Actas. Las Americas, 1975.
Alemany Bay, C. Para Una Revision De La Poesi­a Conversacional. 1997, http://sisbib.unmsm.edu.pe/bibvirtual/publicaciones/alma_mater/1997_n13-14/poesia.htm.
Alvarez, Moira. ‘El Espacio Acorralado: Un Estudio De La Virgen De Los Sicarios De Fernando Vallejo and “El Gaucho Insufrible” De Roberto Bolaño’. Chasqui: Revista de Literatura Latinoamericana, vol. 42, no. 2, 2013, pp. 15–30, http://www.jstor.org/stable/43589560.
Aparicio, Yvette. ‘Literary Convention and Revolution in Roque Dalton’s Taberna y Otros Lugares’. Revista de Estudios Hispánicos, vol. 32, nos 1–2, 2005.
Arenal, Electa. ‘“‘Leyendo Yo Y Escribiendo Ella’: The Convent as Intellectual Community” in Letras Femeninas’. Letras Femeninas [Boulder, Colorado], vol. 32, no. 1, 2006, pp. 129–47, http://www.jstor.org/stable/23024117.
Arenal, Electa, and Amanda Powell. Answer, The/La Respuesta: Including a Selection of Poems. Feminist Press at The City University of New York, 1994.
Averis, Kate. ‘Writing Displacement, Demythologizing Violence: Discourses of Violence in Contemporary Colombia and Laura Restrepo’s’. Romance Studies, vol. 33, nos 3–4, Oct. 2015, pp. 297–308, https://doi.org/10.1080/02639904.2015.1124214.
Azuela, Mariano, and Luis Leal. Los De Abajo. Annotated edition, StockCERO, 2007.
Belsey, Catherine, and Jane Moore. The Feminist Reader: Essays in Gender and the Politics of Literary Criticism. 2nd ed, Macmillan, 1997.
Benedetti, Mario, and Roque Dalton. Los Poetas Comunicantes. Biblioteca de Marcha, 1972.
———. Los Poetas Comunicantes. Biblioteca de Marcha, 1972.
Beverley, John. Del Lazarillo al Sandinismo: Estudios Sobre La Funci�n Ideol�gica de La Literatura Espa�ola e Hispanoamericana. 1st ed, I&L, Published by the Prisma Institute in cooperation with the Institute for the Study of Ideologies and Literature, 1987.
———. ‘Ideologia/Deseo/Literatura’. Revista de Crítica Literaria Latinoamericana, vol. 14, no. 27, 1988, https://doi.org/10.2307/4530362.
Beverley, John, and Marc Zimmerman. Literature and Politics in the Central American Revolutions. 1st ed, New interpretations of Latin America series, University of Texas Press, 1990.
———. Literature and Politics in the Central American Revolutions. 1st ed, New interpretations of Latin America series, University of Texas Press, 1990.
Bokser, Julie A. ‘Reading and Writing Sor Juana’s Arch: Rhetorics of Belonging, Identity, and Feminist Histories’. Rhetoric Society Quarterly, vol. 42, no. 2, 2012, pp. 144–63, https://doi.org/10.1080/02773945.2012.659323.
———. ‘Sor Juana’s Rhetoric of Silence’. Rhetoric Review, vol. 25, no. 1, 2006, pp. 5–21, https://doi.org/10.1207/s15327981rr2501_1.
Boldy, S. ‘Political Violence Revisited: Intellectual and Family in Five Latin American Novels, 2006 to 2009’. Forum for Modern Language Studies, vol. 48, no. 3, July 2012, pp. 336–50, https://doi.org/10.1093/fmls/cqs015.
Bollig, Ben. ‘“What Do We Say When We Say ‘Juan Gelman’? On Pseudonyms and Polemics in Recent Argentine Poetry” in The Modern Language Review’. The Modern Language Review, vol. 109, no. 1, 2014, https://doi.org/10.5699/modelangrevi.109.1.0121.
Bouvier, Virginia. ‘Sor Juana Y La Inquisición: Las Paradojas Del Poder’. Revista de Crítica Literaria Latinoamericana, vol. 24, no. 49, 1999, http://www.jstor.org/stable/4531027.
Brotherston, Gordon. Latin American Poetry: Origins and Presence. Cambridge University Press, 1975.
