@inbook{Abel_1993, address={Princeton, N.J.}, title={Cinégraphie and the Search for Specificity}, booktitle={French Film Theory and Criticism: Volume 1, 1907-1939}, publisher={Princeton University Press}, author={Abel, Richard}, year={1993}, pages={195–223} }
@book{Abel_1996, address={London}, title={Silent Film}, publisher={Athlone}, author={Abel, Richard}, year={1996} }
@inbook{Aldgate_Richards_1999a, address={London}, edition={New ed}, title={Why We Fight: A Canterbury Tale}, volume={Cinema and society}, booktitle={Best of British: Cinema and Society From 1930 to the Present}, publisher={Tauris}, author={Aldgate, Anthony and Richards, Jeffrey}, year={1999}, pages={79–94} }
@inbook{Aldgate_Richards_1999b, address={London}, title={Why We Fight: A Canterbury Tale}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676510}, booktitle={Best of British: Cinema and Society From 1930 to the Present}, publisher={I. B. Tauris}, author={Aldgate, Anthony and Richards, Jeffrey}, year={1999}, pages={79–94} }
@inbook{Ang_2005a, address={London}, title={Dallas and the Melodramatic Imagination}, booktitle={Watching Dallas: Soap Opera and the Melodramatic Imagination}, publisher={Routledge}, author={Ang, Ien}, year={2005}, pages={51–86} }
@inbook{Ang_2005b, address={London}, title={Dallas and the Melodramatic Imagination}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1395429}, booktitle={Watching Dallas: Soap Opera and the Melodramatic Imagination}, publisher={Routledge}, author={Ang, Ien}, year={2005}, pages={51–84} }
@inbook{Anthony_2016, address={Twickenham}, title={Early African-American Filmmakers}, booktitle={Silent women: pioneers of cinema}, publisher={Supernova Books}, author={Anthony, Aimee Dixon}, editor={Bridges, Melody and Robson, Cheryl}, year={2016} }
@book{Antoine-Dunne_Quigley_2004, address={Amsterdam}, title={The Montage Principle: Eisenstein in New Cultural and Critical Contexts}, volume={Critical studies}, publisher={Rodopi}, author={Antoine-Dunne, Jean and Quigley, Paula}, year={2004} }
@book{Badley_Palmer_2006a, address={New Brunswick, NJ}, title={Traditions in World Cinema}, publisher={Rutgers University Press}, author={Badley, Linda and Palmer, R. Barton}, year={2006} }
@book{Badley_Palmer_2006b, address={Edinburgh}, title={Traditions in World Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=275802}, publisher={Edinburgh University Press}, author={Badley, Linda and Palmer, R. Barton}, year={2006} }
@article{Bennett_2008, title={‘Your Window-on-the-World’: The Emergence of Red-Button Interactive Television in the UK}, volume={14}, DOI={10.1177/1354856507087942}, number={2}, journal={Convergence: The International Journal of Research into New Media Technologies}, author={Bennett, James}, year={2008}, pages={161–182} }
@book{Bennett_Brown_2008, address={New York, NY}, title={Film and Television After DVD}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=145741}, publisher={Routledge}, author={Bennett, James and Brown, Tom}, year={2008} }
@book{Bennett_Brown_2009, address={New York}, title={Film and Television After DVD}, publisher={Routledge}, author={Bennett, James and Brown, Tom}, year={2009} }
@article{Berghahn_2007, title={No Place Like Home? or Impossible Homecomings in the Films of Fatih Akin}, volume={4}, DOI={10.1386/ncin.4.3.141_1}, number={3}, journal={New Cinemas: Journal of Contemporary Film}, author={Berghahn, Daniela}, year={2007}, pages={141–157} }
@book{Berghahn_Sternberg_2010a, address={Basingstoke}, title={European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe}, publisher={Palgrave Macmillan}, author={Berghahn, Daniela and Sternberg, Claudia}, year={2010} }
@book{Berghahn_Sternberg_2010b, address={Basingstoke}, title={European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=299864}, publisher={Palgrave Macmillan}, author={Berghahn, Daniela and Sternberg, Claudia}, year={2010} }
@book{Berry_Farquhar_2006a, address={New York}, title={China on Screen: Cinema and Nation}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=895220}, publisher={Columbia University Press}, author={Berry, Chris and Farquhar, Mary Ann}, year={2006} }
