Bibliography for ML2403: Gender and Clothing in Twentieth-Century and Culture BETA

Addressing the Century: 100 Years of Art & Fashion. 1998. London: Hayward Gallery.

Ankum, Katharina von. 1997. ‘Gendered Urban Spaces in Irmgard Keun’s “Das Kunstesidene Madchen”’. In Women in the Metropolis: Gender and Modernity in Weimar Culture, Weimar and now:162–84. Berkeley: University of California Prress.

Bancroft, Alison. 2012a. Fashion and Psychoanalysis: Styling the Self. Vol. International library of cultural studies. London: I.B. Tauris.

———. 2012b. Fashion and Psychoanalysis: Styling the Self. Vol. International library of cultural studies. London: I.B.Tauris & Co Ltd. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=945517.

Barthes, Roland. 1990. The Fashion System. Berkeley: University of California Press.

Berger, John. 2008a. ‘Chapter 3’. In Ways of Seeing, 39–58. London: Penguin.

———. 2008b. ‘Chapter 3’. In Ways of Seeing, 39–58. London: Penguin.

Berghaus, G. 1988. ‘Girlkultur Feminism, Americanism, and Popular Entertainment in Weimar Germany’. Journal of Design History 1 (3–4): 193–219. https://doi.org/10.1093/jdh/1.3-4.193.

Boa, Elizabeth. 2009. ‘Warring Pleasures and Their Price: Sex in the City in Irmgard Keun’s Das Kunstseidene Mädchen and Andrea Maria Schenkel’s Kalteis’. German Life and Letters 62 (3): 343–58. https://doi.org/10.1111/j.1468-0483.2009.01468.x.

Boxwell, D. A. 1998. ‘(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp’. Twentieth Century Literature 44 (3). https://doi.org/10.2307/441812.

Breward, Christopher. 1995. The Culture of Fashion: A New History of Fashionable Dress. Vol. Studies in design and material culture. Manchester: Manchester University Press.

Bruzzi, Stella. 2000. Fashion Cultures: Theories, Explorations and Analysis. London: Routledge.

Buckley, Cheryl. 2002a. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris.

———. 2002b. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris. https://royalholloway.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9786000006792&uid=^u.

Burns, Christy L. 1994. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature 40 (3). https://doi.org/10.2307/441560.

Butler, Judith. 1999. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180211.

———. 2004. Undoing Gender. New York: Routledge.

———. 2006. Gender Trouble: Feminism and the Subversion of Identity. Vol. Routledge classics. New York: Routledge.

Cavallaro, Dani, and Alexandra Warwick. 1998. Fashioning the Frame: Boundaries, Dress and Body. Vol. Dress, body, culture. Oxford: Berg.

Celant, Germano. 2010. Louise Bourgeois: The Fabric Works. 1st ed. Milan: Skira.

Cervetti, Nancy. 1996. ‘In the Breeches, Petticoats, and Pleasures of Orlando’. Journal of Modern Literature 20 (2): 165–75. http://www.jstor.org/stable/3831473.

Chadwick, Whitney, and Dawn Ades. 1998. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press.

Cindy Sherman: Retrospective. 1997. London: Thames & Hudson.

Connell, R. W. 2002. Gender. Cambridge: Polity.

Coxon, Ann, and Louise Bourgeois. 2010. Louise Bourgeois. Vol. Modern artists. London: Tate.

Craft-Fairchild, Catherine. 2001. ‘“Same Person… Just a Different Sex”: Sally Potter’s Construction of Gender in Orlando’. Woolf Studies Annual 7: 23–48.

Craik, Jennifer. 1994a. The Face of Fashion: Cultural Studies in Fashion. London: Routledge.

———. 1994b. The Face of Fashion: Cultural Studies in Fashion. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179181.

Dyer, Richard. 1990. ‘Less and More than Women and Men: Lesbian and Gay Cinema in Weimar Germany’. New German Critique, no. 51. https://doi.org/10.2307/488171.

Entwistle, Joanne, and Elizabeth Wilson. 2001a. Body Dressing. Vol. Dress, body, culture. Oxford: Berg.

———. 2001b. ‘The Dressed Body’. In Body Dressing, Dress, body, culture:33–58. Oxford: Berg.

Felshin, Nina. 1995. ‘Clothing as Subject’. Art Journal 54 (1): 20–29. https://doi.org/10.1080/00043249.1995.10791672.

Ferriss, Suzanne. 1999. ‘Unclothing Gender: The Postmodern Sensibility in Sally Potter’s “Orlando”’. Literature-Film Quarterly 27 (2). http://www.jstor.org/stable/43798722.

Fest, Kerstin. 2012. ‘Yesterday And/or Today: Time, History and Desire in Christa Winsloe’s Mädchen in Uniform’. German Life and Letters 65 (4): 457–71. https://doi.org/10.1111/j.1468-0483.2012.01582.x.

Fuss, Diana. 1989. Essentially Speaking: Feminism, Nature & Difference. New York: Routledge.

Hall, Radclyffe. 2008. The Well of Loneliness. Vol. Virago modern classics. London: Virago.

