Abrioux, Yves, and Stephen Bann. 1994. Ian Hamilton Finlay: A Visual Primer. 2nd Edition. Reaktion.
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Barthes, Roland. 1985. The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Hill and Wang.
Barthes, Roland. 1990. S/Z. Blackwell.
Bee, Susan, and Mira Schor. 2000. M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. Duke University Press.
Bee, Susan, and Mira Schor. 2001. M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. Duke University Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167508.
Benjamin, Walter, Hannah Arendt, and Harry Zorn. 1999. Illuminations. Pimlico.
Bergvall, Caroline. 2012. I’ll Drown My Book: Conceptual Writing by Women. 1st Edition. Les Figues Press.
Bergvall, Caroline, Laynie Brown, Teresa Carmody, and Vanessa Place. 2012. I’ll Drown My Book: Conceptual Writing by Women. Les Figues Press.
Bernstein, Charles. 1986. Content’s Dream: Essays, 1975-1984. Sun & Moon.
Bernstein, Charles. 1990. The Politics of Poetic Form: Poetry and Public Policy. Roof.
Bernstein, Charles. 1992. A Poetics. Harvard University Press.
Bernstein, Charles. 1998a. Close Listening: Poetry and the Performed Word. Oxford University Press.
Bernstein, Charles. 1998b. Close Listening: Poetry and the Performed Word. Oxford University Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=728829.
Bernstein, Charles. 2006. ‘French Book Art/Livres d’Artistes: Artists and Poets in Dialogue through August 19, 2006, New York Public Library, 42nd Street & Fifth Avenue | University of Pennsylvania’. http://writing.upenn.edu/epc/authors/bernstein/blog/archive/nypl-french-book-art.html.
Bey, Hakim. 2003. T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. 2nd Edition. Autonomedia.
Bodman, Sarah. 2005. Creating Artists’ Books. A & C Black.
‘Book Arts’. n.d. http://www.bookarts.uwe.ac.uk/bookarts-websites/.
Brathwaite, Kamau. 1984. History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. New Beacon Books.
Brown, Lee Ann, Katy Bohinc, and Star Arkestress, eds. 2016. Tender Omnibus: The First 25 Years of Tender Buttons Press 1989-2014. First Edition. Tender Buttons Press.
Bush, Clive. 1997. Out of Dissent: Study of Five Contemporary British Poets. Talus Editions.
Bush, Clive, Thomas A. Clarke, Allen Fisher, Bill Griffiths, Barry MacSweeney, and Eric Mottram. 1997. Worlds of New Measure: Anthology of Five Contemporary British Poets. Talus.
Cage, John, and Joan Retallack. 1996. Musicage: Cage Muses on Words, Art, Music. Wesleyan University Press.
Carson, Anne and Sappho. 2002. If Not, Winter: Fragments of Sappho. Alfred A. Knopf.
Cash, Stephanie. 2010. ‘Christian Boltanski No Mans Land | Art in America’. April 26. https://www.artinamericamagazine.com/news-features/news/christian-boltanski-no-mans-land/.
Certeau, Michel de. 1984. ‘Walking in the City’. In The Practice of Everyday Life. University of California Press.
Certeau, Michel de. 1988. The Practice of Everyday Life. University of California Press.
‘Christian Boltanski, No Man’s Land | Park Avenue Armory’. n.d. http://www.armoryonpark.org/photo_gallery/slideshow/christian_boltanski.
‘Concrete Poetry -- A World View | UBU’. n.d. http://www.ubu.com/papers/solt/index.html.
Courtney, Cathy. 1999. Speaking of Book Art: Interviews With British and American Book Artists : Ron King, Ian Tyson, Joan Lyons, Betsy Davids, Sas Colby, Telfer Stokes, Kathy Walkup, Susan King, Helen Douglas, Johanna Drucker, Paul Coldwell, Susan Johanknecht, Alisa Golden, Julie Chen, Karen Bleitz. Anderson-Lovelace.
Critchley, Emily, ed. 2015. Out of Everywhere: Linguistically Innovative Poetry, 2. Reality Street Editions.
Davidson, Michael. 1997. Ghostlier Demarcations: Modern Poetry and the Material Word. University of California Press.
Drucker, Johanna. 1994a. The Visible Word: Experimental Typography and Modern Art, 1909-1923. University of Chicago Press.
Drucker, Johanna. 1994b. Theorizing Modernism: Visual Art and the Critical Tradition. Columbia University Press.
Drucker, Johanna. 1995a. History of The/My Word: Fragments of a Testimonial to History, Some Lived and Realized Moments Open to Claims of Memory. 1st Trade Edition. Granary Books.
Drucker, Johanna. 1995b. The Century of Artists’ Books. Granary Books.
Drucker, Johanna. 1995c. ‘The Codex And Its Variations’. In The Century of Artists’ Books. Granary Books.
Drucker, Johanna. 1996. The Word Made Flesh. Granary Books.
Drucker, Johanna. 1998. Figuring the Word: Essays on Books, Writing, and Visual Poetics. Granary Books.