@book{Berry_Farquhar_2006b, address={Aberdeen, Hong Kong}, title={China on Screen: Cinema and Nation}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677267}, publisher={Hong Kong University Press}, author={Berry, Chris and Farquhar, Mary Ann}, year={2006} }
@inbook{Berwanger_1995a, address={Oxford}, title={The Third World}, booktitle={Television: An International History}, publisher={Oxford University Press}, author={Berwanger, Dietrich}, year={1995}, pages={309–330} }
@inbook{Berwanger_1995b, address={Oxford}, title={The Third World}, booktitle={Television: An International History}, publisher={Oxford University Press}, author={Berwanger, Dietrich}, year={1995}, pages={309–330} }
@book{Boddy_2004, address={Oxford}, title={New Media and Popular Imagination: Launching Radio, Television, and Digital Media in the United States}, volume={Oxford television studies}, publisher={Oxford University Press}, author={Boddy, William}, year={2004} }
@inbook{Brown_2008a, address={New York, NY}, title={The DVD of Attractions?: The Lion King and the Digital Theme Park}, volume={15}, booktitle={Film and Television After DVD}, publisher={Routledge}, author={Brown, Tom}, year={2008}, pages={81–100} }
@inbook{Brown_2008b, address={New York, NY}, title={The DVD of Attractions?: The Lion King and the Digital Theme Park}, volume={15}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=348471}, booktitle={Film and Television After DVD}, publisher={Routledge}, author={Brown, Tom}, year={2008}, pages={81–100} }
@inbook{Caldwell_2004a, address={Durham}, title={Convergence Television: Aggregating Form and Repurposing Content in the Culture of Conglomeration}, volume={Console-ing passions}, booktitle={Television After TV: Essays on a Medium in Transition}, publisher={Duke University Press}, author={Caldwell, John}, year={2004}, pages={41–74} }
@inbook{Caldwell_2004b, address={Durham}, title={Convergence Television: Aggregating Form and Repurposing Content in the Culture of Conglomeration}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1168060}, booktitle={Television After TV: Essays on a Medium in Transition}, publisher={Duke University Press}, author={Caldwell, John}, year={2004}, pages={41–74} }
@book{Casper_2007, address={Malden, Mass}, title={Postwar Hollywood, 1946-1962}, publisher={Blackwell}, author={Casper, Drew}, year={2007} }
@inbook{Chapman_2009, address={Cambridge}, title={Definitions: Issues and Influences}, booktitle={Issues in Contemporary Documentary}, publisher={Polity}, author={Chapman, Jane}, year={2009}, pages={8–28} }
@inbook{Cooke_2003, address={London}, title={Popular Drama and Social Realism, 1955-61}, booktitle={British Television Drama: A History}, publisher={BFI Publishing}, author={Cooke, Lez}, year={2003}, pages={29–55} }
@book{Cooke_2015, address={London}, edition={2nd Edition}, title={British Television Drama: A History}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5400892}, publisher={BFI Publishing}, author={Cooke, Lez}, year={2015} }
@book{Desai_2004a, address={New York}, title={Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film}, publisher={Routledge}, author={Desai, Jigna}, year={2004} }
@book{Desai_2004b, address={New York}, title={Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=200847}, publisher={Routledge}, author={Desai, Jigna}, year={2004} }
@article{Doane_2007, title={The Indexical and the Concept of Medium Specificity}, volume={18}, DOI={10.1215/10407391-2006-025}, number={1}, journal={differences}, author={Doane, Mary Ann}, year={2007}, pages={128–152} }
@book{Durovicová_Newman_2010a, address={New York}, edition={1st ed}, title={World Cinemas, Transnational Perspectives}, publisher={Routledge}, author={Durovicová, Nataša and Newman, Kathleen E.}, year={2010} }
@book{Durovicová_Newman_2010b, address={New York}, title={World Cinemas, Transnational Perspectives}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=449452}, publisher={Routledge}, author={Durovicová, Nataša and Newman, Kathleen E.}, year={2010} }
@book{Eamon_2005, address={Evanston, IL}, title={Anthony McCall: The Solid Light Films and Related Works}, publisher={Northwestern University Press}, author={Eamon, Christopher}, year={2005} }
