1.
Ascoli AR. Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance. Princeton University Press; 1987.
2.
Javitch D. The Advertising of Fictionality in Orlando Furioso. In: Ariosto Today: Contemporary Perspectives. University of Toronto Press; 2003:106-125.
3.
Weaver E. A Reading of the Interlaced Plot of the Orlando Furioso. In: Ariosto Today: Contemporary Perspectives. University of Toronto Press; 2003:126-153.
4.
Brand CP. Ludovico Ariosto: A Preface to the ‘Orlando Furioso’. Vol 1. Edinburgh University Press; 1974.
5.
Chimène Bateman J. Amazonian Knots: Gender, Genre, and Ariosto’s Women Warriors. MLN. 2007;122(1). https://www.jstor.org/stable/4490786?seq=1#metadata_info_tab_contents
6.
Donato E. "Per Selve E Boscherecci Labirinti”: Demise and Narrative Structure in Ariosto’s "Orlando Furioso”. In: Literary Theory/ Renaissance Texts. Johns Hopkins University Press; 1986.
7.
Durling RM. The Figure of the Poet in Renaissance Epic. Harvard University Press; 1965.
8.
Finucci V. Renaissance Transactions: Ariosto and Tasso. Duke U.P.; 1999.
9.
Finucci V. The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. Stanford University Press; 1992.
10.
Giamatti AB. The Earthly Paradise and the Renaissance Epic. Norton; 1989.
11.
Greene T. The Descent From Heaven: A Study in Epic Continuity. Yale University Press; 1963.
12.
Griffin R. Ludovico Ariosto. Vol TWAS 301. Twayne Publishers; 1974.
13.
Javitch D. Cantus Interruptus in the Orlando Furioso. MLN. 1980;95(1). doi:10.2307/2906415
14.
Javitch D. Rescuing Ovid from the Allegorizers. Comparative Literature. 1978;30(2). doi:10.2307/1770177
15.
Javitch D. The Imitation of Imitations in Orlando Furioso. Renaissance Quarterly. 1985;38(2):215-239. doi:10.2307/2861663
16.
Javitch D. The Orlando Furioso and Ovid’s Revision of the Aeneid. MLN. 1984;99(5). doi:10.2307/2905398
17.
Javitch D. Proclaiming a Classic: The Canonization of Orlando Furioso. Princeton University Press; 1991.
18.
Mac Carthy I. Women and the Making of Poetry in Ariosto’s Orlando Furioso. Troubador; 2007.
19.
Carthy IM. Ariosto the Traveller. The Modern Language Review. 2007;102(2). doi:10.2307/20467285
20.
Carthy IM. Marfisa and Gender Performance in The. Italian Studies. 2005;60(2):178-195. doi:10.1179/007516305X71906
21.
Marinelli PV. Ariosto and Boiardo: The Origins of Orlando Furioso. University of Missouri Press; 1987.
22.
Marsh D. Ruggiero and Leone: Revision and Resolution in Ariosto’s Orlando Furioso. MLN. 1981;96(1). doi:10.2307/2906434
23.
Murrin M. History and Warfare in Renaissance Epic. University of Chicago Press; 1994.
24.
Parker P. Inescapable Romance: Studies in the Poetics of a Mode. Princeton University Press; 1979.
25.
Pavlock B. Eros, Imitation, and the Epic Tradition. Cornell University Press; 1990.
26.
Pich F. Beyond the Story of Storytelling: The Narrator as Lover in Ariosto’s. The Italianist. 2015;35(3):334-352. doi:10.1179/0261434015Z.000000000128
27.
Quint D. The Figure of Atlante: Ariosto and Boiardo’s Poem. MLN. 1979;94(1). doi:10.2307/2906331
28.
Quint D. Origin and Originality in Renaissance Literature: Versions of the Source. Yale University Press; 1983.
29.
Quint D. The Death of Brandimarte and the Ending of the ‘Orlando Furioso’. Annali d’Italianistica. 1994;12. https://www.jstor.org/stable/24006401?seq=1#metadata_info_tab_contents
30.
Donato E. ‘Per Selve e Boscherecci Labirinti’ Demise and Narrative Structure in Ariosto’s Orlando Furioso. In: Literary Theory/ Renaissance Texts. Johns Hopkins University Press; 1986.
31.
Regan LK. Ariosto’s Threshold Patron: Isabella d’Este in the ‘Orlando Furioso’. MLN. 2005;120(1). https://www.jstor.org/stable/3252027?seq=1#metadata_info_tab_contents
32.
Richardson B. The 1516 Edition of Ariosto’s Orlando Furioso: The Opening. The Modern Language Review. 2018;113(1). doi:10.5699/modelangrevi.113.1.0080
33.
Shemek D. Of Women, Knights, Arms, and Love: The Querelle Des Femmes in Ariosto’s Poem. MLN. 1989;104(1). doi:10.2307/2904992
34.
Sitterson, JC. Allusive and Elusive Meanings: Reading Ariosto’s Vergilian Ending. Renaissance Quarterly. 1992;45(1):1-19. doi:10.2307/2862829
35.
Wiggins PD. Figures in Ariosto’s Tapestry: Character and Design in the Orlando Furioso. Johns Hopkins University Press; 1986.
36.
Zatti S, Looney D. Turpin’s Role: Poetry and Truth in the Furioso. In: The Quest for Epic: From Ariosto to Tasso. University of Toronto Press; 2006.
37.
Zatti S. Turpin’s Role: Poetry and Truth in the Furioso. In: The Quest for Epic: From Ariosto to Tasso. University of Toronto Press; 2006.
38.
Jo Ann Cavallo. Teaching the Italian Renaissance Romance Epic (Options for Teaching). Modern Language Association of America; 2019.
39.
Everson JE, Hiscock A, Jossa S, eds. Ariosto, the Orlando Furioso, and English Culture. Vol 221. Oxford University Press; 2019.