Bibliography for ML2403: Gender and Clothing in Twentieth-Century and Culture BETA

Addressing the Century: 100 Years of Art & Fashion (1998). London: Hayward Gallery.

von Ankum, K. (1997) ‘Gendered Urban Spaces in Irmgard Keun’s “Das Kunstesidene Madchen”’, in Women in the Metropolis: Gender and Modernity in Weimar Culture. Berkeley: University of California Prress, pp. 162–184.

Bancroft, A. (2012a) Fashion and Psychoanalysis: Styling the Self. London: I.B. Tauris.

Bancroft, A. (2012b) Fashion and Psychoanalysis: Styling the Self. London: I.B.Tauris & Co Ltd. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=945517.

Barthes, R. (1990) The Fashion System. Berkeley: University of California Press.

Berger, J. (2008a) ‘Chapter 3’, in Ways of Seeing. London: Penguin, pp. 39–58.

Berger, J. (2008b) ‘Chapter 3’, in Ways of Seeing. London: Penguin, pp. 39–58.

Berghaus, G. (1988) ‘Girlkultur Feminism, Americanism, and Popular Entertainment in Weimar Germany’, Journal of Design History, 1(3–4), pp. 193–219. Available at: https://doi.org/10.1093/jdh/1.3-4.193.

Boa, E. (2009) ‘Warring Pleasures and their Price: Sex in the City in Irmgard Keun’s Das Kunstseidene Mädchen and Andrea Maria Schenkel’s Kalteis’, German Life and Letters, 62(3), pp. 343–358. Available at: https://doi.org/10.1111/j.1468-0483.2009.01468.x.

Boxwell, D.A. (1998) ‘(Dis)orienting Spectacle: The Politics of Orlando’s Sapphic Camp’, Twentieth Century Literature, 44(3). Available at: https://doi.org/10.2307/441812.

Breward, C. (1995) The Culture of Fashion: A New History of Fashionable Dress. Manchester: Manchester University Press.

Bruzzi, S. (2000) Fashion Cultures: Theories, Explorations and Analysis. London: Routledge.

Buckley, C. (2002a) Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris.

Buckley, C. (2002b) Fashioning the Feminine: Representation and Women’s Fashion From the Fin De Siecle to the Present. London: I. B. Tauris. Available at: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9786000006792&uid=^u.

Burns, C.L. (1994) ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’, Twentieth Century Literature, 40(3). Available at: https://doi.org/10.2307/441560.

Butler, J. (1999) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180211.

Butler, J. (2004) Undoing Gender. New York: Routledge.

Butler, J. (2006) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.

Cavallaro, D. and Warwick, A. (1998) Fashioning the Frame: Boundaries, Dress and Body. Oxford: Berg.

Celant, G. (2010) Louise Bourgeois: The Fabric Works. 1st ed. Milan: Skira.

Cervetti, N. (1996) ‘In the Breeches, Petticoats, and Pleasures of Orlando’, Journal of Modern Literature, 20(2), pp. 165–75. Available at: http://www.jstor.org/stable/3831473.

Chadwick, W. and Ades, D. (1998) Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press.

Cindy Sherman: Retrospective (1997). London: Thames & Hudson.

Connell, R.W. (2002) Gender. Cambridge: Polity.

Coxon, A. and Bourgeois, L. (2010) Louise Bourgeois. London: Tate.

Craft-Fairchild, C. (2001) ‘“Same Person… Just a Different Sex”: Sally Potter’s Construction of Gender in Orlando’, Woolf Studies Annual, 7, pp. 23–48.

Craik, J. (1994a) The Face of Fashion: Cultural Studies in Fashion. London: Routledge.

Craik, J. (1994b) The Face of Fashion: Cultural Studies in Fashion. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179181.

Dyer, R. (1990) ‘Less and More than Women and Men: Lesbian and Gay Cinema in Weimar Germany’, New German Critique [Preprint], (51). Available at: https://doi.org/10.2307/488171.

Entwistle, J. and Wilson, E. (2001a) Body Dressing. Oxford: Berg.

Entwistle, J. and Wilson, E. (2001b) ‘The Dressed Body’, in Body Dressing. Oxford: Berg, pp. 33–58.

Felshin, N. (1995) ‘Clothing as Subject’, Art Journal, 54(1), pp. 20–29. Available at: https://doi.org/10.1080/00043249.1995.10791672.

Ferriss, S. (1999) ‘Unclothing Gender: The Postmodern Sensibility in Sally Potter’s “Orlando”’, Literature-Film Quarterly, 27(2). Available at: http://www.jstor.org/stable/43798722.

Fest, K. (2012) ‘Yesterday And/or Today: Time, History and Desire in Christa Winsloe’s Mädchen in Uniform’, German Life and Letters, 65(4), pp. 457–471. Available at: https://doi.org/10.1111/j.1468-0483.2012.01582.x.

Fuss, D. (1989) Essentially Speaking: Feminism, Nature & Difference. New York: Routledge.

Hall, R. (2008) The Well of Loneliness. London: Virago.

