Bibliography for DT3101: Asylum Seekers in the 21st Century Theatre, Film and Activism BETA

Agamben, G. (1998) Homo Sacer: Sovereign Power and Bare Life. Stanford, Calif: Stanford University Press.

Arendt, H. (1996) ‘We Refugees’, in Altogether Elsewhere. Harcourt.

Athanasiou, A. (2003) ‘Technologies of Humanness, Aporias of Biopolitics, and the Cut Body of Humanity’, differences: A Journal of Feminist Cultural Studies, 14(1), pp. 125–162. Available at: https://muse.jhu.edu/article/43782.

Augugliaro, A. (2015) Io Sto Con La Sposa (On the Bride’s Side). [Milano]: Feltrinelli.

Bachelard, G. (1994) The Poetics of Space. [New] ed. Boston, Mass: Beacon.

Balfour, M. (ed.) (2013) Refugee Performance: Practical Encounters. Bristol, UK: Intellect.

Bauman, Z. (2004) Wasted Lives: Modernity and Its Outcasts [electronic book]. Oxford: Polity. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1184111.

Bergson, H. (2015) Laughter: An Essay on the Meaning of the Comic. [place of publication not identified: Sagwan Press.

Burke, A. (2002) ‘The Perverse Perseverance of Sovereignty’, b o r d e r l a n d s e-journal, 1(2). Available at: http://www.borderlands.net.au/vol1no2_2002/burke_perverse.html.

Caruth, C. (1996) Unclaimed Experience: Trauma, Narrative, and History. Baltimore, Md: Johns Hopkins University Press.

Cox, E. (2013a) Staging Asylum: Contemporary Australian Plays About Refugees. Strawberry Hills, N.S.W: Currency Press.

Cox, E. (2013b) ‘“The Rainbow Dark”’, in Staging Asylum: Contemporary Australian Plays About Refugees. Strawberry Hills, N.S.W: Currency Press.

Cox, E. (2014) Theatre & Migration. Houndmills, Basingstoke: Palgrave Macmillan.

Cox, E. (2015a) Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, an imprint of Wimbledon Publishing Company.

Cox, E. (2015b) Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism [electronic book]. London: Anthem Press.

Cox, E. (2015c) ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, an imprint of Wimbledon Publishing Company, pp. 109–137.

Cox, E. (2015d) ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, pp. 109–137. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=778375.

Cox, E. (2016) ‘Concealment, Revelation and Masquerade in Europe’s Asylum Apparatus: Intimate Life at the Border’, Lateral: Journal of the Cultural Studies Association, Special Issue: Leveraging Justice, 5(2).

Cox, E. and MyiLibrary (2015) ‘Domestic Comedy and Theatrical Heterotopias’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, pp. 61–83. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=778375.

Cox, E. and Zaroulia, M. (2016) ‘Mare Nostrum, or On Water Matters’, Performance Research, 21(2), pp. 141–149. Available at: https://doi.org/10.1080/13528165.2016.1175724.

Cuarón, A. (2006) ‘Children of Men’. [S.l.]: Universal.

Edkins, J. (2000) ‘Sovereign Power, Zones of Indistinction, and the Camp’, Alternatives: Global, Local, Political, 25(1), pp. 3–25. Available at: https://doi.org/10.1177/030437540002500102.

Edkins, J. (2003) Trauma and the memory of politics. Cambridge: Cambridge University Press.

Edkins, J. and Pin-Fat, V. (2005) ‘Through the Wire: Relations of Power and Relations of Violence’, Millennium, 34(1), pp. 1–24. Available at: https://doi.org/10.1177/03058298050340010101.

Ellman, M. (1993) The Hunger Artists: Starving, Writing & Imprisonment. London: Virago.

Farrier, D. (2011) Postcolonial Asylum: Seeking Sanctuary Before the Law. Liverpool: Liverpool University Press. Available at: http://www.cambridge.org/core/product/identifier/9781846317132/type/BOOK.

Foucault, M. (1991) Discipline and Punish: The Birth of the Prison. London: Penguin.

Gibney, M.J. (2004a) The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees. Cambridge, UK: Cambridge University Press.

Gibney, M.J. (2004b) The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees [electronic book]. Cambridge, UK: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511314926&uid=^u.

Hepworth, K. (2014) ‘Encounters With the                            and the Nomad: The Emplaced and Embodied Constitution of Non-Citizenship’, Citizenship Studies, 18(1), pp. 1–14. Available at: https://doi.org/10.1080/13621025.2014.865889.

Jeffers, A. (2011) Refugees, Theatre and Crisis: Performing Global Identities. Basingstoke: Palgrave Macmillan.

