Bibliography for DT3110: Advanced Option Performance and Visual Art BETA

@inbook{Abramovic_Biesenbach_2010a, address={New York}, title={Seven Easy Pieces}, booktitle={Marina Abramovic: The Artist Is Present}, publisher={Museum of Modern Art}, author={Abramovic, Marina and Biesenbach, Klaus Peter}, year={2010}, pages={36–93} }

@book{Abramovic_Biesenbach_2010b, address={New York}, title={Marina Abramovic: The Artist Is Present}, publisher={Museum of Modern Art}, author={Abramovic, Marina and Biesenbach, Klaus Peter}, year={2010} }

@book{Andre_1959, title={Last Ladder | Tate}, url={https://www.tate.org.uk/art/artworks/andre-last-ladder-t01533}, author={Andre, Carl}, year={1959} }

@inbook{Auslander_1997a, address={London}, title={Presence and Theatricality in the Discourse of Performance and the Visual Arts}, booktitle={From Acting to Performance: Essays in Modernism and Postmodernism}, publisher={Routledge}, author={Auslander, Philip}, year={1997}, pages={49–57} }

@inbook{Auslander_1997b, address={London}, title={Presence and Theatricality in the Discourse of Performance and the Visual Arts}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=169806}, booktitle={From Acting to Performance: Essays in Modernism and Postmodernism}, publisher={Routledge}, author={Auslander, Philip}, year={1997}, pages={49–57} }

@book{Auslander_1997c, address={London}, title={From Acting to Performance: Essays in Modernism and Postmodernism}, publisher={Routledge}, author={Auslander, Philip}, year={1997} }

@book{Auslander_1997d, address={London}, title={From Acting to Performance: Essays in Modernism and Postmodernism}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169806}, publisher={Routledge}, author={Auslander, Philip}, year={1997} }

@article{Auslander_2006, title={The Performativity of Performance Documentation}, volume={28}, url={https://www.jstor.org/stable/4140006}, number={3}, journal={PAJ: A Journal of Performance and Art}, author={Auslander, Philip}, year={2006}, pages={1–10} }

@book{Auslander_2008a, address={London}, edition={2nd Edition}, title={Liveness: Performance in a Mediatized Culture}, publisher={Routledge}, author={Auslander, Philip}, year={2008} }

@book{Auslander_2008b, address={London}, title={Liveness: Performance in a Mediatized Culture}, publisher={Routledge}, author={Auslander, Philip}, year={2008} }

@book{Batchelor_1997a, address={London}, title={Minimalism}, publisher={Tate Gallery}, author={Batchelor, David}, year={1997} }

@book{Batchelor_1997b, address={London}, title={Minimalism}, publisher={Tate Gallery}, author={Batchelor, David}, year={1997} }

@book{Battcock_1995, address={Berkeley}, title={Minimal Art: A Critical Anthology}, publisher={University of California Press}, author={Battcock, Gregory}, year={1995} }

@book{Battcock_Nickas_1984, address={New York}, title={The Art of Performance: A Critical Anthology}, publisher={E.P. Dutton}, author={Battcock, Gregory and Nickas, Robert}, year={1984} }

@article{Birringer_2011, title={Dancing in the Museum}, volume={33}, url={https://muse.jhu.edu/article/448380}, number={3}, journal={PAJ: A Journal of Performance and Art}, author={Birringer, Johannes}, year={2011}, pages={43–52} }

@article{Bishop_2004, title={Antagonism and Relational Aesthetics}, volume={110}, url={https://www.jstor.org/stable/3397557}, journal={October}, author={Bishop, Claire}, year={2004}, pages={51–79} }

@article{Bishop_2006a, title={The Social Turn: Collaboration and its Discontents}, volume={44}, number={Feb}, journal={Artforum}, author={Bishop, Claire}, year={2006}, pages={178–183} }

@book{Bishop_2006b, address={London}, title={Participation}, publisher={Whitechapel}, author={Bishop, Claire}, year={2006} }

@book{Bishop_2006c, address={London}, title={Participation}, publisher={Whitechapel}, author={Bishop, Claire}, year={2006} }

@book{Bishop_2012a, address={London}, title={Artificial Hells: Participatory Art and the Politics of Spectatorship}, publisher={Verso}, author={Bishop, Claire}, year={2012} }

