Agamben, Giorgio. 1999. ‘Bartleby, or, On Contingency’. In Potentialities: Collected Essays in Philosophy. Stanford, Calif: Stanford University Press.
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‘American Literary History’. n.d. https://www.jstor.org/journal/amerlitehist.
Anderson, D. 2008. ‘Re-Reading The Silence of Bartleby’. American Literary History 20 (3): 479–86. https://doi.org/10.1093/alh/ajn021.
‘Arena: The Hunt for Moby-Dick’. 2009. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00B34C14?bcast=33003018.
Argersinger, Jana L., and Leland S. Person. 2008. Hawthorne and Melville: Writing a Relationship. Athens, Ga: University of Georgia Press.
Arsić, Branka. 2007a. ‘Melville’s Celibatory Machines \-\- Bartleby, Pierre, and The Paradise of Bachelors’. Diacritics 35 (4): 81–100. https://doi.org/10.1353/dia.2007.0025.
Arsić, Branka. 2007b. Passive Constitutions, or, 7 1/2 Times Bartleby. Stanford, Calif: Stanford University Press.
‘ATQ: Atlantic Transcendental Quarterly’. n.d.
Azzarello, Robert. 2016. Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature. London: Taylor & Francis Ltd.
Barnard, John Levi. 2017. ‘The Cod and the Whale: Melville in the Time of Extinction’. American Literature 89 (4): 851–79. https://doi.org/10.1215/00029831-4257892.
Barnum, Jill, Wyn Kelley, and Christopher Sten. 2014. Whole Oceans Away: Melville and the Pacific. The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4403836.
Barrett, Faith. 2012. To Fight Aloud Is Very Brave: American Poetry and the Civil War. Amherst: University of Massachusetts Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4533137.
‘"Bartleby”’. 2011. Law and Literature 23 (3): 365–404. https://doi.org/10.1525/lal.2011.23.3.365.
‘BBC Radio 4 - In Our Time, Moby Dick’. n.d. https://www.bbc.co.uk/programmes/b09gzjm5.
Bercovitch, Sacvan, and Myra Jehlen. 1986. Ideology and Classic American Literature. Cambridge: Cambridge University Press.
Bergmann, Johannes Dietrich. 1969. ‘The Original Confidence Man’. American Quarterly 21 (3). https://doi.org/10.2307/2711934.
Blum, Hester. 2008. The View From the Masthead: Maritime Imagination and Antebellum American Sea Narratives. Chapel Hill: University of North Carolina Press.
Brander Rasmussen, Birgit. n.d. ‘Indigenous Literacies, Moby-Dick, and the Promise of Queequeg’s Coffin’. Queequeg’s Coffin: Indigenous Literacies and Early American Literature. https://escholarship.org/uc/item/8b2686z9.
British Association for American Studies. 1967. ‘Journal of American Studies’. https://www.cambridge.org/core/journals/journal-of-american-studies.
Bromell, Nicholas Knowles. 1993. By the Sweat of the Brow: Literature and Labor in Antebellum America. Chicago: University of Chicago Press.
Bryant, John. 1986. ‘Allegory and Breakdown in The Confidence-Man: Melville’s Comedy of Doubt’. Philological Quarterly 65 (1): 113–30. https://search.proquest.com/docview/1290900960?rfr_id=info%3Axri%2Fsid%3Aprimo.
Bryant, John. 2008. Melville Unfolding: Sexuality, Politics, and the Versions of Typee : A Fluid-Text Analysis, with an Edition of the Typee Manuscript. Ann Arbor, Mich: University of Michigan Press.
———. 2010. ‘Rewriting: Politics, Textual Identity, and the Revision Narrative’. PMLA 125 (4): 1043–60. https://doi.org/10.1632/pmla.2010.125.4.1043.
Cambridge Companions Complete Collection. 1998. The Cambridge Companion to Herman Melville. Edited by Robert S. Levine. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521554772.
Castiglia, Christopher. 2018. ‘Approaching Ahab Blind’. J19: The Journal of Nineteenth-Century Americanists 6 (1): 14–24. https://doi.org/10.1353/jnc.2018.0004.
Castronovo, Russ. 2014. ‘Occupy Bartleby’. J19: The Journal of Nineteenth-Century Americanists 2 (2): 253–72. https://doi.org/10.1353/jnc.2014.0028.