Hemus, Ruth. 2009. ‘Hannah Hoch: The Good Girl and the Dada Club’. In Dada’s Women, 91–127. New Haven, Conn: Yale University Press.

Hughes, Jon. 2004. ‘“Zivil Ist Allemal Schädlich” Clothing in German-Language Culture of the 1920s’. Neophilologus 88 (3): 429–45. https://doi.org/10.1023/B:NEOP.0000027472.79197.5a.

Humm, Maggie. 1997. Feminism and Film. Edinburgh: Edinburgh University Press.

Jeremiah, Emily. 2007. ‘‘The "I” Inside "Her”’: Queer Narration in Sarah Waters’s Tipping the Velvet and Wesley Stace’s Misfortune’. Women: A Cultural Review 18 (2): 131–44. https://doi.org/10.1080/09574040701400171.

Kellein, Thomas, and Louise Bourgeois. 2006. Louise Bourgeois: La Famille. Köln: Verlag der Buchhandlung Walter König.

Keun, Irmgard. 2002. The Artificial Silk Girl. New York: Other Press.

———. 2015. Das Kunstseidene Mädchen: Roman. 14. Auflage. Berlin: Ullstein Buchverlag.

Klein, Jacky, and Grayson Perry. 2013. Grayson Perry. Updated and Expanded edition. London: Thames & Hudson.

Koolen, Mandy. 2010. ‘Historical Fiction and the Revaluing of Historical Continuity in Sarah Waters’s Tipping the Velvet’. Contemporary Literature 51 (2): 371–97. https://doi.org/10.1353/cli.2010.0006.

Lavin, Maud. 1993. ‘Androgyny and Spectatorship’. In Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch, 185–204. New Haven, [Conn.]: Yale University Press.

———. 2005. ‘The New Woman in Hannah Höch’s Photomontages: Issues of Androgyny, Bisexuality, and Oscillation’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Lensing, Leo A. 1985. ‘Cinema, Society, and Literature in Irmgard Keun’s Das Kunstseidene Mädchen’. The Germanic Review: Literature, Culture, Theory 60 (4): 129–34. https://doi.org/10.1080/00168890.1985.9934167.

Makholm, Kristin. 1997. ‘Strange Beauty: Hannah Höch and the Photomontage’. MoMA, no. 24. https://www.jstor.org/stable/4381346.

Morris, Catherine, and Cindy Sherman. 1999. The Essential Cindy Sherman. New York: Harry N. Abrams.

Morris, Frances. 2003. Louise Bourgeois: Stitches in Time. London: AugustProjects.

Nicoletta, Jule. 2005. ‘Louise Bourgeois’s Femmes-Maisons: Confronting Lacan’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Perry, Grayson. 2013. The Vanity of Small Differences. London: Hayward Publishing.

———. 2017. ‘The Department of Masculinity’. In The Descent of Man. UK: Penguin Books. https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/1249296?page=0.

Pidduck, J. 1997. ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’. Screen 38 (2): 172–89. https://doi.org/10.1093/screen/38.2.172.

Potter, Sally, and Virginia Woolf. 2004. ‘Orlando: Based on the Novel by Virginia Woolf’. [S.l]: Umbrella Entertainment.

Pouchard, Line. 1997. ‘Queer Desire in The Well of Loneliness’. In The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, 2nd ed. Basingstoke: Macmillan.

Respini, Eva. 2012. Cindy Sherman. New York: Museum of Modern Art.

Rice, Shelley. 1999. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press.

Rich, Ruby. 1981. ‘Maedchen in Uniform’. Jump Cut 24/25 (March): 44–50. https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html.

Roe, Sue, and Susan Sellers. 2000. The Cambridge Companion to Virginia Woolf. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press.

———. 2010. The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521896948.

Rolley, Katrina. 1990. ‘Cutting a Dash: The Dress of Radclyffe Hall and Una Troubridge’. Feminist Review, no. 35. https://doi.org/10.2307/1395400.

Sagan, Leontine. 2000. ‘Madchen in Uniform’. S.l.: BFI.

Smith, Jill Suzanne. 2008. ‘Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction’. The German Quarterly 81 (4): 449–70. https://doi.org/10.1111/j.1756-1183.2008.00031.x.

Somerville, Kristine. 2014. ‘Remaking the Modern Woman: The Dadaist Montages of Hannah Höch’. The Missouri Review 37 (3): 25–35. https://doi.org/10.1353/mis.2014.0047.

Waters, Sarah. 2012. Tipping the Velvet. London: Virago.

Watkins, Susan. 1998. ‘Sex Change and Media Change: From Woolf’s to Potter’s Orlando’. Mosaic: A Journal for the Interdisciplinary Study of Literature 31 (3): 41–59. http://www.jstor.org/stable/44029810.

Woolf, Virginia. 2014a. ‘Introduction’. In Orlando: A Biography. Oxford: Oxford University Press.

———. 2014b. ‘Introduction’. In Orlando: A Biography. Vol. Oxford World’s Classics. Oxford: Oxford University Press.

Zimnik, Nina. 2000. ‘No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime’. Women in German Yearbook: Feminist Studies in German Literature & Culture 15 (1): 161–83. https://doi.org/10.1353/wgy.2000.0020.