@book{Ellis_2000, address={London}, title={Seeing Things: Television in the Age of Uncertainty}, publisher={I. B. Tauris}, author={Ellis, John}, year={2000} }
@inbook{Ellis_2007a, address={London}, title={Is it Possible to Construct a Canon of Television Programmes?}, booktitle={Re-Viewing Television History: Critical Issues in Television Historiography}, publisher={I. B. Tauris}, author={Ellis, John}, year={2007}, pages={15–26} }
@inbook{Ellis_2007b, address={London}, title={Is it Possible to Construct a Canon of Television Programmes?}, url={https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/2040080?page=0}, booktitle={Re-Viewing Television History: Critical Issues in Television Historiography}, publisher={I. B. Tauris}, author={Ellis, John}, year={2007}, pages={15–26} }
@book{Ellis_2007c, address={London}, title={TV FAQ: Uncommon Answers to Common Questions About TV}, publisher={I B Tauris}, author={Ellis, John}, year={2007} }
@book{Ellis_2007d, address={London}, title={TV FAQ: Uncommon Answers to Common Questions About TV}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676714}, publisher={I.B. Tauris}, author={Ellis, John}, year={2007} }
@book{Ellis_2012a, address={London}, title={Documentary: Witness and Self-Revelation}, publisher={Routledge}, author={Ellis, John}, year={2012} }
@book{Ellis_2012b, address={London}, title={Documentary: Witness and Self-Revelation}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467}, publisher={Routledge}, author={Ellis, John}, year={2012} }
@book{Elsässer_Barker_1990, address={London}, title={Early Cinema: Space, Frame, Narrative}, publisher={BFI}, author={Elsässer, Thomas and Barker, Adam}, year={1990} }
@book{Everson_1998, address={New York}, title={American Silent Film}, publisher={Da Capo}, author={Everson, William K.}, year={1998} }
@book{Fell_1983, address={Berkeley}, title={Film Before Griffith}, publisher={University of California Press}, author={Fell, John L.}, year={1983} }
@book{Fischer_1998, address={London}, title={Sunrise: A Song of Two Humans}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6265636}, publisher={BFI Publishing}, author={Fischer, Lucy}, year={1998} }
@inbook{Goddard_1991, address={London}, title={Hancock’s Half Hour: A Watershed in British Television Comedy}, booktitle={Popular Television in Britain: Studies in Cultural History}, publisher={British Film Institute}, author={Goddard, Peter}, year={1991}, pages={75–87} }
@book{Gomery_2005, address={London}, title={The Hollywood Studio System: A History}, publisher={BFI}, author={Gomery, Douglas}, year={2005} }
@book{Goriunova_2012a, address={New York}, title={Art Platforms and Cultural Production on the Internet}, volume={Routledge research in cultural and media studies}, publisher={Routledge}, author={Goriunova, Olga}, year={2012} }
@book{Goriunova_2012b, address={New York}, title={Art platforms and cultural production on the Internet}, volume={35}, publisher={Routledge}, author={Goriunova, Olga}, year={2012} }
@inbook{Goriunova_Shulgin_2008, address={Cambridge, Mass}, title={Glitch}, booktitle={Software Studies: A Lexicon}, publisher={MIT}, author={Goriunova, Olga and Shulgin, Alexei}, year={2008}, pages={110–119} }
@book{Graham_Vincendeau_2009, address={London}, edition={New and expanded ed}, title={The French New Wave: Critical Landmarks}, publisher={British Film Institue/Palgrave Macmillan}, author={Graham, Peter and Vincendeau, Ginette}, year={2009} }
@book{Grieveson_Kramer_2004, address={London}, title={The Silent Cinema Reader}, publisher={Routledge}, author={Grieveson, Lee and Kramer, Peter}, year={2004} }
@article{Gunning_1993, title={‘Now You See It, Now You Don’t’: The Temporality of the Cinema of Attractions}, volume={32}, url={http://search.proquest.com/fiaf/docview/1306635666/D4FD361BCB3E42F6PQ/5?accountid=11455}, journal={The Velvet Light Trap}, author={Gunning, Tom}, year={1993}, pages={3–12} }
@inbook{Gunning_2004, address={Cambridge, Mass}, title={Re-Newing Old Technologies: Astonishment, Second Nature and the Uncanny in Technology from the Previous Turn of the Century}, booktitle={Rethinking Media Change: The Aesthetics of Transition}, publisher={MIT Press}, author={Gunning, Tom}, year={2004}, pages={39–60} }
