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Gunning T. ‘Now You See It, Now You Don’t’: The Temporality of the Cinema of Attractions. The Velvet Light Trap [Internet]. 1993;32:3–12. Available from: http://search.proquest.com/fiaf/docview/1306635666/D4FD361BCB3E42F6PQ/5?accountid=11455
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Man G. 1975 Movies and Conflicting Ideologies. In: American Cinema of the 1970s: Themes and Variations. Oxford: Berg; 2007. p. 135–56.
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Lev P. American Films of the ’70s: Conflicting Visions. Austin, TX: University of Texas Press; 2000.
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Goddard P. Hancock’s Half Hour: A Watershed in British Television Comedy. In: Popular Television in Britain: Studies in Cultural History. London: British Film Institute; 1991. p. 75–87.
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Ellis J. Is it Possible to Construct a Canon of Television Programmes? In: Re-Viewing Television History: Critical Issues in Television Historiography. London: I. B. Tauris; 2007. p. 15–26.
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Ellis J. Is it Possible to Construct a Canon of Television Programmes? In: Re-Viewing Television History: Critical Issues in Television Historiography [Internet]. London: I. B. Tauris; 2007. p. 15–26. Available from: https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/2040080?page=0
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Berry C, Farquhar MA. China on Screen: Cinema and Nation [Internet]. New York: Columbia University Press; 2006. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=895220
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Berghahn D. No Place Like Home? or Impossible Homecomings in the Films of Fatih Akin. New Cinemas: Journal of Contemporary Film. 2007;4(3):141–57.
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Desai J. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York: Routledge; 2004.
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Durovicová N, Newman KE. World Cinemas, Transnational Perspectives. 1st ed. New York: Routledge; 2010.
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Korte B, Sternberg C. Bidding for the Mainstream?: Black and Asian British Film Since the 1990s. Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Rodopi; 2004.
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Aldgate A, Richards J. Why We Fight: A Canterbury Tale. In: Best of British: Cinema and Society From 1930 to the Present. New ed. London: Tauris; 1999. p. 79–94.
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Murphy R. Realism and Tinsel: Cinema and Society in Britain, 1939-1948. Vol. Cinema and society. London: Routledge; 1989.
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Richards J. The Unknown Thirties: An Alternative History of the British Cinema, 1929-1939. Vol. Cinema and society. London: Tauris; 1998.
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Morris N. Jurassic Park: Another Monster Hit. In: The Cinema of Steven Spielberg: Empire of Light. London: Wallflower; 2007.
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Ellis J. TV FAQ: Uncommon Answers to Common Questions About TV. London: I B Tauris; 2007.
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Tryon C. On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick, New Jersey: Rutgers University Press; 2013.
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Iles C. Between the Still and Moving Image. In: Into the Light: The Projected Image in American Art, 1964-1977. New York: Whitney Museum of American Art; 2001.
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Eamon C. Anthony McCall: The Solid Light Films and Related Works. Evanston, IL: Northwestern University Press; 2005.
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Uricchio W. The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image. Visual Studies. 2011;26(1):25–35.
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