Abrioux, Y. and Bann, S. (1994) Ian Hamilton Finlay: A Visual Primer. 2nd ed. London: Reaktion.
Adorno, T. (1991) ‘On Lyric Poetry and Society’, in Notes to literature: Vol. 1. New York: Columbia University Press.
Andrews, B. (1996) Paradise & Method: Poetics & Praxis. Evanston, Ill: Northwestern University Press.
Andrews, B. and Bernstein, C. (1984) The L=A=N=G=U=A=G=E Book. Carbondale [Ill.]: Southern Illinois University Press.
Barthes, R. (1985) The Responsibility of Forms: Critical Essays on Music, Art, and Representation. New York: Hill and Wang.
Barthes, R. (1990) S/Z. Oxford: Blackwell.
Bee, S. and Schor, M. (2000) M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. Durham, NC: Duke University Press.
Bee, S. and Schor, M. (2001) M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167508.
Benjamin, W., Arendt, H. and Zorn, H. (1999) Illuminations. London: Pimlico.
Bergvall, C. et al. (2012) I’ll Drown My Book: Conceptual Writing by Women. Los Angeles, Calif: Les Figues Press.
Bergvall, C. (2012) I’ll Drown My Book: Conceptual Writing by Women. 1. ed. Los Angeles, Calif: Les Figues Press.
Bernstein, C. (1986) Content’s Dream: Essays, 1975-1984. Los Angeles, Calif: Sun & Moon.
Bernstein, C. (1990) The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof.
Bernstein, C. (1992) A Poetics. Cambridge: Harvard University Press.
Bernstein, C. (1998a) Close Listening: Poetry and the Performed Word. New York: Oxford University Press.
Bernstein, C. (1998b) Close Listening: Poetry and the Performed Word. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=728829.
Bernstein, C. (2006) French Book Art/Livres d’Artistes: Artists and Poets in Dialogue through August 19, 2006, New York Public Library, 42nd Street & Fifth Avenue. Available at: http://writing.upenn.edu/epc/authors/bernstein/blog/archive/nypl-french-book-art.html.
Bodman, S. (2005) Creating Artists’ Books. London: A & C Black.
Book Arts (no date). Available at: http://www.bookarts.uwe.ac.uk/bookarts-websites/.
Brathwaite, K. (1984) History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. London: New Beacon Books.
Brown, L.A., Bohinc, K. and Arkestress, S. (eds) (2016) Tender Omnibus: The First 25 Years of Tender Buttons Press 1989-2014. First edition. New York City: Tender Buttons Press.
Bush, C. (1997) Out of Dissent: Study of Five Contemporary British Poets. Talus Editions.
Bush, C. et al. (1997) Worlds of New Measure: Anthology of Five Contemporary British Poets. Talus.
Cage, J. and Retallack, J. (1996) Musicage: Cage Muses on Words, Art, Music. Hanover, NH: Wesleyan University Press.
Carson, A. and Sappho (2002) If Not, Winter: Fragments of Sappho. New York: Alfred A. Knopf.
de Certeau, M. (1984) ‘Walking in the City’, in The Practice of Everyday Life. Berkeley, Calif: University of California Press.
Certeau, M. de (1988) The Practice of Everyday Life. Berkeley, Calif: University of California Press.
Cfpr Book Arts: Projects :Conference: Traditional and Emerging Formats of Artists’ Books: Where Do We Go From Here? (no date). Available at: http://www.bookarts.uwe.ac.uk/news-archive/contrad09/walkup.htm.
Christian Boltanski No Mans Land - Art in America (no date). Available at: https://www.artinamericamagazine.com/news-features/news/christian-boltanski-no-mans-land/.
Concrete Poetry -- A World View | UBU (no date). Available at: http://www.ubu.com/papers/solt/index.html.
Courtney, C. (1999) Speaking of Book Art: Interviews With British and American Book Artists : Ron King, Ian Tyson, Joan Lyons, Betsy Davids, Sas Colby, Telfer Stokes, Kathy Walkup, Susan King, Helen Douglas, Johanna Drucker, Paul Coldwell, Susan Johanknecht, Alisa Golden, Julie Chen, Karen Bleitz. Los Altos Hills, Calif: Anderson-Lovelace.
