@book{Aberth_Carrington_2010, address={Farnham}, title={Leonora Carrington: Surrealism, Alchemy and Art}, publisher={Lund Humphries}, author={Aberth, Susan L. and Carrington, Leonora}, year={2010} }
@book{Ades_2006, address={London}, title={The Dada Reader: A Critical Anthology}, publisher={Tate}, author={Ades, Dawn}, year={2006} }
@book{Allmer_2009a, address={New York, NY}, edition={1st ed}, title={Angels of Anarchy: Women Artists and Surrealism}, publisher={Prestel}, author={Allmer, Patricia}, year={2009} }
@book{Allmer_2009b, address={New York, NY}, edition={1st ed}, title={Angels of Anarchy: Women Artists and Surrealism}, publisher={Prestel}, author={Allmer, Patricia}, year={2009} }
@book{Allmer_2009c, address={New York, NY}, edition={1st ed}, title={Angels of Anarchy: Women Artists and Surrealism}, publisher={Prestel}, author={Allmer, Patricia}, year={2009} }
@book{Allmer_2016, address={Manchester}, title={Intersections: Women Artists / Surrealism / Modernism}, publisher={Manchester University Press}, author={Allmer, Patricia}, editor={Allmer, Patricia}, year={2016} }
@book{Arnauld_Dermée_Martin-Schmets_2013, address={Paris}, title={Oeuvres Complètes: Céline Arnauld Et Paul Dermée}, volume={9}, publisher={Classiques Garnier}, author={Arnauld, Céline and Dermée, Paul and Martin-Schmets, Victor}, year={2013} }
@book{Barnet_1998a, address={Bern}, title={La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos}, publisher={Peter Lang}, author={Barnet, Marie-Claire}, year={1998} }
@book{Barnet_1998b, address={Bern}, title={La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos}, publisher={Peter Lang}, author={Barnet, Marie-Claire}, year={1998} }
@book{Barnet_1998c, address={Bern}, title={La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos}, publisher={Peter Lang}, author={Barnet, Marie-Claire}, year={1998} }
@inbook{Barry_2009, address={Manchester}, edition={3rd ed}, title={Feminist Criticism}, volume={Beginnings}, booktitle={Beginning Theory: An Introduction to Literary and Cultural Theory}, publisher={Manchester University Press}, author={Barry, Peter}, year={2009}, pages={121–138} }
@inbook{Barry_2017, address={Manchester}, edition={Fourth edition}, title={Feminist Criticism}, booktitle={Beginning Theory: An Introduction to Literary and Cultural Theory}, publisher={Manchester University Press}, author={Barry, Peter}, year={2017} }
@book{Bate_2004, address={London}, title={Photography and Surrealism: Sexuality, Colonialism and Social Dissent}, publisher={I. B. Tauris}, author={Bate, David}, year={2004} }
@inbook{Belton_1991, address={Cambridge, Mass}, title={Androgyny: Interview with Meret Oppenheim}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Belton, Robert J}, year={1991}, pages={63–75} }
@book{Berger_1972, address={London}, title={Ways of Seeing}, publisher={British Broadcasting Corporation}, author={Berger, John}, year={1972} }
@inbook{Berger_2008, address={London}, title={Chapter 3}, booktitle={Ways of Seeing}, publisher={Penguin}, author={Berger, John}, year={2008}, pages={45–64} }
@book{Cahun_Malherbe_MacOrlan_Leperlier_2011, address={Paris}, title={Aveux Non Avenus}, publisher={Mille et une nuits}, author={Cahun, Claude and Malherbe, Suzanne and MacOrlan, Pierre and Leperlier, François}, year={2011} }
@book{Cameron_1998, address={London}, edition={2nd ed}, title={The Feminist Critique of Language: A Reader}, publisher={Routledge}, author={Cameron, Deborah}, year={1998} }
@inbook{Camfield_1998, address={Cambridge, Mass}, title={Suzanne Duchamp and Dada in Paris}, booktitle={Women in Dada: Essays on Sex, Gender, and Identity}, publisher={MIT Press}, author={Camfield, William A}, year={1998}, pages={82–103} }
@book{Carrington_2005, address={London}, title={The Hearing Trumpet}, publisher={Penguin}, author={Carrington, Leonora}, year={2005} }
