Aberth, S. L., & Carrington, L. (2010). Leonora Carrington: Surrealism, Alchemy and Art. Lund Humphries.
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Allmer, P. (2009b). Angels of Anarchy: Women Artists and Surrealism (1st ed). Prestel.
Allmer, P. (2009c). Angels of Anarchy: Women Artists and Surrealism (1st ed). Prestel.
Allmer, P. (2016). Intersections: Women Artists / Surrealism / Modernism (P. Allmer, Ed.). Manchester University Press.
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Barnet, M.-C. (1998b). La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang.
Barnet, M.-C. (1998c). La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang.
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Barry, P. (2017). Feminist Criticism. In Beginning Theory: An Introduction to Literary and Cultural Theory (Fourth edition). Manchester University Press.
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Caws, M. A. (1997a). Doubling: Claude Cahun’s Split Self. In The Surrealist Look: An Erotics of Encounter. MIT.
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Caws, M. A. (2009a). These Photographing Women: the Scandal of Genius. In Angels of Anarchy: Women Artists and Surrealism (1st ed, pp. 28–35). Prestel.
Caws, M. A. (2009b). These Photographing Women: the Scandal of Genius. In Angels of Anarchy: Women Artists and Surrealism (1st ed, pp. 28–35). Prestel.
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Chadwick, W. (1985b). Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, W. (1985c). Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, W. (1985d). Women Artists and the Surrealist Movement. Thames and Hudson.
Chadwick, W. (1986). Leonora Carrington: Evolution of a Feminist Consciousness. Woman’s Art Journal, 7(1), 37–42. https://doi.org/10.2307/1358235
Chadwick, W. (1996). Women, Art, and Society: Vol. World of art (2nd ed., rev.expanded). Thames & Hudson.
Chadwick, W. (2017a). Soldiers Without Names. In The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
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Chadwick, W. (2017c). The Two Leonors. In The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson.
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Christensen, P. J. (1991). The Flight from Passion in Leonora Carrington’s Literary Work. In Surrealism and Women (pp. 148–158). MIT Press.
Cole, J. (2005). Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity. In Reclaiming Female Agency: Feminist Art History After Postmodernism. University of California Press.
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Colvile, G. (1999c). Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place.
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Colville, G. M. (1991b). Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini. In Surrealism and Women (pp. 159–181). MIT Press.
Conley, K. (1996). Automatic Woman: The Representation of Woman in Surrealism. University of Nebraska Press.
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Doy, G. (2007b). Claude Cahun: A Sensual Politics of Photography. I. B. Tauris. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702
Eagleton, M. (1991a). Feminist Literary Criticism: Vol. Longman critical readers. Longman.
Eagleton, M. (1991b). Feminist Literary Criticism: Vol. Longman critical readers. Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889
Eagleton, M. (2003a). A Concise Companion to Feminist Theory: Vol. Blackwell Concise Companions to Literature and Culture. Blackwell.
Eagleton, M. (2003b). A Concise Companion to Feminist Theory: Vol. Blackwell concise companions to literature and culture. Wiley.
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Hemus, R. (2009a). Dada’s Women. Yale University Press.
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Hemus, R. (2011). Manifesto of Céline Arnauld. In Dada and Beyond: Volume 1: Dada Discourses (Vol. 26, pp. 121–131). Rodopi. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274
Hemus, R. (2014). Dada’s Film Poet: Céline Arnauld. In C. Townsend, A. Trott, & R. Davies (Eds.), Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus (pp. 66–80). Cambridge Scholars Publishing.
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Holm, M. J. (2012b). Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art.
Holm, M. J. (2012c). Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art.
Hopkins, D. (2004a). Dada and Surrealism: A Very Short Introduction (Vol. 105). Oxford University Press.
Hopkins, D. (2004b). Dada and Surrealism: A Very Short Introduction: Vol. Very short introductions. Oxford University Press.
Hopkins, D. (2007a). Dada’s Boys: Masculinity After Duchamp. Yale University Press.
Hopkins, D. (2007b). Introduction. In Dada’s Boys: Masculinity After Duchamp. Yale University Press.
Hopkins, D. (Ed.). (2016). A Companion to Dada and Surrealism (Vol. 10). Wiley Blackwell.
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Hubert, R. R. (1994a). Beyond Initiation: Leonora Carrington and Max Ernst. In Magnifying Mirrors: Women, Surrealism, & Partnership (pp. 113–139). University of Nebraska Press.
Hubert, R. R. (1994b). Magnifying Mirrors: Women, Surrealism, & Partnership. University of Nebraska Press.
Hubert, R. R. (1994c). The Reluctant Partner. In Magnifying Mirrors: Women, Surrealism, & Partnership (pp. 63–86). University of Nebraska Press.
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Kamenish, P. K. (2015a). Celine Arnauld: Parisian Dada’s Best Kept Secret. In Mamas of Dada: Women of the European Avant-Garde. University of South Carolina Press.
Kamenish, P. K. (2015b). Mamas of Dada: Women of the European Avant-Garde. University of South Carolina Press.
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L’Enfant, J. (1996). Dora Maar and the Art of Mystery. Woman’s Art Journal, 17(2). https://doi.org/10.2307/1358462
Levy, T. (2003). Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry. Kerber.
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Prassinos, G. (1976). Trouver Sans Chercher (1934-1944). Flammarion.
Preckshot, J. (1991). Identity Crises: Joyce Mansour’s Narratives. In Surrealism and Women (pp. 96–113). MIT Press.
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Rosemont, P. (1998a). Surrealist Women: An International Anthology: Vol. Surrealist revolution series. Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867
Rosemont, P. (1998b). Surrealist Women: An International Anthology: Vol. Surrealist revolution series. Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867
Rosemont, P. (1998c). Surrealist Women: An International Anthology: Vol. Surrealist revolution series. Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867
Rosemont, P. (1998d). Surrealist Women: An International Anthology: Vol. Surrealist revolution series. Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867
Rosemont, P. (1998e). Surrealist Women: An International Anthology: Vol. Surrealist revolution series. Athlone Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867
Rosemont, P. (1998f). Surrealist Women: An International Anthology: Vol. The Surrealist Revolution Series (1st ed). University of Texas Press.
Sanouillet, M. (1993). Dada a Paris (Nouvelle edition revue et corrigee). Flammarion.
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Vergine, L., & Zanuttini, M. (1982b). L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Des Femmes.
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