Bibliography for FR3120: Wanton Women: Artists and Writers of the French Avant-Garde BETA

Aberth, Susan L., and Leonora Carrington. 2010. Leonora Carrington: Surrealism, Alchemy and Art. Farnham: Lund Humphries.

Ades, Dawn. 2006. The Dada Reader: A Critical Anthology. London: Tate.

Allmer, Patricia. 2009a. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

———. 2009b. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

———. 2009c. Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

———. 2016. Intersections: Women Artists / Surrealism / Modernism. Edited by Patricia Allmer. Manchester: Manchester University Press.

Arnauld, Céline, Paul Dermée, and Victor Martin-Schmets. 2013. Oeuvres Complètes: Céline Arnauld Et Paul Dermée. Vol. 9. Paris: Classiques Garnier.

Barnet, Marie-Claire. 1998a. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

———. 1998b. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

———. 1998c. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

Barry, Peter. 2009. ‘Feminist Criticism’. In Beginning Theory: An Introduction to Literary and Cultural Theory, 3rd ed, Beginnings:121–38. Manchester: Manchester University Press.

———. 2017. ‘Feminist Criticism’. In Beginning Theory: An Introduction to Literary and Cultural Theory, Fourth edition. Manchester: Manchester University Press.

Bate, David. 2004. Photography and Surrealism: Sexuality, Colonialism and Social Dissent. London: I. B. Tauris.

Belton, Robert J. 1991. ‘Androgyny: Interview with Meret Oppenheim’. In Surrealism and Women, 63–75. Cambridge, Mass: MIT Press.

Berger, John. 1972. Ways of Seeing. London: British Broadcasting Corporation.

———. 2008. ‘Chapter 3’. In Ways of Seeing, 45–64. London: Penguin.

Cahun, Claude, Suzanne Malherbe, Pierre MacOrlan, and François Leperlier. 2011. Aveux Non Avenus. Paris: Mille et une nuits.

Cameron, Deborah. 1998. The Feminist Critique of Language: A Reader. 2nd ed. London: Routledge.

Camfield, William A. 1998. ‘Suzanne Duchamp and Dada in Paris’. In Women in Dada: Essays on Sex, Gender, and Identity, 82–103. Cambridge, Mass: MIT Press.

Carrington, Leonora. 2005. The Hearing Trumpet. London: Penguin.

Cauvin, Jean-Pierre. 1991. ‘Valentine, André, Paul Et Les Autres, Or, the Surrealization of Valentine Hugo’. In Surrealism and Women, 182–203. Cambridge, Mass: MIT Press.

Caws, Mary Ann. 1991. ‘Seeing the Surreal Woman: We Are a Problem’. In Surrealism and Women. Cambridge, Mass: MIT Press.

———. 1997a. ‘Doubling: Claude Cahun’s Split Self.’ In The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT.

———. 1997b. The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT.

———. 2001. Surrealist Painters and Poets: An Anthology. Cambridge, Mass: MIT Press.

———. 2009a. ‘These Photographing Women: The Scandal of Genius’. In Angels of Anarchy: Women Artists and Surrealism, 1st ed, 28–35. New York, NY: Prestel.

———. 2009b. ‘These Photographing Women: The Scandal of Genius’. In Angels of Anarchy: Women Artists and Surrealism, 1st ed, 28–35. New York, NY: Prestel.

Caws, Mary Ann, Rudolf E. Kuenzli, and Gloria Gwen Raaberg. 1991. Surrealism and Women. Cambridge, Mass: MIT Press.

Chadwick, Whitney. 1985a. ‘Introduction’. In Women Artists and the Surrealist Movement. London: Thames and Hudson.

———. 1985b. Women Artists and the Surrealist Movement. London: Thames and Hudson.

———. 1985c. Women Artists and the Surrealist Movement. London: Thames and Hudson.

———. 1985d. Women Artists and the Surrealist Movement. London: Thames and Hudson.

———. 1986. ‘Leonora Carrington: Evolution of a Feminist Consciousness’. Woman’s Art Journal 7 (1): 37–42. https://doi.org/10.2307/1358235.

———. 1996. Women, Art, and Society. 2nd ed., rev.Expanded. Vol. World of art. London: Thames & Hudson.

———. 2017a. ‘Soldiers Without Names’. In The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

———. 2017b. The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

———. 2017c. ‘The Two Leonors’. In The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

———. 2017d. ‘Thw Two Leonors’. In The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

Chadwick, Whitney, and Dawn Ades. 1998. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press.