@inbook{Hall_1998, address={Detroit}, title={‘Don’t You Ever Just Watch?’: American Cinema Verité and Don’t Look Back}, volume={Contemporary film and television series}, booktitle={Documenting the Documentary}, publisher={Wayne State University Press}, author={Hall, Jeanne}, year={1998}, pages={223–237} }
@inbook{Hauser_2007a, address={Oxford}, title={A Tale of Two Cities}, volume={Oxford historical monographs}, booktitle={Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955}, publisher={Oxford University Press}, author={Hauser, Kitty}, year={2007}, pages={255–279} }
@inbook{Hauser_2007b, address={Oxford}, title={A Tale of Two Cities}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=415760}, booktitle={Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955}, publisher={Oxford University Press}, author={Hauser, Kitty}, year={2007}, pages={255–279} }
@article{Hills_2007, title={From the Box in the Corner to the Box Set on the Shelf}, volume={5}, DOI={10.1080/17400300601140167}, number={1}, journal={New Review of Film and Television Studies}, author={Hills, Matt}, year={2007}, pages={41–60} }
@inbook{Iles_2001, address={New York}, title={Between the Still and Moving Image}, booktitle={Into the Light: The Projected Image in American Art, 1964-1977}, publisher={Whitney Museum of American Art}, author={Iles, Chrissie}, year={2001} }
@inbook{Joseph_2004, address={Köln}, title={‘My Mind Split Open’: Andy Warhol’s Exploding Plastic Inevitable}, booktitle={X-Screen: Film Installations and Actions in the 1960s and 1970s}, publisher={Walther König}, author={Joseph, Branden W.}, year={2004}, pages={14–43} }
@inbook{Kato_1995a, address={Oxford}, title={Japan}, booktitle={Television: An International History}, publisher={Oxford University Press}, author={Kato, Hidetoshi}, year={1995} }
@inbook{Kato_1995b, address={Oxford}, title={Japan}, booktitle={Television: An International History}, publisher={Oxford University Press}, author={Kato, Hidetoshi}, year={1995} }
@article{Kompare_2006, title={Publishing Flow: DVD Box sets and the Reconception of Television}, volume={7}, DOI={10.1177/1527476404270609}, number={4}, journal={Television & New Media}, author={Kompare, Derek}, year={2006}, pages={335–360} }
@book{Korte_Sternberg_2004, address={Amsterdam}, title={Bidding for the Mainstream?: Black and Asian British Film Since the 1990s}, volume={Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft}, publisher={Rodopi}, author={Korte, Barbara and Sternberg, Claudia}, year={2004} }
@book{Koszarski_1990, address={New York}, title={An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928}, volume={History of the American cinema}, publisher={Scribner}, author={Koszarski, Richard}, year={1990} }
@book{Krapp_2011, address={Minneapolis}, title={Noise Channels: Glitch and Error in Digital Culture}, volume={v. 37}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=819530}, publisher={University of Minnesota Press}, author={Krapp, Peter}, year={2011} }
@inbook{Langford_2005, address={Manchester}, title={‘Our Usual Impasse’: The Episodic Situation Comedy Revisited}, booktitle={Popular Television Drama: Critical Perspectives}, publisher={Manchester University Press}, author={Langford, Barry}, year={2005}, pages={15–33} }
@book{Langford_2010a, address={Edinburgh}, title={Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Langford_2010b, address={Edinburgh}, title={Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=615832}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Langford_2010c, address={Edinburgh}, title={Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Langford_2010d, address={Edinburgh}, title={Post-Classical Hollywood: Film Industry, Style and Ideology Since 1945}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=615832}, publisher={Edinburgh University Press}, author={Langford, Barry}, year={2010} }
@book{Lev_2000, address={Austin, TX}, title={American Films of the ’70s: Conflicting Visions}, publisher={University of Texas Press}, author={Lev, Peter}, year={2000} }
