Abel, Richard, ‘Cinégraphie and the Search for Specificity’, in French Film Theory and Criticism - Volume 1: 1907-1939 (Princeton University Press, 1993), pp. 195–223
——, Silent Film (Athlone, 1996)
Aldgate, Anthony, and Jeffrey Richards, ‘Why We Fight: A Canterbury Tale’, in Best of British: Cinema and Society From 1930 to the Present (I. B. Tauris, 1999), pp. 79–94 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676510>
——, and Jeffrey Richards, ‘Why We Fight: A Canterbury Tale’, in Best of British: Cinema and Society From 1930 to the Present, New ed (Tauris, 1999), Cinema and society, pp. 79–94
Ang, Ien, ‘Dallas and the Melodramatic Imagination’, in Watching Dallas: Soap Opera and the Melodramatic Imagination (Routledge, 2005), pp. 51–86
——, ‘Dallas and the Melodramatic Imagination’, in Watching Dallas: Soap Opera and the Melodramatic Imagination (Routledge, 2005), pp. 51–84 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1395429>
Anthony, Aimee Dixon, ‘Early African-American Filmmakers’, in Silent Women: Pioneers of Cinema, ed. by Melody Bridges and Cheryl Robson (Supernova Books, 2016)
Antoine-Dunne, Jean, and Paula Quigley, The Montage Principle: Eisenstein in New Cultural and Critical Contexts (Rodopi, 2004), Critical studies
Badley, Linda, and R. Barton Palmer, Traditions in World Cinema (Rutgers University Press, 2006)
——, and R. Barton Palmer, Traditions in World Cinema (Edinburgh University Press, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=275802>
Bennett, James, ‘“Your Window-on-the-World”: The Emergence of Red-Button Interactive Television in the UK’, Convergence: The International Journal of Research into New Media Technologies, 14.2 (2008), pp. 161–82, doi:10.1177/1354856507087942
——, and Tom Brown, Film and Television After DVD (Routledge, 2008) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=145741>
——, and Tom Brown, Film and Television After DVD (Routledge, 2009)
Berghahn, Daniela, ‘No Place Like Home? Or Impossible Homecomings in the Films of Fatih Akin’, New Cinemas: Journal of Contemporary Film, 4.3 (2007), pp. 141–57, doi:10.1386/ncin.4.3.141_1
——, and Claudia Sternberg, European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe (Palgrave Macmillan, 2010)
——, and Claudia Sternberg, European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe (Palgrave Macmillan, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=299864>
Berry, Chris, and Mary Ann Farquhar, China on Screen: Cinema and Nation (Columbia University Press, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=895220>
——, and Mary Ann Farquhar, China on Screen: Cinema and Nation (Hong Kong University Press, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677267>
Berwanger, Dietrich, ‘The Third World’, in Television: An International History (Oxford University Press, 1995), pp. 309–30
——, ‘The Third World’, in Television: An International History (Oxford University Press, 1995), pp. 309–30
Boddy, William, New Media and Popular Imagination: Launching Radio, Television, and Digital Media in the United States (Oxford University Press, 2004), Oxford television studies
Brown, Tom, ‘The DVD of Attractions?: The Lion King and the Digital Theme Park’, in Film and Television After DVD (Routledge, 2008), xv, pp. 81–100
——, ‘The DVD of Attractions?: The Lion King and the Digital Theme Park’, in Film and Television After DVD (Routledge, 2008), xv, pp. 81–100 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=348471>
Caldwell, John, ‘Convergence Television: Aggregating Form and Repurposing Content in the Culture of Conglomeration’, in Television After TV: Essays on a Medium in Transition (Duke University Press, 2004), Console-ing passions, pp. 41–74
——, ‘Convergence Television: Aggregating Form and Repurposing Content in the Culture of Conglomeration’, in Television After TV: Essays on a Medium in Transition (Duke University Press, 2004), pp. 41–74 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1168060>
Casper, Drew, Postwar Hollywood, 1946-1962 (Blackwell, 2007)
Chapman, Jane, ‘Definitions: Issues and Influences’, in Issues in Contemporary Documentary (Polity, 2009), pp. 8–28
Cooke, Lez, British Television Drama: A History, 2nd Edition (BFI Publishing, 2015) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5400892>
——, ‘Popular Drama and Social Realism, 1955-61’, in British Television Drama: A History (BFI Publishing, 2003), pp. 29–55
