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Andrews, M. (1994a). Dickens and the Grown-Up Child. Macmillan.
Andrews, M. (1994b). Dickens and the Grown-Up Child. Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1040298
Arac, J. (1992). Hamlet, Little Dorrit, and the History of Character. In Critical Conditions: Regarding the Historical Moment (pp. 82–96). University of Minnesota Press.
Armstrong, N. (1987). Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press.
Armstrong, N. (1990). Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, Incorporated. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=271302
Armstrong, N. (1999). Fiction in the Age of Photography: The Legacy of British Realism. Harvard University Press.
Baker, W. (1973). Critics on George Eliot. Allen & Unwin.
Bakhtin, M., & Holquist, M. (1981). The Dialogic Imagination: Four Essays: Vol. no. 1. University of Texas Press.
Barker, J. (1994). The Brontës. Weidenfeld and Nicolson.
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Beer, G. (2009a). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (3rd ed). Cambridge University Press.
Beer, G. (2009b). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (3rd Edition). Cambridge University Press. https://doi.org/10.1017/CBO9780511770401
Beer, G. (2009c). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (3rd ed). Cambridge University Press.
Beer, G. (2009d). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Third edition). Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511770401
Beer, G. (2009e). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press. https://royalholloway.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u
Beer, G. (2009f). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (3rd Edition). Cambridge University Press.
Beer, G. (2009g). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (3rd Edition). Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511770401
Bellringer, A. W. (1993). George Eliot: Vol. Macmillan modern novelists. Macmillan.
Belsey, C. (1980a). Critical Practice. Methuen.
Belsey, C. (1980b). Critical Practice. Methuen.
Belsey, C. (2002a). Critical Practice. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634
Belsey, C. (2002b). Critical Practice. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634
Billington, J. (2008). Eliot’s Middlemarch: Reader’s Guide. Continuum.
Black, B. (1998). A Sisterhood of Rage and Beauty: Dickens’ Rosa Dartle, Miss Wade, and Madame Defarge. Dickens Studies Annual, 26, 91–106. https://www.jstor.org/stable/44372502
Blake, K. (1990). Approaches to Teaching Eliot’s Middlemarch. Modern Language Association of America.
Bloom, H. (1987). Charles Dickens’s a Tale of Two Cities. Chelsea House Publishers.
Bodenheimer, R. (2010a). Knowing Dickens. Cornell University Press.
Bodenheimer, R. (2010b). Knowing Dickens. Cornell University Press.
Bongie, C. (1991). Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford University Press.
Bowen, J. (2000). Other Dickens: Pickwick to Chuzzlewit. Oxford University Press.
Bowen, J., & Patten, R. L. (2006). Palgrave Advances in Charles Dickens Studies. Palgrave Macmillan.
Brady, K. (1992). George Eliot: Vol. Women writers. Macmillan.
Brantlinger, P. (2001). Did Dickens Have a Philosophy of History? the Case of ‘Barnaby Rudge’. Dickens Studies Annual, 30, 59–74. https://www.jstor.org/stable/44372008
Brontë, A., & Chitman, E. (1979). The Poems of Anne Brontë: A New Text and Commentary. Macmillan.
Brontë, A., & Hargreaves, G. D. (1979). The Tenant of Wildfell Hall. Penguin.
Brontë, A., & Ward, H. (1920). The Tenant of Wildfell Hall. Ohn Murray, Albemarle Street, W. http://www.gutenberg.org/ebooks/969
Brooks, P. (1992). Reading for the Plot: Design and Intention in Narrative. Harvard University Press.
Butt, J. (1957). Dickens at Work. Methuen.
Carey, J. (1983). Dickens and the Mask. Studies in English Literature. 1983, 59, 3–18. https://ci.nii.ac.jp/naid/110008154187
Carey, J. (2008). The Violent Effigy: A Study of Dickens’ Imagination. Faber.
Carlisle, J. (1981). The Sense of an Audience: Dickens, Thackeray, and George Eliot at Mid-Century. University of Georgia Press.
Carnell, R. K. (1998). Feminism and the Public Sphere in Anne Brontë’s The Tenant of Wildfell Hall. Nineteenth-Century Literature, 53(1), 1–24. https://doi.org/10.2307/2902968
Carroll, D. (1971). George Eliot: The Critical Heritage: Vol. The critical heritage series. Routledge and Kegan Paul.