Critchley, E. (ed.) (2015) Out of Everywhere: Linguistically Innovative Poetry, 2. London: Reality Street Editions.
Davidson, M. (1997) Ghostlier Demarcations: Modern Poetry and the Material Word. Berkeley: University of California Press.
Denise Riley · Poem: A Part Song (no date). Available at: https://www.lrb.co.uk/v34/n03/denise-riley/a-part-song.
Drucker, J. (1994a) The Visible Word: Experimental Typography and Modern Art, 1909-1923. Chicago: University of Chicago Press.
Drucker, J. (1994b) Theorizing Modernism: Visual Art and the Critical Tradition. New York: Columbia University Press.
Drucker, J. (1995a) History of The/my Word: Fragments of a Testimonial to History, Some Lived and Realized Moments Open to Claims of Memory. 1st trade ed. [New York]: Granary Books.
Drucker, J. (1995b) The Century of Artists’ Books. New York City: Granary Books.
Drucker, J. (1995c) ‘The Codex And Its Variations’, in The Century of Artists’ Books. New York City: Granary Books, pp. 121–159.
Drucker, J. (1996) The Word Made Flesh. Granary Books.
Drucker, J. (1998) Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York: Granary Books.
Du Plessis, R.B. (2006) The Pink Guitar: Writing as Feminist Practice. Tuscaloosa: University of Alabama Press.
Dworkin, C.D. and Goldsmith, K. (2011a) Against Expression: An Anthology of Conceptual Writing. Evanston, Ill: Northwestern University Press.
Dworkin, C.D. and Goldsmith, K. (2011b) Against Expression: An Anthology of Conceptual Writing. Evanston, Ill: Northwestern University Press.
Dworkin, C.D. and Goldsmith, K. (2011c) Against Expression: An Anthology of Conceptual Writing. Evanston, Ill: Northwestern University Press.
Ellen Gallagher: AxME – Exhibition at Tate Modern | Tate (no date). Available at: https://www.tate.org.uk/whats-on/tate-modern/exhibition/ellen-gallagher-axme.
Errory by Tom Raworth | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/54722/errory.
Etter, C. (2010a) Infinite Difference: Other Poetries by UK Women Poets. Exeter: Shearsman.
Etter, C. (2010b) Infinite Difference: Other Poetries by UK Women Poets. Exeter: Shearsman.
Fisher, A. (2005) Place. Hastings: Reality Street Editions.
Fisher-Wirth, A.W. and Street, L.-G. (eds) (2013) The Ecopoetry Anthology. San Antonio, Texas: Trinity University Press.
Frost, E.A. and Hogue, C. (2006) Innovative Women Poets: An Anthology of Contemporary Poetry and Interviews. Iowa City: University of Iowa Press.
Golden, A.J. (2005) Expressive Handmade Books. New York: Sterling.
Hakim Bey (2003) T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. 2nd ed. Brooklyn, NY: Autonomedia.
Hampson, R. and Montgomery, W. (2010) Frank O’Hara Now: New Essays on the New York Poet. Liverpool: Liverpool University Press.
Hejinian, L. (2000a) The Language of Inquiry. Berkeley: University of California Press.
Hejinian, L. (2000b) The Language of Inquiry. 1st ed. Berkerley: University of California Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=223206.
Hejinian, L. (no date) Eclipse - Writing Is an Aid to Memory. Available at: http://eclipsearchive.org/projects/WRITING/html/contents.html.
Hilson, J. (no date) The Reality Street Book of Sonnets.
Hoover, P. (1994a) Postmodern American Poetry: A Norton Anthology. New York: Norton.
Hoover, P. (1994b) Postmodern American Poetry: A Norton Anthology. New York: Norton.
Hoover, P. (1994c) Postmodern American Poetry: A Norton Anthology. New York: Norton.
How She Bowed to her Brother by Gertrude Stein | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/55212/how-she-bowed-to-her-brother.
