@article{Adams_2008, title={The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia}, volume={31}, DOI={10.1080/03007760802053104}, number={4}, journal={Popular Music and Society}, author={Adams, Ruth}, year={2008}, pages={469–488} }
@article{Adelt_2008, title={Trying to Find an Identity: Eric Clapton’s Changing Conception of "Blackness”}, volume={31}, DOI={10.1080/03007760802052809}, number={4}, journal={Popular Music and Society}, author={Adelt, Ulrich}, year={2008}, pages={433–452} }
@article{Albiez_2003, title={Know History!: John Lydon, Cultural Capital and the Prog/punk Dialectic}, volume={22}, DOI={10.1017/S0261143003003234}, number={3}, journal={Popular Music}, author={Albiez, Sean}, year={2003}, pages={357–374} }
@article{Anderton_2010, title={A Many-Headed Beast: Progressive Rock as European Meta-Genre}, volume={29}, DOI={10.1017/S0261143010000450}, number={03}, journal={Popular Music}, author={Anderton, Chris}, year={2010}, pages={417–435} }
@article{Auner_2003, title={‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music}, volume={128}, DOI={10.1093/jrma/fkg004}, number={1}, journal={Journal of the Royal Musical Association}, author={Auner, Joseph}, year={2003}, pages={98–122} }
@book{Bennett_2001a, address={Buckingham [England]}, title={Cultures of Popular Music}, publisher={Open University Press}, author={Bennett, Andy}, year={2001} }
@inbook{Bennett_2001b, address={Buckingham}, title={Punk and Punk Rock}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6212021}, booktitle={Cultures of Popular Music}, publisher={Open University Press}, author={Bennett, Andy}, year={2001} }
@book{Bennett_Stratton_2010a, address={Farnham, Surrey, England}, title={Britpop and the English Music Tradition}, volume={Ashgate popular and folk music series}, publisher={Ashgate}, author={Bennett, Andy and Stratton, Jon}, year={2010} }
@book{Bennett_Stratton_2010b, address={Farnham, Surrey, England}, title={Britpop and the English Music Tradition}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=564095}, publisher={Ashgate}, author={Bennett, Andy and Stratton, Jon}, year={2010} }
@book{Blake_1999, title={Living Through Pop}, publisher={Routledge}, author={Blake, Andrew}, year={1999} }
@article{Bowman_1995, title={The Stax Sound: A Musicological Analysis}, volume={14}, DOI={10.1017/S0261143000007753}, number={03}, journal={Popular Music}, author={Bowman, Rob}, year={1995} }
@article{Braziel_2004, title={"Bye, Bye Baby”: Race, Bisexuality, and the Blues in the Music of Bessie Smith and Janis Joplin}, volume={27}, DOI={10.1080/0300776032000144896}, number={1}, journal={Popular Music and Society}, author={Braziel, Jana Evans}, year={2004}, pages={3–26} }
@article{Brown_2012, title={‘She Isn’t Whoring Herself Out Like a Lot of Other Girls We See’: Identification and "Authentic” American Girlhood on Taylor Swift Fan Forums}, volume={5}, url={http://ojs.meccsa.org.uk/index.php/netknow/article/view/252}, number={1}, journal={Networking Knowledge: Journal of the MeCCSA Postgraduate Network}, author={Brown, Adriane}, year={2012} }
@article{Burns_Woods_Lafrance_2015, title={The Genealogy of a Song: Lady Gaga’s Musical Intertexts on The Fame Monster (2009)}, volume={12}, DOI={10.1017/S1478572214000176}, number={01}, journal={Twentieth-Century Music}, author={Burns, Lori and Woods, Alyssa and Lafrance, Marc}, year={2015}, pages={3–35} }
@article{Calvert_2015, title={Similar Hats on Similar Heads: Uniformity and Alienation at the Rat Pack’s Summit Conference of Cool}, volume={34}, DOI={10.1017/S0261143014000701}, number={01}, journal={Popular Music}, author={Calvert, Dave}, year={2015}, pages={1–21} }
@book{Cambridge Companions Complete Collection_2009, address={Cambridge}, title={The Cambridge Companion to the Beatles}, volume={Cambridge Companions to Music}, url={http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521869652}, publisher={Cambridge University Press}, author={Cambridge Companions Complete Collection}, editor={Womack, Kenneth}, year={2009} }