@book{Bishop_2012b, address={London}, title={Artificial Hells: Participatory Art and the Politics of Spectatorship}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5176988}, publisher={Verso}, author={Bishop, Claire}, year={2012} }

@book{Bishop_2012c, address={London}, title={Artificial Hells: Participatory Art and the Politics of Spectatorship}, publisher={Verso}, author={Bishop, Claire}, year={2012} }

@book{Bishop_2012d, address={London}, title={Artificial Hells: Participatory Art and the Politics of Spectatorship}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5176988}, publisher={Verso}, author={Bishop, Claire}, year={2012} }

@article{Bishop_2014a, title={The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney}, volume={46}, url={https://muse.jhu.edu/article/566328}, number={3}, journal={The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney}, author={Bishop, Claire}, year={2014}, pages={62–76} }

@article{Bishop_2014b, title={The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney}, volume={46}, DOI={10.1017/S0149767714000497}, number={3}, journal={Dance Research Journal}, author={Bishop, Claire}, year={2014}, pages={63–76} }

@book{Bishop_Sladen_2008, address={London}, title={Double Agent}, publisher={Institute of Contemporary Arts}, author={Bishop, Claire and Sladen, Mark}, year={2008} }

@inbook{Bourriaud_2002, title={Relational Form}, booktitle={Relational Aesthetics}, publisher={Dijon}, author={Bourriaud, Nicholas}, year={2002}, pages={11–24} }

@book{Bourriaud_Pleasance_Woods_2002, title={Relational Aesthetics}, publisher={Dijon}, author={Bourriaud, Nicolas and Pleasance, Simon and Woods, Fronza}, year={2002} }

@book{Brentano_1994, address={Cleveland, Ohio}, title={Outside the Frame - Performance and the Object: A Survey History of Performance Art in the USA Since 1950}, publisher={Cleveland Center for Contemporary Art}, author={Brentano, Robyn}, year={1994} }

@inbook{Charmatz_2016, address={Berlin}, title={How to Dance with Art}, booktitle={How to Frame: On the Threshold of Performing and Visual Arts}, publisher={Sternberg Press}, author={Charmatz, Boris}, year={2016}, pages={133–142} }

@book{Copeland_2013a, address={Dijon}, title={Choreographing Exhibitions}, publisher={Presses du Reel}, author={Copeland, Mathieu}, year={2013} }

@inbook{Copeland_2013b, address={Dijon}, title={People and Things in the Museum}, booktitle={Choreographing Exhibitions}, publisher={Presses du Reel}, author={Copeland, Mathieu}, year={2013} }

@book{Courage_2017a, address={London}, title={Arts in Place: The Arts, the Urban and Social Practice}, publisher={Routledge, Taylor & Francis Group}, author={Courage, Cara}, year={2017} }

@book{Courage_2017b, address={Abingdon}, title={Arts in Place: The Arts, the Urban and Social Practice}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4799881}, publisher={Routledge}, author={Courage, Cara}, year={2017} }

@inbook{Crouch_2011, address={London}, title={My Arm}, booktitle={Plays One}, publisher={Oberon}, author={Crouch, Tim}, year={2011}, pages={21–47} }

@misc{Cunningham_1952, title={Space, Time and Dance | Merce Cunningham Trust}, url={https://www.mercecunningham.org/the-work/writings/space-time-and-dance/}, author={Cunningham, Merce}, year={1952} }

@article{Downey_2007a, title={Towards a Politics of (Relational) Aesthetics}, volume={21}, DOI={10.1080/09528820701360534}, number={3}, journal={Third Text}, author={Downey, Anthony}, year={2007}, pages={267–275} }

@article{Downey_2007b, title={Towards a Politics of (Relational) Aesthetics}, volume={21}, DOI={10.1080/09528820701360534}, number={3}, journal={Third Text}, author={Downey, Anthony}, year={2007}, pages={267–275} }

@article{Ferdman_2014, title={From Content to Context: The Emergence of the Performance Curator}, volume={44}, DOI={10.1215/01610775-2409482}, number={2}, journal={Theater}, author={Ferdman, Bertie}, year={2014}, pages={5–19} }

@inbook{Fernandez_2015, address={Paris, France}, title={Once Again}, booktitle={Ragnar Kjartansson}, publisher={Palais de Tokyo}, author={Fernandez, Laure}, editor={Grossi, Frédéric}, year={2015}, pages={29–38} }

