Bibliography for IT3430 of Women, Knights, Arms, Loves: The Italian Chivalric Tradition BETA

Ascoli, Albert Russell. 1987. Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance. Princeton, N.J.: Princeton University Press.

Brand, C. P. 1974. Ludovico Ariosto: A Preface to the ‘Orlando Furioso’. Vol. 1. Edinburgh: Edinburgh University Press.

Carthy, Ita Mac. 2005. ‘Marfisa and Gender Performance in The’. Italian Studies 60 (2): 178–95. https://doi.org/10.1179/007516305X71906.

———. 2007. ‘Ariosto the Traveller’. The Modern Language Review 102 (2). https://doi.org/10.2307/20467285.

Chimène Bateman, J. 2007. ‘Amazonian Knots: Gender, Genre, and Ariosto’s Women Warriors’. MLN 122 (1). https://www.jstor.org/stable/4490786?seq=1#metadata_info_tab_contents.

Donato, E. 1986. ‘"Per Selve E Boscherecci Labirinti”: Demise and Narrative Structure in Ariosto’s "Orlando Furioso”’. In Literary Theory/ Renaissance Texts. Baltimore: Johns Hopkins University Press.

Donato, Eugenio. 1986. ‘“Per Selve e Boscherecci Labirinti” Demise and Narrative Structure in Ariosto’s Orlando Furioso’. In Literary Theory/ Renaissance Texts. Baltimore: Johns Hopkins University Press.

Durling, Robert M. 1965. The Figure of the Poet in Renaissance Epic. Cambridge, Mass: Harvard University Press.

Everson, J. E., Andrew Hiscock, and Stefano Jossa, eds. 2019. Ariosto, the Orlando Furioso, and English Culture. Vol. 221. Oxford: Oxford University Press.

Finucci, Valeria. 1992. The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. Stanford, Calif: Stanford University Press.

———. 1999. Renaissance Transactions: Ariosto and Tasso. Duke U.P.

Giamatti, A. Bartlett. 1989. The Earthly Paradise and the Renaissance Epic. New York: Norton.

Greene, Thomas. 1963. The Descent From Heaven: A Study in Epic Continuity. New Haven: Yale University Press.

Griffin, Robert. 1974. Ludovico Ariosto. Vol. TWAS 301. New York: Twayne Publishers.

Javitch, Daniel. 1978. ‘Rescuing Ovid from the Allegorizers’. Comparative Literature 30 (2). https://doi.org/10.2307/1770177.

———. 1980. ‘Cantus Interruptus in the Orlando Furioso’. MLN 95 (1). https://doi.org/10.2307/2906415.

———. 1984. ‘The Orlando Furioso and Ovid’s Revision of the Aeneid’. MLN 99 (5). https://doi.org/10.2307/2905398.

———. 1985. ‘The Imitation of Imitations in Orlando Furioso’. Renaissance Quarterly 38 (2): 215–39. https://doi.org/10.2307/2861663.

———. 1991. Proclaiming a Classic: The Canonization of Orlando Furioso. Princeton, N.J.: Princeton University Press.

———. 2003. ‘The Advertising of Fictionality in Orlando Furioso’. In Ariosto Today: Contemporary Perspectives, 106–25. Toronto: University of Toronto Press.

Jo Ann Cavallo. 2019. Teaching the Italian Renaissance Romance Epic (Options for Teaching). Modern Language Association of America.

Mac Carthy, Ita. 2007. Women and the Making of Poetry in Ariosto’s Orlando Furioso. Leicester: Troubador.

Marinelli, Peter V. 1987. Ariosto and Boiardo: The Origins of Orlando Furioso. Columbia: University of Missouri Press.

Marsh, David. 1981. ‘Ruggiero and Leone: Revision and Resolution in Ariosto’s Orlando Furioso’. MLN 96 (1). https://doi.org/10.2307/2906434.

Murrin, Michael. 1994. History and Warfare in Renaissance Epic. Chicago: University of Chicago Press.

Parker, Patricia. 1979. Inescapable Romance: Studies in the Poetics of a Mode. Princeton, N.J.: Princeton University Press.

Pavlock, Barbara. 1990. Eros, Imitation, and the Epic Tradition. Ithaca, N.Y.: Cornell University Press.

Pich, Federica. 2015. ‘Beyond the Story of Storytelling: The Narrator as Lover in Ariosto’s’. The Italianist 35 (3): 334–52. https://doi.org/10.1179/0261434015Z.000000000128.

Quint, David. 1979. ‘The Figure of Atlante: Ariosto and Boiardo’s Poem’. MLN 94 (1). https://doi.org/10.2307/2906331.

———. 1983. Origin and Originality in Renaissance Literature: Versions of the Source. New Haven: Yale University Press.

———. 1994. ‘The Death of Brandimarte and the Ending of the “Orlando Furioso”’. Annali d’Italianistica 12. https://www.jstor.org/stable/24006401?seq=1#metadata_info_tab_contents.

Regan, Lisa K. 2005. ‘Ariosto’s Threshold Patron: Isabella d’Este in the “Orlando Furioso”’. MLN 120 (1). https://www.jstor.org/stable/3252027?seq=1#metadata_info_tab_contents.

Richardson, Brian. 2018. ‘The 1516 Edition of Ariosto’s Orlando Furioso: The Opening’. The Modern Language Review 113 (1). https://doi.org/10.5699/modelangrevi.113.1.0080.

Shemek, Deanna. 1989. ‘Of Women, Knights, Arms, and Love: The Querelle Des Femmes in Ariosto’s Poem’. MLN 104 (1). https://doi.org/10.2307/2904992.

Sitterson, Joseph C. 1992. ‘Allusive and Elusive Meanings: Reading Ariosto’s Vergilian Ending’. Renaissance Quarterly 45 (1): 1–19. https://doi.org/10.2307/2862829.

Weaver, Elissa. 2003. ‘A Reading of the Interlaced Plot of the Orlando Furioso’. In Ariosto Today: Contemporary Perspectives, 126–53. Toronto: University of Toronto Press.

Wiggins, Peter DeSa. 1986. Figures in Ariosto’s Tapestry: Character and Design in the Orlando Furioso. Baltimore: Johns Hopkins University Press.

Zatti, Sergio. 2006. ‘Turpin’s Role: Poetry and Truth in the Furioso’. In The Quest for Epic: From Ariosto to Tasso. Toronto: University of Toronto Press.

Zatti, Sergio, and Dennis Looney. 2006. ‘Turpin’s Role: Poetry and Truth in the Furioso’. In The Quest for Epic: From Ariosto to Tasso. Toronto: University of Toronto Press.