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Allmer, Patricia. 2009a. Angels of Anarchy: Women Artists and Surrealism. 1st ed. Prestel.
Allmer, Patricia. 2009b. Angels of Anarchy: Women Artists and Surrealism. 1st ed. Prestel.
Allmer, Patricia. 2009c. Angels of Anarchy: Women Artists and Surrealism. 1st ed. Prestel.
Allmer, Patricia. 2016. Intersections: Women Artists / Surrealism / Modernism. Edited by Patricia Allmer. Manchester University Press.
Arnauld, Céline, Paul Dermée, and Victor Martin-Schmets. 2013. Oeuvres Complètes: Céline Arnauld Et Paul Dermée. Vol. 9. Classiques Garnier.
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Barnet, Marie-Claire. 1998b. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang.
Barnet, Marie-Claire. 1998c. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang.
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Barry, Peter. 2017. ‘Feminist Criticism’. In Beginning Theory: An Introduction to Literary and Cultural Theory, Fourth edition. Manchester University Press.
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Cahun, Claude, Suzanne Malherbe, Pierre MacOrlan, and François Leperlier. 2011. Aveux Non Avenus. Mille et une nuits.
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Carrington, Leonora. 2005. The Hearing Trumpet. Penguin.
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Caws, Mary Ann. 1997a. ‘Doubling: Claude Cahun’s Split Self.’ In The Surrealist Look: An Erotics of Encounter. MIT.
Caws, Mary Ann. 1997b. The Surrealist Look: An Erotics of Encounter. MIT.
Caws, Mary Ann. 2001. Surrealist Painters and Poets: An Anthology. MIT Press.
Caws, Mary Ann. 2009a. ‘These Photographing Women: The Scandal of Genius’. In Angels of Anarchy: Women Artists and Surrealism, 1st ed. Prestel.
Caws, Mary Ann. 2009b. ‘These Photographing Women: The Scandal of Genius’. In Angels of Anarchy: Women Artists and Surrealism, 1st ed. Prestel.
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Chadwick, Whitney. 1985b. Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, Whitney. 1985c. Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, Whitney. 1985d. Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, Whitney. 1986. ‘Leonora Carrington: Evolution of a Feminist Consciousness’. Woman’s Art Journal 7 (1): 37–42. https://doi.org/10.2307/1358235.
Chadwick, Whitney. 1996. Women, Art, and Society. 2nd ed., rev.Expanded. World of art. Thames & Hudson.
Chadwick, Whitney. 2017a. ‘Soldiers Without Names’. In The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
Chadwick, Whitney. 2017b. The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
Chadwick, Whitney. 2017c. ‘The Two Leonors’. In The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
Chadwick, Whitney. 2017d. ‘Thw Two Leonors’. In The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
Chadwick, Whitney, and Dawn Ades. 1998. Mirror Images: Women, Surrealism, and Self-Representation. MIT Press.
Christensen, Peter J. 1991. ‘The Flight from Passion in Leonora Carrington’s Literary Work’. In Surrealism and Women. MIT Press.
Cole, Julie. 2005. ‘Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. University of California Press.
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Colvile, Georgiana. 1999b. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place.
Colvile, Georgiana. 1999c. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place.
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Colville, Georgiana M. 1991a. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. In Surrealism and Women. MIT Press.
Colville, Georgiana M. 1991b. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. In Surrealism and Women. MIT Press.
Conley, Katharine. 1996. Automatic Woman: The Representation of Woman in Surrealism. University of Nebraska Press.
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Doy, Gen. 2007b. Claude Cahun: A Sensual Politics of Photography. I. B. Tauris. Electronic book. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702.
Eagleton, Mary. 1991a. Feminist Literary Criticism. Longman critical readers. Longman.
Eagleton, Mary. 1991b. Feminist Literary Criticism. Longman critical readers. Longman. Electronic book. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889.
Eagleton, Mary. 2003a. A Concise Companion to Feminist Theory. Blackwell Concise Companions to Literature and Culture. Blackwell.
Eagleton, Mary. 2003b. A Concise Companion to Feminist Theory. Blackwell concise companions to literature and Culture. Wiley.
Eburne, Jonathan P., and Catriona McAra, eds. 2017. Leonora Carrington and the International Avant-Garde. Manchester University Press.
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Hemus, Ruth. 2009b. Dada’s Women. Yale University Press.
Hemus, Ruth. 2009c. Dada’s Women. Yale University Press.
Hemus, Ruth. 2011. ‘Manifesto of Céline Arnauld’. In Dada and Beyond: Volume 1: Dada Discourses, vol. 26. Rodopi. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274.
Hemus, Ruth. 2014. ‘Dada’s Film Poet: Céline Arnauld’. In Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus, edited by Christopher Townsend, Alex Trott, and Rhys Davies. Cambridge Scholars Publishing.
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Holm, Michael Juul. 2012b. Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art.
Holm, Michael Juul. 2012c. Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art.
Hopkins, David. 2004a. Dada and Surrealism: A Very Short Introduction. Very short introductions. Oxford University Press.
Hopkins, David. 2004b. Dada and Surrealism: A Very Short Introduction. Vol. 105. Oxford University Press. Electronic book.
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Hopkins, David. 2007b. ‘Introduction’. In Dada’s Boys: Masculinity After Duchamp. Yale University Press.
Hopkins, David, ed. 2016. A Companion to Dada and Surrealism. Vol. 10. Wiley Blackwell.
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Hubert, Renée Riese. 1994b. ‘The Reluctant Partner’. In Magnifying Mirrors: Women, Surrealism, & Partnership. University of Nebraska Press.
Jones, Amelia. 2010a. ‘Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine”’. In The Feminism and Visual Culture Reader, 2nd ed. Routledge.
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Julio, Maryann de. 1991. ‘Joyce Mansour and Egyptian Mythology’. In Surrealism and Women. MIT Press.
Kamenish, Paula K. 2015a. ‘Celine Arnauld: Parisian Dada’s Best Kept Secret’. In Mamas of Dada: Women of the European Avant-Garde. University of South Carolina Press.
Kamenish, Paula K. 2015b. Mamas of Dada: Women of the European Avant-Garde. University of South Carolina Press.
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Pollock, Griselda. 2003. Vision and Difference: Feminism, Femininity and the Histories of Art. Routledge classics. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004.
Prassinos, Gisèle. 1976. Trouver Sans Chercher (1934-1944). Flammarion.
Preckshot, Judith. 1991. ‘Identity Crises: Joyce Mansour’s Narratives’. In Surrealism and Women. MIT Press.
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Rosemont, Penelope. 1998b. Surrealist Women: An International Anthology. Surrealist revolution series. Athlone Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.
Rosemont, Penelope. 1998c. Surrealist Women: An International Anthology. Surrealist revolution series. Athlone Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.
Rosemont, Penelope. 1998d. Surrealist Women: An International Anthology. Surrealist revolution series. Athlone Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.
Rosemont, Penelope. 1998e. Surrealist Women: An International Anthology. Surrealist revolution series. Athlone Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.
Rosemont, Penelope. 1998f. Surrealist Women: An International Anthology. Surrealist revolution series. Athlone Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.
Sanouillet, Michel. 1993. Dada a Paris. Nouvelle edition revue et corrigee. Flammarion.
Sanouillet, Michel, and Anne Sanouillet. 2009. Dada in Paris. 1st English-Language ed. MIT Press.
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Vergine, Lea, and Mireille Zanuttini. 1982b. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Des Femmes.
Waldberg, Patrick. 1997. Surrealism. World of art. Thames & Hudson.
