Bibliography for ML2403: Gender and Clothing in Twentieth-Century and Culture BETA

Addressing the Century: 100 Years of Art & Fashion. 1998. Hayward Gallery.

Ankum, Katharina von. 1997. ‘Gendered Urban Spaces in Irmgard Keun’s “Das Kunstesidene Madchen”’. In Women in the Metropolis: Gender and Modernity in Weimar Culture, Weimar and now. University of California Prress.

Bancroft, Alison. 2012a. Fashion and Psychoanalysis: Styling the Self. International library of cultural studies. I.B. Tauris.

Bancroft, Alison. 2012b. Fashion and Psychoanalysis: Styling the Self. International library of cultural studies. I.B.Tauris & Co Ltd. Electronic book. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=945517.

Barthes, Roland. 1990. The Fashion System. University of California Press.

Berger, John. 2008a. ‘Chapter 3’. In Ways of Seeing. Penguin.

Berger, John. 2008b. ‘Chapter 3’. In Ways of Seeing. Penguin.

Berghaus, G. 1988. ‘Girlkultur Feminism, Americanism, and Popular Entertainment in Weimar Germany’. Journal of Design History 1 (3–4): 193–219. https://doi.org/10.1093/jdh/1.3-4.193.

Boa, Elizabeth. 2009. ‘Warring Pleasures and Their Price: Sex in the City in Irmgard Keun’s Das Kunstseidene Mädchen and Andrea Maria Schenkel’s Kalteis’. German Life and Letters 62 (3): 343–58. https://doi.org/10.1111/j.1468-0483.2009.01468.x.

Boxwell, D. A. 1998. ‘(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp’. Twentieth Century Literature 44 (3). https://doi.org/10.2307/441812.

Breward, Christopher. 1995. The Culture of Fashion: A New History of Fashionable Dress. Studies in design and Material culture. Manchester University Press.

Bruzzi, Stella. 2000. Fashion Cultures: Theories, Explorations and Analysis. Routledge.

Buckley, Cheryl. 2002a. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. I. B. Tauris.

Buckley, Cheryl. 2002b. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. I. B. Tauris. Electronic book. https://royalholloway.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9786000006792&uid=^u.

Burns, Christy L. 1994. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature 40 (3). https://doi.org/10.2307/441560.

Butler, Judith. 1999. Gender Trouble: Feminism and the Subversion of Identity. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180211.

Butler, Judith. 2004. Undoing Gender. Routledge.

Butler, Judith. 2006. Gender Trouble: Feminism and the Subversion of Identity. Routledge classics. Routledge.

Cavallaro, Dani, and Alexandra Warwick. 1998. Fashioning the Frame: Boundaries, Dress and Body. Dress, Body, Culture. Berg.

Celant, Germano. 2010. Louise Bourgeois: The Fabric Works. 1st ed. Skira.

Cervetti, Nancy. 1996. ‘In the Breeches, Petticoats, and Pleasures of Orlando’. Journal of Modern Literature 20 (2): 165–75. http://www.jstor.org/stable/3831473.

Chadwick, Whitney, and Dawn Ades. 1998. Mirror Images: Women, Surrealism, and Self-Representation. MIT Press.

Cindy Sherman: Retrospective. 1997. Thames & Hudson.

Connell, R. W. 2002. Gender. Polity.

Coxon, Ann, and Louise Bourgeois. 2010. Louise Bourgeois. Modern artists. Tate.

Craft-Fairchild, Catherine. 2001. ‘“Same Person… Just a Different Sex”: Sally Potter’s Construction of Gender in Orlando’. Woolf Studies Annual (New York, NY) 7: 23–48.

Craik, Jennifer. 1994a. The Face of Fashion: Cultural Studies in Fashion. Routledge.

Craik, Jennifer. 1994b. The Face of Fashion: Cultural Studies in Fashion. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179181.

Dyer, Richard. 1990. ‘Less and More than Women and Men: Lesbian and Gay Cinema in Weimar Germany’. New German Critique, no. 51. https://doi.org/10.2307/488171.

Entwistle, Joanne, and Elizabeth Wilson. 2001a. Body Dressing. Dress, Body, Culture. Berg.

Entwistle, Joanne, and Elizabeth Wilson. 2001b. ‘The Dressed Body’. In Body Dressing, Dress, body, culture. Berg.

Felshin, Nina. 1995. ‘Clothing as Subject’. Art Journal 54 (1): 20–29. https://doi.org/10.1080/00043249.1995.10791672.

Ferriss, Suzanne. 1999. ‘Unclothing Gender: The Postmodern Sensibility in Sally Potter’s “Orlando”’. Literature-Film Quarterly 27 (2). http://www.jstor.org/stable/43798722.

Fest, Kerstin. 2012. ‘Yesterday And/or Today: Time, History and Desire in Christa Winsloe’s Mädchen in Uniform’. German Life and Letters 65 (4): 457–71. https://doi.org/10.1111/j.1468-0483.2012.01582.x.

Fuss, Diana. 1989. Essentially Speaking: Feminism, Nature & Difference. Routledge.

Hall, Radclyffe. 2008. The Well of Loneliness. Virago modern classics. Virago.

Hemus, Ruth. 2009. ‘Hannah Hoch: The Good Girl and the Dada Club’. In Dada’s Women. Yale University Press.

