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Chiquillo, Raquel Patricia. 2001. ‘El Reto De Roque: La Metáfora, Los Símbolos, El Humor Y La Personificación En Dos Poemas “Comprometidos”’. Antípodas: Journal of Hispanic and Galician Studies 13–14.
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González Echevarría, Roberto, and Enrique Pupo-Walker. 1996. The Cambridge History of Latin American Literature. The Cambridge History of Latin American Literature. Cambridge University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521340694.
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G�mez Mango, Edmundo. 2004. El Llamado de Los Desaparecidos: Sobre La Poes�a de Juan Gelman. Cl�sicos y modernos. Cal y Canto.
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Knight, Jim. 2010. ‘“Más Allá de Las Palabras”: Violence, Masculinity and National Identity in Roque Dalton’s Las Historias Prohibidas Del Pulgarcito’. Bulletin of Hispanic Studies 87 (6): 685–703. https://www.tandfonline.com/loi/cbhs20.
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Lerner, Gerda. 1986b. The Creation of Patriarchy. Women and History. Oxford University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.00482.
L’Hoeste, Héctor D. Fernández. 2000. ‘La Virgen De Los Sicarios O Las Visiones Dantescas De Fernando Vallejo’. Hispania 83 (4). https://doi.org/10.2307/346446.
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Maria Guadalupe Pacheco Gutierrez. 2008. Representacion Estetica de La Hiperviolencia En La Virgen de Los Sicarios de Fernando Vallejo y Paseo Nocturno de Ruben Fonseca/ Aesthetic ... Vallejo and Night Walk by Ruben Fonseca. Porrula Miguel Angel S a.
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Mercado, Fernando Veas. 1985. ‘“Canto General”. La Ideologia Y Su Proyeccion Imaginaria. La Epopeya Actual’. Revista de Crítica Literaria Latinoamericana 11 (21/22). https://doi.org/10.2307/4530202.
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