Bibliography for EN5837: The Nineteenth Century Novel Contexts, Theories, Readers BETA

1.

Dickens, C.: The Old Curiosity Shop. Arcturus, London (2011).

2.

Dickens, C.: The Old Curiosity Shop. Oxford University Press, [Oxford] (2016).

3.

Furst, L.R.: Realism. Longman, London (1992).

4.

Dickens, C., Buckley, J.H.: David Copperfield. Norton, New York (1990).

5.

Dickens, C.: David Copperfield. Oxford University Press, [Oxford] (2016).

6.

Dickens, C.: Autobiographical Fragments.

7.

Bodenheimer, R.: Knowing Dickens. Cornell University Press, Ithaca, N.Y. (2010).

8.

John, J.: Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press, Oxford (2001).

9.

John, J.: Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press, Oxford (2001).

10.

Eliot, G., Harvey, W.J.: Middlemarch. Penguin, Harmondsworth (1985).

11.

Eliot, G.: Middlemarch. H. M. Caldwell Company Publishers, New York and Boston.

12.

Belsey, C.: Critical Practice. Methuen, London (1980).

13.

Belsey, C.: Critical Practice. Routledge, London (2002).

14.

Davis, P., Bate, J.: The Oxford Literary History - Volume 8: The Victorians. Oxford University Press, Oxford (2002).

15.

Eliot, G., Harvey, W.J.: Middlemarch. Penguin, Harmondsworth (1985).

16.

Eliot, G.: Middlemarch. H. M. Caldwell Company Publishers, New York and Boston.

17.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009).

18.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009). https://doi.org/10.1017/CBO9780511770401.

19.

Shuttleworth, S.: George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning. Cambridge University Press, Cambridge (2009).

20.

McAleavey, M.: The Plot of Bigamous Return. Representations. 123, 87–116 (2013). https://doi.org/10.1525/rep.2013.123.1.87.

21.

Pettitt, C.: Time Lag and Elizabeth Gaskell’s Transatlantic Imagination. Victorian Studies. 54, 599–623 (2012). https://doi.org/10.2979/victorianstudies.54.4.599.

22.

Gaskell, E., Foster, S.: Sylvia’s Lovers. Penguin, London (1996).

23.

Gaskell, E.C.: Sylvia’s Lovers. Project Gutenberg.

24.

Schor, H.M.: Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press, New York (1992).

25.

Williams, R.: The Country and the City. Vintage, London (2016).

26.

Uglow, J.: Elizabeth Gaskell: A Habit of Stories. Faber, London (1999).

27.

Foster, S.: Elizabeth Gaskell: A Literary Life. Palgrave Macmillan, New York (2002).

28.

Gaskell, E., Foster, S.: Sylvia’s Lovers. Penguin, London (1996).

29.

Gaskell, E.C.: Sylvia’s Lovers. Project Gutenberg.

30.

Trollope, A.: The Small House at Allington. Trollope Society, London (1997).

31.

Trollope, A.: The Small House at Allington.

32.

Gilmartin, S.: ‘Within the Figure and Frame and Clothes and Cuticle’: Trollope and the Body. In: The Ashgate Research Companion To Anthony Trollope. pp. 120–134. Ashgate (2016).

33.

Turner, M.W.: Gendered Issues: Intertextuality and the Small House at Allington in ‘Cornhill Magazine’. Victorian Periodicals Review. 26, 228–234 (1993).

34.

Trollope, A.: The Small House at Allington. Trollope Society, London (1997).

35.

Trollope, A.: The Small House at Allington.

36.

Brontë, A., Hargreaves, G.D.: The Tenant of Wildfell Hall. Penguin, Harmondsworth (1979).

37.

Brontë, A., Ward, H.: The Tenant of Wildfell Hall. Ohn Murray, Albemarle Street, W., London (1920).

38.

Miller, D.A.: The Novel and the Police. University of California Press, Berkeley (1988).