@inbook{Cateforis_2011, title={Chapter 2: ‘The Second British Invasion and its Aftermath: From New Pop to Modern Rock’}, booktitle={Are We Not New Wave?}, publisher={University of Michigan Press}, author={Cateforis, Theo}, year={2011}, pages={45–71} }
@article{Click_Lee_Holladay_2013, title={Making Monsters: Lady Gaga, Fan Identification, and Social Media}, volume={36}, DOI={10.1080/03007766.2013.798546}, number={3}, journal={Popular Music and Society}, author={Click, Melissa A. and Lee, Hyunji and Holladay, Holly Willson}, year={2013}, pages={360–379} }
@article{Cloonan_1997, title={State of the Nation: "Englishness,” Pop, and Politics in the Mid‐1990s}, volume={21}, DOI={10.1080/03007769708591667}, number={2}, journal={Popular Music and Society}, author={Cloonan, Martin}, year={1997}, pages={47–70} }
@inbook{Covach_1997, address={New York}, title={Progressive Rock, "Close to the Edge” and the Boundaries of Style}, booktitle={Understanding Rock: Essays in Musical Analysis}, publisher={Oxford University Press}, author={Covach, John}, year={1997}, pages={3–32} }
@inbook{Cunningham_2010, address={New York}, title={Kraftwerk and the Image of the Modern}, booktitle={Kraftwerk: music non-stop}, publisher={Continuum}, author={Cunningham, David}, year={2010}, pages={44–62} }
@book{Danielsen_2006a, address={Middletown, Conn}, title={Presence and Pleasure: The Funk Grooves of James Brown and Parliament}, publisher={Wesleyan University Press}, author={Danielsen, Anne}, year={2006} }
@book{Danielsen_2006b, address={Middletown, CT}, title={Presence and Pleasure: The Funk Grooves of James Brown and Parliament}, url={http://hdl.handle.net/2027/heb.31678}, publisher={Wesleyan University Press}, author={Danielsen, Anne}, year={2006} }
@book{Dettmar_2009a, address={Cambridge}, title={The Cambridge Companion to Bob Dylan}, publisher={Cambridge University Press}, author={Dettmar, Kevin J. H.}, year={2009} }
@article{Dibben_1999, title={Representations of Femininity in Popular Music}, volume={18}, DOI={10.1017/S0261143000008904}, number={03}, journal={Popular Music}, author={Dibben, Nicola}, year={1999} }
@article{Dubler_2014, title={Shit White People Say About Beyoncé}, volume={97}, DOI={10.5325/soundings.97.3.0385}, number={3}, journal={Soundings: An Interdisciplinary Journal}, author={Dubler, Joshua}, year={2014} }
@article{Duffett_2012, title={Multiple Damnations: Deconstructing the Critical Response to Boy Band Phenomena}, volume={7}, number={2}, journal={Popular Music History}, author={Duffett, Mark}, year={2012}, pages={185–197} }
@book{Echols_2011, address={New York}, title={Hot Stuff}, publisher={W.W. Norton & Company}, author={Echols, Alice}, year={2011} }
@article{Fink_2005, title={The Story of ORCH5, Or, the Classical Ghost in the Hip-Hop Machine}, volume={24}, DOI={10.1017/S0261143005000553}, number={03}, journal={Popular Music}, author={Fink, Robert}, year={2005} }
@article{Fitzgerald_1995, title={Motown Crossover Hits 1963–1966 and the Creative Process}, volume={14}, DOI={10.1017/S0261143000007601}, number={01}, journal={Popular Music}, author={Fitzgerald, Jon}, year={1995}, pages={1–11} }
@article{Fitzgerald_2007, title={Black Pop Songwriting 1963-1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland}, volume={27}, url={https://www.jstor.org/stable/25433786}, number={2}, journal={Black Music Research Journal}, publisher={Center for Black Music Research - Columbia College ChicagoUniversity of Illinois PressCenter for Black Music Research - Columbia College Chicago}, author={Fitzgerald, Jon}, year={2007}, pages={97–140} }
@misc{Flory_2006, title={I Hear a Symphony: Making Music at Motown, 1959–1979}, url={http://search.proquest.com.ezproxy01.rhul.ac.uk/docview/305295268?accountid=11455}, author={Flory, Jonathan Andrew}, year={2006} }