@article{Finbow_2018, title={Multiplicity in the Documentation of Performance-Based Artworks: Displaying Multi-Media Documentation in Rebecca Horn’s Body Sculptures at Tate}, volume={47}, DOI={10.1080/09298215.2018.1486432}, number={4}, journal={Journal of New Music Research}, author={Finbow, Acatia}, year={2018}, pages={291–299} }

@book{Foster_1996, address={Cambridge, Mass}, title={The Return of the Real: The Avant-Garde at the End of the Century}, publisher={MIT Press}, author={Foster, Hal}, year={1996} }

@inbook{Fried_1995a, address={Berkeley}, title={Art and Objecthood}, booktitle={Minimal Art: A Critical Anthology}, publisher={University of California Press}, author={Fried, Michael}, year={1995}, pages={116–147} }

@inbook{Fried_1995b, address={Berkeley}, title={Art and Objecthood}, booktitle={Minimal Art: A Critical Anthology}, publisher={University of California Press}, author={Fried, Michael}, year={1995}, pages={49–57} }

@book{Gallizio_1958, title={Industrial Painting | Tate}, url={https://www.tate.org.uk/art/artworks/gallizio-industrial-painting-t14249}, author={Gallizio, Pinot}, year={1958} }

@inbook{Goldberg_2004, address={London}, title={One Hundred Years}, booktitle={Live: Art and Performance}, publisher={Tate}, author={Goldberg, Rose Lee}, year={2004}, pages={176–182} }

@book{Goldberg_1998, address={London}, title={Performance: Live Art Since the 60s}, publisher={Thames & Hudson}, author={Goldberg, RoseLee}, year={1998} }

@inbook{Goldberg_2011a, address={London}, edition={3rd Edition}, title={Living Art c.1933 to the 1970s}, booktitle={Performance Art: From Futurism to the Present}, publisher={Thames & Hudson}, author={Goldberg, RoseLee}, year={2011}, pages={121–151} }

@book{Goldberg_2011b, address={London}, edition={3rd Edition}, title={Performance Art: From Futurism to the Present}, publisher={Thames & Hudson}, author={Goldberg, RoseLee}, year={2011} }

@book{Groĭs_2008, address={Cambridge, Mass}, title={Art Power}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3338770}, publisher={MIT Press}, author={Groĭs, Boris}, year={2008} }

@book{Groĭs_2013, address={Cambridge, Massachusetts}, title={Art Power}, publisher={The MIT Press}, author={Groĭs, Boris}, year={2013} }

@book{Gronau_Hartz_Hochleichter_2016, address={Berlin}, title={How to Frame: On the Threshold of Performing and Visual Arts}, publisher={Sternberg Press}, author={Gronau, Barbara and Hartz, Matthias von and Hochleichter, Carolin}, year={2016} }

@inbook{Guy_2016a, address={New York}, title={Introduction: Displaying Performance}, volume={46}, booktitle={Theatre, Exhibition, and Curation: Displayed & Performed}, publisher={Routledge}, author={Guy, Georgina}, year={2016}, pages={1–43} }

@inbook{Guy_2016b, address={New York}, title={Introduction: Displaying Performance}, volume={46}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4513466}, booktitle={Theatre, Exhibition, and Curation: Displayed & Performed}, publisher={Routledge}, author={Guy, Georgina}, year={2016}, pages={1–43} }

@inbook{Guy_2016c, address={New York}, title={Visitor and Performer: The Return of the Relational}, volume={46}, booktitle={Theatre, Exhibition, and Curation: Displayed & Performed}, publisher={Routledge}, author={Guy, Georgina}, year={2016}, pages={100–138} }

@inbook{Guy_2016d, address={New York}, title={Visitor and Performer: The Return of the Relational}, volume={46}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4513466}, booktitle={Theatre, Exhibition, and Curation: Displayed & Performed}, publisher={Routledge}, author={Guy, Georgina}, year={2016}, pages={100–138} }

@book{Guy_2016e, address={New York}, title={Theatre, Exhibition, and Curation: Displayed & Performed}, volume={46}, publisher={Routledge}, author={Guy, Georgina}, year={2016} }

