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Argersinger, Jana L., and Leland S. Person. 2008. Hawthorne and Melville: Writing a Relationship. University of Georgia Press.
Arsić, Branka. 2007. ‘Melville’s Celibatory Machines \-\- Bartleby, Pierre, and The Paradise of Bachelors’. Diacritics 35 (4): 81–100. https://doi.org/10.1353/dia.2007.0025.
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Azzarello, Robert. 2016. Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature. Taylor & Francis Ltd.
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Barnum, Jill, Wyn Kelley, and Christopher Sten. 2014. Whole Oceans Away: Melville and the Pacific. The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4403836.
Barrett, Faith. 2012. To Fight Aloud Is Very Brave: American Poetry and the Civil War. University of Massachusetts Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4533137.
‘"Bartleby”’. 2011. Law and Literature 23 (3): 365–404. https://doi.org/10.1525/lal.2011.23.3.365.
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Brander Rasmussen, Birgit. n.d. ‘Indigenous Literacies, Moby-Dick, and the Promise of Queequeg’s Coffin’. In Queequeg’s Coffin: Indigenous Literacies and Early American Literature, vol. 4. no. 1. https://escholarship.org/uc/item/8b2686z9.
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Bryant, John. 1986. ‘Allegory and Breakdown in The Confidence-Man: Melville’s Comedy of Doubt’. Philological Quarterly 65 (1): 113–30. https://search.proquest.com/docview/1290900960?rfr_id=info%3Axri%2Fsid%3Aprimo.
Bryant, John. 2008. Melville Unfolding: Sexuality, Politics, and the Versions of Typee : A Fluid-Text Analysis, with an Edition of the Typee Manuscript. University of Michigan Press.
Bryant, John. 2010. ‘Rewriting: Politics, Textual Identity, and the Revision Narrative’. PMLA 125 (4): 1043–60. https://doi.org/10.1632/pmla.2010.125.4.1043.
Cambridge Companions Complete Collection. 1998. The Cambridge Companion to Herman Melville. Edited by Robert S. Levine. Cambridge University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521554772.
Castiglia, Christopher. 2018. ‘Approaching Ahab Blind’. J19: The Journal of Nineteenth-Century Americanists 6 (1): 14–24. https://doi.org/10.1353/jnc.2018.0004.
Castronovo, Russ. 2014. ‘Occupy Bartleby’. J19: The Journal of Nineteenth-Century Americanists 2 (2): 253–72. https://doi.org/10.1353/jnc.2014.0028.
‘Chapter 2: Melville’s Zig-Zag World Circle’. n.d. In Novels, Maps, Modernity : The Spatial Imagination, 1850-2000.
Claviez, Thomas. 2006. ‘Rainbows, Fogs, and Other Smokescreens: Billy Budd and the Question of Ethics’. Arizona Quarterly: A Journal of American Literature, Culture, and Theory 62 (4): 31–46. https://doi.org/10.1353/arq.2006.0022.
Clymer, Jeffory A. 2006. ‘Property and Selfhood in Herman Melville’s Pierre’. Nineteenth-Century Literature 61 (2): 171–99. https://doi.org/10.1525/ncl.2006.61.2.171.
Cohen, Lara Langer. 2011. The Fabrication of American Literature: Fraudulence and Antebellum Print Culture. University of Pennsylvania Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3441922.
Cole, R. 2006. ‘At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man’. Novel: A Forum on Fiction 39 (3): 384–401. https://doi.org/10.1215/ddnov.039030384.
Collins, Michael J. 2016. The Drama of the American Short Story, 1800-1865. University of Michigan Press. Electronic resource. http://lib.myilibrary.com?id=971891.
Coviello, Peter. 2013. Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America. New York University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1177318.
Crain, Caleb. 1994. ‘Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels’. American Literature 66 (1). https://doi.org/10.2307/2927432.
Creech, James. 1993. Closet Writing, Gay Reading: The Case of Melville’s Pierre. University of Chicago Press.
Crimmins, Jonathan. 2010. ‘Nested Inversions: Genre and the Bipartite Form of Herman Melville’s’. Nineteenth-Century Literature 64 (4): 437–64. https://doi.org/10.1525/ncl.2010.64.4.437.