Carroll, D. (1992). George Eliot and the Conflict of Interpretations: A Reading of the Novels. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511519154
Cazamian, L., & Fido, M. (1973). The Social Novel in England, 1830-1850: Dickens, Disraeli, Mrs Gaskell, Kingsley. Routledge and Kegan Paul.
Chase, K. (1991). George Eliot, Middlemarch: Vol. Landmarks of world literature. Cambridge University Press.
Chesterton, G. K. (2016). Appreciations and Criticisms of the Works of Charles Dickens. HardPress.
Chitham, E. (1991). A Life of Anne Brontë. Blackwell.
Chittick, K. (1990). Dickens and the 1830s. Cambridge University Press.
Clayton, J. (2003). Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford University Press.
Clayton, J. (2009). Romantic Vision and the Novel. Cambridge University Press.
Cockshut, A. O. J. (1961). The Imagination of Charles Dickens. Collins.
Colatosti, C. (1990). Male Versus Female Self-Denial: The Subversive Potential of the Feminine Ideal in the Fiction of Charles Dickens. Dickens Studies Annual, 19, 1–24. https://www.jstor.org/stable/44371755
Collins, P. (1963). Dickens and Education. Macmillan.
Collins, P. (1971). Dickens: The Critical Heritage. Routledge & Kegan Paul.
Collins, P. (1981). Dickens: Interviews and Recollections. Macmillan.
Collins, P. (1994). Dickens and Crime (3rd Edition). St. Martin’s Press.
Connor, S. (1985). Charles Dickens. Blackwell.
Connor, S. (1995). "They’re All in One Story”: Public and Private Narratives in Oliver Twist. Dickensian, 91, 127–130.
Connor, S. (1996a). Charles Dickens. Longman.
Connor, S. (1996b). Charles Dickens. Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741905
Connor, S. (1996c). Charles Dickens. Longman.
Connor, S. (1996d). Charles Dickens. Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741905
Cottom, D. (1987). Social Figures: George Eliot, Social History and Literary Representation: Vol. Theory and history of literature. University of Minnesota Press.
Court, F. E. (1980). Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities. Victorians Institute Journal, 9, 29–37.
Craik, W. A. (1975). Elizabeth Gaskell and the English Provincial Novel. Methuen.
Craik, W. A. (2013). Elizabeth Gaskell and the English Provincial Novel: Vol. Routledge revivals. Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1474864
Dainotto, R. M. (2000). Place in Literature: Regions, Cultures, Communities. Cornell University Press.
D’Albertis, D. (1997). Dissembling Fictions: Elizabeth Gaskell and the Victorian Social Text. Macmillan.
David, D. (1981). Fictions of Resolution in Three Victorian Novels: North and South, Our Mutual Friend, Daniel Deronda. Macmillan.
Davies, J. A. (1990). The Textual Life of Dickens’s Characters. Barnes & Noble Books.
Davis, E. (1964). The Flint and the Flame: The Artistry of Charles Dickens. Gollancz.
Davis, L. J. (1983). Factual Fictions: The Origins of the English Novel. Columbia University Press.
Davis, P., & Bate, J. (2002a). The Oxford English Literary History - Volume 8: The Victorians: Vol. v. 8. Oxford University Press.
Davis, P., & Bate, J. (2002b). The Oxford Literary History - Volume 8: The Victorians: Vol. The Oxford English literary history. Oxford University Press.
Dentith, S. (1986). George Eliot: Vol. Harvester new readings. Harvester.
Dickens, C. (1870). Autobiographical Fragments.
Dickens, C. (2011). The Old Curiosity Shop. Arcturus.
Dickens, C. (2016a). David Copperfield (N. Burgis, Ed.). Oxford University Press. https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/view/10.1093/actrade/9780198124924.book.1/actrade-9780198124924-book-1
Dickens, C. (2016b). The Old Curiosity Shop (E. M. Brennan, Ed.). Oxford University Press. https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/view/10.1093/actrade/9780198124931.book.1/actrade-9780198124931-book-1
Dickens, C., & Buckley, J. H. (1990). David Copperfield. Norton.