@book{Guy_2016f, address={New York}, title={Theatre, Exhibition, and Curation: Displayed & Performed}, volume={46}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315735719}, publisher={Routledge}, author={Guy, Georgina}, year={2016} }

@article{Guy_2017, title={From Visible Object to Reported Action: The Performance of Verbal Images in Visual Art Museums}, volume={69}, url={https://muse.jhu.edu/article/670581}, number={3}, journal={Theatre Journal}, author={Guy, Georgina}, year={2017}, pages={339–359} }

@inbook{Harvie_2011a, address={Basingstoke}, title={Agency and Complicity in "A Special Civic Room”: London’s Tate Modern Turbine Hall}, booktitle={Performance and the City}, publisher={Palgrave Macmillan}, author={Harvie, Jen}, year={2011}, pages={204–221} }

@article{Harvie_2011b, title={Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure}, volume={16}, DOI={10.1080/13528165.2011.578842}, number={2}, journal={Performance Research}, author={Harvie, Jen}, year={2011}, pages={113–123} }

@book{Harvie_2013a, address={Houndmills, Basingstoke, Hampshire}, title={Fair Play: Art, Performance and Neoliberalism}, publisher={Palgrave Macmillan}, author={Harvie, Jen}, year={2013} }

@book{Harvie_2013b, title={Fair Play: Art, Performance and Neoliberalism}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1431369}, author={Harvie, Jen}, year={2013} }

@book{Harvie_2013c, address={Houndmills, Basingstoke, Hampshire}, title={Fair Play: Art, Performance and Neoliberalism}, publisher={Palgrave Macmillan}, author={Harvie, Jen}, year={2013} }

@book{Harvie_2013d, title={Fair Play: Art, Performance and Neoliberalism}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1431369}, author={Harvie, Jen}, year={2013} }

@book{Heathfield_2000, address={London}, title={Small Acts: Performance, the Millennium and the Marking of Time}, publisher={Black Dog}, author={Heathfield, Adrian}, year={2000} }

@book{Heathfield_Glendinning_2004, address={London}, title={Live: Art and Performance}, publisher={Tate}, author={Heathfield, Adrian and Glendinning, Hugo}, year={2004} }

@book{Heathfield_Hsieh_2009, address={London}, title={Out of Now: The Lifeworks of Tehching Hsieh}, publisher={Live Art Development Agency}, author={Heathfield, Adrian and Hsieh, Tehching}, year={2009} }

@book{Hoffmann_Jonas_2005, address={New York}, title={Perform}, publisher={Thames & Hudson}, author={Hoffmann, Jens and Jonas, Joan}, year={2005} }

@inbook{Jackson_2011a, address={New York}, title={Quality Time: Social Practice Debates in Contemporary Art}, booktitle={Social Works: Performing Art, Supporting Publics}, publisher={Routledge}, author={Jackson, Shannon}, year={2011}, pages={43–74} }

@inbook{Jackson_2011b, address={New York}, title={Quality Time: Social Practice Debates in Contemporary Art}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=668595}, booktitle={Social Works: Performing Art, Supporting Publics}, publisher={Routledge}, author={Jackson, Shannon}, year={2011}, pages={43–74} }

@book{Jackson_2011c, address={New York}, title={Social Works: Performing Art, Supporting Publics}, publisher={Routledge}, author={Jackson, Shannon}, year={2011} }

@book{Jackson_2011d, address={New York}, title={Social Works: Performing Art, Supporting Publics}, publisher={Routledge}, author={Jackson, Shannon}, year={2011} }

@article{Jones_1997a, title={"Presence” in Absentia: Experiencing Performance as Documentation}, volume={56}, DOI={10.1080/00043249.1997.10791844}, number={4}, journal={Art Journal}, author={Jones, Amelia}, year={1997}, pages={11–18} }

@article{Jones_1997b, title={‘Presence’ in Absentia: Experiencing Performance as Documentation}, volume={56}, DOI={10.2307/777715}, number={4}, journal={Art Journal}, author={Jones, Amelia}, year={1997}, pages={11–18} }

@article{Jones_2011a, title={"The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence}, volume={55}, url={https://www.jstor.org/stable/23017597}, number={1}, journal={TDR/The Drama Review}, author={Jones, Amelia}, year={2011}, pages={16–45} }

@article{Jones_2011b, title={"The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence}, volume={55}, url={https://www.jstor.org/stable/23017597}, number={1}, journal={TDR/The Drama Review}, author={Jones, Amelia}, year={2011}, pages={16–45} }

