Bibliography for FR3120: Wanton Women: Artists and Writers of the French Avant-Garde BETA

Aberth, S.L. and Carrington, L. (2010) Leonora Carrington: Surrealism, Alchemy and Art. Farnham: Lund Humphries.

Ades, D. (2006) The Dada Reader: A Critical Anthology. London: Tate.

Allmer, P. (2009a) Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

Allmer, P. (2009b) Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

Allmer, P. (2009c) Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel.

Allmer, P. (2009d) ‘Introduction to Angels of Anarchy: Women Artists and Surrealism’. New York, NY: Prestel.

Allmer, P. (2016) Intersections: Women Artists / Surrealism / Modernism. Edited by P. Allmer. Manchester: Manchester University Press.

Arnauld, C., Dermée, P. and Martin-Schmets, V. (2013) Oeuvres Complètes: Céline Arnauld Et Paul Dermée. Paris: Classiques Garnier.

Barnet, M.-C. (1998a) La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

Barnet, M.-C. (1998b) La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

Barnet, M.-C. (1998c) La Femme Cent Sexes Ou Les Genres Communicants: Deharme, Mansour, Prassinos. Bern: Peter Lang.

Barry, P. (2009) ‘Feminist Criticism’, Beginning Theory: An Introduction to Literary and Cultural Theory. 3rd ed. Manchester: Manchester University Press, pp. 121–138.

Barry, P. (2017) ‘Feminist Criticism’, Beginning Theory: An Introduction to Literary and Cultural Theory. Fourth edition. Manchester: Manchester University Press.

Bate, D. (2004) Photography and Surrealism: Sexuality, Colonialism and Social Dissent. London: I. B. Tauris.

Belton, R.J. (1991) ‘Androgyny: Interview with Meret Oppenheim’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 63–75.

Berger, J. (1972) Ways of Seeing. London: British Broadcasting Corporation.

Berger, J. (2008) ‘Chapter 3’, Ways of Seeing. London: Penguin, pp. 45–64.

Cahun, C. et al. (2011) Aveux Non Avenus. Paris: Mille et une nuits.

Cameron, D. (1998) The Feminist Critique of Language: A Reader. 2nd ed. London: Routledge.

Camfield, W.A. (1998) ‘Suzanne Duchamp and Dada in Paris’, Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press, pp. 82–103.

Carrington, L. (2005) The Hearing Trumpet. London: Penguin.

Cauvin, J.-Pierre. (1991) ‘Valentine, André, Paul Et Les Autres, Or, the Surrealization of Valentine Hugo’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 182–203.

Caws, M.A. (1991) ‘Seeing the Surreal Woman: We are a Problem’, Surrealism and Women. Cambridge, Mass: MIT Press.

Caws, M.A. (1997a) ‘Doubling: Claude Cahun’s Split Self.’, The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT.

Caws, M.A. (1997b) The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT.

Caws, M.A. (2001) Surrealist Painters and Poets: An Anthology. Cambridge, Mass: MIT Press.

Caws, M.A. (2009a) ‘These Photographing Women: the Scandal of Genius’, Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, pp. 28–35.

Caws, M.A. (2009b) ‘These Photographing Women: the Scandal of Genius’, Angels of Anarchy: Women Artists and Surrealism. 1st ed. New York, NY: Prestel, pp. 28–35.

Caws, M.A., Kuenzli, R.E. and Raaberg, G.G. (1991) Surrealism and Women. Cambridge, Mass: MIT Press.

Chadwick, W. (1985a) ‘Introduction’, Women Artists and the Surrealist Movement. London: Thames and Hudson.

Chadwick, W. (1985b) Women Artists and the Surrealist Movement. London: Thames and Hudson.

Chadwick, W. (1985c) Women Artists and the Surrealist Movement. London: Thames and Hudson.

Chadwick, W. (1985d) Women Artists and the Surrealist Movement. London: Thames and Hudson.

Chadwick, W. (1986) ‘Leonora Carrington: Evolution of a Feminist Consciousness’, Woman’s Art Journal, 7(1), pp. 37–42. Available at: https://doi.org/10.2307/1358235.

Chadwick, W. (1996) Women, Art, and Society. 2nd ed., rev.expanded. London: Thames & Hudson.

Chadwick, W. (2017a) ‘Soldiers Without Names’, The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

Chadwick, W. (2017b) The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

Chadwick, W. (2017c) ‘The Two Leonors’, The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

Chadwick, W. (2017d) ‘Thw Two Leonors’, The Militant Muse: Love, War and the Women of Surrealism. London: Thames & Hudson.

Chadwick, W. and Ades, D. (1998) Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press.

