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Laing D. Anglo-American Music Journalism: Texts and Context. In: The Popular Music Studies Reader. Routledge; 2006:333-339. https://moodle.royalholloway.ac.uk/mod/resource/view.php?id=261869
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Schwartz RF. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Ashgate; 2007.
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Schwartz RF. The Rock Island Line. In: How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. Vol Ashgate popular and folk music series. Ashgate; 2007. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=438913
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Wald E. How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2011.
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Wald E. Twisting Girls Change the World. In: How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354
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Wald E. The Blues: A Very Short Introduction. Oxford University Press; 2010.
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Wald E. Blues and Country. In: The Blues: A Very Short Introduction. Vol Very short introductions. Oxford University Press; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=544496
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Calvert D. Similar Hats on Similar Heads: Uniformity and Alienation at the Rat Pack’s Summit Conference of Cool. Popular Music. 2015;34(01):1-21. doi:10.1017/S0261143014000701
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Fuchs J, Prigozy R. Frank Sinatra: The Man, the Music, the Legend. University of Rochester Press; 2007.
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Wild D. They Can’t Take That Away from Me: Frank Sinatra and His Curious but Close Relationship with the Rock ‘n’ Roll Generation. In: Frank Sinatra: The Man, the Music, the Legend. University of Rochester Press/Hofstra University ;,Boydell &; 2007:37-44. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781580467025
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Keightley K. ‘Frank Sinatra As Adult Performer’ and ‘The Production of the Capitol Sinatra’. In: Frank Sinatra, Hi-Fi, and the Formations of Adult Culture: Gender, Technology, and Celebrity, 1948–1962 (PhD Dissertation, Concordia University, 1996). ; 1996. http://spectrum.library.concordia.ca/221/1/NQ25911.pdf
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Nelson M. Ol’ Red, White, and Blue Eyes: Frank Sinatra and the American Presidency. Popular Music and Society. 2000;24(4):79-102. doi:10.1080/03007760008591786
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Sinatra F. What’s This About Races? In: Frank Sinatra and Popular Culture: Essays on an American Icon. Praeger; 1998.
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Sinatra: All or Nothing at All (Series 2, Episode 2) | Box of Broadcasts. Published online 2016. https://learningonscreen.ac.uk/ondemand/index.php/prog/0BA5422B?bcast=120778881
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Sinatra: All or Nothing at All (Series 2, Episode 1) | Box of Broadcasts. Published online 2015. https://learningonscreen.ac.uk/ondemand/index.php/prog/0BA3CF35?bcast=120773817
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Taraborrelli JR. Sinatra: The Man Behind the Myth. Mainstream; 1997.
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Adelt U. Trying to Find an Identity: Eric Clapton’s Changing Conception of "Blackness”. Popular Music and Society. 2008;31(4):433-452. doi:10.1080/03007760802052809
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Braziel JE. "Bye, Bye Baby”: Race, Bisexuality, and the Blues in the Music of Bessie Smith and Janis Joplin. Popular Music and Society. 2004;27(1):3-26. doi:10.1080/0300776032000144896
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Womack K. The Cambridge Companion to the Beatles. Cambridge University Press; 2009.
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Cambridge Companions Complete Collection. The Cambridge Companion to the Beatles. Vol Cambridge Companions to Music. (Womack K, ed.). Cambridge University Press; 2009. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521869652
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Lambert P. Brian Wilson’s Pet Sounds. Twentieth-Century Music. 2008;5(01):109-133. doi:10.1017/S1478572208000625
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Freund Schwartz R. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom.; 2016.
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Tunbridge L. Rebirth, Pop Song Cycles. In: The Song Cycle. Vol Cambridge introductions to music. Cambridge University Press; 2010:169-186.
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Wald E. How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2011.
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Wald E. Twisting Girls Change the World. In: How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354
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Dettmar KJH. The Cambridge Companion to Bob Dylan. Cambridge University Press; 2009.
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Dettmar KJH, ed. The Cambridge Companion to Bob Dylan. Cambridge University Press; 2009. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886949
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Fitzgerald J. Motown Crossover Hits 1963–1966 and the Creative Process. Popular Music. 1995;14(01):1-11. doi:10.1017/S0261143000007601
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Fitzgerald J. Black Pop Songwriting 1963-1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland. Black Music Research Journal. 2007;27(2):97-140. https://www.jstor.org/stable/25433786
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Flory JA. I Hear a Symphony: Making Music at Motown, 1959–1979. Published online 2006. http://search.proquest.com.ezproxy01.rhul.ac.uk/docview/305295268?accountid=11455
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Smith SE. Dancing in the Street: Motown and the Cultural Politics of Detroit. Harvard University Press; 1999.
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Wald E. How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2011.
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Wald E. Twisting Girls Change the World. In: How the Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music. Oxford University Press; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431354
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Ward B. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. University of California Press; 1998.