39.

Connor, S.: Charles Dickens. Longman, London (1996).

40.

Connor, S.: Charles Dickens. Longman, London (1996).

41.

Waters, C.: Dickens and the Politics of the Family. Cambridge University Press, Cambridge, U.K. (1997).

42.

Waters, C., Cambridge Books Online: Dickens and the Politics of the Family. Cambridge University Press, Cambridge (1997).

43.

John, J.: Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press, Oxford (2001).

44.

John, J.: Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press, Oxford (2001).

45.

John, J.: Dickens and Mass Culture. Oxford University Press, Oxford (2013).

46.

John, J.: Dickens and Mass Culture. Oxford University Press, Oxford (2010).

47.

David, D.: Fictions of Resolution in Three Victorian Novels: North and South, Our Mutual Friend, Daniel Deronda. Macmillan, London (1981).

48.

Hughes, L.K., Lund, M.: Victorian Publishing and Mrs. Gaskell’s Work. University Press of Virginia, Charlottesville (1999).

49.

Schor, H.M.: Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press, New York (1992).

50.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009).

51.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009).

52.

Gilmartin, S.: Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Cambridge University Press, Cambridge [England] (1998).

53.

Miller, J.H.: Fiction and Repetition: Seven English Novels. Blackwell, Oxford (1982).

54.

Freedgood, E.: The Ideas in Things: Fugitive Meaning in the Victorian Novel. University of Chicago Press, Chicago, Ill (2006).

55.

Ledger, S.: Dickens and the Popular Radical Imagination. Cambridge University Press, Cambridge (2007).

56.

Bongie, C.: Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford University Press, Stanford, Calif (1991).

57.

Armstrong, N.: Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, New York (1987).

58.

Armstrong, N.: Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, Incorporated, Cary (1990).

59.

Armstrong, N.: Fiction in the Age of Photography: The Legacy of British Realism. Harvard University Press, Cambridge, Mass (1999).

60.

Bakhtin, M., Holquist, M.: The Dialogic Imagination: Four Essays. University of Texas Press, Austin, Tex (1981).

61.

Brooks, P.: Reading for the Plot: Design and Intention in Narrative. Harvard University Press, Cambridge, Mass (1992).

62.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Routledge, London (1983).

63.

Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009).

64.

Belsey, C.: Critical Practice. Methuen, London (1980).

65.

Belsey, C.: Critical Practice. Routledge, London (2002).

66.

Carlisle, J.: The Sense of an Audience: Dickens, Thackeray, and George Eliot at Mid-Century. University of Georgia Press, Athens (1981).

67.

Cazamian, L., Fido, M.: The Social Novel in England, 1830-1850: Dickens, Disraeli, Mrs Gaskell, Kingsley. Routledge and Kegan Paul, London (1973).

68.

Davis, L.J.: Factual Fictions: The Origins of the English Novel. Columbia University Press, New York (1983).

69.

Davis, P., Bate, J.: The Oxford English Literary History - Volume 8: The Victorians. Oxford University Press, Oxford (2002).

70.

Flint, K. ed: The Victorian Novelist: Social Problems and Change. Routledge, London (2017).

71.

Flint, K.: The Woman Reader 1837-1914. Clarendon Press, Oxford (2002).

72.

Furst, L.R.: Realism. Longman, London (1992).

73.

Gallagher, C.: The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867. University of Chicago Press, Chicago (1985).

74.

Garret, P.K.: The Victorian Multiplot Novel: Studies in Dialogical Form. Yale Unversity Press, New Haven (1980).

75.

Hardy, B.: Forms of Feeling in Victorian Fiction. Peter Owen, London (1985).

76.

Hollingsworth, K.: The Newgate Novel: 1830-1847; Bulwer, Ainsworth, Dickens & Thackeray. Wayne State University Press, Detroit (1963).

77.

Jackson, R.: Fantasy: The Literature of Subversion. Routledge, London (1988).