Delbanco, Andrew. 2013. Melville: His World and Work. Picador.
Deleuze, Gilles. 1998. Essays Critical and Clinical. Verso.
DeLombard, J. M. 2009. ‘Salvaging Legal Personhood: Melville’s Benito Cereno’. American Literature 81 (1): 35–64. https://doi.org/10.1215/00029831-2008-050.
Denis, Claire, and Denis Lavant. 2000. Beau Travail. Artificial Eye.
Dimock, Wai-chee. 1991. Empire for Liberty: Melville and the Poetics of Individualism. Princeton University Press.
Dryden, Edgar A. 1979. ‘The Entangled Text: Melville’s Pierre and the Problem of Reading’. Boundary 2 7 (3). https://doi.org/10.2307/303168.
Edelstein, Sari. 2013. ‘"May I Never Be a Man”: Melville’s Redburn and the Failure to Come of Age in Young America’. ESQ: A Journal of the American Renaissance 59 (4): 553–84. https://doi.org/10.1353/esq.2013.0032.
‘Edgar Allan Poe Society of Baltimore - Works - Tales - Diddling Considered as One of the Exact Sciences [Text-02]’. n.d. https://www.eapoe.org/works/tales/diddlnga.htm.
ESQ: Studies in the American Renaissance. 2005. 51 (1–3). https://muse.jhu.edu/issue/19760.
Everton, Michael. 2006. ‘Melville in the Antebellum Publishing Maelstrom’. ESQ: A Journal of the American Renaissance 52 (3): 227–68. https://doi.org/10.1353/esq.2006.0014.
Faggen, Robert. 2015. ‘Melville the Poet’. In The Cambridge Companion to American Poets. Cambridge University Press. https://doi.org/10.1017/CCO9781316403532.009.
Fee, Tara Robbins. 2012. ‘Irreconcilable Differences: Voice, Trauma, and Melville’s Moby-Dick’. Mosaic: A Journal for the Interdisciplinary Study of Literature 45 (4): 137–53. https://doi.org/10.1353/mos.2012.0044.
Foote, Henry C. 1852. Universal Counterfeit and Altered Bank Note Detector. Mann, Spear & Co.
Foster, Elizabether. 1979. ‘Introduction’. In The Confidence Man. Hendricks House Inc.
Frank, Jason. 2013. A Political Companion to Herman Melville. The University Press of Kentucky.
Garland-Thomson, R. 2004. ‘The Cultural Logic of Euthanasia: “Sad Fancyings” in Herman Melville’s “Bartleby”’. American Literature 76 (4): 777–806. https://doi.org/10.1215/00029831-76-4-777.
Gilmore, M. T. 2009. ‘“Speak, Man!”: Billy Budd in the Crucible of Reconstruction’. American Literary History 21 (3): 492–517. https://doi.org/10.1093/alh/ajp022.
Gilmore, Michael T. 1985a. American Romanticism and the Marketplace. University of Chicago Press.
Gilmore, Michael T. 1985b. American Romanticism and the Marketplace. University of Chicago Press. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485969.
Gilmore, Michael T. 2010. The War on Words: Slavery, Race, and Free Speech in American Literature. University of Chicago Press. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=570551.
Goldberg, Shari. 2009. ‘Benito Cereno ’s Mute Testimony: On the Politics of Reading Melville’s Silences’. Journal Of American Literature, Culture, And Theory 65 (2): 1–26. https://muse.jhu.edu/article/266667.
Goldberg, Shari. 2013. Quiet Testimony: A Theory of Witnessing From Nineteenth-Century American Literature. Fordham University Press.
Goudie, S. X. 1998. ‘Fabricating Ideology: Clothing, Culture, and Colonialism in Melville’s Typee’. Criticism: A Quarterly for Literature and the Arts 40 (2): 217–35. https://www.jstor.org/stable/23124331?seq=1#metadata_info_tab_contents.
Graham Thompson. 2003. Male Sexuality Under Surveillance: The Office in American Literature. University of Iowa Press.
Greiman, Jennifer. 2016. ‘Melville in the Dark Ages of Democracy’. Leviathan 18 (3): 11–30. https://doi.org/10.1353/lvn.2016.0039.
