Aberth, Susan L., and Leonora Carrington. Leonora Carrington: Surrealism, Alchemy and Art. Lund Humphries, 2010.
Ades, Dawn. The Dada Reader: A Critical Anthology. Tate, 2006.
Allmer, Patricia. Angels of Anarchy: Women Artists and Surrealism. 1st ed, Prestel, 2009.
———. Angels of Anarchy: Women Artists and Surrealism. 1st ed, Prestel, 2009.
———. Angels of Anarchy: Women Artists and Surrealism. 1st ed, Prestel, 2009.
———. Intersections: Women Artists / Surrealism / Modernism. Edited by Patricia Allmer, Manchester University Press, 2016.
———. Introduction to Angels of Anarchy: Women Artists and Surrealism. 1st ed, Prestel, 2009.
Arnauld, Céline, et al. Oeuvres Complètes: Céline Arnauld Et Paul Dermée. Classiques Garnier, 2013.
Barnet, Marie-Claire. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang, 1998.
———. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang, 1998.
———. La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Peter Lang, 1998.
Barry, Peter. ‘Feminist Criticism’. Beginning Theory: An Introduction to Literary and Cultural Theory, 3rd ed, Beginnings, Manchester University Press, 2009, pp. 121–38.
———. ‘Feminist Criticism’. Beginning Theory: An Introduction to Literary and Cultural Theory, Fourth edition, Manchester University Press, 2017.
Bate, David. Photography and Surrealism: Sexuality, Colonialism and Social Dissent. I. B. Tauris, 2004.
Belton, Robert J. ‘Androgyny: Interview with Meret Oppenheim’. Surrealism and Women, MIT Press, 1991, pp. 63–75.
Berger, John. ‘Chapter 3’. Ways of Seeing, Penguin, 2008, pp. 45–64.
———. Ways of Seeing. British Broadcasting Corporation, 1972.
Cahun, Claude, et al. Aveux Non Avenus. Mille et une nuits, 2011.
Cameron, Deborah. The Feminist Critique of Language: A Reader. 2nd ed, Routledge, 1998.
Camfield, William A. ‘Suzanne Duchamp and Dada in Paris’. Women in Dada: Essays on Sex, Gender, and Identity, MIT Press, 1998, pp. 82–103.
Carrington, Leonora. The Hearing Trumpet. Penguin, 2005.
Cauvin, Jean-Pierre. ‘Valentine, André, Paul Et Les Autres, Or, the Surrealization of Valentine Hugo’. Surrealism and Women, MIT Press, 1991, pp. 182–203.
Caws, Mary Ann. ‘Doubling: Claude Cahun’s Split Self.’ The Surrealist Look: An Erotics of Encounter, MIT, 1997.
———. ‘Seeing the Surreal Woman: We Are a Problem’. Surrealism and Women, MIT Press, 1991.
———. Surrealism and Women. MIT Press, 1991.
———. Surrealist Painters and Poets: An Anthology. MIT Press, 2001.
———. The Surrealist Look: An Erotics of Encounter. MIT, 1997.
———. ‘These Photographing Women: The Scandal of Genius’. Angels of Anarchy: Women Artists and Surrealism, 1st ed, Prestel, 2009, pp. 28–35.
———. ‘These Photographing Women: The Scandal of Genius’. Angels of Anarchy: Women Artists and Surrealism, 1st ed, Prestel, 2009, pp. 28–35.
Chadwick, Whitney. ‘Introduction’. Women Artists and the Surrealist Movement, Thames and Hudson, 1985.
———. ‘Leonora Carrington: Evolution of a Feminist Consciousness’. Woman’s Art Journal, vol. 7, no. 1, 1986, pp. 37–42, https://doi.org/10.2307/1358235.
———. ‘Soldiers Without Names’. The Militant Muse: Love, War and the Women of Surrealism, Thames & Hudson, 2017.
———. The Militant Muse: Love, War and the Women of Surrealism. Thames & Hudson, 2017.
———. ‘The Two Leonors’. The Militant Muse: Love, War and the Women of Surrealism, Thames & Hudson, 2017.
———. ‘Thw Two Leonors’. The Militant Muse: Love, War and the Women of Surrealism, Thames & Hudson, 2017.
———. Women, Art, and Society. 2nd ed., rev.Expanded, World of art, Thames & Hudson, 1996.
———. Women Artists and the Surrealist Movement. Thames and Hudson, 1985.
———. Women Artists and the Surrealist Movement. Thames and Hudson, 1985.
———. Women Artists and the Surrealist Movement. Thames and Hudson, 1985.