Hemus, R. (2009) ‘Hannah Hoch: The Good Girl and the Dada Club’, in Dada’s Women. New Haven, Conn: Yale University Press, pp. 91–127.

Hughes, J. (2004) ‘“Zivil ist Allemal Schädlich” Clothing in German-language Culture of the 1920s’, Neophilologus, 88(3), pp. 429–445. Available at: https://doi.org/10.1023/B:NEOP.0000027472.79197.5a.

Humm, M. (1997) Feminism and Film. Edinburgh: Edinburgh University Press.

Jeremiah, E. (2007) ‘‘The "I” Inside "Her”’: Queer Narration in Sarah Waters’s Tipping the Velvet and Wesley Stace’s Misfortune’, Women: A Cultural Review, 18(2), pp. 131–144. Available at: https://doi.org/10.1080/09574040701400171.

Kellein, T. and Bourgeois, L. (2006) Louise Bourgeois: la Famille. Köln: Verlag der Buchhandlung Walter König.

Keun, I. (2002) The Artificial Silk Girl. New York: Other Press.

Keun, I. (2015) Das Kunstseidene Mädchen: Roman. 14. Auflage. Berlin: Ullstein Buchverlag.

Klein, J. and Perry, G. (2013) Grayson Perry. Updated and expanded edition. London: Thames & Hudson.

Koolen, M. (2010) ‘Historical Fiction and the Revaluing of Historical Continuity in Sarah Waters’s Tipping the Velvet’, Contemporary Literature, 51(2), pp. 371–397. Available at: https://doi.org/10.1353/cli.2010.0006.

Lavin, M. (1993) ‘Androgyny and Spectatorship’, in Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch. New Haven, [Conn.]: Yale University Press, pp. 185–204.

Lavin, M. (2005) ‘The New Woman in Hannah Höch’s Photomontages: Issues of Androgyny, Bisexuality, and Oscillation’, in Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Lensing, L.A. (1985) ‘Cinema, Society, and Literature in Irmgard Keun’s Das kunstseidene Mädchen’, The Germanic Review: Literature, Culture, Theory, 60(4), pp. 129–134. Available at: https://doi.org/10.1080/00168890.1985.9934167.

Makholm, K. (1997) ‘Strange Beauty: Hannah Höch and the Photomontage’, MoMA [Preprint], (24). Available at: https://www.jstor.org/stable/4381346.

Morris, C. and Sherman, C. (1999) The Essential Cindy Sherman. New York: Harry N. Abrams.

Morris, F. (2003) Louise Bourgeois: Stitches in Time. London: AugustProjects.

Nicoletta, J. (2005) ‘Louise Bourgeois’s Femmes-Maisons: Confronting Lacan’, in Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Perry, G. (2013) The Vanity of Small Differences. London: Hayward Publishing.

Perry, G. (2017) ‘The Department of Masculinity’, in The Descent of Man. UK: Penguin Books. Available at: https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/1249296?page=0.

Pidduck, J. (1997) ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’, Screen, 38(2), pp. 172–189. Available at: https://doi.org/10.1093/screen/38.2.172.

Potter, S. and Woolf, V. (2004) ‘Orlando: Based on the Novel by Virginia Woolf’. [S.l]: Umbrella Entertainment.

Pouchard, L. (1997) ‘Queer Desire in The Well of Loneliness’, in The Feminist Reader: Essays in Gender and the Politics of Literary Criticism. 2nd ed. Basingstoke: Macmillan.

Respini, E. (2012) Cindy Sherman. New York: Museum of Modern Art.

Rice, S. (1999) Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press.

Rich, R. (1981) ‘Maedchen in Uniform’, Jump Cut, 24/25(March), pp. 44–50. Available at: https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/MaedchenUniform.html.

Roe, S. and Sellers, S. (2000) The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press.

Roe, S. and Sellers, S. (2010) The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521896948.

Rolley, K. (1990) ‘Cutting a Dash: The Dress of Radclyffe Hall and Una Troubridge’, Feminist Review [Preprint], (35). Available at: https://doi.org/10.2307/1395400.

Sagan, L. (2000) ‘Madchen in Uniform’. S.l.: BFI.

Smith, J.S. (2008) ‘Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction’, The German Quarterly, 81(4), pp. 449–470. Available at: https://doi.org/10.1111/j.1756-1183.2008.00031.x.

Somerville, K. (2014) ‘Remaking the Modern Woman: The Dadaist Montages of Hannah Höch’, The Missouri Review, 37(3), pp. 25–35. Available at: https://doi.org/10.1353/mis.2014.0047.

Waters, S. (2012) Tipping the Velvet. London: Virago.

Watkins, S. (1998) ‘Sex Change and Media Change: From Woolf’s to Potter’s Orlando’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 31(3), pp. 41–59. Available at: http://www.jstor.org/stable/44029810.

Woolf, V. (2014a) ‘Introduction’, in Orlando: A Biography. Oxford: Oxford University Press.

Woolf, V. (2014b) ‘Introduction’, in Orlando: A Biography. Oxford: Oxford University Press.

Zimnik, N. (2000) ‘No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 15(1), pp. 161–183. Available at: https://doi.org/10.1353/wgy.2000.0020.