@book{Freund Schwartz_2016, title={How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom}, author={Freund Schwartz, Roberta}, year={2016} }
@book{Fuchs_Prigozy_2007, address={Rochester, NY}, title={Frank Sinatra: The Man, the Music, the Legend}, publisher={University of Rochester Press}, author={Fuchs, Jeanne and Prigozy, Ruth}, year={2007} }
@article{Glaros_Laffey_2012, title={Situating The Residents}, volume={64}, DOI={10.5406/jfilmvideo.64.1-2.0072}, number={1–2}, journal={Journal of Film and Video}, author={Glaros, Michelle and Laffey, Michael}, year={2012} }
@article{Goodwin_1988, title={Sample and Hold: Pop Music in the Digital Age of Reproduction}, volume={30}, DOI={10.1111/j.1467-8705.1988.tb00315.x}, number={3}, journal={Critical Quarterly}, author={Goodwin, Andrew}, year={1988}, pages={34–49} }
@inbook{Goodwin_1992, address={Newbury Park}, edition={2nd ed}, title={Rationalization and Democratization in the New Technologies of Popular Music}, volume={89}, booktitle={Popular music and communication}, publisher={Sage Publications}, author={Goodwin, Andrew}, year={1992}, pages={147–168} }
@inbook{Goodwin_2006, address={London}, title={Rationalization and Democratization in the New Technologies of Popular Music}, booktitle={The Popular Music Studies Reader}, publisher={Routledge}, author={Goodwin, Andrew}, year={2006}, pages={276–282} }
@article{Hains_2014, title={The Significance of Chronology in Commodity Feminism: Audience Interpretations of Girl Power Music}, volume={37}, DOI={10.1080/03007766.2012.726033}, number={1}, journal={Popular Music and Society}, author={Hains, Rebecca C.}, year={2014}, pages={33–47} }
@book{Holm-Hudson_2002, address={New York}, title={Progressive Rock Reconsidered}, publisher={Routledge}, author={Holm-Hudson, Kevin}, year={2002} }
@article{Hubbs_2007, title={‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Anthem}, volume={26}, DOI={10.1017/S0261143007001250}, number={02}, journal={Popular Music}, author={Hubbs, Nadine}, year={2007} }
@inbook{Keightley_1996, title={‘Frank Sinatra As Adult Performer’ and ‘The Production of the Capitol Sinatra’}, url={http://spectrum.library.concordia.ca/221/1/NQ25911.pdf}, booktitle={Frank Sinatra, Hi-Fi, and the Formations of Adult Culture: Gender, Technology, and Celebrity, 1948–1962 (PhD Dissertation, Concordia University, 1996)}, author={Keightley, Keir}, year={1996} }
@article{Keister_Smith_2008, title={Musical Ambition, Cultural Accreditation and the Nasty Side of Progressive Rock}, volume={27}, DOI={10.1017/S0261143008102227}, number={03}, journal={Popular Music}, author={Keister, Jay and Smith, Jeremy L.}, year={2008} }
@book{Kevin Holm-Hudson_2001, title={Progressive Rock Reconsidered}, url={https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781315054230}, publisher={Routledge}, author={Kevin Holm-Hudson}, year={2001} }
@article{Kumari_2016, title={"Yoü and I”: Identity and the Performance of Self in Lady Gaga and Beyoncé}, volume={49}, url={https://onlinelibrary.wiley.com/doi/full/10.1111/jpcu.12405}, DOI={10.1111/jpcu.12405}, number={2}, journal={The Journal of Popular Culture}, author={Kumari, Ashanka}, year={2016}, pages={403–416} }
@inbook{Laing_2006, address={London}, title={Anglo-American Music Journalism: Texts and Context}, url={https://moodle.royalholloway.ac.uk/mod/resource/view.php?id=261869}, booktitle={The Popular Music Studies Reader}, publisher={Routledge}, author={Laing, Dave}, year={2006}, pages={333–339} }
@book{Laing_2015a, address={Oakland}, edition={New and expanded edition}, title={One Chord Wonders: Power and Meaning in Punk Rock}, publisher={PM Press}, author={Laing, Dave}, year={2015} }