Chadwick, Whitney, and Dawn Ades. Mirror Images: Women, Surrealism, and Self-Representation. MIT Press, 1998.
Christensen, Peter J. ‘The Flight from Passion in Leonora Carrington’s Literary Work’. Surrealism and Women, MIT Press, 1991, pp. 148–58.
Cole, Julie. ‘Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity’. Reclaiming Female Agency: Feminist Art History After Postmodernism, University of California Press, 2005.
Colvile, Georgiana. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place, 1999.
———. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place, 1999.
———. Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Jean-Michel Place, 1999.
Colvile, Georgiana M. M., and Annie Richard. Autoreprésentation Féminine. Âge d’homme, 2013.
Colville, Georgiana M. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. Surrealism and Women, MIT Press, 1991, pp. 159–81.
———. ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’. Surrealism and Women, MIT Press, 1991, pp. 159–81.
Conley, Katharine. Automatic Woman: The Representation of Woman in Surrealism. University of Nebraska Press, 1996.
Cottenot-Hage, Madeleine. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. Surrealism and Women, MIT Press, 1991, pp. 76–95.
———. ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’. Surrealism and Women, MIT Press, 1991, pp. 76–95.
de Julio, Maryann. ‘Joyce Mansour and Egyptian Mythology’. Surrealism and Women, MIT Press, 1991, pp. 114–22.
Doy, Gen. Claude Cahun: A Sensual Politics of Photography. I. B. Tauris, 2007.
———. Claude Cahun: A Sensual Politics of Photography. I. B. Tauris, 2007, https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702. Electronic book.
Eagleton, Mary. A Concise Companion to Feminist Theory. Blackwell, 2003.
———. A Concise Companion to Feminist Theory. Wiley, 2003.
———. Feminist Literary Criticism. Longman, 1991.
———. Feminist Literary Criticism. Longman, 1991, https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889. Electronic book.
Eburne, Jonathan P., and Catriona McAra, editors. Leonora Carrington and the International Avant-Garde. Manchester University Press, 2017.
Forcer, Stephen. Dada as Text, Thought and Theory. Leeds, 2015.
Gauthier, Xaviere. ‘Gauthier in New French Feminisms’. New French Feminisms: An Anthology, Harvester, 1981, pp. 161–64.
Girls, Guerrilla. ‘Introduction and Conclusion to The Guerilla Girls’ Bedside Companion to the History of Western Art’. The Feminism and Visual Culture Reader, 2nd ed, Routledge, 2010, pp. 411–15.
Hedges, Inez. ‘What Do Little Girls Dream of: The Insurgent Writing of Gisèle Prassinos’. Surrealism and Women, MIT Press, 1991, pp. 27–31.
Hemus, Ruth. ‘Dada’s Film Poet: Céline Arnauld’. Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus, edited by Christopher Townsend et al., Cambridge Scholars Publishing, 2014, pp. 66–80.
———. Dada’s Women. Yale University Press, 2009.
———. Dada’s Women. Yale University Press, 2009.
———. Dada’s Women. Yale University Press, 2009.
———. ‘Introduction to Dada’s Women’. Dada’s Women, 2009.
———. ‘Manifesto of Céline Arnauld’. Dada and Beyond: Volume 1: Dada Discourses, vol. 26, Rodopi, 2011, pp. 121–31, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274. Electronic resource.
Holm, Michael Juul. Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art, 2012.
———. Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art, 2012.
———. Women of the Avant-Garde 1920-1940. Louisiana Museum of Modern Art, 2012.
Hopkins, David, editor. A Companion to Dada and Surrealism. vol. 10, Wiley Blackwell, 2016.
Hopkins, David. Dada and Surrealism: A Very Short Introduction. Oxford University Press, 2004. Electronic book.
———. Dada and Surrealism: A Very Short Introduction. Oxford University Press, 2004.
———. Dada’s Boys: Masculinity After Duchamp. Yale University Press, 2007.
———. ‘Introduction’. Dada’s Boys: Masculinity After Duchamp, Yale University Press, 2007.
Hubert, Renée Riese. ‘Beyond Initiation: Leonora Carrington and Max Ernst’. Magnifying Mirrors: Women, Surrealism, & Partnership, University of Nebraska Press, 1994, pp. 113–39.
Hubert, Renée Riese. ‘From Déjeuner En Fourrure to Caroline: Meret Oppenheim’s Chronicle of Surrealism’. Surrealism and Women, MIT Press, 1991, pp. 37–49.
Hubert, Renee Riese. Magnifying Mirrors: Women, Surrealism, & Partnership. University of Nebraska Press, 1994.
