Bibliography for FR3120: Wanton Women: Artists and Writers of the French Avant-Garde BETA

Aberth, Susan L., and Leonora Carrington. Leonora Carrington: Surrealism, Alchemy and Art. Farnham: Lund Humphries, 2010. Print.

Ades, Dawn. The Dada Reader: A Critical Anthology. London: Tate, 2006. Print.

Allmer, Patricia. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, 2009. Print.

---. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, 2009. Print.

---. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, 2009. Print.

---. Intersections: Women Artists / Surrealism / Modernism. Ed. Patricia Allmer. Manchester: Manchester University Press, 2016. Print.

Arnauld, Céline, Paul Dermée, and Victor Martin-Schmets. Oeuvres Complètes: Céline Arnauld Et Paul Dermée. Vol. 9. Paris: Classiques Garnier, 2013. Print.

Barnet, Marie-Claire. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang, 1998. Print.

---. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang, 1998. Print.

---. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang, 1998. Print.

Barry, Peter. ‘Feminist Criticism’. Beginning Theory: An Introduction to Literary and Cultural Theory. Fourth edition. Manchester: Manchester University Press, 2017. Print.

---. ‘Feminist Criticism’. Beginning Theory: An Introduction to Literary and Cultural Theory. 3rd ed. Beginnings. Manchester: Manchester University Press, 2009. 121–138. Print.

Bate, David. Photography and Surrealism: Sexuality, Colonialism and Social Dissent. London: I. B. Tauris, 2004. Print.

Belton, Robert J. ‘Androgyny: Interview with Meret Oppenheim’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 63–75. Print.

Berger, John. ‘Chapter 3’. Ways of Seeing. London: Penguin, 2008. 45–64. Print.

---. Ways of Seeing. London: British Broadcasting Corporation, 1972. Print.

Cahun, Claude et al. Aveux Non Avenus. Paris: Mille et une nuits, 2011. Print.

Cameron, Deborah. The Feminist Critique of Language: A Reader. 2nd ed. London: Routledge, 1998. Print.

Camfield, William A. ‘Suzanne Duchamp and Dada in Paris’. Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press, 1998. 82–103. Print.

Carrington, Leonora. The Hearing Trumpet. London: Penguin, 2005. Print.

Cauvin, Jean-Pierre. ‘Valentine, André, Paul Et Les Autres, Or, the Surrealization of Valentine Hugo’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 182–203. Print.

Caws, Mary Ann. ‘Doubling: Claude Cahun’s Split Self.’ The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT, 1997. Print.

---. ‘Seeing the Surreal Woman: We Are a Problem’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. Print.

---. Surrealist Painters and Poets: An Anthology. Cambridge, Mass: MIT Press, 2001. Print.

---. The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT, 1997. Print.

---. ‘These Photographing Women: The Scandal of Genius’. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, 2009. 28–35. Print.

---. ‘These Photographing Women: The Scandal of Genius’. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, 2009. 28–35. Print.

Caws, Mary Ann, Rudolf E. Kuenzli, and Gloria Gwen Raaberg. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. Print.

Chadwick, Whitney. ‘Introduction’. Women Artists and the Surrealist Movement. London: Thames and Hudson, 1985. Print.

---. ‘Leonora Carrington: Evolution of a Feminist Consciousness’. Woman’s Art Journal 7.1 (1986): 37–42. Web.

---. ‘Soldiers Without Names’. The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson, 2017. Print.

---. The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson, 2017. Print.

---. ‘The Two Leonors’. The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson, 2017. Print.

---. ‘Thw Two Leonors’. The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson, 2017. Print.

---. Women, Art, and Society. 2nd ed., rev.expanded. World of art. London: Thames & Hudson, 1996. Print.

---. Women Artists and the Surrealist Movement. London: Thames and Hudson, 1985. Print.

---. Women Artists and the Surrealist Movement. London: Thames and Hudson, 1985. Print.

---. Women Artists and the Surrealist Movement. London: Thames and Hudson, 1985. Print.

Chadwick, Whitney, and Dawn Ades. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press, 1998. Print.