@book{Lister_Dovey_Giddings_Grant_Kelly_2009a, address={London}, edition={2nd ed}, title={New Media: A Critical Introduction}, publisher={Routledge}, author={Lister, Martin and Dovey, Jon and Giddings, Seth and Grant, Iain and Kelly, Kieran}, year={2009} }
@book{Lister_Dovey_Giddings_Grant_Kelly_2009b, title={New Media : A Critical Introduction}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=370928}, publisher={Routledge}, author={Lister, Martin and Dovey, Jon and Giddings, Seth and Grant, Iain and Kelly, Kieran}, year={2009} }
@book{Lotz_2007, address={New York}, title={The Television Will Be Revolutionized}, url={http://hdl.handle.net/2027/heb.08239}, publisher={New York University Press}, author={Lotz, Amanda D.}, year={2007} }
@book{Lotz_2014, address={New York}, edition={Second edition}, title={The Television Will Be Revolutionized}, publisher={New York University Press}, author={Lotz, Amanda D.}, year={2014} }
@misc{MacDowell_2010, title={Notes on Quirky}, url={https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf}, author={MacDowell, James}, year={2010} }
@inbook{Man_2007a, address={Oxford}, title={1975 Movies and Conflicting Ideologies}, booktitle={American Cinema of the 1970s: Themes and Variations}, publisher={Berg}, author={Man, Glenn}, year={2007}, pages={135–156} }
@inbook{Man_2007b, address={New Brunswick, N.J.}, title={1975 Movies and Conflicting Ideologies}, url={http://hdl.handle.net/2027/heb.08007}, booktitle={American Cinema of the 1970s: Themes and Variations}, publisher={Rutgers University Press}, author={Man, Glenn}, year={2007}, pages={135–156} }
@inbook{Manovich_2008, address={Amsterdam}, edition={Third edition}, title={The Practice of Everyday (Media) Life}, volume={#4}, booktitle={Video Vortex Reader: Responses to YouTube}, publisher={Institute of Network Cultures}, author={Manovich, Lev}, editor={Lovink, Geert and Niederer, Sabinet}, year={2008}, pages={33–43} }
@inbook{Marvin_1990a, address={New York}, title={Introduction}, booktitle={When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century}, publisher={Oxford University Press}, author={Marvin, Carolyn}, year={1990}, pages={3–9} }
@inbook{Marvin_1990b, address={New York}, title={Introduction}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=273386}, booktitle={When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century}, publisher={Oxford University Press}, author={Marvin, Carolyn}, year={1990}, pages={3–9} }
@book{Marwick_1998, address={Oxford [England]}, title={The Sixties: Cultural Revolution in Britain, France, Italy, and the United States, C. 1958-C. 1974}, publisher={Oxford University Press}, author={Marwick, Arthur}, year={1998} }
@book{McDonald_Smith-Rowsey_2016, address={New York}, title={The Netflix Effect: Technology and Entertainment in the 21st Century}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4542879}, publisher={Bloomsbury Academic}, author={McDonald, Kevin and Smith-Rowsey, Daniel}, year={2016} }
@book{McDonald_Smith-Rowsey_2018, address={New York}, title={The Netflix Effect: Technology and Entertainment in the 21st Century}, publisher={Bloomsbury Academic}, author={McDonald, Kevin and Smith-Rowsey, Daniel}, year={2018} }
@misc{Menkman_2011a, address={Amsterdam}, title={The Glitch Moment(um)}, url={http://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf}, publisher={Institute of Network Cultures}, author={Menkman, Rosa}, year={2011} }
@inbook{Menkman_2011b, title={The Glitch Studies Manifesto}, booktitle={Video Vortex Reader II: Moving Images Beyond Youtube}, author={Menkman, Rosa}, year={2011}, pages={336–346} }
@inbook{Michalka_2004, address={Köln}, title={‘Shoot at the Audience!’: Projection and Participation in the late 1960s}, booktitle={X-Screen: Film Installations and Actions in the 1960s and 1970s}, publisher={Walther König}, author={Michalka, Matthias}, year={2004}, pages={90–117} }
@inbook{Morris_2007, address={London}, title={Jurassic Park: Another Monster Hit}, volume={Directors cuts}, booktitle={The Cinema of Steven Spielberg: Empire of Light}, publisher={Wallflower}, author={Morris, Nigel}, year={2007} }