‘Chapter 2: Melville’s Zig-Zag World Circle’. n.d. In Novels, Maps, Modernity : The Spatial Imagination, 1850-2000.
Claviez, Thomas. 2006. ‘Rainbows, Fogs, and Other Smokescreens: Billy Budd and the Question of Ethics’. Arizona Quarterly: A Journal of American Literature, Culture, and Theory 62 (4): 31–46. https://doi.org/10.1353/arq.2006.0022.
Clymer, Jeffory A. 2006. ‘Property and Selfhood in Herman Melville’s Pierre’. Nineteenth-Century Literature 61 (2): 171–99. https://doi.org/10.1525/ncl.2006.61.2.171.
Cohen, Lara Langer. 2011. The Fabrication of American Literature: Fraudulence and Antebellum Print Culture. Philadelphia: University of Pennsylvania Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3441922.
Cole, R. 2006. ‘At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man’. Novel: A Forum on Fiction 39 (3): 384–401. https://doi.org/10.1215/ddnov.039030384.
Collins, Michael J. 2016. The Drama of the American Short Story, 1800-1865. Ann Arbor: University of Michigan Press. http://lib.myilibrary.com?id=971891.
Coviello, Peter. 2013. Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America. New York: New York University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1177318.
Crain, Caleb. 1994. ‘Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels’. American Literature 66 (1). https://doi.org/10.2307/2927432.
Creech, James. 1993. Closet Writing, Gay Reading: The Case of Melville’s Pierre. Chicago: University of Chicago Press.
Crimmins, Jonathan. 2010. ‘Nested Inversions: Genre and the Bipartite Form of Herman Melville’s’. Nineteenth-Century Literature 64 (4): 437–64. https://doi.org/10.1525/ncl.2010.64.4.437.
Delbanco, Andrew. 2013. Melville: His World and Work. London: Picador.
Deleuze, Gilles. 1998. Essays Critical and Clinical. Verso.
DeLombard, J. M. 2009. ‘Salvaging Legal Personhood: Melville’s Benito Cereno’. American Literature 81 (1): 35–64. https://doi.org/10.1215/00029831-2008-050.
Denis, Claire, and Denis Lavant. 2000. ‘Beau Travail’. [S.l.]: Artificial Eye.
Dimock, Wai-chee. 1991. Empire for Liberty: Melville and the Poetics of Individualism. Princeton, NJ: Princeton University Press.
Dryden, Edgar A. 1979. ‘The Entangled Text: Melville’s Pierre and the Problem of Reading’. Boundary 2 7 (3). https://doi.org/10.2307/303168.
Edelstein, Sari. 2013. ‘"May I Never Be a Man”: Melville’s Redburn and the Failure to Come of Age in Young America’. ESQ: A Journal of the American Renaissance 59 (4): 553–84. https://doi.org/10.1353/esq.2013.0032.
‘Edgar Allan Poe Society of Baltimore - Works - Tales - Diddling Considered as One of the Exact Sciences [Text-02]’. n.d. https://www.eapoe.org/works/tales/diddlnga.htm.
‘ESQ: Studies in the American Renaissance’. 2005 51 (1–3). https://muse.jhu.edu/issue/19760.
Everton, Michael. 2006. ‘Melville in the Antebellum Publishing Maelstrom’. ESQ: A Journal of the American Renaissance 52 (3): 227–68. https://doi.org/10.1353/esq.2006.0014.
Faggen, Robert. 2015. ‘Melville the Poet’. In The Cambridge Companion to American Poets, 104–18. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCO9781316403532.009.
Fee, Tara Robbins. 2012. ‘Irreconcilable Differences: Voice, Trauma, and Melville’s Moby-Dick’. Mosaic: A Journal for the Interdisciplinary Study of Literature 45 (4): 137–53. https://doi.org/10.1353/mos.2012.0044.
Foote, Henry C. 1852. Universal Counterfeit and Altered Bank Note Detector. New York: Mann, Spear & Co.
Foster, Elizabether. 1979. ‘Introduction’. In The Confidence Man. Hendricks House Inc.
Frank, Jason. 2013. A Political Companion to Herman Melville. Lexington: The University Press of Kentucky.