Desai, Jigna, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (Routledge, 2004)
——, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (Routledge, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=200847>
Doane, Mary Ann, ‘The Indexical and the Concept of Medium Specificity’, Differences, 18.1 (2007), pp. 128–52, doi:10.1215/10407391-2006-025
Durovicová, Nataša, and Kathleen E. Newman, World Cinemas, Transnational Perspectives, 1st ed (Routledge, 2010)
——, and Kathleen E. Newman, World Cinemas, Transnational Perspectives (Routledge, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=449452>
Eamon, Christopher, Anthony McCall: The Solid Light Films and Related Works (Northwestern University Press, 2005)
Ellis, John, Documentary: Witness and Self-Revelation (Routledge, 2012)
——, Documentary: Witness and Self-Revelation (Routledge, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467>
——, ‘Is It Possible to Construct a Canon of Television Programmes?’, in Re-Viewing Television History: Critical Issues in Television Historiography (I. B. Tauris, 2007), pp. 15–26
——, ‘Is It Possible to Construct a Canon of Television Programmes?’, in Re-Viewing Television History: Critical Issues in Television Historiography (I. B. Tauris, 2007), pp. 15–26 <https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/2040080?page=0>
——, Seeing Things: Television in the Age of Uncertainty (I. B. Tauris, 2000)
——, TV FAQ: Uncommon Answers to Common Questions About TV (I B Tauris, 2007)
——, TV FAQ: Uncommon Answers to Common Questions About TV (I.B. Tauris, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=676714>
Elsässer, Thomas, and Adam Barker, Early Cinema: Space, Frame, Narrative (BFI, 1990)
Everson, William K., American Silent Film (Da Capo, 1998)
Fell, John L., Film Before Griffith (University of California Press, 1983)
Fischer, Lucy, Sunrise: A Song of Two Humans (BFI Publishing, 1998) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6265636>
Goddard, Peter, ‘Hancock’s Half Hour: A Watershed in British Television Comedy’, in Popular Television in Britain: Studies in Cultural History (British Film Institute, 1991), pp. 75–87
Gomery, Douglas, The Hollywood Studio System: A History (BFI, 2005)
Goriunova, Olga, Art Platforms and Cultural Production on the Internet (Routledge, 2012), xxxv
——, Art Platforms and Cultural Production on the Internet (Routledge, 2012), Routledge research in cultural and media studies
——, and Alexei Shulgin, ‘Glitch’, in Software Studies: A Lexicon (MIT, 2008), pp. 110–19
Graham, Peter, and Ginette Vincendeau, The French New Wave: Critical Landmarks, New and expanded ed (British Film Institue/Palgrave Macmillan, 2009)
Grieveson, Lee, and Peter Kramer, The Silent Cinema Reader (Routledge, 2004)
Gunning, Tom, ‘“Now You See It, Now You Don’t”: The Temporality of the Cinema of Attractions’, The Velvet Light Trap, 32 (1993), pp. 3–12 <http://search.proquest.com/fiaf/docview/1306635666/D4FD361BCB3E42F6PQ/5?accountid=11455>
——, ‘Re-Newing Old Technologies: Astonishment, Second Nature and the Uncanny in Technology from the Previous Turn of the Century’, in Rethinking Media Change: The Aesthetics of Transition (MIT Press, 2004), pp. 39–60
Hall, Jeanne, ‘“Don’t You Ever Just Watch?”: American Cinema Verité and Don’t Look Back’, in Documenting the Documentary (Wayne State University Press, 1998), Contemporary film and television series, pp. 223–37
Hauser, Kitty, ‘A Tale of Two Cities’, in Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955 (Oxford University Press, 2007), Oxford historical monographs, pp. 255–79
——, ‘A Tale of Two Cities’, in Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955 (Oxford University Press, 2007), pp. 255–79 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=415760>
Hills, Matt, ‘From the Box in the Corner to the Box Set on the Shelf’, New Review of Film and Television Studies, 5.1 (2007), pp. 41–60, doi:10.1080/17400300601140167
Iles, Chrissie, ‘Between the Still and Moving Image’, in Into the Light: The Projected Image in American Art, 1964-1977 (Whitney Museum of American Art, 2001)
Joseph, Branden W., ‘“My Mind Split Open”: Andy Warhol’s Exploding Plastic Inevitable’, in X-Screen: Film Installations and Actions in the 1960s and 1970s (Walther König, 2004), pp. 14–43
Kato, Hidetoshi, ‘Japan’, in Television: An International History (Oxford University Press, 1995)