78.

James, H.: The Art of the Novel: Critical Prefaces. Scribner, New York (1934).

79.

Johns, J.: Introduction. In: Cult Criminals: Newgate Nov. p. V–LXXI. Taylor & Francis Group, Abingdon (1998).

80.

Jenkins, A., John, J.: Rereading Victorian Fiction. Macmillan, Basingstoke (2000).

81.

Kearns, K.: Nineteenth-Century Literary Realism: Through the Looking-Glass. Cambridge University Press, Cambridge (2010).

82.

Leavis, F.R.: The Great Tradition: George Eliot, Henry James, Joseph Conrad. Penguin, Harmondsworth (1962).

83.

Levine, G.: How to Read the Victorian Novel. Blackwell, Malden, Mass (2008).

84.

Lowe, B.: Victorian Fiction and the Insights of Sympathy: An Alternative to the Hermeneutics of Suspicion. Anthem, London (2007).

85.

Lowe, B.: Victorian Fiction and the Insights of Sympathy: An Alternative to the Hermeneutics of Suspicion. Anthem, London (2007).

86.

Meisel, M.: Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton University Press, Princeton, N.J. (1983).

87.

Miller, A.H.: The burdens of perfection: on ethics and reading in nineteenth-century British literature. Cornell University Press, Ithaca, N.Y. (2008).

88.

Miller, D.A.: The Novel and the Police. University of California Press, Berkeley (1988).

89.

Miller, J.H.: The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. University of Notre Dame Press, Notre Dame, Ind (1968).

90.

Moretti, F.: The Way of the World: The Bildungsroman in European Culture. Verso, London (2000).

91.

Reilly, J.: Shadowtime: History and Representation in Hardy, Conrad, and George Eliot. Routledge, London (1993).

92.

Reynolds, K., Humble, N.: Victorian Heroines: Representations of Femininity in Nineteenth-Century Literature and Art. New York University Press, New York (1993).

93.

Schmidt, M.: The novel: a biography. The Belknap Press of Harvard University Press, Cambridge (2014).

94.

Small, H.: Love’s Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Clarendon, Oxford (1996).

95.

Smith, S.M.: The Other Nation: The Poor in English Novels of the 1840s and 1850s. Clarendon Press, Oxford (1980).

96.

Stubbs, P.: Women and Fiction: Feminism and the Novel 1880-1920. Methuen, London (1979).

97.

Sutherland, J.: Victorian Fiction: Writers, Publishers, Readers. Macmillan, Basingstoke (1995).

98.

Vicinus, M.: Chartist Fiction and the Development of a Class-Based Literature. In: Klaus, H.G. (ed.) The Socialist Novel in Britain: Towards the Recovery of a Tradition. Edward Everett Root, Brighton (2018).

99.

Wheeler, M.: The Art of Allusion in Victorian Fiction. Macmillan, London (1979).

100.

Wheeler, M.: English Fiction of the Victorian Period 1830-1890. Longman, London (1985).

101.

Williams, M.: Women in the English Novel, 1800-1900. Macmillan, London (1984).

102.

Williams, R.: The Country and the City. Vintage, London (2016).

103.

Williams, R.: The English Novel From Dickens to Lawrence. Chatto & Windus, London (1970).

104.

Ackroyd, P.: Dickens. Sinclair-Stevenson, London (1990).

105.

Andrews, M.: Dickens and the Grown-Up Child. Macmillan, Basingstoke (1994).

106.

Andrews, M.: Dickens and the Grown-Up Child. Macmillan, Basingstoke (1994).

107.

Arac, J.: Hamlet, Little Dorrit, and the History of Character. In: Critical Conditions: Regarding the Historical Moment. pp. 82–96. University of Minnesota Press, Minneapolis (1992).

108.

Black, B.: A Sisterhood of Rage and Beauty: Dickens’ Rosa Dartle, Miss Wade, and Madame Defarge. Dickens Studies Annual. 26, 91–106 (1998).

