nineteenth-Century Americanists, 3.1 (2015), 130–37 <https://doi.org/10.1353/jnc.2015.0003>
Yothers, Brian, Romance of the Holy Land in American Travel Writing, 1790 1876 (Ashgate Publishing, 2013)
———, Sacred Uncertainty: Religious Difference and the Shape of Melville’s Career (Evanston, Illinois: Northwestern University Press, 2015)