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Standing in the Shadows of Motown: Storyville | Box of Broadcasts. Published online 2009. https://learningonscreen.ac.uk/ondemand/index.php/prog/004E1978
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Bowman R. The Stax Sound: A Musicological Analysis. Popular Music. 1995;14(03). doi:10.1017/S0261143000007753
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Danielsen A. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Wesleyan University Press; 2006.
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Danielsen A. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Wesleyan University Press; 2006. http://hdl.handle.net/2027/heb.31678
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Echols A. Hot Stuff. W.W. Norton & Company; 2011.
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Hubbs N. ‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Anthem. Popular Music. 2007;26(02). doi:10.1017/S0261143007001250
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Lawrence T. Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Duke University Press; 2003.
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Lawrence T. Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Duke University Press; 2003. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167908
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Stewart A. Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music. Popular Music. 2000;19(3):293-318. https://www.jstor.org/stable/853638
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Straw W. Dance Music. In: The Cambridge Companion to Pop and Rock. Cambridge University Press; 2001:158-175.
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Straw W. Dance Music. In: Frith S, Straw W, Street J, eds. The Cambridge Companion to Pop and Rock. Vol Cambridge Companions to Music. Cambridge University Press; 2001:158-175. doi:10.1017/CCOL9780521553698.010
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Covach J. Progressive Rock, "Close to the Edge” and the Boundaries of Style. In: Understanding Rock: Essays in Musical Analysis. Oxford University Press; 1997:3-32.
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Holm-Hudson K. Progressive Rock Reconsidered. Routledge; 2002.
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Kevin Holm-Hudson. Progressive Rock Reconsidered. Routledge; 2001. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781315054230
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Keister J, Smith JL. Musical Ambition, Cultural Accreditation and the Nasty Side of Progressive Rock. Popular Music. 2008;27(03). doi:10.1017/S0261143008102227
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Macan E. The Music. In: Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press; 1997:30-56.
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Martin B. Music of Yes: Structure and Vision in Progressive Rock. Vol Feedback. Open Court; 1996.
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Palmer JR. Yes, ‘Awaken’, and the Progressive Rock Style. Popular Music. 2001;20(02). doi:10.1017/S026114300100143X
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Rose P. Which One’s Pink? - Towards an Analysis of the Concept Albums of Roger Waters and Pink Floyd. Published online 1995. https://macsphere.mcmaster.ca/bitstream/11375/11030/1/fulltext.pdf
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Anderton C. A Many-Headed Beast: Progressive Rock as European Meta-Genre. Popular Music. 2010;29(03):417-435. doi:10.1017/S0261143010000450
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Albiez S. Know History!: John Lydon, Cultural Capital and the Prog/punk Dialectic. Popular Music. 2003;22(3):357-374. doi:10.1017/S0261143003003234
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Glaros M, Laffey M. Situating The Residents. Journal of Film and Video. 2012;64(1-2). doi:10.5406/jfilmvideo.64.1-2.0072
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Adams R. The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia. Popular Music and Society. 2008;31(4):469-488. doi:10.1080/03007760802053104
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Bennett A. Cultures of Popular Music. Open University Press; 2001.
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Bennett A. Punk and Punk Rock. In: Cultures of Popular Music. Open University Press; 2001. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6212021
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Laing D. One Chord Wonders: Power and Meaning in Punk Rock. New and expanded edition. PM Press; 2015.
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Laing D. Formation. In: One Chord Wonders: Power and Meaning in Punk Rock. New and expanded edition. PM Press; 2015. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781629630571&uid=^u
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Lynskey D. The Clash ‘White Riot’. In: 33 Revolutions per Minute: A History of Protest Songs. Faber and Faber; 2012:337-358.
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Savage J. England’s Dreaming: Sex Pistols and Punk Rock. Faber; 1991.
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Simonelli D. Anarchy, Pop and Violence: Punk Rock Subculture and the Rhetoric of Class, 1976-78. Contemporary British History. 2002;16(2):121-144. doi:10.1080/713999447
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Punk Britannia Episode 1 | Box of Broadcasts. Published online 2012. https://learningonscreen.ac.uk/ondemand/index.php/prog/029B8637?bcast=85798437
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Stalcup S. Noise Noise Noise: Punk Rock’s History Since 1965. Studies in Popular Culture. 2001;23(3). https://www.jstor.org/stable/23414589
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Goodwin A. Rationalization and Democratization in the New Technologies of Popular Music. In: Popular Music and Communication. Vol 89. 2nd ed. Sage Publications; 1992:147-168.