Du Plessis, Rachel Blau. 2006. The Pink Guitar: Writing as Feminist Practice. University of Alabama Press.
Dworkin, Craig Douglas, and Kenneth Goldsmith. 2011a. Against Expression: An Anthology of Conceptual Writing. Northwestern University Press.
Dworkin, Craig Douglas, and Kenneth Goldsmith. 2011b. Against Expression: An Anthology of Conceptual Writing. Northwestern University Press.
Dworkin, Craig Douglas, and Kenneth Goldsmith. 2011c. Against Expression: An Anthology of Conceptual Writing. Northwestern University Press.
Etter, Carrie. 2010a. Infinite Difference: Other Poetries by UK Women Poets. Shearsman.
Etter, Carrie. 2010b. Infinite Difference: Other Poetries by UK Women Poets. Shearsman.
Fisher, Allen. 2005. Place. Reality Street Editions.
Fisher-Wirth, Ann W., and Laura-Gray Street, eds. 2013. The Ecopoetry Anthology. Trinity University Press.
Frost, Elisabeth A., and Cynthia Hogue. 2006. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. University of Iowa Press.
Gallagher, Ellen. n.d. ‘AxME – Exhibition at Tate Modern | Tate’. https://www.tate.org.uk/whats-on/tate-modern/exhibition/ellen-gallagher-axme.
Golden, Alisa J. 2005. Expressive Handmade Books. Sterling.
Hampson, Robert, and Will Montgomery. 2010. Frank O’Hara Now: New Essays on the New York Poet. Liverpool University Press.
Hejinian, Lyn. 2000a. The Language of Inquiry. University of California Press.
Hejinian, Lyn. 2000b. The Language of Inquiry. 1st Edition. University of California Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=223206.
Hejinian, Lyn. n.d. ‘Writing Is an Aid to Memory | Eclipse’. http://eclipsearchive.org/projects/WRITING/html/contents.html.
Hilson, Jeff. 2008. The Reality Street Book of Sonnets. Reality Street.
Hoover, Paul. 1994a. Postmodern American Poetry: A Norton Anthology. Norton.
Hoover, Paul. 1994b. Postmodern American Poetry: A Norton Anthology. Norton.
Hoover, Paul. 1994c. Postmodern American Poetry: A Norton Anthology. Norton.
‘How She Bowed to Her Brother by Gertrude Stein | Poetry Foundation’. n.d. https://www.poetryfoundation.org/poems/55212/how-she-bowed-to-her-brother.
Howe, Susan. 1978. Secret History of the Dividing Line. Telephone Books.
Howe, Susan. 1982. Pythagorean Silence. Montemora Foundation.
Howe, Susan. 1985. My Emily Dickinson. North Atlantic Books.
Howe, Susan. 1993a. The Birth-Mark: Unsettling the Wilderness in American Literary History. Wesleyan U.P.
Howe, Susan. 1993b. The Nonconformist’s Memorial: Poems. Vol. 755. Published for James Laughlin by New Directions.
Howe, Susan. 1999. Pierce-Arrow. New Directions.
Howe, Susan. 2013. Sorting Facts, Or, Nineteen Ways of Looking at Marker. #1. New Directions Publishing Corporation.
Howe, Susan. 2014. Spontaneous Particulars: The Telepathy of Archives. Christine Burgin/New Directions.
Howe, Susan. 2017. Debths. New Directions Books.
Howe, Susan and Awede Press. 1987. Articulation of Sound Forms in Time. Awede.
Hubert, Renee Riese. 1988. Surrealism and the Book. University of California Press.
Jackson, K. David, Eric Vos, and Johanna Drucker. 1996. Experimental, Visual, Concrete: Avant-Garde Poetry Since the 1960s. Vol. 10. Rodopi.
Kang, Hyun Yi, Norma Alarcón, and Elaine H. Kim. 1994. Writing Self, Writing Nation: A Collection of Essays on Dictée. Third Woman Press.
Kaye, Nick. 2000a. Site-Specific Art: Performance, Place, and Documentation. Routledge.
Kaye, Nick. 2000b. Site-Specific Art: Performance, Place and Documentation. 1st Edition. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=166116.
Keller, Lynn. 1997. Forms of Expansion: Recent Long Poems by Women. University of Chicago Press.
Keller, Lynn, and Cristanne Miller. 1994. Feminist Measures: Soundings in Poetry and Theory. University of Michigan Press.
Kennedy, David. 2007. Necessary Steps: Poetry, Elegy, Walking, Spirit. Shearsman.
Kilbride, Laura. 2009. ‘Going for Broke: Tom Raworth and Lyric’. The Cambridge Quarterly 38 (4). https://www.jstor.org/stable/42966938.
Killian, Kevin, and David Brazil, eds. 2010. The Kenning Anthology of Poets Theater 1945-1985. Kenning Editions.
Lauf, Cornelia, and Clive Phillpot. 1998. Artist/Author: Contemporary Artists’ Books. Distributed Art Publishers.
Lauf, Cornelia, Clive Phillpot, and Weatherspoon Art Gallery. 1998. Artist/Author: Contemporary Artists’ Books. Distributed Art Publishers.
