Agamben, Giorgio. 1998. Homo Sacer: Sovereign Power and Bare Life. Stanford, Calif: Stanford University Press.
Anon. n.d.-a. ‘Lampedusa by Anders Lustgarten’. Retrieved (https://www.theguardian.com/books/audio/2015/jun/11/podcast-lampedusa-audio-play-migration).
Anon. n.d.-b. ‘On the Bride’s Side | | Al Jazeera’.
Anon. n.d.-c. ‘Sexual Identity Issues in the Asylum Claim’.
Arendt, Hannah. 1996. ‘We Refugees’. in Altogether Elsewhere. Harcourt.
Athanasiou, Athena. 2003. ‘Technologies of Humanness, Aporias of Biopolitics, and the Cut Body of Humanity’. Differences: A Journal of Feminist Cultural Studies 14(1):125–62.
Augugliaro, Antonio. 2015. Io Sto Con La Sposa (On the Bride’s Side). [Milano]: Feltrinelli.
Bachelard, Gaston. 1994. The Poetics of Space. [New] ed. Boston, Mass: Beacon.
Balfour, Michael, ed. 2013. Refugee Performance: Practical Encounters. Bristol, UK: Intellect.
Bauman, Zygmunt. 2004. Wasted Lives: Modernity and Its Outcasts. Oxford: Polity.
Bergson, Henri. 2015. Laughter: An Essay on the Meaning of the Comic. [place of publication not identified: Sagwan Press.
Burke, Anthony. 2002. ‘The Perverse Perseverance of Sovereignty’. B o r d e r l a n d s E-Journal 1(2).
Caruth, Cathy. 1996. Unclaimed Experience: Trauma, Narrative, and History. Baltimore, Md: Johns Hopkins University Press.
Cox, Emma. 2013a. Staging Asylum: Contemporary Australian Plays About Refugees. Strawberry Hills, N.S.W: Currency Press.
Cox, Emma. 2013b. ‘“The Rainbow Dark”’. in Staging Asylum: Contemporary Australian Plays About Refugees. Strawberry Hills, N.S.W: Currency Press.
Cox, Emma. 2014. Theatre & Migration. Houndmills, Basingstoke: Palgrave Macmillan.
Cox, Emma. 2015a. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press, an imprint of Wimbledon Publishing Company.
Cox, Emma. 2015b. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press.
Cox, Emma. 2015c. ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’. Pp. 109–37 in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. Vol. Anthem Australian humanities research series. London: Anthem Press, an imprint of Wimbledon Publishing Company.
Cox, Emma. 2015d. ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’. Pp. 109–37 in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press.
Cox, Emma. 2016. ‘Concealment, Revelation and Masquerade in Europe’s Asylum Apparatus: Intimate Life at the Border’. Lateral: Journal of the Cultural Studies Association, Special Issue: Leveraging Justice 5(2).
Cox, Emma and MyiLibrary. 2015. ‘Domestic Comedy and Theatrical Heterotopias’. Pp. 61–83 in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. London: Anthem Press.
Cox, Emma, and Marilena Zaroulia. 2016. ‘Mare Nostrum, or On Water Matters’. Performance Research 21(2):141–49. doi: 10.1080/13528165.2016.1175724.
Cuarón, Alfonso. 2006. ‘Children of Men’.
Edkins, Jenny. 2000. ‘Sovereign Power, Zones of Indistinction, and the Camp’. Alternatives: Global, Local, Political 25(1):3–25. doi: 10.1177/030437540002500102.
Edkins, Jenny. 2003. Trauma and the Memory of Politics. Cambridge: Cambridge University Press.
Edkins, Jenny, and Veronique Pin-Fat. 2005. ‘Through the Wire: Relations of Power and Relations of Violence’. Millennium 34(1):1–24. doi: 10.1177/03058298050340010101.
Ellman, Maud. 1993. The Hunger Artists: Starving, Writing & Imprisonment. London: Virago.
Farrier, David. 2011. Postcolonial Asylum: Seeking Sanctuary Before the Law. Liverpool: Liverpool University Press.
Foucault, Michel. 1991. Discipline and Punish: The Birth of the Prison. London: Penguin.