Bru, Jos�. Acercamientos a Juan Gelman. 1. ed, Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades, Departamento de Estudios Literarios, 2000.
Buschmann, Albrecht. ‘Entre Autoficción Y Narcoficción: La Violencia De La Virgen De Los Sicarios (1994) De Fernando Vallejo’. Iberoamericana: América Latina-España-Portugal, vol. 9, no. 35, 2009, pp. 137–43, http://www.jstor.org/stable/41676908.
Butler, Judith. Bodies That Matter: On the Discursive Limits of ‘Sex’. Routledge, 1993.
———. Bodies That Matter: On the Discursive Limits of ‘Sex’. Routledge, 2011, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=683946. Electronic book.
Chiquillo, Raquel Patricia. ‘El Reto De Roque: La Metáfora, Los Símbolos, El Humor Y La Personificación En Dos Poemas “Comprometidos”’. Antípodas: Journal of Hispanic and Galician Studies, vols 13–14, 2001.
Correa Mujica, Miguel. ‘Juan Gelman Y La Nueva Poesía Hispanoamericana’. Espéculo: Revista de Estudios Literarios, vol. 18, 2001, https://webs.ucm.es/info/especulo/numero18/gelman.html.
Crites, Elsa. ‘Gelman: “El Amante Mundial” y ‘Cólera Buey’’. Bulletin of Hispanic Studies, vol. 90, no. 6, 2013, pp. 717–36, https://doi.org/10.3828/bhs.2013.44.
———. ‘Gelman: Endurance, Despair and Love’. Bulletin of Hispanic Studies, vol. 82, no. 4, 2005, pp. 491–500, https://doi.org/10.3828/bhs.82.4.6.
Cri­tica Sobre La Obra de Juan Gelman. http://www.juangelman.net/critica-2/.
Dalton, Roque, et al. ‘Poems’. Social Text, no. 5, 1982, https://doi.org/10.2307/466335.
Delgado, José Manuel Camacho. ‘El Narcotremendismo Literario De Fernando Vallejo. La Religión De La Violencia En La Virgen De Los Sicarios’. Revista de Crítica Literaria Latinoamericana, vol. 32, no. 63/64, 2006, https://doi.org/10.2307/25070333.
Duffey, J. Patrick. ‘Literary Long Shot and Close-Up: Spatial Cinematic Techniques in the Works of Mariano Azuela and Francisco Ayala’. Chasqui, vol. 34, 2005, https://doi.org/10.2307/29742052.
Eagleton, Mary. A Concise Companion to Feminist Theory. Blackwell, 2003, http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398647380002671&institutionId=2671&customerId=2670.
———. A Concise Companion to Feminist Theory. Wiley, 2008. Electronic resource.
Escribir Canciones - Aprende a Componer Musica Y Escribir Letras De Canciones. http://www.escribircanciones.com.ar/.
Franco, J. ‘"Orfeo En Utopía’" in Actas / Simposio Pablo Neruda, Columbia, Carolina Del Sur, Noviembre 21-23, 1974’. Actas, Las Americas, 1975.
Franco, Jean. An Introduction to Spanish American Literature. 3rd ed, Cambridge University Press, 1995.
———. The Modern Culture of Latin America: Society and the Artist. Pall Mall, 1967.
Gonzalez Echevarria, Roberto, and Enrique Pupo-Walker. The Cambridge History of Latin American Literature. Cambridge University Press, 1996, http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13397713320002671&institutionId=2671&customerId=2670.
González Echevarría, Roberto, and Enrique Pupo-Walker. The Cambridge History of Latin American Literature. Cambridge University Press, 1996, http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521340694. Electronic book.
Griffin, Clive. Azuela: Los de Abajo. Grant & Cutler in association with Tamesis, 1993.
G�mez Mango, Edmundo. El Llamado de Los Desaparecidos: Sobre La Poes�a de Juan Gelman. Cal y Canto, 2004.
Harris, Chris. ‘Mariano Azuela’s :Patriarchal Masculinity and Mexican Gender Regimes under Fire’. Bulletin of Hispanic Studies, vol. 87, no. 6, 2010, pp. 645–66, https://www.tandfonline.com/loi/cbhs20.
Hart, Stephen. A Companion to Spanish American Literature. Tamesis, 1999.