Lampedusa by Anders Lustgarten (no date). Available at: https://www.theguardian.com/books/audio/2015/jun/11/podcast-lampedusa-audio-play-migration.

Laub, D. (1995) ‘Truth and Testimony: The Process and the Struggle’, in Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press.

Lewis, R. (2013) ‘Deportable Subjects: Lesbians and Political Asylum’, Feminist Formations, 25(2), pp. 174–194. Available at: https://doi.org/10.1353/ff.2013.0027.

Mannik, L. (ed.) (2016) Migration by Boat: Discourses of Trauma, Exclusion and Survival. New York: Berghahn Books.

Mbembe, A. (2003) ‘Necropolitics’, Public Culture, 15(1), pp. 11–40. Available at: https://doi.org/10.1215/08992363-15-1-11.

Nield, S. (2008) ‘The Proteus Cabinet, or “We Are Here but Not Here”’, Research in Drama Education: The Journal of Applied Theatre and Performance, 13(2), pp. 137–145. Available at: https://doi.org/10.1080/13569780802054778.

Nyoni, Z. (2015) Nine Lives and Come to Where I’m From. London: Bloomsbury Methuen Drama.

‘On the Bride’s Side | | Al Jazeera’ (no date). Available at: http://www.aljazeera.com/programmes/witness/2015/10/refugees-bride-side-151020134012752.html.

Palombo, L. (2002) ‘Penal Asylum: Refugees, Ethics and Hospitality’, b o r d e r l a n d s e-journal, 1(1). Available at: http://www.borderlands.net.au/vol1no1_2002/pugliese.html.

Palombo, L. (2009) ‘Mutations of the Australian Camp’, Continuum, 23(5), pp. 613–627. Available at: https://doi.org/10.1080/10304310903154701.

Perera, S. (2002) ‘What Is a Camp?’, Borderlands, 1(1). Available at: http://www.borderlands.net.au/vol1no1_2002/perera_camp.html.

Ponzanesi, S. (2016) ‘Of Shipwrecks and Weddings: Borders and Mobilities in Europe’, Transnational Cinemas, pp. 1–17.

Pugliese, J. (ed.) (2010) Transmediterranean: Diasporas, Histories, Geopolitical Spaces. Bruxelles: P.I.E. Peter Lang.

Rajaram, P.K. (2003) ‘“Making Place”: The “Pacific Solution” and Australian Emplacement in the Pacific and on Refugee Bodies’, Singapore Journal of Tropical Geography, 24(3), pp. 290–306. Available at: https://doi.org/10.1111/1467-9493.00160.

Rajaram, P.K. and Grundy-Warr, C. (2007) Borderscapes: Hidden Geographies and Politics at Territory’s Edge. Minneapolis, Minn: University of Minnesota Press.

van Reekum, R. (2016) ‘The Mediterranean: Migration Corridor, Border Spectacle, Ethical Landscape’, Mediterranean Politics, 21(2), pp. 336–341. Available at: https://doi.org/10.1080/13629395.2016.1145828.

Rosi, G. (2016) ‘Fire at Sea’. [London, England]: Curzon Artificial Eye.

Salverson, J. (2001) ‘Change on Whose Terms? Testimony and an Erotics of Injury’, Theater, 31(3), pp. 119–125. Available at: https://doi.org/10.1215/01610775-31-3-119.

‘Sexual Identity Issues in the Asylum Claim’ (no date). Available at: https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/543882/Sexual-orientation-in-asylum-claims-v6.pdf.

Stierl, M. (2016) ‘Contestations in Death – the Role of Grief in Migration Struggles’, Citizenship Studies, 20(2), pp. 173–191. Available at: https://doi.org/10.1080/13621025.2015.1132571.

Stonor Saunders, F. (no date) Where on Earth are you? Available at: http://www.lrb.co.uk/v38/n05/frances-stonorsaunders/where-on-earth-are-you.

Wake, C. (2010) ‘Caveat Spectator: Juridical, Political and Ontological False Witnessing in CMI (A Certain Maritime Incident)’, Law Text Culture, 14(1). Available at: http://heinonline.org/HOL/Page?public=false&handle=hein.journals/lwtexcu14&id=182.

Woolley, A. (2014) ‘States of Belonging: Alfonso Cuaron’s Children of Men’, in Contemporary asylum narratives: representing refugees in the twenty-first century. Basingstoke: Palgrave Macmillan.

Woolley, A. and Dawsonera (no date) ‘States of Belonging: Alfonso Cuaron’s Children of Men’, in Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137299062.