Dickens Studies Annual - Special Issue on A Tale of Two Cities. (1983). 12. https://www.jstor.org/stable/i40182788
Dimnet, E. (1927). The Bronte Sisters. Jonathan Cape.
Dodd, V. A. (1990a). George Eliot: An Intellectual Life. Macmillan.
Dodd, V. A. (1990b). George Eliot: An Intellectual Life. Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1039829
Drew, J. (2003a). Dickens the Journalist. Palgrave Macmillan.
Drew, J. (2003b). Dickens the Journalist. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=343818
Eagleton, T. (2005). Myths of Power: A Marxist Study of the Brontës. Palgrave Macmillan.
Eigner, E. M. (1978). The Metaphysical Novel in England and America: Dickens, Bulwer, Melville, and Hawthorne. University of California Press.
Eigner, E. M. (1989). The Dickens Pantomime. University of California Press.
Eisenstein, S. (1942). Dickens, Griffith and Ourselves. In Selected Works - Volume 3: Writings, 1934-47 (pp. 193–212). BFI.
Eliot, G. (n.d.-a). Middlemarch. H. M. Caldwell Company Publishers. https://www.gutenberg.org/files/145/145-h/145-h.htm
Eliot, G. (n.d.-b). Middlemarch. H. M. Caldwell Company Publishers. https://www.gutenberg.org/files/145/145-h/145-h.htm
Eliot, G., Byatt, A. S., Susan, A., & Warren, N. (1990). Selected Essays, Poems and Other Writings: Vol. Penguin classics. Penguin.
Eliot, G., & Harvey, W. J. (1985a). Middlemarch: Vol. Penguin classics. Penguin.
Eliot, G., & Harvey, W. J. (1985b). Middlemarch: Vol. Penguin classics. Penguin.
Eliot, T. S. (1929). Wilkie Collins and Dickens. In Selected Essays (3rd Edition, pp. 460–470). Faber.
Flint, K. (1986). Dickens: Vol. Harvester new readings. Harvester Press.
Flint, K. (1995). Elizabeth Gaskell: Vol. Writers and their work. Northcote House.
Flint, K. (2002). The Woman Reader 1837-1914. Clarendon Press.
Flint, K. (Ed.). (2017). The Victorian Novelist: Social Problems and Change (Vol. 14). Routledge.
Ford, G. H. (1965). Dickens and His Readers: Aspects of Novel-Criticism Since 1836: Vol. The Norton library. Norton.
Forster, E. M., & Stallybrass, O. (2000). Aspects of the Novel: Vol. Penguin classics. Penguin.
Forster, J., & Hoppé, A. J. (1966). The Life of Charles Dickens (New Edition). Dent.
Foster, S. (2002). Elizabeth Gaskell: A Literary Life: Vol. Literary lives. Palgrave Macmillan.
Freedgood, E. (2006). The Ideas in Things: Fugitive Meaning in the Victorian Novel. University of Chicago Press.
Frye, N. (1968a). Dickens and the Comedy of Humours. In Experience in the Novel: Selected Papers From the English Institute (pp. 49–82). Columbia University Press.
Frye, N. (1968b). Dickens and the Comedy of Humours. In Experience in the Novel: Selected Papers From the English Institute (pp. 49–82). Columbia University Press. http://hdl.handle.net/2027/heb.07753
Furneaux, H. (2013). Queer Dickens: Erotics, Families, Masculinities. Oxford University Press.
Furst, L. R. (1992a). Realism. Longman.
Furst, L. R. (1992b). Realism: Vol. Modern literatures in perspective. Longman.
Gallagher, C. (1985). The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867. University of Chicago Press.
Garis, R. (1965). The Dickens Theatre: A Reassessment of the Novels. Clarendon P.
Garret, P. K. (1980). The Victorian Multiplot Novel: Studies in Dialogical Form. Yale Unversity Press.
Gaskell, E. C. (n.d.-a). Sylvia’s Lovers. Project Gutenberg. http://www.gutenberg.org/files/4537/4537-h/4537-h.htm
Gaskell, E. C. (n.d.-b). Sylvia’s Lovers. Project Gutenberg. http://www.gutenberg.org/files/4537/4537-h/4537-h.htm
Gaskell, E., & Foster, S. (1996a). Sylvia’s Lovers. Penguin.