@inbook{Cauvin_1991, address={Cambridge, Mass}, title={Valentine, André, Paul Et Les Autres, Or, the Surrealization of Valentine Hugo}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Cauvin, Jean-Pierre.}, year={1991}, pages={182–203} }
@inbook{Caws_1991, address={Cambridge, Mass}, title={Seeing the Surreal Woman: We are a Problem}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Caws, Mary Ann}, year={1991} }
@book{Caws_1997a, address={Cambridge, Mass}, title={The Surrealist Look: An Erotics of Encounter}, publisher={MIT}, author={Caws, Mary Ann}, year={1997} }
@inbook{Caws_1997b, address={Cambridge, Mass}, title={Doubling: Claude Cahun’s Split Self.}, booktitle={The Surrealist Look: An Erotics of Encounter}, publisher={MIT}, author={Caws, Mary Ann}, year={1997} }
@book{Caws_2001, address={Cambridge, Mass}, title={Surrealist Painters and Poets: An Anthology}, publisher={MIT Press}, author={Caws, Mary Ann}, year={2001} }
@inbook{Caws_2009a, address={New York, NY}, edition={1st ed}, title={These Photographing Women: the Scandal of Genius}, booktitle={Angels of Anarchy: Women Artists and Surrealism}, publisher={Prestel}, author={Caws, Mary Ann}, year={2009}, pages={28–35} }
@inbook{Caws_2009b, address={New York, NY}, edition={1st ed}, title={These Photographing Women: the Scandal of Genius}, booktitle={Angels of Anarchy: Women Artists and Surrealism}, publisher={Prestel}, author={Caws, Mary Ann}, year={2009}, pages={28–35} }
@book{Caws_Kuenzli_Raaberg_1991, address={Cambridge, Mass}, title={Surrealism and Women}, publisher={MIT Press}, author={Caws, Mary Ann and Kuenzli, Rudolf E. and Raaberg, Gloria Gwen}, year={1991} }
@inbook{Chadwick_1985a, address={London}, title={Introduction}, booktitle={Women Artists and the Surrealist Movement}, publisher={Thames and Hudson}, author={Chadwick, Whitney}, year={1985} }
@book{Chadwick_1985b, address={London}, title={Women Artists and the Surrealist Movement}, publisher={Thames and Hudson}, author={Chadwick, Whitney}, year={1985} }
@book{Chadwick_1985c, address={London}, title={Women Artists and the Surrealist Movement}, publisher={Thames and Hudson}, author={Chadwick, Whitney}, year={1985} }
@book{Chadwick_1985d, address={London}, title={Women Artists and the Surrealist Movement}, publisher={Thames and Hudson}, author={Chadwick, Whitney}, year={1985} }
@article{Chadwick_1986, title={Leonora Carrington: Evolution of a Feminist Consciousness}, volume={7}, DOI={10.2307/1358235}, number={1}, journal={Woman’s Art Journal}, author={Chadwick, Whitney}, year={1986}, pages={37–42} }
@book{Chadwick_1996, address={London}, edition={2nd ed., rev.expanded}, title={Women, Art, and Society}, volume={World of art}, publisher={Thames & Hudson}, author={Chadwick, Whitney}, year={1996} }
@book{Chadwick_2017a, address={London}, title={The Militant Muse: Love, War and the Women of Surrealism}, publisher={Thames & Hudson}, author={Chadwick, Whitney}, year={2017} }
@inbook{Chadwick_2017b, address={London}, title={Soldiers Without Names}, booktitle={The Militant Muse: Love, War and the Women of Surrealism}, publisher={Thames & Hudson}, author={Chadwick, Whitney}, year={2017} }
@inbook{Chadwick_2017c, address={London}, title={Thw Two Leonors}, booktitle={The Militant Muse: Love, War and the Women of Surrealism}, publisher={Thames & Hudson}, author={Chadwick, Whitney}, year={2017} }
@inbook{Chadwick_2017d, address={London}, title={The Two Leonors}, booktitle={The Militant Muse: Love, War and the Women of Surrealism}, publisher={Thames & Hudson}, author={Chadwick, Whitney}, year={2017} }
@book{Chadwick_Ades_1998, address={Cambridge, Mass}, title={Mirror Images: Women, Surrealism, and Self-Representation}, publisher={MIT Press}, author={Chadwick, Whitney and Ades, Dawn}, year={1998} }