Howe, S. (1982) Pythagorean Silence. New York, N.Y.: Montemora Foundation.
Howe, S. (1985) My Emily Dickinson. Beerkeley: North Atlantic Books.
Howe, S. (1993a) The Birth-Mark: Unsettling the Wilderness in American Literary History. Wesleyan U.P.
Howe, S. (1993b) The Nonconformist’s Memorial: Poems. New York: published for James Laughlin by New Directions.
Howe, S. (1999) Pierce-Arrow. New York: New Directions.
Howe, S. (2013) Sorting Facts, Or, Nineteen Ways of Looking at Marker. New York, NY: New Directions Publishing Corporation.
Howe, S. (2014) Spontaneous Particulars: The Telepathy of Archives. New York, New York: Christine Burgin/New Directions.
Howe, S. (2017) Debths. New York: New Directions Books.
Howe, S. and Awede Press (1987) Articulation of Sound Forms in Time. Windsor, Vermont: Awede.
Hubert, R.R. (1988) Surrealism and the Book. Berkeley, Calif: University of California Press.
I the People by Alice Notley | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/52762/i-the-people.
Jackson, K.D., Vos, E. and Drucker, J. (1996) Experimental, Visual, Concrete: Avant-Garde Poetry Since the 1960s. Amsterdam: Rodopi.
Joan Retallack (1993) Errata 5uite. Washington, DC: Edge Books.
Kang, H.Y., Alarcón, N. and Kim, E.H. (1994) Writing Self, Writing Nation: A Collection of Essays on Dictée. Berkeley: Third Woman Press.
Kaye, N. (2000a) Site-Specific Art: Performance, Place, and Documentation. New York: Routledge. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116.
Kaye, N. (2000b) Site-Specific Art: Performance, Place and Documentation. 1st ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=166116.
Keller, L. (1997) Forms of Expansion: Recent Long Poems by Women. Chicago: University of Chicago Press.
Keller, L. and Miller, C. (1994) Feminist Measures: Soundings in Poetry and Theory. Ann Arbor: University of Michigan Press.
Kennedy, D. (2007) Necessary Steps: Poetry, Elegy, Walking, Spirit. Exeter: Shearsman.
Killian, K. and Brazil, D. (eds) (2010) The Kenning Anthology of Poets Theater 1945-1985. Chicago, Ill: Kenning Editions.
Lauf, C. and Phillpot, C. (1998) Artist/Author: Contemporary Artists’ Books. New York: Distributed Art Publishers.
Lauf, C., Phillpot, C., and Weatherspoon Art Gallery (1998) Artist/Author: Contemporary Artists’ Books. New York: Distributed Art Publishers.
Laura Kilbride (2009) ‘Going for Broke: Tom Raworth and Lyric’, The Cambridge Quarterly, 38(4). Available at: https://www.jstor.org/stable/42966938?seq=1#metadata_info_tab_contents.
Lewallen, C., Rinder, L. and Trinh, T.M.-H. (2001) The Dream of the Audience: Theresa Hak Kyung Cha (1951-1982). Berkeley: University of California Berkeley Art Museum.
McCaffery, S. (2000) North of Intention: Critical Writings 1973-1986. 2nd ed. New York: Roof.
McGann, J. (1993) Black Riders: The Visible Language of Modernism. Princeton, N.J.: Princeton University Press.
Morris, A.K. (1997) Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill: University of North Carolina Press.
My Love | Ann Hamilton (no date). Available at: http://www.annhamiltonstudio.com/videosound/my_love.html.
Nelson, M. (no date) Three Poems | The Felt. Available at: http://thefelt.org/issues/1/maggie_nelson.htm.
Nielsen, A.L. and Ramey, L. (eds) (2015a) What I Say: Innovative Poetry by Black Writers in America. Tuscaloosa: The University of Alabama Press.
Nielsen, A.L. and Ramey, L. (eds) (2015b) What I Say: Innovative Poetry by Black Writers in America. Tuscaloosa: The University of Alabama Press.
Notley, A. (2006a) Grave of Light: New and Selected Poems, 1970-2005. Middletown, Conn: Wesleyan University Press.