Hunt, Stacey. ‘Writing Cartographies of Violence: Nation Building through State Failure’. New Political Science, vol. 35, no. 2, June 2013, pp. 227–49, https://doi.org/10.1080/07393148.2013.790711.
Jenckes, Kate. ‘“A Este Oficio Me Obligan Los Dolores Ajenos”: In Memoriam, Juan Gelman (1930–2014)’. Journal of Latin American Cultural Studies, vol. 23, no. 4, 2014, pp. 317–23, https://doi.org/10.1080/13569325.2014.961413.
Knight, Jim. ‘“Más Allá de Las Palabras”: Violence, Masculinity and National Identity in Roque Dalton’s Las Historias Prohibidas Del Pulgarcito’. Bulletin of Hispanic Studies, vol. 87, no. 6, 2010, pp. 685–703, https://www.tandfonline.com/loi/cbhs20.
Lerner, Gerda. The Creation of Patriarchy. Oxford University Press, 1986.
———. The Creation of Patriarchy. Oxford University Press, 1986, http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.00482. Electronic book.
L’Hoeste, Héctor D. Fernández. ‘La Virgen De Los Sicarios O Las Visiones Dantescas De Fernando Vallejo’. Hispania, vol. 83, no. 4, 2000, https://doi.org/10.2307/346446.
Luciani, Frederick. ‘“Anecdotal Self‐invention in Sor Juana’s” in Colonial Latin American Review’. Colonial Latin American Review, vol. 4, no. 2, 1995, pp. 73–83, https://doi.org/10.1080/10609169508569862.
Maria Guadalupe Pacheco Gutierrez. Representacion Estetica de La Hiperviolencia En La Virgen de Los Sicarios de Fernando Vallejo y Paseo Nocturno de Ruben Fonseca/ Aesthetic ... Vallejo and Night Walk by Ruben Fonseca. Porrula Miguel Angel S a, 2008.
Martin-Barbero, J. ‘La Ciudad: Entre Medios Y Miedos’. Citizens of Fear: Urban Violence in Latin America, Rutgers University Press, 2002.
Mascia, Mark J. ‘Pablo Neruda and the Construction of Past and Future Utopias in the Canto General’. Utopian Studies: Journal of the Society for Utopian Studies, vol. 12, no. 2, 2001, http://www.jstor.org/stable/20718316.
Mercado, Fernando Veas. ‘“Canto General”. La Ideologia Y Su Proyeccion Imaginaria. La Epopeya Actual’. Revista de Crítica Literaria Latinoamericana, vol. 11, no. 21/22, 1985, https://doi.org/10.2307/4530202.
Miguel Dalmaroni. Juan Gelman: Contra Las Fabulaciones Del Mundo (Colección Perfiles). Almagesto, 1993.
Morales, Carlos Javier, and Antonio Merino. ‘Dos Estudios Sobre Juan Gelman’. Cuadernos Hispanoamericanos, vol. 532, 1994, pp. 143–52, http://www.cervantesvirtual.com/servlet/SirveObras/public/13517288334805617422202/210137_0038.pdf.
Mosquera, Juan Góngora. ‘Roque Dalton y La Poetica de Liberacion’. Revista de Crítica Literaria Latinoamericana, vol. 17, no. 34, 1991, https://doi.org/10.2307/4530568.
Murad, Timothy. ‘“Foreshadowing, Duplication, and Structural Unity in Mariano Azuela’s Los de Abajo” in Hispania’. Hispania, vol. 64, no. 4, 1981, https://doi.org/10.2307/341334.
Murray, Frederic W. The Aesthetics of Contemporary Spanish American Social Protest Poetry. Edwin Mellen, 1991.
Myers, Kathleen A. ‘Sor Juana’s Respuesta: Rewriting the Vitae’. Revista Canadiense de Estudios Hispánicos [Toronto], vol. 14, no. 3, 1990, pp. 459–71, http://www.jstor.org/stable/27762766.
Neruda, Pablo. Canto General. http://descargas.cervantesvirtual.com/servlet/SirveObras/12586186434582617876657/004011.pdf?incr=1.
Neruda, Pablo, and Enrico Mario Santí. Canto General. Cátedra, 1990.
O’Bryen, Rory. Literature, Testimony and Cinema in Contemporary Colombian Culture: Spectres of La Violencia. Tamesis, 2008.