Garland-Thomson, R. 2004. ‘The Cultural Logic of Euthanasia: “Sad Fancyings” in Herman Melville’s “Bartleby”’. American Literature 76 (4): 777–806. https://doi.org/10.1215/00029831-76-4-777.
Gilmore, M. T. 2009. ‘“Speak, Man!”: Billy Budd in the Crucible of Reconstruction’. American Literary History 21 (3): 492–517. https://doi.org/10.1093/alh/ajp022.
Gilmore, Michael T. 1985a. American Romanticism and the Marketplace. Chicago, Ill: University of Chicago Press.
———. 1985b. American Romanticism and the Marketplace. Chicago: University of Chicago Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485969.
———. 2010. The War on Words: Slavery, Race, and Free Speech in American Literature. Chicago, Ill: University of Chicago Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=570551.
Goldberg, Shari. 2009. ‘Benito Cereno ’s Mute Testimony: On the Politics of Reading Melville’s Silences’. Journal Of American Literature, Culture, And Theory 65 (2): 1–26. https://muse.jhu.edu/article/266667.
Goldberg, Shari. 2013. Quiet Testimony: A Theory of Witnessing From Nineteenth-Century American Literature. New York: Fordham University Press.
Goudie, S. X. 1998. ‘Fabricating Ideology: Clothing, Culture, and Colonialism in Melville’s Typee’. Criticism: A Quarterly for Literature and the Arts 40 (2): 217–35. https://www.jstor.org/stable/23124331?seq=1#metadata_info_tab_contents.
Graham Thompson. 2003. Male Sexuality Under Surveillance: The Office in American Literature. University of Iowa Press.
Greiman, Jennifer. 2016. ‘Melville in the Dark Ages of Democracy’. Leviathan 18 (3): 11–30. https://doi.org/10.1353/lvn.2016.0039.
Greven, David. 2016. Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melvile. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315584072.
Hager, C. 2010. ‘Melville in the Customhouse Attic’. American Literature 82 (2): 305–32. https://doi.org/10.1215/00029831-2010-003.
Harrison, Henry Leslie. 2007. The Temple and the Forum: The American Museum and Cultural Authority in Hawthorne, Melville, Stowe, and Whitman. Tuscaloosa, Al: University of Alabama Press.
‘Hawthorne and His Mosses’. n.d. http://xroads.virginia.edu/~ma96/atkins/cmmosses.html.
Herman Melville. 1996. Typee: A Peep at Polynesian Life (Penguin Classics). Penguin Classics.
Howard, Ron. 2016. ‘In the Heart of the Sea’. [Burbank, California: Warner Brothers Home Entertainment.
Hurh, P. 2011. ‘The Sound of Incest: Sympathetic Resonance in Melville’s Pierre’. Novel: A Forum on Fiction 44 (2): 249–67. https://doi.org/10.1215/00295132-1260977.
Hurh, Paul, and Hurh Paul. 2015. American Terror: The Feeling of Thinking in Edwards, Poe, and Melville. Palo Alto: Stanford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3568941.
Hustis, Harriet. 2014. ‘"Universal Mixing” and Interpenetrating Standing’. Nineteenth-Century Literature 69 (1): 26–55. https://doi.org/10.1525/ncl.2014.69.1.26.
Ivison, Douglas. 2002. ‘“I Saw Everything but Could Comprehend Nothing”: Melville’s Typee, Travel Narrative, and Colonial Discourse.’ ATQ 16 (2). https://www.questia.com/library/journal/1G1-88583553/i-saw-everything-but-could-comprehend-nothing-melville-s.
James, C. L. R. 2001. Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In. Hanover, NH: Dartmouth College.
Johnson, Barbara. 1979. ‘Melville’s Fist: The Execution of “Billy Budd”’. Studies in Romanticism 18 (4). https://doi.org/10.2307/25600211.
Jones, Gavin Roger. 2014. Failure and the American Writer: A Literary History. New York: Cambridge University Press.
Jonik, Michael. 2018. Herman Melville and the Politics of the Inhuman. Cambridge: Cambridge University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5312920.
Kado, Martina. 2018. ‘The Ship as Assemblage: Melville’s Literary Shipboard Geographies’. Atlantic Studies 15 (1): 40–61. https://doi.org/10.1080/14788810.2017.1347380.