109.

Bloom, H.: Charles Dickens’s a Tale of Two Cities. Chelsea House Publishers, New York (1987).

110.

Bodenheimer, R.: Knowing Dickens. Cornell University Press, Ithaca, N.Y. (2010).

111.

Bowen, J.: Other Dickens: Pickwick to Chuzzlewit. Oxford University Press, Oxford (2000).

112.

Bowen, J., Patten, R.L.: Palgrave Advances in Charles Dickens Studies. Palgrave Macmillan, Basingstoke (2006).

113.

Brantlinger, P.: Did Dickens Have a Philosophy of History? the Case of ‘Barnaby Rudge’. Dickens Studies Annual. 30, 59–74 (2001).

114.

Butt, J.: Dickens at Work. Methuen, London (1957).

115.

Carey, J.: Dickens and the Mask. Studies in English literature. 1983. 59, 3–18 (1983).

116.

Carey, J.: The Violent Effigy: A Study of Dickens’ Imagination. Faber, London (2008).

117.

Chesterton, G.K.: Appreciations and Criticisms of the Works of Charles Dickens. HardPress, Miami, FL (2016).

118.

Clayton, J.: Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford University Press, New York (2003).

119.

Clayton, J.: Romantic Vision and the Novel. Cambridge University Press, Cambridge (2009).

120.

Chittick, K.: Dickens and the 1830s. Cambridge University Press, Cambridge (1990).

121.

Cockshut, A.O.J.: The Imagination of Charles Dickens. Collins, London (1961).

122.

Colatosti, C.: Male Versus Female Self-Denial: The Subversive Potential of the Feminine Ideal in the Fiction of Charles Dickens. Dickens Studies Annual. 19, 1–24 (1990).

123.

Collins, P.: Dickens and Education. Macmillan, London (1963).

124.

Collins, P.: Dickens and Crime. St. Martin’s Press, New York (1994).

125.

Collins, P.: Dickens: The Critical Heritage. Routledge & Kegan Paul, London (1971).

126.

Collins, P.: Dickens: Interviews and Recollections. Macmillan, London (1981).

127.

Connor, S.: Charles Dickens. Longman, London (1996).

128.

Connor, S.: Charles Dickens. Blackwell, Oxford (1985).

129.

Connor, S.: Charles Dickens. Longman, London (1996).

130.

Connor, S.: "They’re All in One Story”: Public and Private Narratives in Oliver Twist. Dickensian. 91, 127–130 (1995).

131.

Court, F.E.: Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities. Victorians Institute Journal. 9, 29–37 (1980).

132.

Davis, E.: The Flint and the Flame: The Artistry of Charles Dickens. Gollancz, London (1964).

133.

Davies, J.A.: The Textual Life of Dickens’s Characters. Barnes & Noble Books, Savage, Maryland (1990).

134.

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135.

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136.

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137.

Eigner, E.M.: The Dickens Pantomime. University of California Press, Berkeley (1989).

138.

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139.

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140.

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141.

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142.

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143.

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144.

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145.

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146.

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148.

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149.

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150.

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151.

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152.

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153.

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154.

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155.

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156.

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157.

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158.

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159.

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160.

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161.

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162.

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163.

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164.

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165.

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166.

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167.

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168.

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169.

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170.

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171.

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172.

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173.

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174.

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175.

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176.

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177.

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178.

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179.

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180.

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181.

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182.

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183.

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184.

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185.

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186.

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187.

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188.

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189.

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190.

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191.

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192.

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193.

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194.

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195.

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196.

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197.

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198.

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199.

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200.

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201.

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202.

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203.

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204.

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205.

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206.

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207.

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208.

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209.

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210.

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211.

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212.

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214.

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217.

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219.

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220.

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221.

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222.

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223.

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224.

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225.

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226.

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227.

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228.

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229.

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230.

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231.

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233.

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