Gibney, Matthew J. 2004a. The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees. Cambridge, UK: Cambridge University Press.
Gibney, Matthew J. 2004b. The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees. Cambridge, UK: Cambridge University Press.
Hepworth, Kate. 2014. ‘Encounters With the                            and the Nomad: The Emplaced and Embodied Constitution of Non-Citizenship’. Citizenship Studies 18(1):1–14. doi: 10.1080/13621025.2014.865889.
Jeffers, Alison. 2011. Refugees, Theatre and Crisis: Performing Global Identities. Basingstoke: Palgrave Macmillan.
Laub, Dori. 1995. ‘Truth and Testimony: The Process and the Struggle’. in Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press.
Lewis, Rachel. 2013. ‘Deportable Subjects: Lesbians and Political Asylum’. Feminist Formations 25(2):174–94. doi: 10.1353/ff.2013.0027.
Mannik, Lynda, ed. 2016. Migration by Boat: Discourses of Trauma, Exclusion and Survival. New York: Berghahn Books.
Mbembe, A. 2003. ‘Necropolitics’. Public Culture 15(1):11–40. doi: 10.1215/08992363-15-1-11.
Nield, Sophie. 2008. ‘The Proteus Cabinet, or “We Are Here but Not Here”’. Research in Drama Education: The Journal of Applied Theatre and Performance 13(2):137–45. doi: 10.1080/13569780802054778.
Nyoni, Zodwa. 2015. Nine Lives and Come to Where I’m From. London: Bloomsbury Methuen Drama.
Palombo, Lara. 2002. ‘Penal Asylum: Refugees, Ethics and Hospitality’. B o r d e r l a n d s E-Journal 1(1).
Palombo, Lara. 2009. ‘Mutations of the Australian Camp’. Continuum 23(5):613–27. doi: 10.1080/10304310903154701.
Perera, Suvendrini. 2002. ‘What Is a Camp?’ Borderlands 1(1).
Ponzanesi, Sandra. 2016. ‘Of Shipwrecks and Weddings: Borders and Mobilities in Europe’. Transnational Cinemas 1–17.
Pugliese, Joseph, ed. 2010. Transmediterranean: Diasporas, Histories, Geopolitical Spaces. Bruxelles: P.I.E. Peter Lang.
Rajaram, Prem Kumar. 2003. ‘“Making Place”: The “Pacific Solution” and Australian Emplacement in the Pacific and on Refugee Bodies’. Singapore Journal of Tropical Geography 24(3):290–306. doi: 10.1111/1467-9493.00160.
Rajaram, Prem Kumar, and Carl Grundy-Warr. 2007. Borderscapes: Hidden Geographies and Politics at Territory’s Edge. Minneapolis, Minn: University of Minnesota Press.
van Reekum, Rogier. 2016. ‘The Mediterranean: Migration Corridor, Border Spectacle, Ethical Landscape’. Mediterranean Politics 21(2):336–41. doi: 10.1080/13629395.2016.1145828.
Rosi, Gianfranco. 2016. ‘Fire at Sea’.
Salverson, J. 2001. ‘Change on Whose Terms? Testimony and an Erotics of Injury’. Theater 31(3):119–25. doi: 10.1215/01610775-31-3-119.
Stierl, Maurice. 2016. ‘Contestations in Death – the Role of Grief in Migration Struggles’. Citizenship Studies 20(2):173–91. doi: 10.1080/13621025.2015.1132571.
Stonor Saunders, Frances. n.d. ‘Where on Earth Are You?’ Retrieved (http://www.lrb.co.uk/v38/n05/frances-stonorsaunders/where-on-earth-are-you).
Wake, C. 2010. ‘Caveat Spectator: Juridical, Political and Ontological False Witnessing in CMI (A Certain Maritime Incident)’. Law Text Culture 14(1).
Woolley, Agnes. 2014. ‘States of Belonging: Alfonso Cuaron’s Children of Men’. in Contemporary asylum narratives: representing refugees in the twenty-first century. Basingstoke: Palgrave Macmillan.
Woolley, Agnes and Dawsonera. n.d. ‘States of Belonging: Alfonso Cuaron’s Children of Men’. in Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century.