1.
Dworkin, C. D. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. (Northwestern University Press, 2011).
2.
Hoover, P. Postmodern American Poetry: A Norton Anthology. (Norton, 1994).
3.
O’Sullivan, M. Out of Everywhere: Linguistically Innovative Poetry. (Reality Street Editions, 1996).
4.
Tuma, K. Anthology of Twentieth-Century British and Irish Poetry. (Oxford University Press, 2001).
5.
Andrews, B. & Bernstein, C. The L=A=N=G=U=A=G=E Book. (Southern Illinois University Press, 1984).
6.
Bernstein, C. Content’s Dream: Essays, 1975-1984. (Sun & Moon, 1986).
7.
Bernstein, C. The Politics of Poetic Form: Poetry and Public Policy. (Roof, 1990).
8.
Bernstein, C. A Poetics. (Harvard University Press, 1992).
9.
Du Plessis, R. B. The Pink Guitar: Writing as Feminist Practice. (University of Alabama Press, 2006).
10.
Bush, C. Out of Dissent: Study of Five Contemporary British Poets. (Talus Editions, 1997).
11.
Bush, C. et al. Worlds of New Measure: Anthology of Five Contemporary British Poets. (Talus, 1997).
12.
Hampson, R. & Montgomery, W. Frank O’Hara Now: New Essays on the New York Poet. (Liverpool University Press, 2010).
13.
Kennedy, D. Necessary Steps: Poetry, Elegy, Walking, Spirit. (Shearsman, 2007).
14.
McCaffery, S. North of Intention: Critical Writings 1973-1986. (Roof, 2000).
15.
Perloff, M. Poetic License: Essays on Modernist and Postmodernist Lyric. (Northwestern University Press, 1990).
16.
Quartermain, P. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. (Cambridge University Press, 1992).
17.
Riley, D. ‘Am I That Name?’: Feminism and the Category of ‘Women’ in History. (Macmillan, 1988).
18.
Riley, D. The Words of Selves: Identification, Solidarity, Irony. (Stanford University Press, 2000).
19.
Saper, C. J. Networked Art. (University of Minnesota Press, 2001).
20.
Saper, C. J. Networked Art. (University of Minnesota Press, 1997).
21.
Sloan, M. M. Moving Borders: Three Decades of Innovative Writing by Women. (Talisman House, 1998).
22.
Solt, M. E. & Barnstone, W. Concrete Poetry: A World View. (Indiana University Press, 1968).
23.
Concrete Poetry -- A World View | UBU. http://www.ubu.com/papers/solt/index.html.
24.
Wilkinson, J. L. The Lyric Touch: Essays on the Poetry of Excess. (Salt, 2007).
25.
Bernstein, C. Close Listening: Poetry and the Performed Word. (Oxford University Press, 1998).
26.
Bernstein, C. Close Listening: Poetry and the Performed Word. (Oxford University Press, 1998).
27.
Drucker, J. The Century of Artists’ Books. (Granary Books, 1995).
28.
Kaye, N. Site-Specific Art: Performance, Place, and Documentation. (Routledge, 2000).
29.
Kaye, N. Site-Specific Art: Performance, Place and Documentation. (Routledge, 2000).
30.
Certeau, M. de. The Practice of Everyday Life. (University of California Press, 1988).
31.
Drucker, J. Figuring the Word: Essays on Books, Writing, and Visual Poetics. (Granary Books, 1998).
32.
Hejinian, L. The Language of Inquiry. (University of California Press, 2000).
33.
Hejinian, L. The Language of Inquiry. (University of California Press, 2000).
34.
Perloff, M. 21st-Century Modernism: The ‘New’ Poetics. (Blackwell Publishers, 2002).
35.
Spahr, J. Everybody’s Autonomy: Connective Reading and Collective Identity. (University of Alabama Press, 2001).
36.
Wallace, M. & Marks, S. Telling It Slant: Avant-Garde Poetics of the 1990s. (University of Alabama Press, 2002).
37.
Vickery, A. Leaving Lines of Gender: A Feminist Genealogy of Language Writing. (Wesleyan University Press, 2000).
38.
Abrioux, Y. & Bann, S. Ian Hamilton Finlay: A Visual Primer. (Reaktion, 1994).
39.
Adorno, T. On Lyric Poetry and Society. in Notes to literature: Vol. 1 (Columbia University Press, 1991).
40.
Andrews, B. Paradise & Method: Poetics & Praxis. (Northwestern University Press, 1996).
41.
Barthes, R. S/Z. (Blackwell, 1990).
42.
Barthes, R. The Responsibility of Forms: Critical Essays on Music, Art, and Representation. (Hill and Wang, 1985).
43.
Bee, S. & Schor, M. M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. (Duke University Press, 2000).
44.
Bee, S. & Schor, M. M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. (Duke University Press, 2001).
