Addressing the Century: 100 Years of Art & Fashion, (Hayward Gallery, 1998)
Ankum, Katharina von, ‘Gendered Urban Spaces in Irmgard Keun’s “Das Kunstesidene Madchen”’, in Women in the Metropolis: Gender and Modernity in Weimar Culture (University of California Prress, 1997), Weimar and now, pp. 162–84
Bancroft, Alison, Fashion and Psychoanalysis: Styling the Self (I.B. Tauris, 2012), International library of cultural studies
——, Fashion and Psychoanalysis: Styling the Self (I.B.Tauris & Co Ltd, 2012), International library of cultural studies <https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=945517>
Barthes, Roland, The Fashion System (University of California Press, 1990)
Berger, John, ‘Chapter 3’, in Ways of Seeing (Penguin, 2008), pp. 39–58
——, ‘Chapter 3’, in Ways of Seeing (Penguin, 2008), pp. 39–58
Berghaus, G., ‘Girlkultur Feminism, Americanism, and Popular Entertainment in Weimar Germany’, Journal of Design History, 1.3–4 (1988), pp. 193–219, doi:10.1093/jdh/1.3-4.193
Boa, Elizabeth, ‘Warring Pleasures and Their Price: Sex in the City in Irmgard Keun’s Das Kunstseidene Mädchen and Andrea Maria Schenkel’s Kalteis’, German Life and Letters, 62.3 (2009), pp. 343–58, doi:10.1111/j.1468-0483.2009.01468.x
Boxwell, D. A., ‘(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp’, Twentieth Century Literature, 44.3 (1998), doi:10.2307/441812
Breward, Christopher, The Culture of Fashion: A New History of Fashionable Dress (Manchester University Press, 1995), Studies in design and material culture
Bruzzi, Stella, Fashion Cultures: Theories, Explorations and Analysis (Routledge, 2000)
Buckley, Cheryl, Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present (I. B. Tauris, 2002)
——, Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present (I. B. Tauris, 2002) <https://royalholloway.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9786000006792&uid=^u>
Burns, Christy L., ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’, Twentieth Century Literature, 40.3 (1994), doi:10.2307/441560
Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity (Routledge, 2006), Routledge classics
——, Gender Trouble: Feminism and the Subversion of Identity (Routledge, 1999) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180211>
——, Undoing Gender (Routledge, 2004)
Cavallaro, Dani, and Alexandra Warwick, Fashioning the Frame: Boundaries, Dress and Body (Berg, 1998), Dress, body, culture
Celant, Germano, Louise Bourgeois: The Fabric Works, 1st ed (Skira, 2010)
Cervetti, Nancy, ‘In the Breeches, Petticoats, and Pleasures of Orlando’, Journal of Modern Literature, 20.2 (1996), pp. 165–75 <http://www.jstor.org/stable/3831473>
Chadwick, Whitney, and Dawn Ades, Mirror Images: Women, Surrealism, and Self-Representation (MIT Press, 1998)
Cindy Sherman: Retrospective, (Thames & Hudson, 1997)
Connell, R. W., Gender (Polity, 2002)
Coxon, Ann, and Louise Bourgeois, Louise Bourgeois (Tate, 2010), Modern artists
Craft-Fairchild, Catherine, ‘“Same Person… Just a Different Sex”: Sally Potter’s Construction of Gender in Orlando’, Woolf Studies Annual (New York, NY), 7 (2001), pp. 23–48
Craik, Jennifer, The Face of Fashion: Cultural Studies in Fashion (Routledge, 1994)
——, The Face of Fashion: Cultural Studies in Fashion (Routledge, 1994) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179181>
Dyer, Richard, ‘Less and More than Women and Men: Lesbian and Gay Cinema in Weimar Germany’, New German Critique, no. 51 (1990), doi:10.2307/488171
Entwistle, Joanne, and Elizabeth Wilson, Body Dressing (Berg, 2001), Dress, body, culture
——, and Elizabeth Wilson, ‘The Dressed Body’, in Body Dressing (Berg, 2001), Dress, body, culture, pp. 33–58
Felshin, Nina, ‘Clothing as Subject’, Art Journal, 54.1 (1995), pp. 20–29, doi:10.1080/00043249.1995.10791672
Ferriss, Suzanne, ‘Unclothing Gender: The Postmodern Sensibility in Sally Potter’s “Orlando”’, Literature-Film Quarterly, 27.2 (1999) <http://www.jstor.org/stable/43798722>
Fest, Kerstin, ‘Yesterday And/or Today: Time, History and Desire in Christa Winsloe’s Mädchen in Uniform’, German Life and Letters, 65.4 (2012), pp. 457–71, doi:10.1111/j.1468-0483.2012.01582.x
Fuss, Diana, Essentially Speaking: Feminism, Nature & Difference (Routledge, 1989)
Hall, Radclyffe, The Well of Loneliness (Virago, 2008), Virago modern classics
Hemus, Ruth, ‘Hannah Hoch: The Good Girl and the Dada Club’, in Dada’s Women (Yale University Press, 2009), pp. 91–127