@inbook{Jones_2013, address={Copenhagen}, title={Unpredictable Temporalities: The Body and Performance in (Art) History}, booktitle={Performance Archives - Archives of Performance}, publisher={Museum Tusculanum, University of Copenhagen}, author={Jones, Amelia}, editor={Borggreen, Gunhild and Gade, Rune}, year={2013}, pages={53–72} }

@book{Jones_Heathfield_2012a, address={Bristol}, title={Perform, Repeat, Record: Live Art in History}, publisher={Intellect}, author={Jones, Amelia and Heathfield, Adrian}, year={2012} }

@book{Jones_Heathfield_2012b, address={Bristol}, title={Perform, Repeat, Record: Live Art in History}, publisher={Intellect}, author={Jones, Amelia and Heathfield, Adrian}, year={2012} }

@book{Judd_1980, title={Untitled | Tate}, url={https://www.tate.org.uk/art/artworks/judd-untitled-t03087}, author={Judd, Donald}, year={1980} }

@book{Kaye_2000a, address={New York}, title={Site-Specific Art: Performance, Place, and Documentation}, publisher={Routledge}, author={Kaye, Nick}, year={2000} }

@book{Kaye_2000b, address={London}, title={Site-Specific Art: Performance, Place, and Documentation}, publisher={Routledge}, author={Kaye, Nick}, year={2000} }

@book{Kelleher_2015, address={London}, title={The Illuminated Theatre: Studies on the Suffering of Images}, publisher={Routledge}, author={Kelleher, Joe}, year={2015} }

@book{Kim_1964, title={Death of Sun I | Tate}, url={https://www.tate.org.uk/art/artworks/kim-death-of-sun-i-t14359}, author={Kim, Ku-lim}, year={1964} }

@inbook{Krauss_1981a, address={Cambridge, Mass}, title={Mechanical Ballets: Light, Motion, Theatre}, booktitle={Passages in Modern Sculpture}, publisher={MIT Press}, author={Krauss, Rosalind E.}, year={1981}, pages={201–242} }

@book{Krauss_1981b, address={Cambridge, Mass}, title={Passages in Modern Sculpture}, publisher={MIT Press}, author={Krauss, Rosalind E.}, year={1981} }

@inbook{Kunst_2015a, address={Alresford}, title={Conclusion: On Laziness and Less Work}, booktitle={Artist at Work, Proximity of Art and Capitalism}, publisher={Zero Books, an imprint of John Hunt Publishing}, author={Kunst, Bojana}, year={2015}, pages={111–121} }

@inbook{Kunst_2015b, address={Alresford}, title={Conclusion: On Laziness and Less Work}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4448938}, booktitle={Artist at Work, Proximity of Art and Capitalism}, publisher={Zero Books, an imprint of John Hunt Publishing}, author={Kunst, Bojana}, year={2015}, pages={111–121} }

@inbook{Laurenson_van Saaze_2014, address={Bern}, title={Collecting Performance Based Art: New Challenges and Perspectives}, volume={volume 31}, booktitle={Performativity in the Gallery: Staging Interactive Encounters}, publisher={Peter Lang}, author={Laurenson, Pip and van Saaze, Vivian}, editor={Remes, Outi and MacCulloch, Laura and Leino, Marika}, year={2014}, pages={27–41} }

@book{Leighton_2008, address={London}, title={Art and the Moving Image: A Critical Reader}, publisher={Tate Pub}, author={Leighton, Tanya}, year={2008} }

@book{Lepecki_2006a, address={New York}, title={Exhausting Dance: Performance and the Politics of Movement}, publisher={Routledge}, author={Lepecki, Andre}, year={2006} }

@book{Lepecki_2006b, address={New York}, title={Exhausting Dance: Performance and the Politics of Movement}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=261301}, publisher={Routledge}, author={Lepecki, Andre}, year={2006} }

@book{Lepecki_Whitechapel Art Gallery_2012, address={London}, title={Dance}, publisher={Whitechapel Art Gallery}, author={Lepecki, Andre and Whitechapel Art Gallery}, year={2012} }

@book{Lind_2012a, address={Berlin}, title={Performing the Curatorial: Within and Beyond Art}, publisher={Sternberg Press}, author={Lind, Maria}, year={2012} }