Kamuf, Peggy. 1997. The Division of Literature: Or, the University in Deconstruction. Chicago: University of Chicago Press.
Karcher, Carolyn L 1945-. 2017. Shadow Over the Promised Land: Slavery, Race, and Violence in Melville’s America. Andesite Press.
Kelley, Wyn. 2009. Melville’s City: Literary and Urban Form in Nineteenth-Century New York. Vol. 100. Cambridge: Cambridge University Press.
———. n.d. A Companion to Herman Melville. Vol. 41. Malden, Mass: Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
———. n.d. A Companion to Herman Melville. Vol. 41. Malden, Mass: Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
Lawson, Andrew. 2012. ‘Moby Dick and the American Empire’. Comparative American Studies An International Journal 10 (1): 45–62. https://doi.org/10.1179/1477570011Z.0000000003.
‘Leviathan: A Journal of Melville Studies - Special Issue Melville and the Civil War Poet’. n.d. https://muse.jhu.edu/issue/32590.
‘Leviathan: A Journal of Melville Studies - Special Issue on Clarel’. n.d. https://muse.jhu.edu/issue/26545.
Levine, Robert S. 1998. The Cambridge Companion to Herman Melville. Camb.U.P.
———, ed. 2014. The New Cambridge Companion to Herman Melville. New York, NY: Cambridge University Press.
Levine, Robert S., and Robert S. Levine, eds. 2014. The New Cambridge Companion to Herman Melville. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/new-cambridge-companion-to-herman-melville/68435327716B3FCEE89685D927BD90D6.
‘Lisa Gitelman : Emoji Dick and the Eponymous Whale on Vimeo’. n.d. https://vimeo.com/171102394.
Looby, Christopher. 2015. ‘Of Billy’s Time: Temporality in Melville’s’. Canadian Review of American Studies 45 (1): 23–37. https://muse.jhu.edu/article/578466.
Luciano, Dana. 2004. ‘Melville’s Untimely History: “Benito Cereno” as Counter-Monumental Narrative’. Arizona Quarterly: A Journal of American Literature, Culture, and Theory 60 (3): 33–60. https://doi.org/10.1353/arq.2004.0007.
‘Mapping Typee: Space and the Genres of Truth’. 2005. ESQ: A Journal of the American Renaissance 51 (1–3): 115–20. https://doi.org/10.1353/esq.2010.0024.
Marovitz, Sanford E. 2013. Melville as Poet: The Art of Pulsed Life. Ashland: The Kent State University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3120197.
Marrs, C. 2010. ‘A Wayward Art: Battle-Pieces and Melville’s Poetic Turn’. American Literature 82 (1): 91–119. https://doi.org/10.1215/00029831-2009-070.
Marrs, Cody. 2015a. Nineteenth-Century American Literature and the Long Civil War. New York: Cambridge University Press.
———. 2015b. Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316362976.
Mastroianni, Dominic. 2014. Politics and Skepticism in Antebellum American Literature. Cambridge: Cambridge University Press.
McGettigan, Katie. 2017. Herman Melville: Modernity and the Material Text. Durham, New Hampshire: University of New Hampshire Press.
Melville, Herman. 1989. ‘Journals’. In , 79–91.
———. 1991. ‘Clarel: A Poem and Pilgrimage in the Holy Land’. In .
———. 1996. Pierre, or, The Ambiguities. New York: Penguin Books.
———. 2008. The Confidence-Man: His Masquerade. New ed. Oxford: Oxford University Press.
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———. 2009b. ‘Donelson’. In , 23–36.
———. 2009c. ‘Introduction Published Poems: Battle-Pieces’. In , 1–3.
———. 2009d. ‘On a Natural Monument’. In .
———. 2009e. ‘On the Photograph of a Corps Commander’. In .
———. 2009f. ‘On the Slain Collegians’. In , 118–21.
———. 2009g. ‘Shiloh’. In .
———. 2009h. ‘Stonewall Jackson’. In , 59–61.
———. 2009i. ‘Supplement’. In , 181–88.