45.
Benjamin, W., Arendt, H. & Zorn, H. Illuminations. (Pimlico, 1999).
46.
Hakim Bey. T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. (Autonomedia, 2003).
47.
Brathwaite, K. History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. (New Beacon Books, 1984).
48.
Lewallen, C., Rinder, L. & Trinh, T. M.-H. The Dream of the Audience: Theresa Hak Kyung Cha (1951-1982). (University of California Berkeley Art Museum, 2001).
49.
Kang, H. Y., Alarcón, N. & Kim, E. H. Writing Self, Writing Nation: A Collection of Essays on Dictée. (Third Woman Press, 1994).
50.
Davidson, M. Ghostlier Demarcations: Modern Poetry and the Material Word. (University of California Press, 1997).
51.
Drucker, J. History of The/my Word: Fragments of a Testimonial to History, Some Lived and Realized Moments Open to Claims of Memory. (Granary Books, 1995).
52.
Drucker, J. Theorizing Modernism: Visual Art and the Critical Tradition. (Columbia University Press, 1994).
53.
Drucker, J. The Word Made Flesh. (1996).
54.
Drucker, J. The Visible Word: Experimental Typography and Modern Art, 1909-1923. (University of Chicago Press, 1994).
55.
Susan Howe. A Bibliography Of The King’s Book Or, Eikon Basilike. (Paradigm Press (RI), 1989).
56.
Howe, S. & Awede Press. Articulation of Sound Forms in Time. (Awede, 1987).
57.
Howe, S. My Emily Dickinson. (North Atlantic Books, 1985).
58.
Howe, S. The Nonconformist’s Memorial: Poems. vol. 755 (published for James Laughlin by New Directions, 1993).
59.
Howe, S. Pierce-Arrow. (New Directions, 1999).
60.
Howe, S. Pythagorean Silence. (Montemora Foundation, 1982).
61.
Susan Howe. Secret History of the Dividing Line. (Telephone Books, 1978).
62.
Howe, S. Sorting Facts, Or, Nineteen Ways of Looking at Marker. vol. #1 (New Directions Publishing Corporation, 2013).
63.
Howe, S. The Birth-Mark: Unsettling the Wilderness in American Literary History. (Wesleyan U.P., 1993).
64.
Hubert, R. R. Surrealism and the Book. (University of California Press, 1988).
65.
Keller, L. & Miller, C. Feminist Measures: Soundings in Poetry and Theory. (University of Michigan Press, 1994).
66.
Keller, L. Forms of Expansion: Recent Long Poems by Women. (University of Chicago Press, 1997).
67.
Imagining Language: An Anthology. (MIT Press, 2001).
68.
McGann, J. Black Riders: The Visible Language of Modernism. (Princeton University Press, 1993).
69.
Morris, A. K. Sound States: Innovative Poetics and Acoustical Technologies. (University of North Carolina Press, 1997).
70.
Perloff, M. Poetry on & Off the Page: Essays for Emergent Occasions. (Northwestern University Press, 1998).
71.
Perloff, M. Postmodern Genres. (University of Oklahoma Press, 1995).
72.
Perloff, M. Radical Artifice: Writing Poetry in the Age of Media. (University of Chicago Press, 1991).
73.
Pettibon, R., Temkin, A., Walker, H., Philadelphia Museum of Art, & University of Chicago. Renaissance Society. Raymond Pettibon: A Reader. (The Museum, 1998).
74.
Lauf, C., Phillpot, C., & Weatherspoon Art Gallery. Artist/Author: Contemporary Artists’ Books. (Distributed Art Publishers, 1998).
75.
Retallack, J. Afterrimages. (Wesleyan University Press, 1995).
76.
Joan Retallack. Errata 5uite. (Edge Books, 1993).
77.
Retallack, J. How to Do Things With Words. vol. 168 (Sun & Moon Press, 1998).
78.
Cage, J. & Retallack, J. Musicage: Cage Muses on Words, Art, Music. (Wesleyan University Press, 1996).
79.
Scalapino, L. Crowd and Not Evening or Light: A Poem. (O Books/Sun & Moon Press, 1992).
80.
Scalapino, L. Defoe. vol. 46 (Sun & Moon Press, 1994).
81.
Scalapino, L. Goya’s L.A. (Potes & Poets Press, 1994).
82.
Scalapino, L. Green and Black: Selected Writings. (Talisman House Publishers, 1996).
83.
Smith, O. F. Fluxus: The History of an Attitude. (San Diego State University Press, 1998).
84.
Spivak, G. C. The Politics of Translation. in Outside in the Teaching Machine (Routledge, 1993).
85.
Templeton, F. You, the City. (Roof Books, 1990).
86.
Schimmel, P., Stiles, K., & Museum of Contemporary Art. Out of Actions: Between Performance and the Object, 1949-1979. (Museum of Contemporary Art, 1998).