Christensen, Peter J. 1991. ‘The Flight from Passion in Leonora Carrington’s Literary Work’. In Surrealism and Women, 148–58. Cambridge, Mass: MIT Press.

Cole, Julie. 2005. ‘Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Colvile, Georgiana. 1999a. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

———. 1999b. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

———. 1999c. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

Colvile, Georgiana M. M., and Annie Richard. 2013. Autoreprésentation Féminine. Vol. Mélusine. Lausanne: Âge d’homme.

Colville, Georgiana M. 1991a. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. In Surrealism and Women, 159–81. Cambridge, Mass: MIT Press.

———. 1991b. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. In Surrealism and Women, 159–81. Cambridge, Mass: MIT Press.

Conley, Katharine. 1996. Automatic Woman: The Representation of Woman in Surrealism. Lincoln, [Neb.]: University of Nebraska Press.

Cottenot-Hage, Madeleine. 1991a. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. In Surrealism and Women, 76–95. Cambridge, Mass: MIT Press.

———. 1991b. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. In Surrealism and Women, 76–95. Cambridge, Mass: MIT Press.

Doy, Gen. 2007a. Claude Cahun: A Sensual Politics of Photography. London: I. B. Tauris.

———. 2007b. Claude Cahun: A Sensual Politics of Photography. London: I. B. Tauris. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702.

Eagleton, Mary. 1991a. Feminist Literary Criticism. Vol. Longman critical readers. Harlow: Longman.

———. 1991b. Feminist Literary Criticism. Vol. Longman critical readers. London: Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889.

———. 2003a. A Concise Companion to Feminist Theory. Vol. Blackwell Concise Companions to Literature and Culture. Oxford: Blackwell.

———. 2003b. A Concise Companion to Feminist Theory. Vol. Blackwell concise companions to literature and culture. Hoboken: Wiley.

Eburne, Jonathan P., and Catriona McAra, eds. 2017. Leonora Carrington and the International Avant-Garde. Manchester: Manchester University Press.

Gauthier, Xaviere. 1981. ‘Gauthier in New French Feminisms’. In New French Feminisms: An Anthology, 161–64. Brighton: Harvester.

Girls, Guerrilla. 2010. ‘Introduction and Conclusion to The Guerilla Girls’ Bedside Companion to the History of Western Art’. In The Feminism and Visual Culture Reader, 2nd ed, 411–15. London: Routledge.

Hedges, Inez. 1991. ‘What Do Little Girls Dream of: The Insurgent Writing of Gisèle Prassinos’. In Surrealism and Women, 27–31. Cambridge, Mass: MIT Press.

Hemus, Ruth. 2009a. Dada’s Women. New Haven, Conn: Yale University Press.

———. 2009b. Dada’s Women. New Haven, Conn: Yale University Press.

———. 2009c. Dada’s Women. New Haven, Conn: Yale University Press.

———. 2011. ‘Manifesto of Céline Arnauld’. In Dada and Beyond: Volume 1: Dada Discourses, 26:121–31. Amsterdam: Rodopi. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274.

———. 2014. ‘Dada’s Film Poet: Céline Arnauld’. In Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus, edited by Christopher Townsend, Alex Trott, and Rhys Davies, 66–80. Newcastle upon Tyne: Cambridge Scholars Publishing.

Holm, Michael Juul. 2012a. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

———. 2012b. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

———. 2012c. Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

Hopkins, David. 2004a. Dada and Surrealism: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press.

———. 2004b. Dada and Surrealism: A Very Short Introduction. Vol. 105. Oxford: Oxford University Press.

———. 2007a. Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press.

———. 2007b. ‘Introduction’. In Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press.

———, ed. 2016. A Companion to Dada and Surrealism. Vol. 10. Chichester, West Sussex: Wiley Blackwell.

Hubert, Renée Riese. 1991. ‘From Déjeuner En Fourrure to Caroline: Meret Oppenheim’s Chronicle of Surrealism’. In Surrealism and Women, 37–49. Cambridge, Mass: MIT Press.

Hubert, Renée Riese. 1994a. ‘Beyond Initiation: Leonora Carrington and Max Ernst’. In Magnifying Mirrors: Women, Surrealism, & Partnership, 113–39. Lincoln: University of Nebraska Press.

Hubert, Renee Riese. 1994. Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press.

Hubert, Renée Riese. 1994b. ‘The Reluctant Partner’. In Magnifying Mirrors: Women, Surrealism, & Partnership, 63–86. Lincoln: University of Nebraska Press.

Jones, Amelia. 2010a. ‘Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine”’. In The Feminism and Visual Culture Reader, 2nd ed, 119–28. London: Routledge.