@inbook{Laing_2015b, address={Oakland}, edition={New and expanded edition}, title={Formation}, url={https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781629630571&uid=^u}, booktitle={One Chord Wonders: Power and Meaning in Punk Rock}, publisher={PM Press}, author={Laing, Dave}, year={2015} }
@article{Lambert_2008, title={Brian Wilson’s Pet Sounds}, volume={5}, DOI={10.1017/S1478572208000625}, number={01}, journal={Twentieth-Century Music}, author={Lambert, Philip}, year={2008}, pages={109–133} }
@book{Lawrence_2003a, address={Durham}, title={Love Saves the Day: A History of American Dance Music Culture, 1970-1979}, publisher={Duke University Press}, author={Lawrence, Tim}, year={2003} }
@book{Lawrence_2003b, address={Durham}, title={Love Saves the Day: A History of American Dance Music Culture, 1970-1979}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167908}, publisher={Duke University Press}, author={Lawrence, Tim}, year={2003} }
@article{Leach_2001, title={Vicars of ‘Wannabe’: Authenticity and the Spice Girls}, volume={20}, DOI={10.1017/S0261143001001386}, number={02}, journal={Popular Music}, author={Leach, Elizabeth Eva}, year={2001} }
@article{Lemish_2003, title={Spice World: Constructing Femininity the Popular Way}, volume={26}, DOI={10.1080/0300776032000076360}, number={1}, journal={Popular Music and Society}, author={Lemish, Dafna}, year={2003}, pages={17–29} }
@inbook{Lynskey_2012, address={London}, title={The Clash ‘White Riot’}, booktitle={33 Revolutions per Minute: A History of Protest Songs}, publisher={Faber and Faber}, author={Lynskey, Dorian}, year={2012}, pages={337–358} }
@inbook{Macan_1997, address={New York}, title={The Music}, booktitle={Rocking the Classics: English Progressive Rock and the Counterculture}, publisher={Oxford University Press}, author={Macan, Edward}, year={1997}, pages={30–56} }
@inbook{Macrossan_2018, title={Intimacy, Authenticity and ‘Worlding’ in Beyoncé’s Star Project}, url={https://www.jstor.org/stable/j.ctv301dk8.12?Search=yes&resultItemClick=true&searchText=Macrossan%2C&searchText=%27Intimacy%2C&searchText=Authenticity&searchText=and&searchText=%22Worlding%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DMacrossan%252C%2B%25E2%2580%2598Intimacy%252C%2BAuthenticity%2Band%2B%25E2%2580%259CWorlding%25E2%2580%259D%2B%26amp%3Bfilter%3D&refreqid=search%3Ad91897d1aeb6860e5a88703e26c76724&seq=1#metadata_info_tab_contents}, booktitle={Popular Music, Stars and Stardom}, publisher={ANU Press}, author={Macrossan, Phoebe}, year={2018}, pages={137–152} }
@book{Martin_1996, address={Chicago, Ill}, title={Music of Yes: Structure and Vision in Progressive Rock}, volume={Feedback}, publisher={Open Court}, author={Martin, Bill}, year={1996} }
@article{Nelson_2000, title={Ol’ Red, White, and Blue Eyes: Frank Sinatra and the American Presidency}, volume={24}, DOI={10.1080/03007760008591786}, number={4}, journal={Popular Music and Society}, author={Nelson, Michael}, year={2000}, pages={79–102} }
@article{O’Meara_2003, title={The Raincoats: Breaking Down Punk Rock’s Masculinities}, volume={22}, DOI={10.1017/S0261143003003209}, number={3}, journal={Popular Music}, author={O’Meara, Caroline}, year={2003}, pages={299–313} }
@article{Palmer_2001, title={Yes, ‘Awaken’, and the Progressive Rock Style}, volume={20}, DOI={10.1017/S026114300100143X}, number={02}, journal={Popular Music}, author={Palmer, John R.}, year={2001} }
@article{Pinch_Trocco_1998, title={The Social Construction of the Early Electronic Music Synthesizer}, volume={4}, url={https://www.jstor.org/stable/23785956}, journal={Icon}, author={Pinch, Trevor and Trocco, Frank}, year={1998}, pages={9–31} }
@article{Railton_2001, title={The Gendered Carnival of Pop}, volume={20}, DOI={10.1017/S0261143001001520}, number={03}, journal={Popular Music}, author={Railton, Diane}, year={2001} }