87.
Spoerri, D., Filliou, R., Roth, D. & Williams, E. An Anecdoted Topography of Chance. vol. 4 (Atlas Press, 1995).
88.
Stallybrass, P. & White, A. The Politics and Poetics of Transgression. (Methuen, 1986).
89.
Jackson, K. D., Vos, E. & Drucker, J. Experimental, Visual, Concrete: Avant-Garde Poetry Since the 1960s. vol. 10 (Rodopi, 1996).
90.
Bergvall, C., Brown, L., Carmody, T. & Place, V. I’ll Drown My Book: Conceptual Writing by Women. (Les Figues Press, 2012).
91.
Tender Omnibus: The First 25 Years of Tender Buttons Press 1989-2014. (Tender Buttons Press, 2016).
92.
Etter, C. Infinite Difference: Other Poetries by UK Women Poets. (Shearsman, 2010).
93.
Dworkin, C. D. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. (Northwestern University Press, 2011).
94.
Hilson, J. The Reality Street Book of Sonnets.
95.
Hoover, P. Postmodern American Poetry: A Norton Anthology. (Norton, 1994).
96.
What I Say: Innovative Poetry by Black Writers in America. (The University of Alabama Press, 2015).
97.
O’Sullivan, M. Out of Everywhere: Linguistically Innovative Poetry. (Reality Street Editions, 1996).
98.
Out of Everywhere: Linguistically Innovative Poetry, 2. (Reality Street Editions, 2015).
99.
Swensen, C. & St. John, D. American Hybrid: A Norton Anthology of New Poetry. (W.W. Norton, 2009).
100.
Tullett, B. Typewriter Art: A Modern Anthology. (Laurence King Publishing, 2014).
101.
Tuma, K. Anthology of Twentieth-Century British and Irish Poetry. (Oxford University Press, 2001).
102.
Howe, S. Spontaneous Particulars: The Telepathy of Archives. (Christine Burgin/New Directions, 2014).
103.
Spontaneous Particulars: The Telepathy of Archives | Woodberry Poetry Room | YouTube. (2014).
104.
Drucker, J. The Codex And Its Variations. in The Century of Artists’ Books 121–159 (Granary Books, 1995).
105.
Courtney, C. Speaking of Book Art: Interviews With British and American Book Artists : Ron King, Ian Tyson, Joan Lyons, Betsy Davids, Sas Colby, Telfer Stokes, Kathy Walkup, Susan King, Helen Douglas, Johanna Drucker, Paul Coldwell, Susan Johanknecht, Alisa Golden, Julie Chen, Karen Bleitz. (Anderson-Lovelace, 1999).
106.
Lauf, C. & Phillpot, C. Artist/Author: Contemporary Artists’ Books. (Distributed Art Publishers, 1998).
107.
Smith, K. A. The Book As Physical Object. in Structure of the Visual Book 6–16 (K. Smith Books, 2003).
108.
Rothenberg, J. & Clay, S. A Book of the Book : Some Works & Projections About the Book & Writing. (Granary Books, 2000).
109.
Bernstein, C. French Book Art/Livres d’Artistes: Artists and Poets in Dialogue through August 19, 2006, New York Public Library, 42nd Street & Fifth Avenue. http://writing.upenn.edu/epc/authors/bernstein/blog/archive/nypl-french-book-art.html (2006).
110.
Cfpr Book Arts: Projects :Conference: Traditional and Emerging Formats of Artists’ Books: Where Do We Go From Here? http://www.bookarts.uwe.ac.uk/news-archive/contrad09/walkup.htm.
111.
Book Arts. http://www.bookarts.uwe.ac.uk/bookarts-websites/.
112.
Golden, A. J. Expressive Handmade Books. (Sterling, 2005).
113.
Bodman, S. Creating Artists’ Books. (A & C Black, 2005).
114.
Carson, A. & Sappho. If Not, Winter: Fragments of Sappho. (Alfred A. Knopf, 2002).
115.
Philip, M. N. Zong! (Wesleyan University Press, 2011).
116.
Howe, S. Debths. (New Directions Books, 2017).
117.
Robertson, L. Time in the Codex. in Nilling: Prose Essays on Noise, Pornography, the Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias vol. no. 6 (BookThug, 2012).
118.
Olson, C. & Butterick, G. F. The Maximus Poems. (University of California Press, 1983).
119.
Fisher, A. Place. (Reality Street Editions, 2005).
120.
Spahr, J. That Winter the Wolf Came. (Commune Editions, 2015).
121.
Spahr, J. That Winter the Wolf Came.
122.
de Certeau, M. Walking in the City. in The Practice of Everyday Life (University of California Press, 1984).
123.
Sadler, S. The Situationist City. (MIT Press, 1998).
124.