Hughes, Jon, ‘“Zivil Ist Allemal Schädlich” Clothing in German-Language Culture of the 1920s’, Neophilologus, 88.3 (2004), pp. 429–45, doi:10.1023/B:NEOP.0000027472.79197.5a
Humm, Maggie, Feminism and Film (Edinburgh University Press, 1997)
Jeremiah, Emily, ‘‘The "I” Inside "Her”’: Queer Narration in Sarah Waters’s Tipping the Velvet and Wesley Stace’s Misfortune’, Women: A Cultural Review, 18.2 (2007), pp. 131–44, doi:10.1080/09574040701400171
Kellein, Thomas, and Louise Bourgeois, Louise Bourgeois: La Famille (Verlag der Buchhandlung Walter König, 2006)
Keun, Irmgard, Das Kunstseidene Mädchen: Roman, 14. Auflage (Ullstein Buchverlag, 2015)
——, The Artificial Silk Girl (Other Press, 2002)
Klein, Jacky, and Grayson Perry, Grayson Perry, Updated and expanded edition (Thames & Hudson, 2013)
Koolen, Mandy, ‘Historical Fiction and the Revaluing of Historical Continuity in Sarah Waters’s Tipping the Velvet’, Contemporary Literature, 51.2 (2010), pp. 371–97, doi:10.1353/cli.2010.0006
Lavin, Maud, ‘Androgyny and Spectatorship’, in Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch (Yale University Press, 1993), pp. 185–204
——, ‘The New Woman in Hannah Höch’s Photomontages: Issues of Androgyny, Bisexuality, and Oscillation’, in Reclaiming Female Agency: Feminist Art History After Postmodernism (University of California Press, 2005)
Lensing, Leo A., ‘Cinema, Society, and Literature in Irmgard Keun’s Das Kunstseidene Mädchen’, The Germanic Review: Literature, Culture, Theory, 60.4 (1985), pp. 129–34, doi:10.1080/00168890.1985.9934167
Makholm, Kristin, ‘Strange Beauty: Hannah Höch and the Photomontage’, MoMA, no. 24 (1997) <https://www.jstor.org/stable/4381346>
Morris, Catherine, and Cindy Sherman, The Essential Cindy Sherman (Harry N. Abrams, 1999)
Morris, Frances, Louise Bourgeois: Stitches in Time (AugustProjects, 2003)
Nicoletta, Jule, ‘Louise Bourgeois’s Femmes-Maisons: Confronting Lacan’, in Reclaiming Female Agency: Feminist Art History After Postmodernism (University of California Press, 2005)
Perry, Grayson, ‘The Department of Masculinity’, in The Descent of Man (Penguin Books, 2017) <https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/1249296?page=0>
——, The Vanity of Small Differences (Hayward Publishing, 2013)
Pidduck, J., ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’, Screen, 38.2 (1997), pp. 172–89, doi:10.1093/screen/38.2.172
Potter, Sally, and Virginia Woolf, Orlando: Based on the Novel by Virginia Woolf, Widescreen, Umbrella Entertainment, 2004
Pouchard, Line, ‘Queer Desire in The Well of Loneliness’, in The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, 2nd ed (Macmillan, 1997)
Respini, Eva, Cindy Sherman (Museum of Modern Art, 2012)
Rice, Shelley, Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman (MIT Press, 1999)
Rich, Ruby, ‘Maedchen in Uniform’, Jump Cut, 24/25.March (1981), pp. 44–50 <https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html>
Roe, Sue, and Susan Sellers, The Cambridge Companion to Virginia Woolf (Cambridge University Press, 2000), Cambridge companions to literature
——, and Susan Sellers, The Cambridge Companion to Virginia Woolf (Cambridge University Press, 2010) <https://www-cambridge-org.royalholloway.idm.oclc.org/core/books/cambridge-companion-to-virginia-woolf/FDD38A886415144017F1FEB4D50FF8AA>
Rolley, Katrina, ‘Cutting a Dash: The Dress of Radclyffe Hall and Una Troubridge’, Feminist Review, no. 35 (1990), doi:10.2307/1395400
Sagan, Leontine, Madchen in Uniform, BFI, 2000
Smith, Jill Suzanne, ‘Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction’, The German Quarterly, 81.4 (2008), pp. 449–70, doi:10.1111/j.1756-1183.2008.00031.x
Somerville, Kristine, ‘Remaking the Modern Woman: The Dadaist Montages of Hannah Höch’, The Missouri Review, 37.3 (2014), pp. 25–35, doi:10.1353/mis.2014.0047
Waters, Sarah, Tipping the Velvet (Virago, 2012)
Watkins, Susan, ‘Sex Change and Media Change: From Woolf’s to Potter’s Orlando’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 31.3 (1998), pp. 41–59 <http://www.jstor.org/stable/44029810>
Woolf, Virginia, ‘Introduction’, in Orlando: A Biography (Oxford University Press, 2014), Oxford World’s Classics
——, ‘Introduction’, in Orlando: A Biography (Oxford University Press, 2014)
Zimnik, Nina, ‘No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 15.1 (2000), pp. 161–83, doi:10.1353/wgy.2000.0020