Gaskell, E., & Foster, S. (1996b). Sylvia’s Lovers. Penguin.
Gerin, W. (1976). Anne Brontë (New Edition). Allen Lane.
Gerin, W., & Scott-Kilvert, I. (1974). The Brontës: 2: The Creative Work: Vol. Writers and their work. Longman for the British Council.
Gilmartin, S. (1998). Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy: Vol. Cambridge studies in nineteenth-century literature and culture. Cambridge University Press.
Gilmartin, S. (2016). ‘Within the Figure and Frame and Clothes and Cuticle’: Trollope and the Body. In The Ashgate Research Companion To Anthony Trollope (pp. 120–134). Ashgate.
Gilmour, R. (1981). The Idea of the Gentleman in the Victorian Novel. Allen & Unwin.
Gissing, G. (1898). Charles Dickens: A Critical Study. Blackie.
Glen, H. (Ed.). (2002a). The Cambridge Companion to the Brontës: Vol. Cambridge Companions to Literature. Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521770270
Glen, H. (2002b). The Cambridge Companion to the Brontës: Vol. Cambridge companions to literature. Cambridge University Press.
Gordon, J. B. (1984). Gossip, Diary, Letter, Text: Anne Bronte’s Narrative Tenant and the Problematic of the Gothic Sequel. ELH, 51(4), 719–745. https://doi.org/10.2307/2872781
Greene, G. (2014). The Young Dickens. In Collected Essays: Vol. Vintage classics. Vintage.
Gregor, I. (1970). The Brontës: A Collection of Critical Essays: Vol. Twentieth century views. Prentice-Hall.
Hadley, E. (1995). Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford University Press.
Haight, G. S. (1966). A Century of George Eliot Criticism. Methuen.
Haight, G. S. (1968). George Eliot: A Biography. ClarendonP.
Haight, G. S., & VanArsdel, R. T. (1982). George Eliot: A Centenary Tribute. Macmillan.
Hanson, L., & Hanson, E. H. (1949). The Four Brontës: The Lives and Works of Charlotte, Branwell, Emily and Anne Brontë. Oxford University Press.
Hardy, B. (1963a). The Novels of George Eliot: A Study in Form. Athlone.
Hardy, B. (1963b). The Novels of George Eliot: A Study in Form. Athlone. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436540
Hardy, B. (1970a). Critical Essays on George Eliot. Routledge & Kegan Paul.
Hardy, B. (1970b). The Moral Art of Dickens: Essays. Athlone.
Hardy, B. (1982). Particularities: Readings in George Eliot. Owen.
Hardy, B. (1985). Forms of Feeling in Victorian Fiction. Peter Owen.
Harrison, A., & Stanford, D. (1959). Anne Brontë: Her Life and Work. Methuen.
Hollingsworth, K. (1963). The Newgate Novel: 1830-1847; Bulwer, Ainsworth, Dickens & Thackeray. Wayne State University Press.
Hollingsworth, K., & Cruikshank, G. (2012). The Newgate Novel, 1830-1847: Bulwer, Ainsworth, Dickens and Thackeray. Literary Licensing.
Hollington, M. (1984). Dickens and the Grotesque. Croom Helm.
Hollington, M. (2014). Dickens and the Grotesque. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286
Holmstrom, J., & Lerner, L. (1966). George Eliot and Her Readers, A Selection of Contemporary Reviews. Bodley Head.
House, H. (1942). The Dickens World. Oxford University Press.
House, H. (1955). The Macabre Dickens. In All in Due Time: The Collected Essays and Broadcast Talks of Humphry House (pp. 183–189). Hart-Davis.
Hughes, L. K., & Lund, M. (1999). Victorian Publishing and Mrs. Gaskell’s Work. University Press of Virginia.
Hutter, A. D. (1978). Nation and Generation in a Tale of Two Cities. PMLA, 93(3), 448–462. https://doi.org/10.2307/461866
Ingham, P. (1992). Dickens, Women and Language. Harvester Wheatsheaf.
Ingham, P. (2003). The Brontës: Vol. Longman critical readers. Longman.