@inbook{Christensen_1991, address={Cambridge, Mass}, title={The Flight from Passion in Leonora Carrington’s Literary Work}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Christensen, Peter J.}, year={1991}, pages={148–158} }
@inbook{Cole_2005, address={Berkeley}, title={Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity}, booktitle={Reclaiming Female Agency: Feminist Art History After Postmodernism}, publisher={University of California Press}, author={Cole, Julie}, year={2005} }
@book{Colvile_1999a, address={Paris}, title={Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes}, publisher={Jean-Michel Place}, author={Colvile, Georgiana}, year={1999} }
@book{Colvile_1999b, address={Paris}, title={Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes}, publisher={Jean-Michel Place}, author={Colvile, Georgiana}, year={1999} }
@book{Colvile_1999c, address={Paris}, title={Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes}, publisher={Jean-Michel Place}, author={Colvile, Georgiana}, year={1999} }
@book{Colvile_Richard_2013, address={Lausanne}, title={Autoreprésentation Féminine}, volume={Mélusine}, publisher={Âge d’homme}, author={Colvile, Georgiana M. M. and Richard, Annie}, year={2013} }
@inbook{Colville_1991a, address={Cambridge, Mass}, title={Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Colville, Georgiana M.}, year={1991}, pages={159–181} }
@inbook{Colville_1991b, address={Cambridge, Mass}, title={Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Colville, Georgiana M.}, year={1991}, pages={159–181} }
@book{Conley_1996, address={Lincoln, [Neb.]}, title={Automatic Woman: The Representation of Woman in Surrealism}, publisher={University of Nebraska Press}, author={Conley, Katharine}, year={1996} }
@inbook{Cottenot-Hage_1991a, address={Cambridge, Mass}, title={The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Cottenot-Hage, Madeleine}, year={1991}, pages={76–95} }
@inbook{Cottenot-Hage_1991b, address={Cambridge, Mass}, title={The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Cottenot-Hage, Madeleine}, year={1991}, pages={76–95} }
@book{Doy_2007a, address={London}, title={Claude Cahun: A Sensual Politics of Photography}, publisher={I. B. Tauris}, author={Doy, Gen}, year={2007} }
@book{Doy_2007b, address={London}, title={Claude Cahun: A Sensual Politics of Photography}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702}, publisher={I. B. Tauris}, author={Doy, Gen}, year={2007} }
@book{Eagleton_1991a, address={Harlow}, title={Feminist Literary Criticism}, volume={Longman critical readers}, publisher={Longman}, author={Eagleton, Mary}, year={1991} }
@book{Eagleton_1991b, address={London}, title={Feminist Literary Criticism}, volume={Longman critical readers}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889}, publisher={Longman}, author={Eagleton, Mary}, year={1991} }
@book{Eagleton_2003a, address={Oxford}, title={A Concise Companion to Feminist Theory}, volume={Blackwell Concise Companions to Literature and Culture}, publisher={Blackwell}, author={Eagleton, Mary}, year={2003} }
@book{Eagleton_2003b, address={Hoboken}, title={A Concise Companion to Feminist Theory}, volume={Blackwell concise companions to literature and culture}, publisher={Wiley}, author={Eagleton, Mary}, year={2003} }
@inbook{Gauthier_1981, address={Brighton}, title={Gauthier in New French Feminisms}, booktitle={New French Feminisms: An Anthology}, publisher={Harvester}, author={Gauthier, Xaviere}, year={1981}, pages={161–164} }
@inbook{Girls_2010, address={London}, edition={2nd ed}, title={Introduction and Conclusion to The Guerilla Girls’ Bedside Companion to the History of Western Art}, booktitle={The Feminism and Visual Culture Reader}, publisher={Routledge}, author={Girls, Guerrilla}, year={2010}, pages={411–415} }
