Bibliography for ML2403: Gender and Clothing in Twentieth-Century and Culture BETA

Addressing the Century: 100 Years of Art & Fashion. London: Hayward Gallery, 1998. Print.

Bancroft, Alison. Fashion and Psychoanalysis: Styling the Self. International library of cultural studies. London: I.B. Tauris, 2012. Print.

---. Fashion and Psychoanalysis: Styling the Self. International library of cultural studies. London: I.B.Tauris & Co Ltd, 2012. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=945517>.

Barthes, Roland. The Fashion System. Berkeley: University of California Press, 1990. Print.

Berger, John. ‘Chapter 3’. Ways of Seeing. London: Penguin, 2008. 39–58. Print.

---. ‘Chapter 3’. Ways of Seeing. London: Penguin, 2008. 39–58. Print.

Berghaus, G. ‘Girlkultur Feminism, Americanism, and Popular Entertainment in Weimar Germany’. Journal of Design History 1.3–4 (1988): 193–219. Web.

Boa, Elizabeth. ‘Warring Pleasures and Their Price: Sex in the City in Irmgard Keun’s Das Kunstseidene Mädchen and Andrea Maria Schenkel’s Kalteis’. German Life and Letters 62.3 (2009): 343–358. Web.

Boxwell, D. A. ‘(Dis)Orienting Spectacle: The Politics of Orlando’s Sapphic Camp’. Twentieth Century Literature 44.3 (1998): n. pag. Web.

Breward, Christopher. The Culture of Fashion: A New History of Fashionable Dress. Studies in design and material culture. Manchester: Manchester University Press, 1995. Print.

Bruzzi, Stella. Fashion Cultures: Theories, Explorations and Analysis. London: Routledge, 2000. Print.

Buckley, Cheryl. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris, 2002. Print.

---. Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris, 2002. Web. <https://royalholloway.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9786000006792&uid=^u>.

Burns, Christy L. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature 40.3 (1994): n. pag. Web.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge classics. New York: Routledge, 2006. Print.

---. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1999. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180211>.

---. Undoing Gender. New York: Routledge, 2004. Print.

Cavallaro, Dani, and Alexandra Warwick. Fashioning the Frame: Boundaries, Dress and Body. Dress, body, culture. Oxford: Berg, 1998. Print.

Celant, Germano. Louise Bourgeois: The Fabric Works. 1st ed. Milan: Skira, 2010. Print.

Cervetti, Nancy. ‘In the Breeches, Petticoats, and Pleasures of Orlando’. Journal of Modern Literature 20.2 (1996): 165–75. Web. <http://www.jstor.org/stable/3831473>.

Chadwick, Whitney, and Dawn Ades. Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press, 1998. Print.

Cindy Sherman: Retrospective. London: Thames & Hudson, 1997. Print.

Connell, R. W. Gender. Cambridge: Polity, 2002. Print.

Coxon, Ann, and Louise Bourgeois. Louise Bourgeois. Modern artists. London: Tate, 2010. Print.

Craft-Fairchild, Catherine. ‘“Same Person… Just a Different Sex”: Sally Potter’s Construction of Gender in Orlando’. Woolf Studies Annual 7 (2001): 23–48. Print.

Craik, Jennifer. The Face of Fashion: Cultural Studies in Fashion. London: Routledge, 1994. Print.

---. The Face of Fashion: Cultural Studies in Fashion. London: Routledge, 1994. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179181>.

Dyer, Richard. ‘Less and More than Women and Men: Lesbian and Gay Cinema in Weimar Germany’. New German Critique 51 (1990): n. pag. Web.

Entwistle, Joanne, and Elizabeth Wilson. Body Dressing. Dress, body, culture. Oxford: Berg, 2001. Print.

---. ‘The Dressed Body’. Body Dressing. Dress, body, culture. Oxford: Berg, 2001. 33–58. Print.

Felshin, Nina. ‘Clothing as Subject’. Art Journal 54.1 (1995): 20–29. Web.

Ferriss, Suzanne. ‘Unclothing Gender: The Postmodern Sensibility in Sally Potter’s “Orlando”’. Literature-Film Quarterly 27.2 (1999): n. pag. Web. <http://www.jstor.org/stable/43798722>.

Fest, Kerstin. ‘Yesterday And/or Today: Time, History and Desire in Christa Winsloe’s Mädchen in Uniform’. German Life and Letters 65.4 (2012): 457–471. Web.

Fuss, Diana. Essentially Speaking: Feminism, Nature & Difference. New York: Routledge, 1989. Print.

Hall, Radclyffe. The Well of Loneliness. Virago modern classics. London: Virago, 2008. Print.

Hemus, Ruth. ‘Hannah Hoch: The Good Girl and the Dada Club’. Dada’s Women. New Haven, Conn: Yale University Press, 2009. 91–127. Print.

Hughes, Jon. ‘“Zivil Ist Allemal Schädlich” Clothing in German-Language Culture of the 1920s’. Neophilologus 88.3 (2004): 429–445. Web.