Hubert, Renée Riese. ‘The Reluctant Partner’. Magnifying Mirrors: Women, Surrealism, & Partnership, University of Nebraska Press, 1994, pp. 63–86.
Jones, Amelia. ‘Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine”’. The Feminism and Visual Culture Reader, 2nd ed, Routledge, 2010, pp. 119–28.
———. The Feminism and Visual Culture Reader. 2nd ed, In sight, Routledge, 2010.
Kamenish, Paula K. ‘Celine Arnauld: Parisian Dada’s Best Kept Secret’. Mamas of Dada: Women of the European Avant-Garde, University of South Carolina Press, 2015.
———. Mamas of Dada: Women of the European Avant-Garde. University of South Carolina Press, 2015.
Kline, Katy. ‘In or Out of the Picture: Claude Cahun and Cindy Sherman’. Mirror Images: Women, Surrealism, and Self-Representation, MIT Press, 1998, pp. 66–81.
Krauss, Rosalind E. Bachelors. MIT Press, 1999.
L’Enfant, Julie. ‘Dora Maar and the Art of Mystery’. Woman’s Art Journal, vol. 17, no. 2, 1996, https://doi.org/10.2307/1358462.
Levy, Thomas. Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry. Kerber, 2003.
Mansour, Joyce, and Serge Gavronsky. Essential Poems and Writings of Joyce Mansour. Black Widow Press, 2008.
Marks, Elaine, and Isabelle De Courtivron. New French Feminisms: An Anthology. Harvester, 1981.
Melzer, Annabelle. Dada and Surrealist Performance. Johns Hopkins University Press, 1994.
Motherwell, Robert, and Jean Arp. The Dada Painters and Poets: An Anthology. 2nd Edition, Belknap Press of Harvard University Press, 1989.
Mundy, Jennifer, et al. Surrealism: Desire Unbound. Tate Publishing, 2001.
Nochlin, Linda. ‘Why Have There Been No Great Women Artists?’ The Feminism and Visual Culture Reader, 2nd ed, Routledge, 2010, pp. 263–67.
Pollock, Griselda. Vision and Difference: Femininity, Feminism and Histories of Art. Routledge, 1988.
———. Vision and Difference: Feminism, Femininity and the Histories of Art. Routledge, 2003, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004. Electronic book.
Prassinos, Gisèle. Trouver Sans Chercher (1934-1944). Flammarion, 1976.
Preckshot, Judith. ‘Identity Crises: Joyce Mansour’s Narratives’. Surrealism and Women, MIT Press, 1991, pp. 96–113.
Rice, Shelley. Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. MIT Press, 1999.
Rochefort, Christiane. ‘Rochefort in New French Feminisms’. New French Feminisms: An Anthology, Harvester, 1981, pp. 183–86.
Rosemont, Penelope. Surrealist Women: An International Anthology. 1st ed, The Surrealist Revolution Series, University of Texas Press, 1998.
———. Surrealist Women: An International Anthology. Athlone Press, 1998, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867. Electronic book.
———. Surrealist Women: An International Anthology. Athlone Press, 1998, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867. Electronic book.
———. Surrealist Women: An International Anthology. Athlone Press, 1998, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867. Electronic book.
———. Surrealist Women: An International Anthology. Athlone Press, 1998, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867. Electronic book.
———. Surrealist Women: An International Anthology. Athlone Press, 1998, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867. Electronic book.
Sanouillet, Michel. Dada a Paris. Nouvelle edition revue et corrigee, Flammarion, 1993.
Sanouillet, Michel, and Anne Sanouillet. Dada in Paris. 1st English-Language ed, MIT Press, 2009.
Sawelson-Gorse, Naomi. ‘Preface’. Women in Dada: Essays on Sex, Gender, and Identity, MIT Press, 1998, p. X–XVIII.
———. Women in Dada: Essays on Sex, Gender, and Identity. MIT Press, 1998.
Schor, Mira. ‘Patrilineage’. The Feminism and Visual Culture Reader, 2nd Edition, Routledge, 2010, pp. 282–89.
Suleiman, Susan R. Subversive Intent: Gender, Politics, and the Avant-Garde. Harvard University Press, 1990.
Suleiman, Susan Rubin. ‘A Double Margin: Women Writers and the Avant-Garde in France’. Subversive Intent: Gender, Politics, and the Avant-Garde, Harvard University Press, 1990, pp. 11–32.
Vergine, Lea, and Mireille Zanuttini. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Des Femmes, 1982.
———. L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Des Femmes, 1982.
Waldberg, Patrick. Surrealism. Thames & Hudson, 1997.