Notley, A. (2006b) ‘I The People’, in Grave of Light: New and Selected Poems, 1970-2005. Middletown, Conn: Wesleyan University Press.
Olson, C. and Butterick, G.F. (1983) The Maximus Poems. Berkeley: University of California Press.
O’Sullivan, M. (1996a) Out of Everywhere: Linguistically Innovative Poetry. London: Reality Street Editions.
O’Sullivan, M. (1996b) Out of Everywhere: Linguistically Innovative Poetry. London: Reality Street Editions.
O’Sullivan, M. (1996c) Out of Everywhere: Linguistically Innovative Poetry. London: Reality Street Editions.
Perloff, M. (1990) Poetic License: Essays on Modernist and Postmodernist Lyric. Evanston, Ill: Northwestern University Press.
Perloff, M. (1991) Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press.
Perloff, M. (1995) Postmodern Genres. Norman: University of Oklahoma Press.
Perloff, M. (1998) Poetry on & Off the Page: Essays for Emergent Occasions. Evanston, Ill: Northwestern University Press.
Perloff, M. (2002) 21st-Century Modernism: The ‘New’ Poetics. Malden, Mass: Blackwell Publishers.
Pettibon, R. et al. (1998) Raymond Pettibon: A Reader. Philadelphia: The Museum.
Philip, M.N. (2011) Zong! Middletown, Connecticut: Wesleyan University Press.
Photo Gallery : Christian Boltanski, No Man’s Land : Park Avenue Armory (no date). Available at: http://www.armoryonpark.org/photo_gallery/slideshow/christian_boltanski.
Quartermain, P. (1992) Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge University Press.
Rankine, C. and Spahr, J. (2002) American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown, Conn: Wesleyan University Press.
Rasula, J. and McCaffery, S. (eds) (2001) Imagining Language: An Anthology. New edition. Cambridge, Massachusetts: MIT Press.
Raworth, T. (2003a) Collected Poems. Manchester: Carcanet.
Raworth, T. (2003b) ‘Errory’, in Collected Poems. Manchester: Carcanet.
Retallack, J. (1995) Afterrimages. [Middletown, Conn.]: Wesleyan University Press.
Retallack, J. (1998) How to Do Things With Words. 1st ed. Los Angeles: Sun & Moon Press.
Riley, D. (1988) ‘Am I That Name?’: Feminism and the Category of ‘Women’ in History. Basingstoke: Macmillan.
Riley, D. (2000) The Words of Selves: Identification, Solidarity, Irony. Stanford, Calif: Stanford University Press.
Riley, D. (2005a) Impersonal Passion: Language as Affect. Durham: Duke University Press.
Riley, D. (2005b) Impersonal Passion: Language as Affect. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1168410.
Riley, D. (2016) ‘A Part Song’, in Say Something Back. London: Picador, an imprint of Pan Macmillan.
Robertson, L. (2012) ‘Time in the Codex’, in Nilling: Prose Essays on Noise, Pornography, the Codex, Melancholy, Lucretius, Folds, Cities and Related Aporias. Second edition. [Toronto, Ontario?]: BookThug. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5107130.
Rothenberg, J. and Clay, S. (2000) A Book of the Book : Some Works & Projections About the Book & Writing. New York: Granary Books.
Rothenberg, J. and Joris, P. (1998) Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2: From Postwar to Millennium. California: University of California Press.
Rotting Symbols by Eileen Myles | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/53109/rotting-symbols.
Sadler, S. (1998) The Situationist City. Cambridge Mass.: MIT Press.
Saper, C.J. (1997) Networked Art. Minneapolis: University of Minnesota Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=316696.
Saper, C.J. (2001) Networked Art. Minneapolis: University of Minnesota Press.
Scalapino, L. (1992) Crowd and Not Evening or Light: A Poem. Oakland: O Books/Sun & Moon Press.
Scalapino, L. (1994a) Defoe. Los Angeles: Sun & Moon Press.
Scalapino, L. (1994b) Goya’s L.A. Elmwood, Conn: Potes & Poets Press.