Christensen, Peter J. ‘The Flight from Passion in Leonora Carrington’s Literary Work’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 148–158. Print.

Cole, Julie. ‘Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity’. Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press, 2005. Print.

Colvile, Georgiana. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place, 1999. Print.

---. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place, 1999. Print.

---. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place, 1999. Print.

Colvile, Georgiana M. M., and Annie Richard. Autoreprésentation Féminine. Mélusine. Lausanne: Âge d’homme, 2013. Print.

Colville, Georgiana M. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 159–181. Print.

---. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 159–181. Print.

Conley, Katharine. Automatic Woman: The Representation of Woman in Surrealism. Lincoln, [Neb.]: University of Nebraska Press, 1996. Print.

Cottenot-Hage, Madeleine. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 76–95. Print.

---. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 76–95. Print.

de Julio, Maryann. ‘Joyce Mansour and Egyptian Mythology’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 114–122. Print.

Doy, Gen. Claude Cahun: A Sensual Politics of Photography. London: I. B. Tauris, 2007. Print.

---. Claude Cahun: A Sensual Politics of Photography. London: I. B. Tauris, 2007. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702>.

Eagleton, Mary. A Concise Companion to Feminist Theory. Blackwell Concise Companions to Literature and Culture. Oxford: Blackwell, 2003. Print.

---. A Concise Companion to Feminist Theory. Blackwell concise companions to literature and culture. Hoboken: Wiley, 2003. Print.

---. Feminist Literary Criticism. Longman critical readers. Harlow: Longman, 1991. Print.

---. Feminist Literary Criticism. Longman critical readers. London: Longman, 1991. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889>.

Eburne, Jonathan P., and Catriona McAra, eds. Leonora Carrington and the International Avant-Garde. Manchester: Manchester University Press, 2017. Print.

Gauthier, Xaviere. ‘Gauthier in New French Feminisms’. New French Feminisms: An Anthology. Brighton: Harvester, 1981. 161–164. Print.

Girls, Guerrilla. ‘Introduction and Conclusion to The Guerilla Girls’ Bedside Companion to the History of Western Art’. The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, 2010. 411–415. Print.

Hedges, Inez. ‘What Do Little Girls Dream of: The Insurgent Writing of Gisèle Prassinos’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 27–31. Print.

Hemus, Ruth. ‘Dada’s Film Poet: Céline Arnauld’. Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus. Ed. Christopher Townsend, Alex Trott, and Rhys Davies. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. 66–80. Print.

---. Dada’s Women. New Haven, Conn: Yale University Press, 2009. Print.

---. Dada’s Women. New Haven, Conn: Yale University Press, 2009. Print.

---. Dada’s Women. New Haven, Conn: Yale University Press, 2009. Print.

---. ‘Manifesto of Céline Arnauld’. Dada and Beyond: Volume 1: Dada Discourses. Vol. 26. Amsterdam: Rodopi, 2011. 121–131. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274>.

Holm, Michael Juul. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art, 2012. Print.

---. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art, 2012. Print.

---. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art, 2012. Print.

Hopkins, David, ed. A Companion to Dada and Surrealism. Vol. 10. Chichester, West Sussex: Wiley Blackwell, 2016. Print.

---. Dada and Surrealism: A Very Short Introduction. Very short introductions. Oxford: Oxford University Press, 2004. Print.

---. Dada and Surrealism: A Very Short Introduction. Vol. 105. Oxford: Oxford University Press, 2004. Print.

---. Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press, 2007. Print.

---. ‘Introduction’. Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press, 2007. Print.

Hubert, Renée Riese. ‘Beyond Initiation: Leonora Carrington and Max Ernst’. Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press, 1994. 113–139. Print.

Hubert, Renée Riese. ‘From Déjeuner En Fourrure to Caroline: Meret Oppenheim’s Chronicle of Surrealism’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 37–49. Print.

Hubert, Renee Riese. Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press, 1994. Print.

Hubert, Renée Riese. ‘The Reluctant Partner’. Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press, 1994. 63–86. Print.

Jones, Amelia. ‘Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine”’. The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, 2010. 119–128. Print.