Hughes, Jon. 2004. ‘“Zivil Ist Allemal Schädlich” Clothing in German-Language Culture of the 1920s’. Neophilologus 88 (3): 429–45. https://doi.org/10.1023/B:NEOP.0000027472.79197.5a.

Humm, Maggie. 1997. Feminism and Film. Edinburgh University Press.

Jeremiah, Emily. 2007. ‘‘The "I” Inside "Her”’: Queer Narration in Sarah Waters’s Tipping the Velvet and Wesley Stace’s Misfortune’. Women: A Cultural Review 18 (2): 131–44. https://doi.org/10.1080/09574040701400171.

Kellein, Thomas, and Louise Bourgeois. 2006. Louise Bourgeois: La Famille. Verlag der Buchhandlung Walter König.

Keun, Irmgard. 2002. The Artificial Silk Girl. Other Press.

Keun, Irmgard. 2015. Das Kunstseidene Mädchen: Roman. 14. Auflage. Ullstein Buchverlag.

Klein, Jacky, and Grayson Perry. 2013. Grayson Perry. Updated and Expanded edition. Thames & Hudson.

Koolen, Mandy. 2010. ‘Historical Fiction and the Revaluing of Historical Continuity in Sarah Waters’s Tipping the Velvet’. Contemporary Literature 51 (2): 371–97. https://doi.org/10.1353/cli.2010.0006.

Lavin, Maud. 1993. ‘Androgyny and Spectatorship’. In Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch. Yale University Press.

Lavin, Maud. 2005. ‘The New Woman in Hannah Höch’s Photomontages: Issues of Androgyny, Bisexuality, and Oscillation’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. University of California Press.

Lensing, Leo A. 1985. ‘Cinema, Society, and Literature in Irmgard Keun’s Das Kunstseidene Mädchen’. The Germanic Review: Literature, Culture, Theory 60 (4): 129–34. https://doi.org/10.1080/00168890.1985.9934167.

Makholm, Kristin. 1997. ‘Strange Beauty: Hannah Höch and the Photomontage’. MoMA, no. 24. https://www.jstor.org/stable/4381346.

Morris, Catherine, and Cindy Sherman. 1999. The Essential Cindy Sherman. Harry N. Abrams.

Morris, Frances. 2003. Louise Bourgeois: Stitches in Time. AugustProjects.

Nicoletta, Jule. 2005. ‘Louise Bourgeois’s Femmes-Maisons: Confronting Lacan’. In Reclaiming Female Agency: Feminist Art History After Postmodernism. University of California Press.

Perry, Grayson. 2013. The Vanity of Small Differences. Hayward Publishing.

Perry, Grayson. 2017. ‘The Department of Masculinity’. In The Descent of Man. Penguin Books. https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/1249296?page=0.

Pidduck, J. 1997. ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’. Screen 38 (2): 172–89. https://doi.org/10.1093/screen/38.2.172.

Potter, Sally, and Virginia Woolf. 2004. Orlando: Based on the Novel by Virginia Woolf. Widescreen. Umbrella Entertainment.

Pouchard, Line. 1997. ‘Queer Desire in The Well of Loneliness’. In The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, 2nd ed. Macmillan.

Respini, Eva. 2012. Cindy Sherman. Museum of Modern Art.

Rice, Shelley. 1999. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. MIT Press.

Rich, Ruby. 1981. ‘Maedchen in Uniform’. Jump Cut 24/25 (March): 44–50. https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html.

Roe, Sue, and Susan Sellers. 2000. The Cambridge Companion to Virginia Woolf. Cambridge companions to literature. Cambridge University Press.

Roe, Sue, and Susan Sellers. 2010. The Cambridge Companion to Virginia Woolf. Cambridge University Press. Electronic book. https://www-cambridge-org.royalholloway.idm.oclc.org/core/books/cambridge-companion-to-virginia-woolf/FDD38A886415144017F1FEB4D50FF8AA.

Rolley, Katrina. 1990. ‘Cutting a Dash: The Dress of Radclyffe Hall and Una Troubridge’. Feminist Review, no. 35. https://doi.org/10.2307/1395400.

Sagan, Leontine. 2000. Madchen in Uniform. BFI.

Smith, Jill Suzanne. 2008. ‘Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction’. The German Quarterly 81 (4): 449–70. https://doi.org/10.1111/j.1756-1183.2008.00031.x.

Somerville, Kristine. 2014. ‘Remaking the Modern Woman: The Dadaist Montages of Hannah Höch’. The Missouri Review 37 (3): 25–35. https://doi.org/10.1353/mis.2014.0047.

Waters, Sarah. 2012. Tipping the Velvet. Virago.

Watkins, Susan. 1998. ‘Sex Change and Media Change: From Woolf’s to Potter’s Orlando’. Mosaic: A Journal for the Interdisciplinary Study of Literature 31 (3): 41–59. http://www.jstor.org/stable/44029810.

Woolf, Virginia. 2014a. ‘Introduction’. In Orlando: A Biography. Oxford University Press.

Woolf, Virginia. 2014b. ‘Introduction’. In Orlando: A Biography, Oxford World’s Classics. Oxford University Press.

Zimnik, Nina. 2000. ‘No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime’. Women in German Yearbook: Feminist Studies in German Literature & Culture 15 (1): 161–83. https://doi.org/10.1353/wgy.2000.0020.