@article{Rodger_2004, title={Drag, Camp and Gender Subversion in the Music and Videos of Annie Lennox}, volume={23}, DOI={10.1017/S0261143004000066}, number={1}, journal={Popular Music}, author={Rodger, Gillian}, year={2004}, pages={17–29} }
@misc{Rose_1995, title={Which One’s Pink? - Towards an Analysis of the Concept Albums of Roger Waters and Pink Floyd}, url={https://macsphere.mcmaster.ca/bitstream/11375/11030/1/fulltext.pdf}, author={Rose, Philip}, year={1995} }
@book{Savage_1991, address={London}, title={England’s Dreaming: Sex Pistols and Punk Rock}, publisher={Faber}, author={Savage, Jon}, year={1991} }
@book{Schwartz_2007a, address={Aldershot, England}, title={How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom}, publisher={Ashgate}, author={Schwartz, Roberta Freund}, year={2007} }
@inbook{Schwartz_2007b, address={Aldershot}, title={The Rock Island Line}, volume={Ashgate popular and folk music series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=438913}, booktitle={How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom}, publisher={Ashgate}, author={Schwartz, Roberta Freund}, year={2007} }
@article{Simonelli_2002, title={Anarchy, Pop and Violence: Punk Rock Subculture and the Rhetoric of Class, 1976-78}, volume={16}, DOI={10.1080/713999447}, number={2}, journal={Contemporary British History}, author={Simonelli, D.}, year={2002}, pages={121–144} }
@inbook{Sinatra_1998, address={Westport, Conn}, title={What’s This About Races?}, booktitle={Frank Sinatra and Popular Culture: Essays on an American Icon}, publisher={Praeger}, author={Sinatra, Frank}, year={1998} }
@book{Smith_1999, address={Cambridge, Mass}, title={Dancing in the Street: Motown and the Cultural Politics of Detroit}, publisher={Harvard University Press}, author={Smith, Suzanne E.}, year={1999} }
@article{Stalcup_2001, title={Noise Noise Noise: Punk Rock’s History Since 1965}, volume={23}, url={https://www.jstor.org/stable/23414589}, number={3}, journal={Studies in Popular Culture}, publisher={Popular Culture Association in the South}, author={Stalcup, Scott}, year={2001} }
@article{Stewart_2000, title={Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music}, volume={19}, url={https://www.jstor.org/stable/853638}, number={3}, journal={Popular Music}, author={Stewart, Alexander}, year={2000}, pages={293–318} }
@inbook{Straw_2001a, address={Cambridge}, title={Dance Music}, booktitle={The Cambridge Companion to Pop and Rock}, publisher={Cambridge University Press}, author={Straw, Will}, year={2001}, pages={158–175} }
@inbook{Straw_2001b, address={Cambridge}, title={Dance Music}, volume={Cambridge Companions to Music}, url={http://universitypublishingonline.org/ref/id/companions/CBO9781139002240A016}, DOI={10.1017/CCOL9780521553698.010}, booktitle={The Cambridge Companion to Pop and Rock}, publisher={Cambridge University Press}, author={Straw, Will}, editor={Frith, Simon and Straw, Will and Street, John}, year={2001}, pages={158–175} }
@book{Taraborrelli_1997, address={Edinburgh}, title={Sinatra: The Man Behind the Myth}, publisher={Mainstream}, author={Taraborrelli, J. Randall}, year={1997} }
@inbook{Tunbridge_2010, address={Cambridge}, title={Rebirth, Pop Song Cycles}, volume={Cambridge introductions to music}, booktitle={The Song Cycle}, publisher={Cambridge University Press}, author={Tunbridge, Laura}, year={2010}, pages={169–186} }
@book{Vernallis_2013a, address={New York}, title={Unruly Media: YouTube, Music Video, and the New Digital Cinema}, publisher={Oxford University Press}, author={Vernallis, Carol}, year={2013} }
@inbook{Vernallis_2013b, title={Beyoncé’s Video Phone}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1389072}, booktitle={Unruly Media: YouTube, Music Video, and the New Digital Cinema}, author={Vernallis, Carol}, year={2013} }
@inbook{Wald_2009a, address={New York, New York}, title={Twisting Girls Change the World}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354}, booktitle={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2009} }