Scalapino, L. (1996) Green and Black: Selected Writings. Jersey City, N.J.: Talisman House Publishers.
Schimmel, P., Stiles, K., and Museum of Contemporary Art (1998) Out of Actions: Between Performance and the Object, 1949-1979. Los Angeles: Museum of Contemporary Art.
Sleeping with the Dictionary by Harryette Mullen | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/54879/sleeping-with-the-dictionary.
Sloan, M.M. (1998a) Moving Borders: Three Decades of Innovative Writing by Women. Jersey City, N.J.: Talisman House.
Sloan, M.M. (1998b) Moving Borders: Three Decades of Innovative Writing by Women. Jersey City, N.J.: Talisman House.
Smith, K.A. (2003) ‘The Book As Physical Object’, in Structure of the Visual Book. Rochester, N.Y: K. Smith Books, pp. 6–16. Available at: https://www.amazon.co.uk/Structure-Visual-Book-Keith-Smith/dp/0974076406/ref=sr_1_1?ie=UTF8&qid=1524048086&sr=8-1&keywords=Structure+of+the+Visual+Book+smith.
Smith, O.F. (1998) Fluxus: The History of an Attitude. 1st ed. San Diego, CA: San Diego State University Press.
Solt, M.E. and Barnstone, W. (1968) Concrete Poetry: A World View. Bloomington: Indiana University Press.
Spahr, J. (2001) Everybody’s Autonomy: Connective Reading and Collective Identity. Tuscaloosa: University of Alabama Press.
Spahr, J. (2015) That Winter the Wolf Came. Oakland, California: Commune Editions.
Spahr, J. (no date) ‘That Winter the Wolf Came’. Available at: http://communeeditions.com/wp-content/uploads/2016/01/that-winter-the-wolf-came.pdf.
Spivak, G.C. (1993) ‘The Politics of Translation’, in Outside in the Teaching Machine. New York: Routledge.
Spoerri, D. et al. (1995) An Anecdoted Topography of Chance. London: Atlas Press.
‘Spontaneous Particulars: The Telepathy of Archives | Woodberry Poetry Room | YouTube’ (2014). Available at: https://www.youtube.com/watch?v=ZTGPbiUm-3o.
Stallybrass, P. and White, A. (1986) The Politics and Poetics of Transgression. London: Methuen.
Susan Howe (1978) Secret History of the Dividing Line. New York: Telephone Books.
Susan Howe (1989) A Bibliography Of The King’s Book Or, Eikon Basilike. Paradigm Press (RI).
Swensen, C. and St. John, D. (2009a) American Hybrid: A Norton Anthology of New Poetry. New York: W.W. Norton.
Swensen, C. and St. John, D. (2009b) American Hybrid: A Norton Anthology of New Poetry. 1st ed. New York: Norton.
Templeton, F. (1990) You, the City. New York: Roof Books.
The Fuck-You Bow: A Discussion of Gertrude Stein’s ‘How She Bowed to Her Brother’ - Poem Talk | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/podcasts/77098/the-fuck-you-bow-a-discussion-of-gertrude-steins-how-she-bowed-to-her-brother.
Tullett, B. (2014a) Typewriter Art: A Modern Anthology. London: Laurence King Publishing.
Tullett, B. (2014b) Typewriter Art: A Modern Anthology. London: Laurence King Publishing.
Tuma, K. (2001a) Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press.
Tuma, K. (2001b) Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press.
Tuma, K. (2001c) Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press.
Vickery, A. (2000) Leaving Lines of Gender: A Feminist Genealogy of Language Writing. Hanover: Wesleyan University Press.
Wallace, M. and Marks, S. (2002) Telling It Slant: Avant-Garde Poetics of the 1990s. Tuscaloosa: University of Alabama Press.
Welish, M. (no date) Weeping Branch | Jacket Magazine. Available at: http://jacketmagazine.com/10/welish-wb.html.
Wilkinson, J.L. (2007) The Lyric Touch: Essays on the Poetry of Excess. Cambridge: Salt.
Williams, E. (ed.) (2013) An Anthology of Concrete Poetry. New York, New York: Primary Information.