———. 2010b. The Feminism and Visual Culture Reader. 2nd ed. Vol. In sight. London: Routledge.

Julio, Maryann de. 1991. ‘Joyce Mansour and Egyptian Mythology’. In Surrealism and Women, 114–22. Cambridge, Mass: MIT Press.

Kamenish, Paula K. 2015a. ‘Celine Arnauld: Parisian Dada’s Best Kept Secret’. In Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press.

———. 2015b. Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press.

Kline, Katy. 1998. ‘In or Out of the Picture: Claude Cahun and Cindy Sherman’. In Mirror Images: Women, Surrealism, and Self-Representation, 66–81. Cambridge, Mass: MIT Press.

Krauss, Rosalind E. 1999. Bachelors. Cambridge, Mass: MIT Press.

L’Enfant, Julie. 1996. ‘Dora Maar and the Art of Mystery’. Woman’s Art Journal 17 (2). https://doi.org/10.2307/1358462.

Levy, Thomas. 2003. Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry. Bielefeld: Kerber.

Mansour, Joyce, and Serge Gavronsky. 2008. Essential Poems and Writings of Joyce Mansour. Boston, Mass: Black Widow Press.

Marks, Elaine, and Isabelle De Courtivron. 1981. New French Feminisms: An Anthology. Brighton: Harvester.

Melzer, Annabelle. 1994. Dada and Surrealist Performance. Vol. PAJ books. Baltimore: Johns Hopkins University Press.

Motherwell, Robert, and Jean Arp. 1989. The Dada Painters and Poets: An Anthology. 2nd Edition. Cambridge, Mass: Belknap Press of Harvard University Press.

Mundy, Jennifer, Dawn Ades, and Vincent Gille. 2001. Surrealism: Desire Unbound. London: Tate Publishing.

Nochlin, Linda. 2010. ‘Why Have There Been No Great Women Artists?’ In The Feminism and Visual Culture Reader, 2nd ed, 263–67. London: Routledge.

Pollock, Griselda. 1988. Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge.

———. 2003. Vision and Difference: Feminism, Femininity and the Histories of Art. Vol. Routledge classics. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004.

Prassinos, Gisèle. 1976. Trouver Sans Chercher (1934-1944). [Paris]: Flammarion.

Preckshot, Judith. 1991. ‘Identity Crises: Joyce Mansour’s Narratives’. In Surrealism and Women, 96–113. Cambridge, Mass: MIT Press.

Rice, Shelley. 1999. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press.

Rochefort, Christiane. 1981. ‘Rochefort in New French Feminisms’. In New French Feminisms: An Anthology, 183–86. Brighton: Harvester.

Rosemont, Penelope. 1998a. Surrealist Women: An International Anthology. 1st ed. Vol. The Surrealist Revolution Series. Austin: University of Texas Press.

———. 1998b. Surrealist Women: An International Anthology. Vol. Surrealist revolution series. London: Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

———. 1998c. Surrealist Women: An International Anthology. Vol. Surrealist revolution series. London: Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

———. 1998d. Surrealist Women: An International Anthology. Vol. Surrealist revolution series. London: Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

———. 1998e. Surrealist Women: An International Anthology. Vol. Surrealist revolution series. London: Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

———. 1998f. Surrealist Women: An International Anthology. Vol. Surrealist revolution series. London: Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Sanouillet, Michel. 1993. Dada a Paris. Nouvelle edition revue et corrigee. Paris, France: Flammarion.

Sanouillet, Michel, and Anne Sanouillet. 2009. Dada in Paris. 1st English-Language ed. Cambridge, MA: MIT Press.

Sawelson-Gorse, Naomi. 1998a. ‘Preface’. In Women in Dada: Essays on Sex, Gender, and Identity, X–XVIII. Cambridge, Mass: MIT Press.

———. 1998b. Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press.

Schor, Mira. 2010. ‘Patrilineage’. In The Feminism and Visual Culture Reader, 2nd Edition, 282–89. London: Routledge.

Suleiman, Susan R. 1990. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, Mass: Harvard University Press.

Suleiman, Susan Rubin. 1990. ‘A Double Margin: Women Writers and the Avant-Garde in France’. In Subversive Intent: Gender, Politics, and the Avant-Garde, 11–32. Cambridge, Mass: Harvard University Press.

Vergine, Lea, and Mireille Zanuttini. 1982a. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes.

———. 1982b. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes.

Waldberg, Patrick. 1997. Surrealism. Vol. World of art. New York, N.Y.: Thames & Hudson.