@book{Murphy_1989a, address={London}, title={Realism and Tinsel: Cinema and Society in Britain, 1939-1948}, volume={Cinema and society}, publisher={Routledge}, author={Murphy, Robert}, year={1989} }
@book{Murphy_1989b, address={London}, title={Realism and Tinsel: Cinema and Society in Britain 1939-1949}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179234}, publisher={Routledge}, author={Murphy, Robert}, year={1989} }
@book{Musser_1991, address={[Place of publication not identified]}, title={Before the Nickelodeon : Edwin S. Porter and the Edison Manufacturing Company}, url={http://ark.cdlib.org/ark:/13030/ft3q2nb2gw/}, publisher={University of California Press}, author={Musser, Charles}, year={1991} }
@book{Musser_1992, title={Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company}, publisher={University of California Press}, author={Musser, Charles}, year={1992} }
@book{Napper_2009, address={Exeter, UK}, title={British Cinema and Middlebrow Culture in the Interwar Years}, volume={Exeter studies in film history}, publisher={University of Exeter Press}, author={Napper, Lawrence}, year={2009} }
@book{Napper_2015, address={Exeter}, edition={1st Edition}, title={British Cinema and Middlebrow Culture in the Interwar Years}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1982372}, publisher={University of Exeter Press}, author={Napper, Lawrence}, year={2015} }
@article{Nelson_1983, title={Reflections in a Broken Mirror: Varda’s Cléo de 5 à 7}, volume={56}, url={http://www.jstor.org/stable/390912}, number={5}, journal={The French Review}, publisher={American Association of Teachers of FrenchAmerican Association of Teachers of French}, author={Nelson, Roy Jay}, year={1983}, pages={735–743} }
@book{Nowell-Smith_2008, address={New York}, title={Making Waves: New Cinemas of the 1960s}, publisher={Continuum}, author={Nowell-Smith, Geoffrey}, year={2008} }
@inbook{Pearson_2011a, address={Durham, [N.C.]}, title={Cult Television as Digital Television’s Cutting Edge}, volume={Console-ing passions}, booktitle={Television as Digital Media}, publisher={Duke University Press}, author={Pearson, Roberta}, year={2011}, pages={105–131} }
@inbook{Pearson_2011b, address={Durham, [N.C.]}, title={Cult Television as Digital Television’s Cutting Edge}, volume={Console-ing passions}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1172303}, booktitle={Television as Digital Media}, publisher={Duke University Press}, author={Pearson, Roberta}, year={2011}, pages={105–131} }
@article{Pink_2011, title={Sensory Digital Photography: Re-Thinking ‘Moving’ and the Image}, volume={26}, DOI={10.1080/1472586X.2011.548484}, number={1}, journal={Visual Studies}, author={Pink, Sarah}, year={2011}, pages={4–13} }
@misc{Porter_1982, address={London}, title={Before the Nickelodeon: The Early Cinema of Edwin S. Porter}, publisher={BFI}, author={Porter, Edwin S.}, year={1982} }
@book{Rheingold_2000, address={Cambridge, Mass}, edition={Rev. ed}, title={The Virtual Community: Homesteading on the Electronic Frontier}, publisher={MIT Press}, author={Rheingold, Howard}, year={2000} }
@book{Richards_1998, address={London}, title={The Unknown Thirties: An Alternative History of the British Cinema, 1929-1939}, volume={Cinema and society}, publisher={Tauris}, author={Richards, Jeffrey}, year={1998} }
@book{Robertson_1996, address={London}, title={Guilty Pleasures: Feminist Camp From Mae West to Madonna}, publisher={I.B.Tauris}, author={Robertson, Pamela}, year={1996} }
@book{Rohdie_2006, address={Manchester}, title={Montage}, volume={Cinema aesthetics}, publisher={Manchester University Press}, author={Rohdie, Sam}, year={2006} }
@inbook{Rothman_1997, address={Cambridge}, title={Cinema-Verité in America}, volume={Cambridge studies in film}, booktitle={Documentary Film Classics}, publisher={Cambridge University Press}, author={Rothman, William}, year={1997} }
@book{Schatz_1989, address={London}, title={The Genius of the System: Hollywood Film-Making in the Studio Era}, publisher={Simon & Schuster}, author={Schatz, Thomas}, year={1989} }