Lewallen, Constance, Lawrence Rinder, and T. Minh-Ha Trinh. 2001. The Dream of the Audience: Theresa Hak Kyung Cha (1951-1982). University of California Berkeley Art Museum.
McCaffery, Steve. 2000. North of Intention: Critical Writings 1973-1986. 2nd Edition. Roof.
McGann, Jerome. 1993. Black Riders: The Visible Language of Modernism. Princeton University Press.
Morris, Adalaide Kirby. 1997. Sound States: Innovative Poetics and Acoustical Technologies. University of North Carolina Press.
Mullen, Harryette. n.d. ‘Sleeping with the Dictionary | Poetry Foundation’. https://www.poetryfoundation.org/poems/54879/sleeping-with-the-dictionary.
‘My Love | Ann Hamilton’. n.d. http://www.annhamiltonstudio.com/videosound/my_love.html.
Nelson, Maggie. n.d. ‘Three Poems | The Felt’. https://web.archive.org/web/20210605180319/http://thefelt.org/issues/1/maggie_nelson.htm.
Nielsen, Aldon Lynn, and Lauri Ramey, eds. 2015a. What I Say: Innovative Poetry by Black Writers in America. The University of Alabama Press.
Nielsen, Aldon Lynn, and Lauri Ramey, eds. 2015b. What I Say: Innovative Poetry by Black Writers in America. The University of Alabama Press.
Notley, Alice. 2006a. Grave of Light: New and Selected Poems, 1970-2005. Wesleyan University Press.
Notley, Alice. 2006b. ‘I The People’. In Grave of Light: New and Selected Poems, 1970-2005. Wesleyan University Press.
Notley, Alice. n.d. ‘I the People | Poetry Foundation’. https://www.poetryfoundation.org/poems/52762/i-the-people.
Olson, Charles, and George F. Butterick. 1983. The Maximus Poems. University of California Press.
O’Sullivan, Maggie. 1996a. Out of Everywhere: Linguistically Innovative Poetry. Reality Street Editions.
O’Sullivan, Maggie. 1996b. Out of Everywhere: Linguistically Innovative Poetry. Reality Street Editions.
O’Sullivan, Maggie. 1996c. Out of Everywhere: Linguistically Innovative Poetry. Reality Street Editions.
Perloff, Marjorie. 1990. Poetic License: Essays on Modernist and Postmodernist Lyric. Northwestern University Press.
Perloff, Marjorie. 1991. Radical Artifice: Writing Poetry in the Age of Media. University of Chicago Press.
Perloff, Marjorie. 1995. Postmodern Genres. University of Oklahoma Press.
Perloff, Marjorie. 1998. Poetry on & Off the Page: Essays for Emergent Occasions. Northwestern University Press.
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Raworth, Tom. n.d. ‘Errory | Poetry Foundation’. https://www.poetryfoundation.org/poems/54722/errory.
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Riley, Denise. 2005b. Impersonal Passion: Language as Affect. Duke University Press. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1168410.
Riley, Denise. 2016. ‘A Part Song’. In Say Something Back. Picador, an imprint of Pan Macmillan.
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Saper, Craig J. 1997a. Networked Art. University of Minnesota Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=316696.
Saper, Craig J. 1997b. Networked Art. University of Minnesota Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=316696.
Scalapino, Leslie. 1992. Crowd and Not Evening or Light: A Poem. O Books/Sun & Moon Press.
Scalapino, Leslie. 1994a. Defoe. Vol. 46. Sun & Moon Press.
Scalapino, Leslie. 1994b. Goya’s L.A. Potes & Poets Press.
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Sloan, Mary Margaret. 1998b. Moving Borders: Three Decades of Innovative Writing by Women. Talisman House.
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Spontaneous Particulars: The Telepathy of Archives | Woodberry Poetry Room | YouTube. 2014. https://www.youtube.com/watch?v=ZTGPbiUm-3o.
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Susan Howe. 1989. A Bibliography Of The King’s Book Or, Eikon Basilike. Paradigm Press (RI). Hardcover.
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‘The Fuck-You Bow: A Discussion of Gertrude Stein’s “How She Bowed to Her Brother” - Poem Talk | Poetry Foundation’. n.d. https://www.poetryfoundation.org/podcasts/77098/the-fuck-you-bow-a-discussion-of-gertrude-steins-how-she-bowed-to-her-brother.
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Tullett, Barrie. 2014b. Typewriter Art: A Modern Anthology. Laurence King Publishing.
Tuma, Keith. 2001a. Anthology of Twentieth-Century British and Irish Poetry. Oxford University Press.
Tuma, Keith. 2001b. Anthology of Twentieth-Century British and Irish Poetry. Oxford University Press.
Tuma, Keith. 2001c. Anthology of Twentieth-Century British and Irish Poetry. Oxford University Press.
Vickery, Ann. 2000. Leaving Lines of Gender: A Feminist Genealogy of Language Writing. Wesleyan University Press.
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Welish, Marjorie. n.d. ‘Weeping Branch | Jacket Magazine’. http://jacketmagazine.com/10/welish-wb.html.
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