@inbook{Hedges_1991, address={Cambridge, Mass}, title={What do Little Girls Dream of: The Insurgent Writing of Gisèle Prassinos}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Hedges, Inez}, year={1991}, pages={27–31} }
@book{Hemus_2009a, address={New Haven, Conn}, title={Dada’s Women}, publisher={Yale University Press}, author={Hemus, Ruth}, year={2009} }
@book{Hemus_2009b, address={New Haven, Conn}, title={Dada’s Women}, publisher={Yale University Press}, author={Hemus, Ruth}, year={2009} }
@book{Hemus_2009c, address={New Haven, Conn}, title={Dada’s Women}, publisher={Yale University Press}, author={Hemus, Ruth}, year={2009} }
@inbook{Hemus_2011, address={Amsterdam}, title={Manifesto of Céline Arnauld}, volume={26}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274}, booktitle={Dada and Beyond: Volume 1: Dada Discourses}, publisher={Rodopi}, author={Hemus, Ruth}, year={2011}, pages={121–131} }
@inbook{Hemus_2014, address={Newcastle upon Tyne}, title={Dada’s Film Poet: Céline Arnauld}, booktitle={Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus}, publisher={Cambridge Scholars Publishing}, author={Hemus, Ruth}, editor={Townsend, Christopher and Trott, Alex and Davies, Rhys}, year={2014}, pages={66–80} }
@book{Holm_2012a, address={[Humlebæk]}, title={Women of the Avant-Garde 1920-1940}, publisher={Louisiana Museum of Modern Art}, author={Holm, Michael Juul}, year={2012} }
@book{Holm_2012b, address={[Humlebæk]}, title={Women of the Avant-Garde 1920-1940}, publisher={Louisiana Museum of Modern Art}, author={Holm, Michael Juul}, year={2012} }
@book{Holm_2012c, address={[Humlebæk]}, title={Women of the Avant-Garde 1920-1940}, publisher={Louisiana Museum of Modern Art}, author={Holm, Michael Juul}, year={2012} }
@book{Hopkins_2004a, address={Oxford}, title={Dada and Surrealism: A Very Short Introduction}, volume={Very short introductions}, publisher={Oxford University Press}, author={Hopkins, David}, year={2004} }
@book{Hopkins_2004b, address={Oxford}, title={Dada and Surrealism: A Very Short Introduction}, volume={105}, publisher={Oxford University Press}, author={Hopkins, David}, year={2004} }
@inbook{Hopkins_2007a, address={New Haven}, title={Introduction}, booktitle={Dada’s Boys: Masculinity After Duchamp}, publisher={Yale University Press}, author={Hopkins, David}, year={2007} }
@book{Hopkins_2007b, address={New Haven}, title={Dada’s Boys: Masculinity After Duchamp}, publisher={Yale University Press}, author={Hopkins, David}, year={2007} }
@inbook{Hubert_1991, address={Cambridge, Mass}, title={From Déjeuner en fourrure to Caroline: Meret Oppenheim’s Chronicle of Surrealism}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Hubert, Renée Riese}, year={1991}, pages={37–49} }
@book{Hubert_1994a, address={Lincoln}, title={Magnifying Mirrors: Women, Surrealism, & Partnership}, publisher={University of Nebraska Press}, author={Hubert, Renee Riese}, year={1994} }
@inbook{Hubert_1994b, address={Lincoln}, title={Beyond Initiation: Leonora Carrington and Max Ernst}, booktitle={Magnifying Mirrors: Women, Surrealism, & Partnership}, publisher={University of Nebraska Press}, author={Hubert, Renée Riese}, year={1994}, pages={113–139} }
@inbook{Hubert_1994c, address={Lincoln}, title={The Reluctant Partner}, booktitle={Magnifying Mirrors: Women, Surrealism, & Partnership}, publisher={University of Nebraska Press}, author={Hubert, Renée Riese}, year={1994}, pages={63–86} }
@inbook{Jones_2010a, address={London}, edition={2nd ed}, title={Any Theory of the ‘Subject’ Has Always Been Appropriated by the ‘Masculine’}, booktitle={The feminism and visual culture reader}, publisher={Routledge}, author={Jones, Amelia}, year={2010}, pages={119–128} }
@book{Jones_2010b, address={London}, edition={2nd ed}, title={The Feminism and Visual Culture Reader}, volume={In sight}, publisher={Routledge}, author={Jones, Amelia}, year={2010} }