———. ‘Representations of the City in the Narrative of Fernando Vallejo’. Journal of Latin American Cultural Studies, vol. 13, no. 2, 2004, pp. 195–204, https://doi.org/10.1080/1356932042000246986.
Ochando, Carmen. ‘Roque Dalton. Experiencia Estética de La Revolución’. Scriptura, no. 8, 1992, http://librarysearch.rhul.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_cbuc_racoarticle%2f94426&indx=1&recIds=TN_cbuc_racoarticle%2f94426&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=Roque%20Dalton.%20Experiencia%20Est%C3%A9tica%20de%20la%20Revoluci%C3%B3n&dstmp=1502193145456.
Oilvera-Williams, Maria Roas. ‘Las Series III, IV y V Del Canto General’. Texto Critico, 1981.
Osorio, N. ‘El Problema Del Hablante Poético En Canto General’. Actas, Las Americas, 1975.
Pastor, Brigida M., and Lloyd Hughes Davies. A Companion to Latin American Women Writers. Tamesis, 2012.
———. A Companion to Latin American Women Writers. Tamesis, 2012, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1043069. Electronic book.
Pérez López, María Ángeles. ‘La Visión Exiliar De Juan Gelman’. América Latina Hoy, vol. 30, 2009, http://revistas.usal.es/index.php/1130-2887/article/view/2352.
Perez, Rosa Perelmuter. ‘La Estructura Retorica De La Respuesta a Sor Filotea’. Hispanic Review, vol. 51, no. 2, 1983, https://doi.org/10.2307/472725.
Pobutsky, Aldona B. ‘Romantizando Al Verdugo: Las Novelas Sicarescas Rosario Tijeras Y La Virgen De Los Sicarios’. Revista Iberoamericana, vol. 76, no. 232, 2010, pp. 567–82, https://doi.org/10.5195/REVIBEROAMER.2010.6740.
Restrepo, Laura. Demasiados Heroes. Alfaguara, 2009.
Restrepo-Gautier, Pablo. ‘“Lo Sublime Y El Caos Urbano: Visiones Apocalípticas De Medellíon En ‘La Virgen De Los Sicarios’ De Fernando Vallejo” in Chasqui’. Chasqui, vol. 33, no. 1, 2004, https://doi.org/10.2307/29741846.
Richardson, Diane, and Victoria Robinson. Introducing Gender and Women’s Studies. 3rd ed, Palgrave Macmillan, 2008.
Rivkin, Julie, and Michael Ryan. Literary Theory: An Anthology. 2nd ed, Blackwell, 2004.
Rooney, Ellen. The Cambridge Companion to Feminist Literary Theory. Cambridge University Press, 2006.
———. The Cambridge Companion to Feminist Literary Theory. Cambridge University Press, 2006, http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521807069. Electronic book.
Roque Dalton. http://www.elortiba.org/rdalton.html.
Rutherford, J. ‘The Novel of the Mexican Revolution’. The Cambridge History of Latin American Literature, Cambridge University Press, 1996.
———. ‘The Novel of the Mexican Revolution’. The Cambridge History of Latin American Literature, The Cambridge History of Latin American Literature, Cambridge University Press, 1996, http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521340694. Electronic book.
Said, Edward W. Reflections on Exile and Other Essays. Harvard University Press, 2000.
Santí, Enrico Mario. ‘Canto General: The Politics of the Book’. Symposium: A Quarterly Journal in Modern Literatures, vol. 32, no. 3, 1978, pp. 254–75, https://doi.org/10.1080/00397709.1978.10733386.
Santi, Enrico Mario. Pablo Neruda, the Poetics of Prophecy. Cornell University Press, 1982.
Sariol, José Prats. ‘El Burócrata En La Poesía De Roque Dalton’. Iberoamericana, vol. 8, no. 2/3 (22/23), 1984, pp. 41–47, http://www.jstor.org/stable/41670903?seq=1#page_scan_tab_contents.
Scott, Nina M. ‘“If You Are Not Pleased to Favor Me, Put Me Out of Your Mind…”: Gender and Authority in Sor Juana Inés De La Cruz’. Women’s Studies International Forum, vol. 11, no. 5, 1988, pp. 429–38, https://doi.org/10.1016/0277-5395(88)90019-2.