Ingham, P. (2006). The Brontës. Oxford University Press.
Jackson, R. (1988). Fantasy: The Literature of Subversion. Routledge.
James, H. (1934). The Art of the Novel: Critical Prefaces. Scribner.
Jay, B. (2000). Anne Brontë: Vol. Writers and their work. Northcote House in association with the British Council.
Jenkins, A., & John, J. (2000). Rereading Victorian Fiction. Macmillan.
John, G. (2001). Politics and Barnaby Rudge: Surrogation, Restoration and Revival. Dickens Studies Annual, 30, 95–112. https://www.jstor.org/stable/44372010
John, J. (2001a). Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press.
John, J. (2001b). Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001
John, J. (2001c). Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press.
John, J. (2001d). Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001
John, J. (2001e). Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press.
John, J. (2003). Dickens and Hamlet. In Victorian Shakespeare: Volume 2, Literature  and Culture (pp. 46–60). Palgrave Macmillan.
John, J. (2010a). Dickens and Mass Culture. Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780199257928.001.0001
John, J. (2010b). Dickens and Mass Culture. Oxford University Press.
John, J. (2012a). Dickens and Modernity: Vol. Essays and studies. D.S. Brewer. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1043070
John, J. (2012b). Dickens and Modernity: Vol. Essays and studies 2012. D.S. Brewer.
John, J. (2013). Dickens and Mass Culture. Oxford University Press.
Johns, J. (1998). Introduction. In Cult Criminals: Newgate Nov (p. V–LXXI). Taylor & Francis Group.
Jones, C., McDonagh, J., & Mee, J. (2009). Charles Dickens, A Tale of Two Cities and the French Revolution (1st ed. 2009). Palgrave Macmillan.
Kaplan, F. (1975). Dickens and Mesmerism: The Hidden Springs of Fiction. Princeton University Press.
Kearns, K. (2010). Nineteenth-Century Literary Realism: Through the Looking-Glass. Cambridge University Press.
Kincaid, J. R. (1971). Dickens and the Rhetoric of Laughter. Clarendon.
King, J. (1978). Tragedy in the Victorian Novel: Theory and Practice in the Novels of George Eliot, Thomas Hardy and Henry James. Cambridge University Press.
Kucich, J. (1981). Excess and Restraint in the Novels of Charles Dickens. University of Georgia Press.
Kucich, J. (1987). Repression in Victorian Fiction: Charlotte Brontë, George Eliot, and Charles Dickens. University of California Press.
Kucich, J. (1989). Transgression in Trollope: Dishonesty and the Antibourgeois Elite. ELH, 56(3). https://doi.org/10.2307/2873199
Kucich, J. (1994). Dickens. In The Columbia History of the British Novel. Columbia University Press.
Lansbury, C. (1975). Elizabeth Gaskell, the Novel of Social Crisis: Vol. Novelists and their world. Elek.
Larson, J. L. (2008). Dickens and the Broken Scripture. University of Georgia Press.
Lawson, B. S. (1999). From ‘Moby-Dick’ to ‘Billy Budd’: Elizabeth Gaskell’s ‘Sylvia’s Lovers’. South Atlantic Review, 64(2), 37–57. https://doi.org/10.2307/3201981
Leavis, F. R. (1962a). The Great Tradition: George Eliot, Henry James, Joseph Conrad (Vol. Y20). Penguin.
Leavis, F. R. (1962b). The Great Tradition: George Eliot, Henry James, Joseph Conrad (Vol. Y20). Penguin.
Leavis, F. R., & Leavis, Q. D. (1970). Dickens, the Novelist. Chatto & Windus.
Ledger, S. (2007). Dickens and the Popular Radical Imagination: Vol. Cambridge studies in nineteenth-century literature and culture. Cambridge University Press.
Levine, G. (2008). How to Read the Victorian Novel. Blackwell.
Litvak, J. (1998). Bad Scene: Oliver Twist and the Pathology of Entertainment. Dickens Studies Annual, 26, 33–49.
Lloyd Evans, B., & Lloyd Evans, G. (1982). Everyman’s Companion to the Brontës. Dent.