Christensen, P.J. (1991) ‘The Flight from Passion in Leonora Carrington’s Literary Work’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 148–158.

Cole, J. (2005) ‘Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity’, Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press.

Colvile, G. (1999a) Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

Colvile, G. (1999b) Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

Colvile, G. (1999c) Scandaleusement D’Elles: Trente-Quatre Femmes Surrealistes. Paris: Jean-Michel Place.

Colvile, G.M.M. and Richard, A. (2013) Autoreprésentation Féminine. Lausanne: Âge d’homme.

Colville, G.M. (1991a) ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 159–181.

Colville, G.M. (1991b) ‘Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedios Varo and Leonor Fini’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 159–181.

Conley, K. (1996) Automatic Woman: The Representation of Woman in Surrealism. Lincoln, [Neb.]: University of Nebraska Press.

Cottenot-Hage, M. (1991a) ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 76–95.

Cottenot-Hage, M. (1991b) ‘The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 76–95.

Doy, G. (2007a) Claude Cahun: A Sensual Politics of Photography. London: I. B. Tauris.

Doy, G. (2007b) Claude Cahun: A Sensual Politics of Photography [electronic book]. London: I. B. Tauris. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=676702.

Eagleton, M. (1991a) Feminist Literary Criticism. Harlow: Longman.

Eagleton, M. (1991b) Feminist Literary Criticism [electronic book]. London: Longman. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1741889.

Eagleton, M. (2003a) A Concise Companion to Feminist Theory. Oxford: Blackwell.

Eagleton, M. (2003b) A Concise Companion to Feminist Theory. Hoboken: Wiley.

Eburne, J.P. and McAra, C. (eds) (2017) Leonora Carrington and the International Avant-Garde. Manchester: Manchester University Press.

Forcer, S. (2015) Dada as Text, Thought and Theory. Modern Humanties Research Association and Maney Publishing: Leeds.

Gauthier, X. (1981) ‘Gauthier in New French Feminisms’, New French Feminisms: An Anthology. Brighton: Harvester, pp. 161–164.

Girls, G. (2010) ‘Introduction and Conclusion to The Guerilla Girls’ Bedside Companion to the History of Western Art’, The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, pp. 411–415.

Hedges, I. (1991) ‘What do Little Girls Dream of: The Insurgent Writing of Gisèle Prassinos’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 27–31.

Hemus, R. (2009a) Dada’s Women. New Haven, Conn: Yale University Press.

Hemus, R. (2009b) Dada’s Women. New Haven, Conn: Yale University Press.

Hemus, R. (2009c) Dada’s Women. New Haven, Conn: Yale University Press.

Hemus, R. (2009d) ‘Introduction to Dada’s Women’, Dada’s Women.

Hemus, R. (2011) ‘Manifesto of Céline Arnauld’, Dada and Beyond: Volume 1: Dada Discourses. Amsterdam: Rodopi, pp. 121–131. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3008274.

Hemus, R. (2014) ‘Dada’s Film Poet: Céline Arnauld’, in C. Townsend, A. Trott, and R. Davies (eds) Across the Great Divide: Modernism’s Intermedialities, From Futurism to Fluxus. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 66–80.

Holm, M.J. (2012a) Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

Holm, M.J. (2012b) Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

Holm, M.J. (2012c) Women of the Avant-Garde 1920-1940. [Humlebæk]: Louisiana Museum of Modern Art.

Hopkins, D. (2004a) Dada and Surrealism: A Very Short Introduction. Oxford: Oxford University Press.

Hopkins, D. (2004b) Dada and Surrealism: A Very Short Introduction [electronic book]. Oxford: Oxford University Press.

Hopkins, D. (2007a) Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press.

Hopkins, D. (2007b) ‘Introduction’, Dada’s Boys: Masculinity After Duchamp. New Haven: Yale University Press.

Hopkins, D. (ed.) (2016) A Companion to Dada and Surrealism. Chichester, West Sussex: Wiley Blackwell.

Hubert, R.R. (1991) ‘From Déjeuner en fourrure to Caroline: Meret Oppenheim’s Chronicle of Surrealism’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 37–49.

Hubert, Renée Riese (1994a) ‘Beyond Initiation: Leonora Carrington and Max Ernst’, Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press, pp. 113–139.

Hubert, Renee Riese (1994) Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press.

Hubert, Renée Riese (1994b) ‘The Reluctant Partner’, Magnifying Mirrors: Women, Surrealism, & Partnership. Lincoln: University of Nebraska Press, pp. 63–86.

Jones, A. (2010a) ‘Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine”’, The feminism and visual culture reader. 2nd ed. London: Routledge, pp. 119–128.