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Auner J. ‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music. Journal of the Royal Musical Association. 2003;128(1):98-122. doi:10.1093/jrma/fkg004
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Fink R. The Story of ORCH5, Or, the Classical Ghost in the Hip-Hop Machine. Popular Music. 2005;24(03). doi:10.1017/S0261143005000553
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Goodwin A. Sample and Hold: Pop Music in the Digital Age of Reproduction. Critical Quarterly. 1988;30(3):34-49. doi:10.1111/j.1467-8705.1988.tb00315.x
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Cunningham D. Kraftwerk and the Image of the Modern. In: Kraftwerk: Music Non-Stop. Continuum; 2010:44-62.
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Rodger G. Drag, Camp and Gender Subversion in the Music and Videos of Annie Lennox. Popular Music. 2004;23(1):17-29. doi:10.1017/S0261143004000066
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Pinch T, Trocco F. The Social Construction of the Early Electronic Music Synthesizer. Icon. 1998;4:9-31. https://www.jstor.org/stable/23785956
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Cateforis T. Chapter 2: ‘The Second British Invasion and its Aftermath: From New Pop to Modern Rock’. In: Are We Not New Wave?. University of Michigan Press; 2011:45-71.
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Goodwin A. Rationalization and Democratization in the New Technologies of Popular Music. In: The Popular Music Studies Reader. Routledge; 2006:276-282.
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Cloonan M. State of the Nation: "Englishness,” Pop, and Politics in the Mid‐1990s. Popular Music and Society. 1997;21(2):47-70. doi:10.1080/03007769708591667
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Blake A. Living Through Pop. Routledge; 1999.
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Dibben N. Representations of Femininity in Popular Music. Popular Music. 1999;18(03). doi:10.1017/S0261143000008904
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Hains RC. The Significance of Chronology in Commodity Feminism: Audience Interpretations of Girl Power Music. Popular Music and Society. 2014;37(1):33-47. doi:10.1080/03007766.2012.726033
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Bennett A, Stratton J. Britpop and the English Music Tradition. Vol Ashgate popular and folk music series. Ashgate; 2010.
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Bennett A, Stratton J. Britpop and the English Music Tradition. Ashgate; 2010. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=564095
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Leach EE. Vicars of ‘Wannabe’: Authenticity and the Spice Girls. Popular Music. 2001;20(02). doi:10.1017/S0261143001001386
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Lemish D. Spice World: Constructing Femininity the Popular Way. Popular Music and Society. 2003;26(1):17-29. doi:10.1080/0300776032000076360
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Railton D. The Gendered Carnival of Pop. Popular Music. 2001;20(03). doi:10.1017/S0261143001001520
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Duffett M. Multiple Damnations: Deconstructing the Critical Response to Boy Band Phenomena. Popular Music History. 2012;7(2):185-197.
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Burns L, Woods A, Lafrance M. The Genealogy of a Song: Lady Gaga’s Musical Intertexts on The Fame Monster (2009). Twentieth-Century Music. 2015;12(01):3-35. doi:10.1017/S1478572214000176
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Williams J. "Same DNA, but Born this Way”: Lady Gaga and the Possibilities of Postessentialist Feminisms. Journal of Popular Music Studies. 2014;26(1):28-46. doi:10.1111/jpms.12058
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Click MA, Lee H, Holladay HW. Making Monsters: Lady Gaga, Fan Identification, and Social Media. Popular Music and Society. 2013;36(3):360-379. doi:10.1080/03007766.2013.798546
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Vernallis C. Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford University Press; 2013.
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Vernallis C. Beyoncé’s Video Phone. In: Unruly Media: YouTube, Music Video, and the New Digital Cinema. ; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1389072
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Kumari A. "Yoü and I”: Identity and the Performance of Self in Lady Gaga and Beyoncé. The Journal of Popular Culture. 2016;49(2):403-416. doi:10.1111/jpcu.12405
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Brown A. ‘She Isn’t Whoring Herself Out Like a Lot of Other Girls We See’: Identification and "Authentic” American Girlhood on Taylor Swift Fan Forums. Networking Knowledge: Journal of the MeCCSA Postgraduate Network. 2012;5(1). http://ojs.meccsa.org.uk/index.php/netknow/article/view/252
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Dubler J. Shit White People Say About Beyoncé. Soundings: An Interdisciplinary Journal. 2014;97(3). doi:10.5325/soundings.97.3.0385
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Macrossan P. Intimacy, Authenticity and ‘Worlding’ in Beyoncé’s Star Project. In: Popular Music, Stars and Stardom. ANU Press; 2018:137-152. https://www.jstor.org/stable/j.ctv301dk8.12?Search=yes&resultItemClick=true&searchText=Macrossan%2C&searchText=%27Intimacy%2C&searchText=Authenticity&searchText=and&searchText=%22Worlding%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DMacrossan%252C%2B%25E2%2580%2598Intimacy%252C%2BAuthenticity%2Band%2B%25E2%2580%259CWorlding%25E2%2580%259D%2B%26amp%3Bfilter%3D&refreqid=search%3Ad91897d1aeb6860e5a88703e26c76724&seq=1#metadata_info_tab_contents