———. ‘Sor Juana Inés De La Cruz: “Let Your Women Keep Silence in the Churches…”’. Women’s Studies International Forum, vol. 8, no. 5, 1985, pp. 511–19, https://doi.org/10.1016/0277-5395(85)90082-2.
Serra, Ana. ‘La Escritura De La Violencia. “La Virgen De Los Sicarios”, De Fernando Vallejo, Testimonio Paródico Y Discurso Nietzscheano’. Chasqui, vol. 32, no. 2, 2003, https://doi.org/10.2307/29741804.
Shaw, Donald L. Spanish American Poetry after 1950: Beyond the Vanguard. Boydell & Brewer, 2012. Electronic resource.
———. Spanish American Poetry after 1950: Beyond the Vanguard. Boydell & Brewer, 2012. Electronic resource.
Shaw, Donald Leslie. Spanish American Poetry after 1950: Beyond the Vanguard. Tamesis, 2008.
———. Spanish American Poetry after 1950: Beyond the Vanguard. Tamesis, 2008.
Sillato, Mar�a del Carmen. Juan Gelman: Las Estrategias de La Otredad : Heteronimia, Intertextualidad, Traducci�n. 1. ed, Tesis/ensayo, Beatriz Viterbo Editora, 1996.
S?ndez, Laura V. ‘How to Do Things With Activo Desencanto: El Discurso Del Desencanto En Los De Abajo De Mariano Azuela’. Revista Iberoamericana, no. 250, 2015, pp. 125–40, https://doi.org/10.5195/REVIBEROAMER.2015.7242.
Suárez, Eulogio. Neruda Total. RIL Editores, 2004.
Subercaseaux, Bernardo. ‘Los de Abajo: Revolución Mexicana, Desajuste y Modernidad Esquiva’. Literatura: Teoría, vol. 18, no. 2, 2016, pp. 127–56, https://doi.org/10.15446/lthc.v18n2.58744.
Sucre, Guillermo. La Máscara, La Transparencia. 2a ed., corr. Y aum, Colección Tierra firme, Fondo de Cultura Económica, 1985.
Torres, Antonio Torres. ‘Lenguaje Y Violencia En La Virgen De Los Sicarios, De Fernando Vallejo’. Estudis Romànics, vol. 32, 2010, pp. 331–38, http://www.raco.cat/index.php/Estudis/article/view/246886.
Uribe, Lili�n. Como Temblor Del Aire: La Poes�a de Juan Gelman, Ensayos Cr�ticos. Vint�n Editor, 1995.
Valdez, Elena. ‘La Representación Multifacética De Medellín En La Virgen De Los Sicarios De Fernando Vallejo: El Espacio Urbano Desde El Centro Hacia La Periferia’. Letras Hispanas: Revista de Literatura y Cultura, vol. 5, no. 1, 2008, http://gato-docs.its.txstate.edu/jcr:8500fda7-90fb-40d2-85ea-5ce4ae63fe55/Valdez.pdf.
Vallejo, Fernando. La Virgen de Los Sicarios. Punto de Lectura, 2006.
Villegas Morales, Juan. Estructuras Míticas y Arquetipos En El Canto General De Neruda. Editorial Planeta, 1976.
Villoria, Maite. ‘Colombia’s Drug Trafficking Subculture: Its Literary Representation in La Virgen de Los Sicarios and Rosario Tijeras’. Caribbean Quarterly, vol. 57, no. 2, 2011, pp. 75–91, https://doi.org/10.1080/00086495.2011.11672403.
Williamson, Edwin. The Penguin History of Latin America. Rev. ed, Penguin, 2009.
Wilson, Jason. A Companion to Pablo Neruda: Evaluating Neruda’’s Poetry. Boydell & Brewer Group Ltd, 2014. Electronic resource.
———. A Companion to Pablo Neruda: Evaluating Neruda’’s Poetry. Boydell & Brewer Group Ltd, 2014.
Yurkiévich, Saul. Fundadores de La Nueva Poesía Latinoamericana. Ariel, 1984.
Yurkievich, Saúl. ‘Mito e Historia: Dos Generadores Del Canto General’. Revista Iberoamericana, vol. 39, no. 82, 1973, https://doi.org/10.5195/reviberoamer.1973.2476.