Bibliography for IT3430 of Women, Knights, Arms, Loves: The Italian Chivalric Tradition BETA

1.

Ascoli, A.R.: Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance. Princeton University Press, Princeton, N.J. (1987).

2.

Javitch, D.: The Advertising of Fictionality in Orlando Furioso. In: Ariosto Today: Contemporary Perspectives. pp. 106–125. University of Toronto Press, Toronto (2003).

3.

Weaver, E.: A Reading of the Interlaced Plot of the Orlando Furioso. In: Ariosto Today: Contemporary Perspectives. pp. 126–153. University of Toronto Press, Toronto (2003).

4.

Brand, C.P.: Ludovico Ariosto: A Preface to the ‘Orlando Furioso’. Edinburgh University Press, Edinburgh (1974).

5.

Chimène Bateman, J.: Amazonian Knots: Gender, Genre, and Ariosto’s Women Warriors. MLN. 122, (2007).

6.

Donato, E.: "Per Selve E Boscherecci Labirinti”: Demise and Narrative Structure in Ariosto’s "Orlando Furioso”. In: Literary Theory/ Renaissance Texts. Johns Hopkins University Press, Baltimore (1986).

7.

Durling, R.M.: The Figure of the Poet in Renaissance Epic. Harvard University Press, Cambridge, Mass (1965).

8.

Finucci, V.: Renaissance Transactions: Ariosto and Tasso. Duke U.P. (1999).

9.

Finucci, V.: The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. Stanford University Press, Stanford, Calif (1992).

10.

Giamatti, A.B.: The Earthly Paradise and the Renaissance Epic. Norton, New York (1989).

11.

Greene, T.: The Descent From Heaven: A Study in Epic Continuity. Yale University Press, New Haven (1963).

12.

Griffin, R.: Ludovico Ariosto. Twayne Publishers, New York (1974).

13.

Javitch, D.: Cantus Interruptus in the Orlando Furioso. MLN. 95, (1980). https://doi.org/10.2307/2906415.

14.

Javitch, D.: Rescuing Ovid from the Allegorizers. Comparative Literature. 30, (1978). https://doi.org/10.2307/1770177.

15.

Javitch, D.: The Imitation of Imitations in Orlando Furioso. Renaissance Quarterly. 38, 215–239 (1985). https://doi.org/10.2307/2861663.

16.

Javitch, D.: The Orlando Furioso and Ovid’s Revision of the Aeneid. MLN. 99, (1984). https://doi.org/10.2307/2905398.

17.

Javitch, D.: Proclaiming a Classic: The Canonization of Orlando Furioso. Princeton University Press, Princeton, N.J. (1991).

18.

Mac Carthy, I.: Women and the Making of Poetry in Ariosto’s Orlando Furioso. Troubador, Leicester (2007).

19.

Carthy, I.M.: Ariosto the Traveller. The Modern Language Review. 102, (2007). https://doi.org/10.2307/20467285.

20.

Carthy, I.M.: Marfisa and Gender Performance in The. Italian Studies. 60, 178–195 (2005). https://doi.org/10.1179/007516305X71906.

21.

Marinelli, P.V.: Ariosto and Boiardo: The Origins of Orlando Furioso. University of Missouri Press, Columbia (1987).

22.

Marsh, D.: Ruggiero and Leone: Revision and Resolution in Ariosto’s Orlando Furioso. MLN. 96, (1981). https://doi.org/10.2307/2906434.

23.

Murrin, M.: History and Warfare in Renaissance Epic. University of Chicago Press, Chicago (1994).

24.

Parker, P.: Inescapable Romance: Studies in the Poetics of a Mode. Princeton University Press, Princeton, N.J. (1979).

25.

Pavlock, B.: Eros, Imitation, and the Epic Tradition. Cornell University Press, Ithaca, N.Y. (1990).

26.

Pich, F.: Beyond the Story of Storytelling: The Narrator as Lover in Ariosto’s. The Italianist. 35, 334–352 (2015). https://doi.org/10.1179/0261434015Z.000000000128.

27.

Quint, D.: The Figure of Atlante: Ariosto and Boiardo’s Poem. MLN. 94, (1979). https://doi.org/10.2307/2906331.

28.

Quint, D.: Origin and Originality in Renaissance Literature: Versions of the Source. Yale University Press, New Haven (1983).

29.

Quint, D.: The Death of Brandimarte and the Ending of the ‘Orlando Furioso’. Annali d’Italianistica. 12, (1994).

30.

Donato, E.: ‘Per Selve e Boscherecci Labirinti’ Demise and Narrative Structure in Ariosto’s Orlando Furioso. In: Literary Theory/ Renaissance Texts. Johns Hopkins University Press, Baltimore (1986).

31.

Regan, L.K.: Ariosto’s Threshold Patron: Isabella d’Este in the ‘Orlando Furioso’. MLN. 120, (2005).

32.

Richardson, B.: The 1516 Edition of Ariosto’s Orlando Furioso: The Opening. The Modern Language Review. 113, (2018). https://doi.org/10.5699/modelangrevi.113.1.0080.

33.

Shemek, D.: Of Women, Knights, Arms, and Love: The Querelle Des Femmes in Ariosto’s Poem. MLN. 104, (1989). https://doi.org/10.2307/2904992.

34.

Sitterson, J.C.: Allusive and Elusive Meanings: Reading Ariosto’s Vergilian Ending. Renaissance Quarterly. 45, 1–19 (1992). https://doi.org/10.2307/2862829.

35.

Wiggins, P.D.: Figures in Ariosto’s Tapestry: Character and Design in the Orlando Furioso. Johns Hopkins University Press, Baltimore (1986).

36.

Zatti, S., Looney, D.: Turpin’s Role: Poetry and Truth in the Furioso. In: The Quest for Epic: From Ariosto to Tasso. University of Toronto Press, Toronto (2006).

37.

Zatti, S.: Turpin’s Role: Poetry and Truth in the Furioso. In: The Quest for Epic: From Ariosto to Tasso. University of Toronto Press, Toronto (2006).

38.

Jo Ann Cavallo: Teaching the Italian Renaissance Romance Epic (Options for Teaching). Modern Language Association of America (2019).

39.

Everson, J.E., Hiscock, A., Jossa, S. eds: Ariosto, the Orlando Furioso, and English culture. Oxford University Press, Oxford (2019).