Melville, Herman, and Harold Beaver. 1976. Redburn, His First Voyage: Being the Sailor-Boy Confessions and Reminiscences of the Son-of-a-Gentleman in the Merchant Service. Harmondsworth: Penguin.
Melville, Herman, and Robert Milder. 2009a. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
———. 2009b. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
———. 2009c. Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
Melville, Herman, and Tony Tanner. 1988. Moby-Dick, or, The Whale. Oxford: Oxford University Press.
Melville Society. n.d. ‘Leviathan: A Journal of Melville Studies’. https://muse.jhu.edu/journal/601.
‘Melville’s Battle-Pieces and the Environments of War’. 2014. Journal Of The American Renaissance 60 (4): 557–92. https://muse.jhu.edu/article/564081.
Meyer, Nicholas. n.d. ‘Star Trek II: The Wrath of Khan’. https://learningonscreen.ac.uk/ondemand/index.php/prog/001F4148?bcast=114177354.
Michaels, Walter Benn, Donald E. Pease, and English Institute. 1985. The American Renaissance Reconsidered. Vol. no. 9. Baltimore: Johns Hopkins University Press.
Middleton-Kaplan, Richard. 2009. ‘Play It Again, Herman: ’. Leviathan 11 (3): 55–71. https://doi.org/10.1111/j.1750-1849.2009.01224.x.
‘Minding the Body: Benito Cereno and Melville’s Embodied Reading Practice’. 2010. Studies in the Novel 41 (2): 157–77. https://doi.org/10.1353/sdn.0.0059.
Modern Language Association of America. American Literature Group. 1929. ‘American Literature: A Journal of Literary History, Criticism and Bibliography’. Edited by Jay B. Hubbell and Clarence Gohdes. https://read.dukeupress.edu/american-literature/issue.
Monnet, Agnieszka Soltysik. 2010. The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Farnham: Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=513945.
———. 2016. The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. London: Routledge.
Murison, Justine S. 2017a. ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’. American Literature 89 (4): 697–726. https://doi.org/10.1215/00029831-4257823.
———. 2017b. ‘"Nudity and Other Sensitive States”: Counterprivacy in Herman Melville’s Fiction’. American Literature 89 (4): 697–726. https://doi.org/10.1215/00029831-4257823.
Newbury, Michael. 1997. Figuring Authorship in Antebellum America. Stanford, Calif: Stanford University Press.
‘Nineteenth-Century Literature’. 1986. https://www.jstor.org/journal/ninecentlite.
Otter, Samuel. 1999. Melville’s Anatomies. Berkeley: University of California Press.
Pardes, Ilana. 2008. Melville’s Bibles. Berkeley, Calif: University of California Press.
Parker, Hershel. 2005. Herman Melville: A Biography. Baltimore, Md: Johns Hopkins University Press.
Parsons, Amy. 2012. ‘"A Careful Disorderliness”: Transnational Labors in Melville’s Moby-Dick’. ESQ: A Journal of the American Renaissance 58 (1): 71–101. https://doi.org/10.1353/esq.2012.0012.
Pinchevski, Amit. 2011. ‘Bartleby’s Autism: Wandering along Incommunicability’. Cultural Critique 78 (1): 27–59. https://doi.org/10.1353/cul.2011.0019.
‘Pip’s Oceanic Voice: Speech and the Sea in <em>Moby-Dick</Em>’. 2017. The Modern Language Review 112 (3). https://doi.org/10.5699/modelangrevi.112.3.0567.
Potter, William. 2004. Melville’s Clarel and the Intersympathy of Creeds. Kent, Ohio: Kent State University Press.
Putzi, Jennifer. 2012. Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America. Georgia: University of Georgia Press.
Rachman, S. 1997. ‘Reading Cities: Devotional Seeing in the Nineteenth Century’. American Literary History 9 (4): 653–75. https://doi.org/10.1093/alh/9.4.653.
Reed, N. C. 2004. ‘The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities’. American Literature 76 (2): 247–73. https://doi.org/10.1215/00029831-76-2-247.
Renker, Elizabeth. 1998. Strike Through the Mask: Herman Melville and the Scene of Writing. John Hopkins paperback ed. Baltimore: Johns Hopkins University Press.
Reynolds, David S. 1988. Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Cambridge, Mass: Harvard University Press.
