Agamben, Giorgio, Homo Sacer: Sovereign Power and Bare Life (Stanford, Calif: Stanford University Press, 1998)
Arendt, Hannah, ‘We Refugees’, in Altogether Elsewhere (Harcourt, 1996)
Athanasiou, Athena, ‘Technologies of Humanness, Aporias of Biopolitics, and the Cut Body of Humanity’, Differences: A Journal of Feminist Cultural Studies, 14.1 (2003), 125–62 <https://muse.jhu.edu/article/43782>
Augugliaro, Antonio, Io Sto Con La Sposa (On the Bride’s Side) ([Milano]: Feltrinelli, 2015)
Bachelard, Gaston, The Poetics of Space, [New] ed (Boston, Mass: Beacon, 1994)
Balfour, Michael, ed., Refugee Performance: Practical Encounters (Bristol, UK: Intellect, 2013)
Bauman, Zygmunt, Wasted Lives: Modernity and Its Outcasts (Oxford: Polity, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1184111>
Bergson, Henri, Laughter: An Essay on the Meaning of the Comic ([place of publication not identified: Sagwan Press, 2015)
Burke, Anthony, ‘The Perverse Perseverance of Sovereignty’, B o r d e r l a n d s E-Journal, 1.2 (2002) <http://www.borderlands.net.au/vol1no2_2002/burke_perverse.html>
Caruth, Cathy, Unclaimed Experience: Trauma, Narrative, and History (Baltimore, Md: Johns Hopkins University Press, 1996)
Cox, Emma, ‘Concealment, Revelation and Masquerade in Europe’s Asylum Apparatus: Intimate Life at the Border’, Lateral: Journal of the Cultural Studies Association, Special Issue: Leveraging Justice, 5.2 (2016)
———, Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (London: Anthem Press, an imprint of Wimbledon Publishing Company, 2015)
———, Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (London: Anthem Press, 2015)
———, Staging Asylum: Contemporary Australian Plays About Refugees (Strawberry Hills, N.S.W: Currency Press, 2013)
———, ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (London: Anthem Press, an imprint of Wimbledon Publishing Company, 2015), Anthem Australian humanities research series, 109–37
———, ‘The Pain of Others: Performance, Protest and Instrumental Self-Injury’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (London: Anthem Press, 2015), pp. 109–37 <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=778375>
———, ‘“The Rainbow Dark”’, in Staging Asylum: Contemporary Australian Plays About Refugees (Strawberry Hills, N.S.W: Currency Press, 2013)
———, Theatre & Migration (Houndmills, Basingstoke: Palgrave Macmillan, 2014)
Cox, Emma and MyiLibrary, ‘Domestic Comedy and Theatrical Heterotopias’, in Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism (London: Anthem Press, 2015), pp. 61–83 <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=778375>
Cox, Emma, and Marilena Zaroulia, ‘Mare Nostrum, or On Water Matters’, Performance Research, 21.2 (2016), 141–49 <https://doi.org/10.1080/13528165.2016.1175724>
Cuarón, Alfonso, ‘Children of Men’ ([S.l.]: Universal, 2006)
Edkins, Jenny, ‘Sovereign Power, Zones of Indistinction, and the Camp’, Alternatives: Global, Local, Political, 25.1 (2000), 3–25 <https://doi.org/10.1177/030437540002500102>
———, Trauma and the Memory of Politics (Cambridge: Cambridge University Press, 2003)
Edkins, Jenny, and Veronique Pin-Fat, ‘Through the Wire: Relations of Power and Relations of Violence’, Millennium, 34.1 (2005), 1–24 <https://doi.org/10.1177/03058298050340010101>
Ellman, Maud, The Hunger Artists: Starving, Writing & Imprisonment (London: Virago, 1993)
Farrier, David, Postcolonial Asylum: Seeking Sanctuary Before the Law (Liverpool: Liverpool University Press, 2011) <http://www.cambridge.org/core/product/identifier/9781846317132/type/BOOK>
Foucault, Michel, Discipline and Punish: The Birth of the Prison (London: Penguin, 1991)
Gibney, Matthew J., The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees (Cambridge, UK: Cambridge University Press, 2004)
———, The Ethics and Politics of Asylum: Liberal Democracy and the Response to Refugees (Cambridge, UK: Cambridge University Press, 2004) <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511314926&uid=^u>