@inbook{de Julio_1991, address={Cambridge, Mass}, title={Joyce Mansour and Egyptian Mythology}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={de Julio, Maryann}, year={1991}, pages={114–122} }
@book{Kamenish_2015a, address={Columbia, SC}, title={Mamas of Dada: Women of the European Avant-Garde}, publisher={University of South Carolina Press}, author={Kamenish, Paula K.}, year={2015} }
@inbook{Kamenish_2015b, address={Columbia, SC}, title={Celine Arnauld: Parisian Dada’s Best Kept Secret}, booktitle={Mamas of Dada: Women of the European Avant-Garde}, publisher={University of South Carolina Press}, author={Kamenish, Paula K.}, year={2015} }
@inbook{Kline_1998, address={Cambridge, Mass}, title={In or Out of the Picture: Claude Cahun and Cindy Sherman}, booktitle={Mirror Images: Women, Surrealism, and Self-Representation}, publisher={MIT Press}, author={Kline, Katy}, year={1998}, pages={66–81} }
@book{Krauss_1999, address={Cambridge, Mass}, title={Bachelors}, publisher={MIT Press}, author={Krauss, Rosalind E.}, year={1999} }
@article{L’Enfant_1996, title={Dora Maar and the Art of Mystery}, volume={17}, DOI={10.2307/1358462}, number={2}, journal={Woman’s Art Journal}, author={L’Enfant, Julie}, year={1996} }
@book{Levy_2003, address={Bielefeld}, title={Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry}, publisher={Kerber}, author={Levy, Thomas}, year={2003} }
@book{Mansour_Gavronsky_2008, address={Boston, Mass}, title={Essential Poems and Writings of Joyce Mansour}, publisher={Black Widow Press}, author={Mansour, Joyce and Gavronsky, Serge}, year={2008} }
@book{Marks_De Courtivron_1981, address={Brighton}, title={New French Feminisms: An Anthology}, publisher={Harvester}, author={Marks, Elaine and De Courtivron, Isabelle}, year={1981} }
@book{Melzer_1994, address={Baltimore}, title={Dada and Surrealist Performance}, volume={PAJ books}, publisher={Johns Hopkins University Press}, author={Melzer, Annabelle}, year={1994} }
@book{Motherwell_Arp_1989, address={Cambridge, Mass}, edition={2nd Edition}, title={The Dada Painters and Poets: An Anthology}, publisher={Belknap Press of Harvard University Press}, author={Motherwell, Robert and Arp, Jean}, year={1989} }
@book{Mundy_Ades_Gille_2001, address={London}, title={Surrealism: Desire Unbound}, publisher={Tate Publishing}, author={Mundy, Jennifer and Ades, Dawn and Gille, Vincent}, year={2001} }
@inbook{Nochlin_2010, address={London}, edition={2nd ed}, title={Why Have There Been No Great Women Artists?}, booktitle={The Feminism and Visual Culture Reader}, publisher={Routledge}, author={Nochlin, Linda}, year={2010}, pages={263–267} }
@book{Pollock_1988, address={London}, title={Vision and Difference: Femininity, Feminism and Histories of Art}, publisher={Routledge}, author={Pollock, Griselda}, year={1988} }
@book{Pollock_2003, address={London}, title={Vision and Difference: Feminism, Femininity and the Histories of Art}, volume={Routledge classics}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004}, publisher={Routledge}, author={Pollock, Griselda}, year={2003} }
@book{Prassinos_1976, address={[Paris]}, title={Trouver Sans Chercher (1934-1944)}, publisher={Flammarion}, author={Prassinos, Gisèle}, year={1976} }
@inbook{Preckshot_1991, address={Cambridge, Mass}, title={Identity Crises: Joyce Mansour’s Narratives}, booktitle={Surrealism and Women}, publisher={MIT Press}, author={Preckshot, Judith}, year={1991}, pages={96–113} }
@book{Rice_1999, address={Cambridge, Mass}, title={Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman}, publisher={MIT Press}, author={Rice, Shelley}, year={1999} }
@inbook{Rochefort_1981, address={Brighton}, title={Rochefort in New French Feminisms}, booktitle={New French Feminisms: An Anthology}, publisher={Harvester}, author={Rochefort, Christiane}, year={1981}, pages={183–186} }