---. The Feminism and Visual Culture Reader. 2nd ed. In sight. London: Routledge, 2010. Print.

Kamenish, Paula K. ‘Celine Arnauld: Parisian Dada’s Best Kept Secret’. Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press, 2015. Print.

---. Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press, 2015. Print.

Kline, Katy. ‘In or Out of the Picture: Claude Cahun and Cindy Sherman’. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press, 1998. 66–81. Print.

Krauss, Rosalind E. Bachelors. Cambridge, Mass: MIT Press, 1999. Print.

L’Enfant, Julie. ‘Dora Maar and the Art of Mystery’. Woman’s Art Journal 17.2 (1996): n. pag. Web.

Levy, Thomas. Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry. Bielefeld: Kerber, 2003. Print.

Mansour, Joyce, and Serge Gavronsky. Essential Poems and Writings of Joyce Mansour. Boston, Mass: Black Widow Press, 2008. Print.

Marks, Elaine, and Isabelle De Courtivron. New French Feminisms: An Anthology. Brighton: Harvester, 1981. Print.

Melzer, Annabelle. Dada and Surrealist Performance. PAJ books. Baltimore: Johns Hopkins University Press, 1994. Print.

Motherwell, Robert, and Jean Arp. The Dada Painters and Poets: An Anthology. 2nd Edition. Cambridge, Mass: Belknap Press of Harvard University Press, 1989. Print.

Mundy, Jennifer, Dawn Ades, and Vincent Gille. Surrealism: Desire Unbound. London: Tate Publishing, 2001. Print.

Nochlin, Linda. ‘Why Have There Been No Great Women Artists?’ The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, 2010. 263–267. Print.

Pollock, Griselda. Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge, 1988. Print.

---. Vision and Difference: Feminism, Femininity and the Histories of Art. Routledge classics. London: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004>.

Prassinos, Gisèle. Trouver Sans Chercher (1934-1944). [Paris]: Flammarion, 1976. Print.

Preckshot, Judith. ‘Identity Crises: Joyce Mansour’s Narratives’. Surrealism and Women. Cambridge, Mass: MIT Press, 1991. 96–113. Print.

Rice, Shelley. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press, 1999. Print.

Rochefort, Christiane. ‘Rochefort in New French Feminisms’. New French Feminisms: An Anthology. Brighton: Harvester, 1981. 183–186. Print.

Rosemont, Penelope. Surrealist Women: An International Anthology. 1st ed. The Surrealist Revolution Series. Austin: University of Texas Press, 1998. Print.

---. Surrealist Women: An International Anthology. Surrealist revolution series. London: Athlone Press, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867>.

---. Surrealist Women: An International Anthology. Surrealist revolution series. London: Athlone Press, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867>.

---. Surrealist Women: An International Anthology. Surrealist revolution series. London: Athlone Press, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867>.

---. Surrealist Women: An International Anthology. Surrealist revolution series. London: Athlone Press, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867>.

---. Surrealist Women: An International Anthology. Surrealist revolution series. London: Athlone Press, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867>.

Sanouillet, Michel. Dada a Paris. Nouvelle edition revue et corrigee. Paris, France: Flammarion, 1993. Print.

Sanouillet, Michel, and Anne Sanouillet. Dada in Paris. 1st English-language ed. Cambridge, MA: MIT Press, 2009. Print.

Sawelson-Gorse, Naomi. ‘Preface’. Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press, 1998. X–XVIII. Print.

---. Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press, 1998. Print.

Schor, Mira. ‘Patrilineage’. The Feminism and Visual Culture Reader. 2nd Edition. London: Routledge, 2010. 282–289. Print.

Suleiman, Susan R. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, Mass: Harvard University Press, 1990. Print.

Suleiman, Susan Rubin. ‘A Double Margin: Women Writers and the Avant-Garde in France’. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, Mass: Harvard University Press, 1990. 11–32. Print.

Vergine, Lea, and Mireille Zanuttini. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes, 1982. Print.

---. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes, 1982. Print.

Waldberg, Patrick. Surrealism. World of art. New York, N.Y.: Thames & Hudson, 1997. Print.