Losano, A. (2003). The Professionalization of the Woman Artist in Anne Brontë’s. Nineteenth-Century Literature, 58(1), 1–41. https://doi.org/10.1525/ncl.2003.58.1.1
Lowe, B. (2007a). Victorian Fiction and the Insights of Sympathy: An Alternative to the Hermeneutics of Suspicion. Anthem.
Lowe, B. (2007b). Victorian Fiction and the Insights of Sympathy: An Alternative to the Hermeneutics of Suspicion. Anthem. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=840531
Lucas, J. (1970). The Melancholy Man: A Study of Dicken’s Novels. Methuen.
Lucas, J. (1977). The Literature of Change: Studies in the Nineteenth-Century Provincial Novel. Harvester.
MacKay, C. H. (1988). Dramatic Dickens: Vol. Macmillan studies in Victorian literature. Macmillan.
Manning, S. B. (1971). Dickens as Satirist: Vol. Yale studies in English. Yale University Press.
Marcus, S. (1965). Dickens, From Pickwick to Dombey. Chatto & Windus.
Markwick, M. (2007a). New Men in Trollope’s Novels: Rewriting the Victorian Male: Vol. Nineteenth century. Ashgate.
Markwick, M. (2007b). New Men in Trollope’s Novels: Rewriting the Victorian Male: Vol. Nineteenth century. Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=438811
McAleavey, M. (2013). The Plot of Bigamous Return. Representations, 123(1), 87–116. https://doi.org/10.1525/rep.2013.123.1.87
McDonagh, J. (2007a). Space, Mobility and the Novel: ‘The Spirit of Place is a Great Reality’. In Adventures in Realism (pp. 50–67). Blackwell.
McDonagh, J. (2007b). Space, Mobility and the Novel: ‘The Spirit of Place is a Great Reality’. In Adventures in Realism (pp. 50–67). Blackwell Publishing. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=306534
McKnight, N. (1993). Idiots, Madmen, and Other Prisoners in Dickens. St. Martin’s Press.
McMaster, J. (1971). ‘The Unfortunate Moth’: Unifying Theme in The Small House at Allington. Nineteenth-Century Fiction, 26(2), 127–144. https://doi.org/10.2307/2933418
McSweeney, K. (1991). George Eliot: A Literary Life. Palgrave Macmillan.
Meisel, M. (1983). Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton University Press.
Michie, H., & Thomas, R. (2002). Nineteenth-Century Geographies: The Transformation of Space From the Victorian Age to the American Century. Rutgers University Press.
Miller, A. H. (2008). The burdens of perfection: on ethics and reading in nineteenth-century British literature. Cornell University Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3138158
Miller, D. A. (1988a). The Novel and the Police. University of California Press.
Miller, D. A. (1988b). The Novel and the Police. University of California Press.
Miller, D. A. (1988c). The Novel and the Police. University of California Press.
Miller, J. H. (1958). Charles Dickens: The World of His Novels. Harvard University Press.
Miller, J. H. (1968). The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy: Vol. v. 2. University of Notre Dame Press.
Miller, J. H. (1982). Fiction and Repetition: Seven English Novels. Blackwell.
Miller, J. H. (1992). J. Hillis Miller on the Fiction. In Realism: Vol. Modern literatures in perspective (pp. 287–318). Longman.
Miller, J. H. (2005). Literature and a Woman’s Right to Choose: Not to Marry. Diacritics, 35(4), 42–58. http://www.jstor.org/stable/4621049
Miller, L. (2001). The Brontë Myth. Jonathan Cape.
Mitchell, J. (1994). The Stone and the Scorpion: The Female Subject of Desire in the Novels of Charlotte Bronte, George Eliot, and Thomas Hardy: Vol. Contributions in women’s studies. Greenwood Press.
Moore, G. (2004). Dickens and Empire: Discourses of Class, Race and Colonialism in the Works of Charles Dickens. Ashgate.
Moretti, F. (1998). An Atlas of the European Novel, 1800-1900. Verso.
Moretti, F. (2000). The Way of the World: The Bildungsroman in European Culture (New ed). Verso.
Moretti, F. (2007). Graphs, Maps, Trees: Abstract Models for a Literary History. Verso, an imprint of New Left Books.
Morris, P. (1991a). Dickens’s Class Consciousness: A Marginal View. Macmillan.