Greven, David. 2014. Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. Ashgate.
Hager, C. 2010. ‘Melville in the Customhouse Attic’. American Literature 82 (2): 305–32. https://doi.org/10.1215/00029831-2010-003.
Harrison, Henry Leslie. 2007. The Temple and the Forum: The American Museum and Cultural Authority in Hawthorne, Melville, Stowe, and Whitman. University of Alabama Press.
‘Hawthorne and His Mosses’. n.d. http://xroads.virginia.edu/~ma96/atkins/cmmosses.html.
Herman Melville. 1996. Typee: A Peep at Polynesian Life (Penguin Classics). Penguin Classics.
Howard, Ron. 2016. In the Heart of the Sea. Warner Brothers Home Entertainment.
Hurh, P. 2011. ‘The Sound of Incest: Sympathetic Resonance in Melville’s Pierre’. Novel: A Forum on Fiction 44 (2): 249–67. https://doi.org/10.1215/00295132-1260977.
Hurh, Paul, and Hurh Paul. 2015. American Terror: The Feeling of Thinking in Edwards, Poe, and Melville. Stanford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3568941.
Hustis, Harriet. 2014. ‘"Universal Mixing” and Interpenetrating Standing’. Nineteenth-Century Literature 69 (1): 26–55. https://doi.org/10.1525/ncl.2014.69.1.26.
Ivison, Douglas. 2002. ‘“I Saw Everything but Could Comprehend Nothing”: Melville’s Typee, Travel Narrative, and Colonial Discourse.’ ATQ 16 (2). https://www.questia.com/library/journal/1G1-88583553/i-saw-everything-but-could-comprehend-nothing-melville-s.
James, C. L. R. 2001. Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In. Dartmouth College.
Johnson, Barbara. 1979. ‘Melville’s Fist: The Execution of “Billy Budd”’. Studies in Romanticism 18 (4). https://doi.org/10.2307/25600211.
Jones, Gavin Roger. 2014. Failure and the American Writer: A Literary History. Cambridge University Press.
Jonik, Michael. 2018. Herman Melville and the Politics of the Inhuman. Cambridge University Press. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5312920.
Kado, Martina. 2018. ‘The Ship as Assemblage: Melville’s Literary Shipboard Geographies’. Atlantic Studies 15 (1): 40–61. https://doi.org/10.1080/14788810.2017.1347380.
Kamuf, Peggy. 1997. The Division of Literature: Or, the University in Deconstruction. University of Chicago Press.
Karcher, Carolyn L 1945-. 2017. Shadow Over the Promised Land: Slavery, Race, and Violence in Melville’s America. Andesite Press.
Kelley, Wyn. 2009. Melville’s City: Literary and Urban Form in Nineteenth-Century New York. Vol. 100. Cambridge University Press.
Kelley, Wyn. n.d.-a. A Companion to Herman Melville. Vol. 41. Blackwell. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
Kelley, Wyn. n.d.-b. A Companion to Herman Melville. Vol. 41. Blackwell. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
Lawson, Andrew. 2012. ‘Moby Dick and the American Empire’. Comparative American Studies An International Journal 10 (1): 45–62. https://doi.org/10.1179/1477570011Z.0000000003.
Leviathan: A Journal of Melville Studies - Special Issue Melville and the Civil War Poet. n.d. https://muse.jhu.edu/issue/32590.
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Levine, Robert S. 1998. The Cambridge Companion to Herman Melville. Camb.U.P.
Levine, Robert S., ed. 2014. The New Cambridge Companion to Herman Melville. Cambridge University Press.
Levine, Robert S., and Robert S. Levine, eds. 2014. The New Cambridge Companion to Herman Melville. Cambridge University Press. Electronic resource. https://www.cambridge.org/core/books/new-cambridge-companion-to-herman-melville/68435327716B3FCEE89685D927BD90D6.
Lisa Gitelman : Emoji Dick and the Eponymous Whale on Vimeo. n.d. https://vimeo.com/171102394.
Looby, Christopher. 2015. ‘Of Billy’s Time: Temporality in Melville’s’. Canadian Review of American Studies 45 (1): 23–37. https://muse.jhu.edu/article/578466.