Richardson, Mark, ed. 2015. The Cambridge Companion to American Poets. New York: Cambridge University Press.
Riley, Peter. 2016. ‘Melville’s Retirement’. Leviathan 18 (3): 112–28. https://doi.org/10.1353/lvn.2016.0043.
Rochlitz, Hanna. 2012. Sea-Changes Melville - Forster - Britten : The Story of Billy Budd and Its Operatic Adaptation. [Place of publication not identified]: Universitätsverlag Göttingen. http://www.oapen.org/search?identifier=610287.
Rowe, Joyce A. 1993. ‘Social History and the Politics of Manhood in Melville’s Redburn’. Mosaic: A Journal for the Interdisciplinary Study of Literature 26 (1): 53–68. https://www.jstor.org/stable/24780516?seq=1#page_scan_tab_contents.
Ruttenburg, Nancy. 1994. ‘Melville’s Handsome Sailor: The Anxiety of Innocence’. American Literature 66 (1). https://doi.org/10.2307/2927434.
Ryan, S. M. 2000. ‘Misgivings: Melville, Race, and the Ambiguities of Benevolence’. American Literary History 12 (4): 685–712. https://doi.org/10.1093/alh/12.4.685.
Salem Press. 2017. Billy Budd, Sailor. Grey House Publishing Inc.
Sanborn, Geoffrey. 1996. ‘Where’s the Rest of Me?: The Melancholy Death of Benito Cereno’. Journal Of American Literature, Culture, And Theory 52 (1): 59–93. https://muse.jhu.edu/article/444898/pdf.
Sanborn, Geoffrey, and Samuel Otter. 2011. Melville and Aesthetics. New York: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=797853.
Spanos, William V. 2009. Herman Melville and the American Calling: The Fiction after Moby-Dick, 1851-1857. Albany, NY: State University of New York Press.
Steeves, H.P. 2017. ‘He Tasks Me! Khan, Ahab, and Star Trek’s White Whale’. Popular Culture Review. https://view.joomag.com/popular-culture-review-vol-28-no-1-february-2017/0017803001486486823?short.
Thomas, Brook. 1988. Cross-Examinations of Law and Literature: Cooper, Hawthorne, Stowe, and Melville. Cambridge: Cambridge University Press.
Thompson, G. 2012. ‘The “Plain Facts” of Fine Paper in “The Paradise of Bachelors and the Tartarus of Maids”’. American Literature 84 (3): 505–32. https://doi.org/10.1215/00029831-1664701.
Thompson, Graham. 2018. Herman Melville: Among the Magazines. Massachusetts: University of Massachusetts Press.
‘Thompson Lecture on Melville and Authorship’. n.d. https://www.youtube.com/watch?reload=9&v=117_QycXUDE.
Wadle, Meghan M. 2018. ‘"Rightly Enough Called Girls”: Melville’s Violated Virgins and Male Marketplace Fears’. American Literature 90 (1): 55–82. https://doi.org/10.1215/00029831-4326403.
Washington State University. Department of English. n.d. ‘ESQ’. https://muse.jhu.edu/journal/375.
Weaver, Raymond. n.d. Herman Melville, Mariner and Mystic. https://archive.org/stream/melvillemariner00weavrich#page/n7.
Weinstein, Cindy, and Christopher Looby. 2012. American Literature’s Aesthetic Dimensions. New York: Columbia University Press.
Wendy Anne, Lee. 2015. ‘The Scandal of Insensibility; or, The Bartleby Problem’. PMLA 130 (5): 1405–19. https://doi.org/10.1632/pmla.2015.130.5.1405.
Wiegman, Robyn. 1989. ‘Melville’s Geography of Gender’. American Literary History 1 (4): 735–53. https://doi.org/10.1093/alh/1.4.735.
Yao, Christine. 2015. ‘Visualizing Race Science in Benito Cereno’. J19: The Journal of Nineteenth-Century Americanists 3 (1): 130–37. https://doi.org/10.1353/jnc.2015.0003.
Yothers, Brian. 2013. Romance of the Holy Land in American Travel Writing, 1790 1876. Ashgate Publishing.
———. 2015. Sacred Uncertainty: Religious Difference and the Shape of Melville’s Career. Evanston, Illinois: Northwestern University Press.