——, ‘Japan’, in Television: An International History (Oxford University Press, 1995)
Kompare, Derek, ‘Publishing Flow: DVD Box Sets and the Reconception of Television’, Television & New Media, 7.4 (2006), pp. 335–60, doi:10.1177/1527476404270609
Korte, Barbara, and Claudia Sternberg, Bidding for the Mainstream?: Black and Asian British Film Since the 1990s (Rodopi, 2004), Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft
Koszarski, Richard, An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928 (Scribner, 1990), History of the American cinema
Krapp, Peter, Noise Channels: Glitch and Error in Digital Culture (University of Minnesota Press, 2011), v. 37 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=819530>
Langford, Barry, ‘“Our Usual Impasse”: The Episodic Situation Comedy Revisited’, in Popular Television Drama: Critical Perspectives (Manchester University Press, 2005), pp. 15–33
——, Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945 (Edinburgh University Press, 2010)
——, Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945 (Edinburgh University Press, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=615832>
——, Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945 (Edinburgh University Press, 2010)
——, Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945 (Edinburgh University Press, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=615832>
Lev, Peter, American Films of the ’70s: Conflicting Visions (University of Texas Press, 2000)
Lister, Martin, and others, New Media: A Critical Introduction, 2nd ed (Routledge, 2009)
——, and others, New Media : A Critical Introduction (Routledge, 2009) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=370928>
Lotz, Amanda D., The Television Will Be Revolutionized, Second edition (New York University Press, 2014)
——, The Television Will Be Revolutionized (New York University Press, 2007) <http://hdl.handle.net/2027/heb.08239>
MacDowell, James, Notes on Quirky, 2010 <https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf>
Man, Glenn, ‘1975 Movies and Conflicting Ideologies’, in American Cinema of the 1970s: Themes and Variations (Berg, 2007), pp. 135–56
——, ‘1975 Movies and Conflicting Ideologies’, in American Cinema of the 1970s: Themes and Variations (Rutgers University Press, 2007), pp. 135–56 <http://hdl.handle.net/2027/heb.08007>
Manovich, Lev, ‘The Practice of Everyday (Media) Life’, in Video Vortex Reader: Responses to YouTube, ed. by Geert Lovink and Sabinet Niederer, Third edition (Institute of Network Cultures, 2008), #4, pp. 33–43
Marvin, Carolyn, ‘Introduction’, in When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century (Oxford University Press, 1990), pp. 3–9
——, ‘Introduction’, in When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century (Oxford University Press, 1990), pp. 3–9 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=273386>
Marwick, Arthur, The Sixties: Cultural Revolution in Britain, France, Italy, and the United States, C. 1958-C. 1974 (Oxford University Press, 1998)
McDonald, Kevin, and Daniel Smith-Rowsey, The Netflix Effect: Technology and Entertainment in the 21st Century (Bloomsbury Academic, 2016) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4542879>
——, and Daniel Smith-Rowsey, The Netflix Effect: Technology and Entertainment in the 21st Century (Bloomsbury Academic, 2018)
Menkman, Rosa, The Glitch Moment(Um), Institute of Network Cultures, 2011 <http://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf>
——, ‘The Glitch Studies Manifesto’, in Video Vortex Reader II: Moving Images Beyond Youtube (2011), pp. 336–46
Michalka, Matthias, ‘“Shoot at the Audience!”: Projection and Participation in the Late 1960s’, in X-Screen: Film Installations and Actions in the 1960s and 1970s (Walther König, 2004), pp. 90–117
Morris, Nigel, ‘Jurassic Park: Another Monster Hit’, in The Cinema of Steven Spielberg: Empire of Light (Wallflower, 2007), Directors cuts
Murphy, Robert, Realism and Tinsel: Cinema and Society in Britain, 1939-1948 (Routledge, 1989), Cinema and society
——, Realism and Tinsel: Cinema and Society in Britain 1939-1949 (Routledge, 1989) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179234>
Musser, Charles, Before the Nickelodeon : Edwin S. Porter and the Edison Manufacturing Company (University of California Press, 1991) <http://ark.cdlib.org/ark:/13030/ft3q2nb2gw/>
——, Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company (University of California Press, 1992)