Luciano, Dana. 2004. ‘Melville’s Untimely History: “Benito Cereno” as Counter-Monumental Narrative’. Arizona Quarterly: A Journal of American Literature, Culture, and Theory 60 (3): 33–60. https://doi.org/10.1353/arq.2004.0007.
‘Mapping Typee: Space and the Genres of Truth’. 2005. ESQ: A Journal of the American Renaissance 51 (1–3): 115–20. https://doi.org/10.1353/esq.2010.0024.
Marovitz, Sanford E. 2013. Melville as Poet: The Art of Pulsed Life. The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3120197.
Marrs, C. 2010. ‘A Wayward Art: Battle-Pieces and Melville’s Poetic Turn’. American Literature 82 (1): 91–119. https://doi.org/10.1215/00029831-2009-070.
Marrs, Cody. 2015a. Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press.
Marrs, Cody. 2015b. Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press. Electronic resource. https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781316362976&uid=^u.
Mastroianni, Dominic. 2014. Politics and Skepticism in Antebellum American Literature. Cambridge University Press.
McGettigan, Katie. 2017. Herman Melville: Modernity and the Material Text. University of New Hampshire Press.
Melville, Herman. 1989. Journals.
Melville, Herman. 1991. Clarel: A Poem and Pilgrimage in the Holy Land.
Melville, Herman. 1996. Pierre, or, The Ambiguities. Penguin Books.
Melville, Herman. 2008. The Confidence-Man: His Masquerade. New ed. Oxford University Press.
Melville, Herman. 2009a. An Uninscribed Monument.
Melville, Herman. 2009b. Donelson.
Melville, Herman. 2009c. Introduction Published Poems: Battle-Pieces.
Melville, Herman. 2009d. On a Natural Monument.
Melville, Herman. 2009e. On the Photograph of a Corps Commander.
Melville, Herman. 2009f. On the Slain Collegians.
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Melville, Herman, and Harold Beaver. 1976. Redburn, His First Voyage: Being the Sailor-Boy Confessions and Reminiscences of the Son-of-a-Gentleman in the Merchant Service. Penguin. https://www-oxfordscholarlyeditions-com.royalholloway.idm.oclc.org/display/10.1093/actrade/9780810100169.book.1/actrade-9780810100169-book-1.
Melville, Herman, and Robert Milder. 2009a. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford University Press.
Melville, Herman, and Robert Milder. 2009b. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford University Press.
Melville, Herman, and Robert Milder. 2009c. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford University Press.
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‘Melville’s Battle-Pieces and the Environments of War’. 2014. Journal Of The American Renaissance 60 (4): 557–92. https://muse.jhu.edu/article/564081.
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‘Minding the Body: Benito Cereno and Melville’s Embodied Reading Practice’. 2010. Studies in the Novel 41 (2): 157–77. https://doi.org/10.1353/sdn.0.0059.
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Monnet, Agnieszka Soltysik. 2016. The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Routledge.
Murison, Justine S. 2017a. ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’. American Literature 89 (4): 697–726. https://doi.org/10.1215/00029831-4257823.
Murison, Justine S. 2017b. ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’. American Literature 89 (4): 697–726. https://doi.org/10.1215/00029831-4257823.
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Otter, Samuel. 1999. Melville’s Anatomies. University of California Press.
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‘Pip’s Oceanic Voice: Speech and the Sea in <em>Moby-Dick</Em>’. 2017. The Modern Language Review 112 (3). https://doi.org/10.5699/modelangrevi.112.3.0567.
Potter, William. 2004. Melville’s Clarel and the Intersympathy of Creeds. Kent State University Press.
Putzi, Jennifer. 2012. Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America. University of Georgia Press.
Rachman, S. 1997. ‘Reading Cities: Devotional Seeing in the Nineteenth Century’. American Literary History 9 (4): 653–75. https://doi.org/10.1093/alh/9.4.653.
Reed, N. C. 2004. ‘The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities’. American Literature 76 (2): 247–73. https://doi.org/10.1215/00029831-76-2-247.