@book{Shaw_2007a, address={Amherst, Mass}, title={Hollywood’s Cold War}, publisher={University of Massachusetts Press}, author={Shaw, Tony}, year={2007} }
@book{Shaw_2007b, address={Edinburgh}, title={Hollywood’s Cold War}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=320443}, publisher={Edinburgh University Press}, author={Shaw, Tony}, year={2007} }
@book{Silj_1988, address={London}, title={East of Dallas: The European Challenge to American Television}, publisher={BFI}, author={Silj, Alessandro}, year={1988} }
@inbook{Slater_1988, address={Lubbock, Tex}, title={One Flew Over the Cuckoo’s Nest: A Tale of Two Decades}, volume={Studies in comparative literature}, booktitle={Film and Literature: A Comparative Approach to Adaptation}, publisher={Texas Tech University Press}, author={Slater, Thomas J.}, year={1988} }
@book{Snickars_Vonderau_2009, title={The YouTube Reader}, volume={Mediehistoriskt}, publisher={National Library of Sweden}, author={Snickars, Pelle and Vonderau, Patrick}, year={2009} }
@book{Spigel_1992a, address={Chicago}, title={Make Room for TV: Television and the Family Ideal in Postwar America}, publisher={University of Chicago Press}, author={Spigel, Lynn}, year={1992} }
@book{Spigel_1992b, address={Chicago}, title={Make Room for TV: Television and the Family Ideal in Postwar America}, url={http://hdl.handle.net/2027/heb.08240}, publisher={University of Chicago Press}, author={Spigel, Lynn}, year={1992} }
@book{Spigel_1992c, address={Chicago}, title={Make Room for TV: Television and the Family Ideal in Postwar America}, publisher={University of Chicago Press}, author={Spigel, Lynn}, year={1992} }
@book{Spigel_1992d, address={Chicago}, title={Make Room for TV: Television and the Family Ideal in Postwar America}, url={http://hdl.handle.net/2027/heb.08240}, publisher={University of Chicago Press}, author={Spigel, Lynn}, year={1992} }
@article{Thibault_2015, title={Streaming: A Media Hydrogrophy of Televisual Flows}, volume={4}, url={https://doaj.org/article/349ad7e21d8b477582e6be7aaced943e}, number={7}, journal={VIEW Journal of European Television History and Culture}, author={Thibault, Ghislain}, year={2015}, pages={110–119} }
@book{Thompson_Bordwell_2019, address={New York, NY}, edition={Fourth edition}, title={Film History: An Introduction}, publisher={McGraw-Hill Education}, author={Thompson, Kristin and Bordwell, David}, year={2019} }
@article{Townsend_2009, title={‘The Art I Love is the Art of Cowards’ in ’Entr’acte and the Politics of Death and Remembrance in France after World War One}, volume={18}, DOI={10.1080/09505430903123040}, number={3}, journal={Science as Culture}, author={Townsend, Christopher}, year={2009}, pages={281–296} }
@book{Tryon_2013a, address={New Brunswick, New Jersey}, title={On-Demand Culture: Digital Delivery and the Future of Movies}, publisher={Rutgers University Press}, author={Tryon, Chuck}, year={2013} }
@book{Tryon_2013b, address={New Brunswick}, title={On-Demand Culture: Digital Delivery and the Future of Movies}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1184490}, publisher={Rutgers University Press}, author={Tryon, Chuck}, year={2013} }
@inbook{Uricchio_2002, address={London}, title={Old Media as New Media: Television}, booktitle={The New Media Book}, publisher={British Film Institute}, author={Uricchio, William}, year={2002}, pages={219–230} }
@article{Uricchio_2011, title={The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image}, volume={26}, DOI={10.1080/1472586X.2011.548486}, number={1}, journal={Visual Studies}, author={Uricchio, William}, year={2011}, pages={25–35} }
@book{Usai_2000, address={London}, title={Silent Cinema: An Introduction}, publisher={BFI}, author={Usai, Paolo Cherchi}, year={2000} }
@book{Whissel_2008a, address={Durham, N.C.}, title={Picturing American Modernity: Traffic, Technology, and the Silent Cinema}, publisher={Duke University Press}, author={Whissel, Kristen}, year={2008} }
@book{Whissel_2008b, address={Durham}, title={Picturing American Modernity: Traffic, Technology, and the Silent Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1170630}, publisher={Duke University Press}, author={Whissel, Kristen}, year={2008} }