@inbook{Wald_2009b, address={New York, New York}, title={Twisting Girls Change the World}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354}, booktitle={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2009} }
@inbook{Wald_2009c, address={New York, New York}, title={Twisting Girls Change the World}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354}, booktitle={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2009} }
@book{Wald_2010a, address={Oxford}, title={The Blues: A Very Short Introduction}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2010} }
@inbook{Wald_2010b, address={New York}, title={Blues and Country}, volume={Very short introductions}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=544496}, booktitle={The Blues: A Very Short Introduction}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2010} }
@book{Wald_2011a, address={New York}, title={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2011} }
@book{Wald_2011b, address={New York}, title={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2011} }
@book{Wald_2011c, address={New York}, title={How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music}, publisher={Oxford University Press}, author={Wald, Elijah}, year={2011} }
@book{Ward_1998, address={Berkeley [Calif.]}, title={Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations}, publisher={University of California Press}, author={Ward, Brian}, year={1998} }
@inbook{Wild_2007, title={They Can’t Take That Away from Me: Frank Sinatra and His Curious but Close Relationship with the Rock ‘n’ Roll Generation}, url={https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781580467025}, booktitle={Frank Sinatra: The Man, the Music, the Legend}, publisher={University of Rochester Press/Hofstra University ;,Boydell &}, author={Wild, David}, year={2007}, pages={37–44} }
@article{Williams_2014, title={"Same DNA, but Born this Way”: Lady Gaga and the Possibilities of Postessentialist Feminisms}, volume={26}, DOI={10.1111/jpms.12058}, number={1}, journal={Journal of Popular Music Studies}, author={Williams, Juliet}, year={2014}, pages={28–46} }
@book{Womack_2009, address={Cambridge}, title={The Cambridge Companion to the Beatles}, publisher={Cambridge University Press}, author={Womack, Kenneth}, year={2009} }
@article{Worley_2013, title={Oi! Oi! Oi!: Class, Locality, and British Punk}, volume={24}, DOI={10.1093/tcbh/hwt001}, number={4}, journal={Twentieth Century British History}, author={Worley, M.}, year={2013}, pages={606–636} }
@book{Dettmar_2009b, address={Cambridge}, title={The Cambridge Companion to Bob Dylan}, url={http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886949}, publisher={Cambridge University Press}, year={2009} }
@misc{Standing in the Shadows of Motown: Storyville | Box of Broadcasts_2009, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/004E1978}, publisher={BBC4}, year={2009} }
@misc{Punk Britannia Episode 1 | Box of Broadcasts_2012, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/029B8637?bcast=85798437}, publisher={BBC4}, year={2012} }
@misc{Punk Britannia Episode 2 | Box of Broadcasts_2012, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/029F5AA0?bcast=92702054}, publisher={BBC4}, year={2012} }
@misc{Punk Britannia Episode 3 | Box of Broadcasts_2012, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/02E7155F?bcast=92706875}, publisher={BBC4}, year={2012} }
@misc{Sinatra: All or Nothing at All (Series 2, Episode 1) | Box of Broadcasts_2015, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0BA3CF35?bcast=120773817}, publisher={BBC4}, year={2015} }
@misc{Sinatra: All or Nothing at All (Series 2, Episode 2) | Box of Broadcasts_2016, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0BA5422B?bcast=120778881}, publisher={BBC4}, year={2016} }