Humm, Maggie. Feminism and Film. Edinburgh: Edinburgh University Press, 1997. Print.

Jeremiah, Emily. ‘‘The "I” Inside "Her”’: Queer Narration in Sarah Waters’s Tipping the Velvet and Wesley Stace’s Misfortune’. Women: A Cultural Review 18.2 (2007): 131–144. Web.

Kellein, Thomas, and Louise Bourgeois. Louise Bourgeois: La Famille. Köln: Verlag der Buchhandlung Walter König, 2006. Print.

Keun, Irmgard. Das Kunstseidene Mädchen: Roman. 14. Auflage. Berlin: Ullstein Buchverlag, 2015. Print.

---. The Artificial Silk Girl. New York: Other Press, 2002. Print.

Klein, Jacky, and Grayson Perry. Grayson Perry. Updated and expanded edition. London: Thames & Hudson, 2013. Print.

Koolen, Mandy. ‘Historical Fiction and the Revaluing of Historical Continuity in Sarah Waters’s Tipping the Velvet’. Contemporary Literature 51.2 (2010): 371–397. Web.

Lavin, Maud. ‘Androgyny and Spectatorship’. Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch. New Haven, [Conn.]: Yale University Press, 1993. 185–204. Print.

---. ‘The New Woman in Hannah Höch’s Photomontages: Issues of Androgyny, Bisexuality, and Oscillation’. Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press, 2005. Print.

Lensing, Leo A. ‘Cinema, Society, and Literature in Irmgard Keun’s Das Kunstseidene Mädchen’. The Germanic Review: Literature, Culture, Theory 60.4 (1985): 129–134. Web.

Makholm, Kristin. ‘Strange Beauty: Hannah Höch and the Photomontage’. MoMA 24 (1997): n. pag. Web. <https://www.jstor.org/stable/4381346>.

Morris, Catherine, and Cindy Sherman. The Essential Cindy Sherman. New York: Harry N. Abrams, 1999. Print.

Morris, Frances. Louise Bourgeois: Stitches in Time. London: AugustProjects, 2003. Print.

Nicoletta, Jule. ‘Louise Bourgeois’s Femmes-Maisons: Confronting Lacan’. Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press, 2005. Print.

Perry, Grayson. ‘The Department of Masculinity’. The Descent of Man. UK: Penguin Books, 2017. Web. <https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/1249296?page=0>.

---. The Vanity of Small Differences. London: Hayward Publishing, 2013. Print.

Pidduck, J. ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’. Screen 38.2 (1997): 172–189. Web.

Potter, Sally, and Virginia Woolf. ‘Orlando: Based on the Novel by Virginia Woolf’. 2004 : n. pag. Print.

Pouchard, Line. ‘Queer Desire in The Well of Loneliness’. The Feminist Reader: Essays in Gender and the Politics of Literary Criticism. 2nd ed. Basingstoke: Macmillan, 1997. Print.

Respini, Eva. Cindy Sherman. New York: Museum of Modern Art, 2012. Print.

Rice, Shelley. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press, 1999. Print.

Rich, Ruby. ‘Maedchen in Uniform’. Jump Cut 24/25.March (1981): 44–50. Web. <https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html>.

Roe, Sue, and Susan Sellers. The Cambridge Companion to Virginia Woolf. Cambridge companions to literature. Cambridge: Cambridge University Press, 2000. Print.

---. The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press, 2010. Web. <https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521896948>.

Rolley, Katrina. ‘Cutting a Dash: The Dress of Radclyffe Hall and Una Troubridge’. Feminist Review 35 (1990): n. pag. Web.

Sagan, Leontine. ‘Madchen in Uniform’. 2000 : n. pag. Print.

Smith, Jill Suzanne. ‘Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction’. The German Quarterly 81.4 (2008): 449–470. Web.

Somerville, Kristine. ‘Remaking the Modern Woman: The Dadaist Montages of Hannah Höch’. The Missouri Review 37.3 (2014): 25–35. Web.

von Ankum, Katharina. ‘Gendered Urban Spaces in Irmgard Keun’s “Das Kunstesidene Madchen”’. Women in the Metropolis: Gender and Modernity in Weimar Culture. Weimar and now. Berkeley: University of California Prress, 1997. 162–184. Print.

Waters, Sarah. Tipping the Velvet. London: Virago, 2012. Print.

Watkins, Susan. ‘Sex Change and Media Change: From Woolf’s to Potter’s Orlando’. Mosaic: A Journal for the Interdisciplinary Study of Literature 31.3 (1998): 41–59. Web. <http://www.jstor.org/stable/44029810>.

Woolf, Virginia. ‘Introduction’. Orlando: A Biography. Oxford: Oxford University Press, 2014. Print.

---. ‘Introduction’. Orlando: A Biography. Oxford World’s Classics. Oxford: Oxford University Press, 2014. Print.

Zimnik, Nina. ‘No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime’. Women in German Yearbook: Feminist Studies in German Literature & Culture 15.1 (2000): 161–183. Web.