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P. Phelan, ‘The Ontology of Performance: Representation Without Reproduction’, in Unmarked: The Politics of Performance, London: Routledge, 1993, pp. 146–166.
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M. Fried, ‘Art and Objecthood’, in Minimal Art: A Critical Anthology, Berkeley: University of California Press, 1995, pp. 116–147.
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P. Auslander, ‘Presence and Theatricality in the Discourse of Performance and the Visual Arts’, in From Acting to Performance: Essays in Modernism and Postmodernism, London: Routledge, 1997, pp. 49–57.
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N. Ridout, ‘’You Look Charming. You Look Enchanting. You Look Dazzling. You Look Breathtaking. You Look Unique. but You Don’t Make an Evening. | Tate’, Sep. 01, 2007. [Online]. Available: https://web.archive.org/web/20180217070314/http://www.tate.org.uk/context-comment/articles/you-look-charming-you-look-enchanting-you-look-dazzling-you-look
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C. Wood, ‘Painting in the Shape of a House’, in A Bigger Splash: Painting After Performance, London: Tate, 2012, pp. 10–22.
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N. Ridout, ‘Performance in the Service Economy: Outsourcing and Delegation’, in Double Agent, London: Institute of Contemporary Arts, 2008, pp. 126–131.
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C. Courage, Arts in Place: The Arts, the Urban and Social Practice. London: Routledge, Taylor & Francis Group, 2017.
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C. Courage and A. McKeown, Eds., Creative Placemaking: Research, Theory and Practice. London: Routledge, 2019.
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P. Auslander, Liveness: Performance in a Mediatized Culture, 2nd Edition. London: Routledge, 2008.
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A. Heathfield, Small Acts: Performance, the Millennium and the Marking of Time. London: Black Dog, 2000.
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