Riley, D. A Part Song. in Say Something Back (Picador, an imprint of Pan Macmillan, 2016).
125.
Denise Riley · Poem: A Part Song. https://www.lrb.co.uk/v34/n03/denise-riley/a-part-song.
126.
Raworth, T. Errory. in Collected Poems (Carcanet, 2003).
127.
Errory by Tom Raworth | Poetry Foundation. https://www.poetryfoundation.org/poems/54722/errory.
128.
Notley, A. I The People. in Grave of Light: New and Selected Poems, 1970-2005 (Wesleyan University Press, 2006).
129.
I the People by Alice Notley | Poetry Foundation. https://www.poetryfoundation.org/poems/52762/i-the-people.
130.
Laura Kilbride. Going for Broke: Tom Raworth and Lyric. The Cambridge Quarterly 38, (2009).
131.
Riley, D. Impersonal Passion: Language as Affect. (Duke University Press, 2005).
132.
Riley, D. Impersonal Passion: Language as Affect. (Duke University Press, 2005).
133.
Raworth, T. Collected Poems. (Carcanet, 2003).
134.
Notley, A. Grave of Light: New and Selected Poems, 1970-2005. (Wesleyan University Press, 2006).
135.
Nelson, M. Three Poems | The Felt. http://thefelt.org/issues/1/maggie_nelson.htm.
136.
Welish, M. Weeping Branch | Jacket Magazine. http://jacketmagazine.com/10/welish-wb.html.
137.
My Love | Ann Hamilton. http://www.annhamiltonstudio.com/videosound/my_love.html.
138.
Sleeping with the Dictionary by Harryette Mullen | Poetry Foundation. https://www.poetryfoundation.org/poems/54879/sleeping-with-the-dictionary.
139.
Rotting Symbols by Eileen Myles | Poetry Foundation. https://www.poetryfoundation.org/poems/53109/rotting-symbols.
140.
How She Bowed to her Brother by Gertrude Stein | Poetry Foundation. https://www.poetryfoundation.org/poems/55212/how-she-bowed-to-her-brother.
141.
Ellen Gallagher: AxME – Exhibition at Tate Modern | Tate. https://www.tate.org.uk/whats-on/tate-modern/exhibition/ellen-gallagher-axme.
142.
The Fuck-You Bow: A Discussion of Gertrude Stein’s ‘How She Bowed to Her Brother’ - Poem Talk | Poetry Foundation. https://www.poetryfoundation.org/podcasts/77098/the-fuck-you-bow-a-discussion-of-gertrude-steins-how-she-bowed-to-her-brother.
143.
Hejinian, L. Eclipse - Writing Is an Aid to Memory. http://eclipsearchive.org/projects/WRITING/html/contents.html.
144.
Christian Boltanski No Mans Land - Art in America. https://www.artinamericamagazine.com/news-features/news/christian-boltanski-no-mans-land/.
145.
Photo Gallery : Christian Boltanski, No Man’s Land : Park Avenue Armory. http://www.armoryonpark.org/photo_gallery/slideshow/christian_boltanski.
146.
Hoover, P. Postmodern American Poetry: A Norton Anthology. (Norton, 1994).
147.
Tullett, B. Typewriter Art: A Modern Anthology. (Laurence King Publishing, 2014).
148.
Dworkin, C. D. & Goldsmith, K. Against Expression: An Anthology of Conceptual Writing. (Northwestern University Press, 2011).
149.
Etter, C. Infinite Difference: Other Poetries by UK Women Poets. (Shearsman, 2010).
150.
Bergvall, C. I’ll Drown My Book: Conceptual Writing by Women. (Les Figues Press, 2012).
151.
The Ecopoetry Anthology. (Trinity University Press, 2013).
152.
Frost, E. A. & Hogue, C. Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. (University of Iowa Press, 2006).
153.
The Kenning Anthology of Poets Theater 1945-1985. (Kenning Editions, 2010).
154.
What I Say: Innovative Poetry by Black Writers in America. (The University of Alabama Press, 2015).
155.
O’Sullivan, M. Out of Everywhere: Linguistically Innovative Poetry. (Reality Street Editions, 1996).
156.
Rothenberg, J. & Joris, P. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2: From Postwar to Millennium. (University of California Press, 1998).
157.
Rankine, C. & Spahr, J. American Women Poets in the 21st Century: Where Lyric Meets Language. (Wesleyan University Press, 2002).
158.
Sloan, M. M. Moving Borders: Three Decades of Innovative Writing by Women. (Talisman House, 1998).
159.
Swensen, C. & St. John, D. American Hybrid: A Norton Anthology of New Poetry. (Norton, 2009).
160.
Tuma, K. Anthology of Twentieth-Century British and Irish Poetry. (Oxford University Press, 2001).
161.
An Anthology of Concrete Poetry. (Primary Information, 2013).