@book{Rosemont_1998a, address={Austin}, edition={1st ed}, title={Surrealist Women: An International Anthology}, volume={The Surrealist Revolution Series}, publisher={University of Texas Press}, author={Rosemont, Penelope}, year={1998} }
@book{Rosemont_1998b, address={London}, title={Surrealist Women: An International Anthology}, volume={Surrealist revolution series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867}, publisher={Athlone Press}, author={Rosemont, Penelope}, year={1998} }
@book{Rosemont_1998c, address={London}, title={Surrealist Women: An International Anthology}, volume={Surrealist revolution series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867}, publisher={Athlone Press}, author={Rosemont, Penelope}, year={1998} }
@book{Rosemont_1998d, address={London}, title={Surrealist Women: An International Anthology}, volume={Surrealist revolution series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867}, publisher={Athlone Press}, author={Rosemont, Penelope}, year={1998} }
@book{Rosemont_1998e, address={London}, title={Surrealist Women: An International Anthology}, volume={Surrealist revolution series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867}, publisher={Athlone Press}, author={Rosemont, Penelope}, year={1998} }
@book{Rosemont_1998f, address={London}, title={Surrealist Women: An International Anthology}, volume={Surrealist revolution series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867}, publisher={Athlone Press}, author={Rosemont, Penelope}, year={1998} }
@book{Sanouillet_1993, address={Paris, France}, edition={Nouvelle edition revue et corrigee}, title={Dada a Paris}, publisher={Flammarion}, author={Sanouillet, Michel}, year={1993} }
@book{Sanouillet_Sanouillet_2009, address={Cambridge, MA}, edition={1st English-language ed}, title={Dada in Paris}, publisher={MIT Press}, author={Sanouillet, Michel and Sanouillet, Anne}, year={2009} }
@inbook{Sawelson-Gorse_1998a, address={Cambridge, Mass}, title={Preface}, booktitle={Women in Dada: Essays on Sex, Gender, and Identity}, publisher={MIT Press}, author={Sawelson-Gorse, Naomi}, year={1998}, pages={X–XVIII} }
@book{Sawelson-Gorse_1998b, address={Cambridge, Mass}, title={Women in Dada: Essays on Sex, Gender, and Identity}, publisher={MIT Press}, author={Sawelson-Gorse, Naomi}, year={1998} }
@inbook{Schor_2010, address={London}, edition={2nd Edition}, title={Patrilineage}, booktitle={The Feminism and Visual Culture Reader}, publisher={Routledge}, author={Schor, Mira}, year={2010}, pages={282–289} }
@book{Suleiman_1990a, address={Cambridge, Mass}, title={Subversive Intent: Gender, Politics, and the Avant-Garde}, publisher={Harvard University Press}, author={Suleiman, Susan R.}, year={1990} }
@inbook{Suleiman_1990b, address={Cambridge, Mass}, title={A Double Margin: Women Writers and the Avant-Garde in France}, booktitle={Subversive intent: gender, politics, and the avant-garde}, publisher={Harvard University Press}, author={Suleiman, Susan Rubin}, year={1990}, pages={11–32} }
@book{Vergine_Zanuttini_1982a, address={Paris}, title={L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques}, publisher={Des Femmes}, author={Vergine, Lea and Zanuttini, Mireille}, year={1982} }
@book{Vergine_Zanuttini_1982b, address={Paris}, title={L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques}, publisher={Des Femmes}, author={Vergine, Lea and Zanuttini, Mireille}, year={1982} }
@book{Waldberg_1997, address={New York, N.Y.}, title={Surrealism}, volume={World of art}, publisher={Thames & Hudson}, author={Waldberg, Patrick}, year={1997} }
@book{Hopkins_2016, address={Chichester, West Sussex}, title={A Companion to Dada and Surrealism}, volume={10}, publisher={Wiley Blackwell}, year={2016} }
@book{Eburne_McAra_2017, address={Manchester}, title={Leonora Carrington and the International Avant-Garde}, publisher={Manchester University Press}, year={2017} }