Renker, Elizabeth. 1998. Strike Through the Mask: Herman Melville and the Scene of Writing. John Hopkins paperback ed. Johns Hopkins University Press.
Reynolds, David S. 1988. Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Harvard University Press.
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Riley, Peter. 2016. ‘Melville’s Retirement’. Leviathan 18 (3): 112–28. https://doi.org/10.1353/lvn.2016.0043.
Rochlitz, Hanna. 2012. Sea-Changes Melville - Forster - Britten : The Story of Billy Budd and Its Operatic Adaptation. Universitätsverlag Göttingen. http://www.oapen.org/search?identifier=610287.
Rowe, Joyce A. 1993. ‘Social History and the Politics of Manhood in Melville’s Redburn’. Mosaic: A Journal for the Interdisciplinary Study of Literature 26 (1): 53–68. https://www.jstor.org/stable/24780516?seq=1#page_scan_tab_contents.
Ruttenburg, Nancy. 1994. ‘Melville’s Handsome Sailor: The Anxiety of Innocence’. American Literature 66 (1). https://doi.org/10.2307/2927434.
Ryan, S. M. 2000. ‘Misgivings: Melville, Race, and the Ambiguities of Benevolence’. American Literary History 12 (4): 685–712. https://doi.org/10.1093/alh/12.4.685.
Salem Press. 2017. Billy Budd, Sailor. Grey House Publishing Inc.
Sanborn, Geoffrey. 1996. ‘Where’s the Rest of Me?: The Melancholy Death of Benito Cereno’. Journal Of American Literature, Culture, And Theory 52 (1): 59–93. https://muse.jhu.edu/article/444898/pdf.
Sanborn, Geoffrey, and Samuel Otter. 2011. Melville and Aesthetics. Palgrave Macmillan. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=797853.
Spanos, William V. 2009. Herman Melville and the American Calling: The Fiction after Moby-Dick, 1851-1857. State University of New York Press.
Steeves, H.P. 2017. ‘He Tasks Me! Khan, Ahab, and Star Trek’s White Whale’. In Popular Culture Review, vol. 28. no. 1. https://view.joomag.com/popular-culture-review-vol-28-no-1-february-2017/0017803001486486823?short.
Thomas, Brook. 1988. Cross-Examinations of Law and Literature: Cooper, Hawthorne, Stowe, and Melville. Cambridge University Press.
Thompson, G. 2012. ‘The “Plain Facts” of Fine Paper in “The Paradise of Bachelors and the Tartarus of Maids”’. American Literature 84 (3): 505–32. https://doi.org/10.1215/00029831-1664701.
Thompson, Graham. 2018. Herman Melville: Among the Magazines. University of Massachusetts Press.
Thompson Lecture on Melville and Authorship. n.d. https://www.youtube.com/watch?reload=9&v=117_QycXUDE.
Wadle, Meghan M. 2018. ‘"Rightly Enough Called Girls”: Melville’s Violated Virgins and Male Marketplace Fears’. American Literature 90 (1): 55–82. https://doi.org/10.1215/00029831-4326403.
Washington State University. Department of English. n.d. ESQ. ([Pullman). E-journal. https://muse.jhu.edu/journal/375.
Weaver, Raymond. n.d. Herman Melville, Mariner and Mystic. https://archive.org/stream/melvillemariner00weavrich#page/n7.
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Wendy Anne, Lee. 2015. ‘The Scandal of Insensibility; or, The Bartleby Problem’. PMLA 130 (5): 1405–19. https://doi.org/10.1632/pmla.2015.130.5.1405.
Wiegman, Robyn. 1989. ‘Melville’s Geography of Gender’. American Literary History 1 (4): 735–53. https://doi.org/10.1093/alh/1.4.735.
Yao, Christine. 2015. ‘Visualizing Race Science in Benito Cereno’. J19: The Journal of Nineteenth-Century Americanists 3 (1): 130–37. https://doi.org/10.1353/jnc.2015.0003.
Yothers, Brian. 2013. Romance of the Holy Land in American Travel Writing, 1790 1876. Ashgate Publishing.
Yothers, Brian. 2015. Sacred Uncertainty: Religious Difference and the Shape of Melville’s Career. Northwestern University Press.