Jones, A. (2010b) The Feminism and Visual Culture Reader. 2nd ed. London: Routledge.

de Julio, M. (1991) ‘Joyce Mansour and Egyptian Mythology’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 114–122.

Kamenish, P.K. (2015a) ‘Celine Arnauld: Parisian Dada’s Best Kept Secret’, Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press.

Kamenish, P.K. (2015b) Mamas of Dada: Women of the European Avant-Garde. Columbia, SC: University of South Carolina Press.

Kline, K. (1998) ‘In or Out of the Picture: Claude Cahun and Cindy Sherman’, Mirror Images: Women, Surrealism, and Self-Representation. Cambridge, Mass: MIT Press, pp. 66–81.

Krauss, R.E. (1999) Bachelors. Cambridge, Mass: MIT Press.

L’Enfant, J. (1996) ‘Dora Maar and the Art of Mystery’, Woman’s Art Journal, 17(2). Available at: https://doi.org/10.2307/1358462.

Levy, T. (2003) Meret Oppenheim: From Breakfast in Fur and Back Again: The Conflation of Images, Language and Objects in Meret Oppenheim’s Applied Poetry. Bielefeld: Kerber.

Mansour, J. and Gavronsky, S. (2008) Essential Poems and Writings of Joyce Mansour. Boston, Mass: Black Widow Press.

Marks, E. and De Courtivron, I. (1981) New French Feminisms: An Anthology. Brighton: Harvester.

Melzer, A. (1994) Dada and Surrealist Performance. Baltimore: Johns Hopkins University Press.

Motherwell, R. and Arp, J. (1989) The Dada Painters and Poets: An Anthology. 2nd Edition. Cambridge, Mass: Belknap Press of Harvard University Press.

Mundy, J., Ades, D. and Gille, V. (2001) Surrealism: Desire Unbound. London: Tate Publishing.

Nochlin, L. (2010) ‘Why Have There Been No Great Women Artists?’, The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, pp. 263–267.

Pollock, G. (1988) Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge.

Pollock, G. (2003) Vision and Difference: Feminism, Femininity and the Histories of Art [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=653004.

Prassinos, G. (1976) Trouver Sans Chercher (1934-1944). [Paris]: Flammarion.

Preckshot, J. (1991) ‘Identity Crises: Joyce Mansour’s Narratives’, Surrealism and Women. Cambridge, Mass: MIT Press, pp. 96–113.

Rice, S. (1999) Inverted Odysseys: Claude Cahun, Maya Deren, and Cindy Sherman. Cambridge, Mass: MIT Press.

Rochefort, C. (1981) ‘Rochefort in New French Feminisms’, New French Feminisms: An Anthology. Brighton: Harvester, pp. 183–186.

Rosemont, P. (1998a) Surrealist Women: An International Anthology. 1st ed. Austin: University of Texas Press.

Rosemont, P. (1998b) Surrealist Women: An International Anthology [electronic book]. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Rosemont, P. (1998c) Surrealist Women: An International Anthology [electronic book]. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Rosemont, P. (1998d) Surrealist Women: An International Anthology [electronic book]. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Rosemont, P. (1998e) Surrealist Women: An International Anthology [electronic book]. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Rosemont, P. (1998f) Surrealist Women: An International Anthology [electronic book]. London: Athlone Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=436867.

Sanouillet, M. (1993) Dada a Paris. Nouvelle edition revue et corrigee. Paris, France: Flammarion.

Sanouillet, M. and Sanouillet, A. (2009) Dada in Paris. 1st English-language ed. Cambridge, MA: MIT Press.

Sawelson-Gorse, N. (1998a) ‘Preface’, Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press, p. X–XVIII.

Sawelson-Gorse, N. (1998b) Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass: MIT Press.

Schor, M. (2010) ‘Patrilineage’, The Feminism and Visual Culture Reader. 2nd Edition. London: Routledge, pp. 282–289.

Suleiman, Susan Rubin (1990) ‘A Double Margin: Women Writers and the Avant-Garde in France’, Subversive intent: gender, politics, and the avant-garde. Cambridge, Mass: Harvard University Press, pp. 11–32.

Suleiman, Susan R. (1990) Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge, Mass: Harvard University Press.

Vergine, L. and Zanuttini, M. (1982a) L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes.

Vergine, L. and Zanuttini, M. (1982b) L’Autre Moitié De L’Avant-Garde: 1910-1940 : Femmes Peintres Et Femmes Sculpteurs Dans Les Mouvements D’Avant-Garde Historiques. Paris: Des Femmes.

Waldberg, P. (1997) Surrealism. New York, N.Y.: Thames & Hudson.