Hepworth, Kate, ‘Encounters With the and the Nomad: The Emplaced and Embodied Constitution of Non-Citizenship’, Citizenship Studies, 18.1 (2014), 1–14 <https://doi.org/10.1080/13621025.2014.865889>
Jeffers, Alison, Refugees, Theatre and Crisis: Performing Global Identities (Basingstoke: Palgrave Macmillan, 2011)
‘Lampedusa by Anders Lustgarten’ <https://www.theguardian.com/books/audio/2015/jun/11/podcast-lampedusa-audio-play-migration>
Laub, Dori, ‘Truth and Testimony: The Process and the Struggle’, in Trauma: Explorations in Memory (Baltimore: Johns Hopkins University Press, 1995)
Lewis, Rachel, ‘Deportable Subjects: Lesbians and Political Asylum’, Feminist Formations, 25.2 (2013), 174–94 <https://doi.org/10.1353/ff.2013.0027>
Mannik, Lynda, ed., Migration by Boat: Discourses of Trauma, Exclusion and Survival (New York: Berghahn Books, 2016)
Mbembe, A., ‘Necropolitics’, Public Culture, 15.1 (2003), 11–40 <https://doi.org/10.1215/08992363-15-1-11>
Nield, Sophie, ‘The Proteus Cabinet, or “We Are Here but Not Here”’, Research in Drama Education: The Journal of Applied Theatre and Performance, 13.2 (2008), 137–45 <https://doi.org/10.1080/13569780802054778>
Nyoni, Zodwa, Nine Lives and Come to Where I’m From (London: Bloomsbury Methuen Drama, 2015)
‘On the Bride’s Side | | Al Jazeera’ <http://www.aljazeera.com/programmes/witness/2015/10/refugees-bride-side-151020134012752.html>
Palombo, Lara, ‘Mutations of the Australian Camp’, Continuum, 23.5 (2009), 613–27 <https://doi.org/10.1080/10304310903154701>
———, ‘Penal Asylum: Refugees, Ethics and Hospitality’, B o r d e r l a n d s E-Journal, 1.1 (2002) <http://www.borderlands.net.au/vol1no1_2002/pugliese.html>
Perera, Suvendrini, ‘What Is a Camp?’, Borderlands, 1.1 (2002) <http://www.borderlands.net.au/vol1no1_2002/perera_camp.html>
Ponzanesi, Sandra, ‘Of Shipwrecks and Weddings: Borders and Mobilities in Europe’, Transnational Cinemas, 2016, 1–17
Pugliese, Joseph, ed., Transmediterranean: Diasporas, Histories, Geopolitical Spaces (Bruxelles: P.I.E. Peter Lang, 2010)
Rajaram, Prem Kumar, ‘“Making Place”: The “Pacific Solution” and Australian Emplacement in the Pacific and on Refugee Bodies’, Singapore Journal of Tropical Geography, 24.3 (2003), 290–306 <https://doi.org/10.1111/1467-9493.00160>
Rajaram, Prem Kumar, and Carl Grundy-Warr, Borderscapes: Hidden Geographies and Politics at Territory’s Edge (Minneapolis, Minn: University of Minnesota Press, 2007)
van Reekum, Rogier, ‘The Mediterranean: Migration Corridor, Border Spectacle, Ethical Landscape’, Mediterranean Politics, 21.2 (2016), 336–41 <https://doi.org/10.1080/13629395.2016.1145828>
Rosi, Gianfranco, ‘Fire at Sea’ ([London, England]: Curzon Artificial Eye, 2016)
Salverson, J., ‘Change on Whose Terms? Testimony and an Erotics of Injury’, Theater, 31.3 (2001), 119–25 <https://doi.org/10.1215/01610775-31-3-119>
‘Sexual Identity Issues in the Asylum Claim’ <https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/543882/Sexual-orientation-in-asylum-claims-v6.pdf>
Stierl, Maurice, ‘Contestations in Death – the Role of Grief in Migration Struggles’, Citizenship Studies, 20.2 (2016), 173–91 <https://doi.org/10.1080/13621025.2015.1132571>
Stonor Saunders, Frances, ‘Where on Earth Are You?’ <http://www.lrb.co.uk/v38/n05/frances-stonorsaunders/where-on-earth-are-you>
Wake, C., ‘Caveat Spectator: Juridical, Political and Ontological False Witnessing in CMI (A Certain Maritime Incident)’, Law Text Culture, 14.1 (2010) <http://heinonline.org/HOL/Page?public=false&handle=hein.journals/lwtexcu14&id=182>
Woolley, Agnes, ‘States of Belonging: Alfonso Cuaron’s Children of Men’, in Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century (Basingstoke: Palgrave Macmillan, 2014)
Woolley, Agnes and Dawsonera, ‘States of Belonging: Alfonso Cuaron’s Children of Men’, in Contemporary Asylum Narratives: Representing Refugees in the Twenty-First Century <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137299062>