Morris, P. (1991b). Dickens’s Class Consciousness: A Marginal View. Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1039840
Nestor, P. (1985). Female Friendships and Communities: Charlotte Bronte, George Eliot and Elizabeth Gaskell. Oxford University Press.
Newlin, G. (1995). Everyone in Dickens. Greenwood.
Orel, H. (1997). The Brontes: Interviews and Recollections. Macmillan.
Orwell, G. (1957). Charles Dickens. In Inside the Whale: And Other Essays. Penguin.
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Reilly, J. (1993). Shadowtime: History and Representation in Hardy, Conrad, and George Eliot. Routledge.
Reynolds, K., & Humble, N. (1993). Victorian Heroines: Representations of Femininity in Nineteenth-Century Literature and Art. New York University Press.
Roberts, A. (1994). Pre-Victorian Dickens. English, 43, 271–273. https://academic.oup.com/english/article-pdf/43/177/271/1154681/43-177-271.pdf
Robson, C. (2006a). Historicizing Dickens. In Palgrave Advances in Charles Dickens Studies: Vol. Palgrave advances (pp. 234–254). Palgrave Macmillan.
Robson, C. (2006b). Historicizing Dickens. In Palgrave Advances in Charles Dickens Studies: Vol. Palgrave advances (pp. 234–254). Palgrave Macmillan. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270617
Rosenberg, B. (1996). Little Dorrit’s Shadows: Character and Contradiction in Dickens. University of Missouri Press.
Schad, J. (1996). Dickens Refigured: Bodies, Desires and Other Histories. Manchester University Press.
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Schor, H. M. (1992b). Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press.
Schor, H. M. (1992c). Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press.
Schorer, M., & Hardy, B. (1967). Middlemarch: Critical Approaches to the Novel. Athlone P.
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Shuttleworth, S. (2009b). George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning. Cambridge University Press.
Skilton, D. (1996). Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. Macmillan.
Slater, M. (1983). Dickens and Women. Stanford University Press.
Small, H. (1996). Love’s Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Clarendon.
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Smith, G. (2003). Dickens and the Dream of Cinema. Manchester University Press.
Smith, S. M. (1980). The Other Nation: The Poor in English Novels of the 1840s and 1850s. Clarendon Press.
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Spittles, B. (1993). George Eliot: Godless Woman: Vol. Writers in their time. Macmillan.
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Stoneman, P. (2006). Elizabeth Gaskell (2nd ed). Manchester University Press.
Stubbs, P. (1979). Women and Fiction: Feminism and the Novel 1880-1920. Methuen.
Sucksmith, H. P. (1970). The Narrative Art of Charles Dickens: The Rhetoric of Sympathy and Irony in His Novels. Clarendon.
Sucksmith, P. H. (1975). The Melodramatic Villain in Little Dorrit. Dickensian, 71, 76–83.
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Swinden, P. (1972). George Eliot, Middlemarch: A Casebook: Vol. Casebook series. Macmillan.
Tambling, J. (1990). Middlemarch, Realism and the Birth of the Clinic. ELH, 57(4), 939–960. https://doi.org/10.2307/2873091
Tambling, J. (1995a). Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan.
Tambling, J. (1995b). Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1040119
Thormahlen, M. (1999). The Brontës and Religion. Cambridge University Press.
Thormählen, M. (1999). The Brontës and Religion. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511484957
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Tosh, J. (2002). Gentlemanly Politeness and Manly Simplicity in Victorian England. Transactions of the Royal Historical Society, 12, 455–472. https://doi.org/10.1017/S0080440102000191
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Trollope, A. (n.d.-b). The Small House at Allington. http://www.gutenberg.org/ebooks/4599
Trollope, A. (1997a). The Small House at Allington: Vol. The Trollope Society edition of the novels of Anthony Trollope. Trollope Society.
Trollope, A. (1997b). The Small House at Allington: Vol. The Trollope Society edition of the novels of Anthony Trollope. Trollope Society.
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Turner, M. W. (1993b). Gendered Issues: Intertextuality and the Small House at Allington in ‘Cornhill Magazine’. Victorian Periodicals Review, 26(4), 228–234. http://www.jstor.org/stable/20082716
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