Napper, Lawrence, British Cinema and Middlebrow Culture in the Interwar Years, 1st Edition (University of Exeter Press, 2015) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1982372>
——, British Cinema and Middlebrow Culture in the Interwar Years (University of Exeter Press, 2009), Exeter studies in film history
Nelson, Roy Jay, ‘Reflections in a Broken Mirror: Varda’s Cléo de 5 à 7’, The French Review, 56.5 (1983), pp. 735–43 <http://www.jstor.org/stable/390912>
Nowell-Smith, Geoffrey, Making Waves: New Cinemas of the 1960s (Continuum, 2008)
Pearson, Roberta, ‘Cult Television as Digital Television’s Cutting Edge’, in Television as Digital Media (Duke University Press, 2011), Console-ing passions, pp. 105–31
——, ‘Cult Television as Digital Television’s Cutting Edge’, in Television as Digital Media (Duke University Press, 2011), Console-ing passions, pp. 105–31 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1172303>
Pink, Sarah, ‘Sensory Digital Photography: Re-Thinking “Moving” and the Image’, Visual Studies, 26.1 (2011), pp. 4–13, doi:10.1080/1472586X.2011.548484
Porter, Edwin S., Before the Nickelodeon: The Early Cinema of Edwin S. Porter, BFI, 1982, videorecording
Rheingold, Howard, The Virtual Community: Homesteading on the Electronic Frontier, Rev. ed (MIT Press, 2000)
Richards, Jeffrey, The Unknown Thirties: An Alternative History of the British Cinema, 1929-1939 (Tauris, 1998), Cinema and society
Robertson, Pamela, Guilty Pleasures: Feminist Camp From Mae West to Madonna (I.B.Tauris, 1996)
Rohdie, Sam, Montage (Manchester University Press, 2006), Cinema aesthetics
Rothman, William, ‘Cinema-Verité in America’, in Documentary Film Classics (Cambridge University Press, 1997), Cambridge studies in film
Schatz, Thomas, The Genius of the System: Hollywood Film-Making in the Studio Era (Simon & Schuster, 1989)
Shaw, Tony, Hollywood’s Cold War (University of Massachusetts Press, 2007)
——, Hollywood’s Cold War (Edinburgh University Press, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=320443>
Silj, Alessandro, East of Dallas: The European Challenge to American Television (BFI, 1988)
Slater, Thomas J., ‘One Flew Over the Cuckoo’s Nest: A Tale of Two Decades’, in Film and Literature: A Comparative Approach to Adaptation (Texas Tech University Press, 1988), Studies in comparative literature
Snickars, Pelle, and Patrick Vonderau, The YouTube Reader (National Library of Sweden, 2009), Mediehistoriskt
Spigel, Lynn, Make Room for TV: Television and the Family Ideal in Postwar America (University of Chicago Press, 1992)
——, Make Room for TV: Television and the Family Ideal in Postwar America (University of Chicago Press, 1992) <http://hdl.handle.net/2027/heb.08240>
——, Make Room for TV: Television and the Family Ideal in Postwar America (University of Chicago Press, 1992)
——, Make Room for TV: Television and the Family Ideal in Postwar America (University of Chicago Press, 1992) <http://hdl.handle.net/2027/heb.08240>
Thibault, Ghislain, ‘Streaming: A Media Hydrogrophy of Televisual Flows’, VIEW Journal of European Television History and Culture, 4.7 (2015), pp. 110–19 <https://doaj.org/article/349ad7e21d8b477582e6be7aaced943e>
Thompson, Kristin, and David Bordwell, Film History: An Introduction, Fourth edition (McGraw-Hill Education, 2019)
Townsend, Christopher, ‘“The Art I Love Is the Art of Cowards” in ’Entr’acte and the Politics of Death and Remembrance in France after World War One’, Science as Culture, 18.3 (2009), pp. 281–96, doi:10.1080/09505430903123040
Tryon, Chuck, On-Demand Culture: Digital Delivery and the Future of Movies (Rutgers University Press, 2013)
——, On-Demand Culture: Digital Delivery and the Future of Movies (Rutgers University Press, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1184490>
Uricchio, William, ‘Old Media as New Media: Television’, in The New Media Book (British Film Institute, 2002), pp. 219–30
——, ‘The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image’, Visual Studies, 26.1 (2011), pp. 25–35, doi:10.1080/1472586X.2011.548486
Usai, Paolo Cherchi, Silent Cinema: An Introduction (BFI, 2000)
Whissel, Kristen, Picturing American Modernity: Traffic, Technology, and the Silent Cinema (Duke University Press, 2008)
——, Picturing American Modernity: Traffic, Technology, and the Silent Cinema (Duke University Press, 2008) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1170630>