@book{Lind_2012b, address={Berlin}, title={Performing the Curatorial: Within and Beyond Art}, publisher={Sternberg Press}, author={Lind, Maria}, year={2012} }

@book{Lippard_1997, address={Berkeley}, title={Six Years: The Dematerialization of the Art Object From 1966 to 1972}, publisher={University of California Press}, author={Lippard, Lucy R.}, year={1997} }

@book{McKenzie_2001a, address={London}, title={Perform or Else: From Discipline to Performance}, publisher={Routledge}, author={McKenzie, Jon}, year={2001} }

@book{McKenzie_2001b, address={London}, title={Perform or Else: From Discipline to Performance}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166268}, publisher={Routledge}, author={McKenzie, Jon}, year={2001} }

@book{Meisel_1983, address={Princeton, N.J.}, title={Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England}, publisher={Princeton University Press}, author={Meisel, Martin}, year={1983} }

@book{Morris_1973, title={Location Piece | Tate}, url={https://www.tate.org.uk/art/artworks/morris-location-piece-p07235}, author={Morris, Robert}, year={1973} }

@book{Mundy_2013, address={London}, title={Lost Art: Missing Artworks of the Twentieth Century}, publisher={Tate Publishing}, author={Mundy, Jennifer}, year={2013} }

@article{Nixon_2006, title={Dream Dust}, volume={116}, url={https://www.jstor.org/stable/40368425}, number={Spring}, journal={October}, author={Nixon, Mignon}, year={2006}, pages={63–86} }

@inbook{Nyong’o_2019, address={London}, title={Does Staging Historical Trauma Re-Enact it?}, url={https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781472579638&uid=^u}, booktitle={Thinking Through Theatre and Performance}, publisher={Bloomsbury Methuen Drama}, author={Nyong’o, Tavia}, editor={Bleeker, Maaike and Kear, Adrian and Kelleher, Joe and Roms, Heike}, year={2019}, pages={200–210} }

@book{Obrist_2012, address={New York}, title={A Brief History of Curating}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=829682}, publisher={JRP|Ringier}, author={Obrist, Hans Ulrich}, year={2012} }

@book{Obrist_2014, address={Zurich}, title={A Brief History of Curating}, publisher={JRP}, author={Obrist, Hans Ulrich}, editor={Bovier, Lionel and Theiler, Birte}, year={2014} }

@book{Obrist_Abramovic_2010a, address={Kln}, title={Marina Abramovic}, volume={23}, publisher={Walther Knig}, author={Obrist, Hans Ulrich and Abramovic, Marina}, year={2010} }

@book{Obrist_Abramovic_2010b, address={Kln}, title={Marina Abramovic}, volume={23}, publisher={Walther Knig}, author={Obrist, Hans Ulrich and Abramovic, Marina}, year={2010} }

@book{O’Doherty_1999, address={Berkeley, Calif}, edition={Expanded ed}, title={Inside the White Cube: The Ideology of the Gallery Space}, publisher={University of California Press}, author={O’Doherty, Brian}, year={1999} }

@article{Ose_2014, title={Enthusiasm: Collectiveness, Politics, and Aesthetics}, volume={2014}, DOI={10.1215/10757163-2415159}, number={34}, journal={Nka Journal of Contemporary African Art}, author={Ose, Elvira Dyangani}, year={2014}, pages={24–33} }

@book{Patel_1963, title={Untitled | Tate}, url={https://www.tate.org.uk/art/artworks/patel-untitled-t14950}, author={Patel, Jeram}, year={1963} }

@inbook{Phelan_Rabinowitz_2005, address={Oxford}, title={Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=243554}, booktitle={A Companion to Narrative Theory}, publisher={Blackwell}, author={Phelan, James and Rabinowitz, Peter J.}, year={2005}, pages={499–514} }

@inbook{Phelan_1992a, address={London}, title={The Ontology of Performance: Representation Without Reproduction}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=179272}, booktitle={Unmarked: The Politics of Performance}, publisher={Routledge}, author={Phelan, Peggy}, year={1992}, pages={146–166} }

@book{Phelan_1992b, address={London}, title={Unmarked: The Politics of Performance}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179272}, publisher={Routledge}, author={Phelan, Peggy}, year={1992} }

@inbook{Phelan_1993a, address={London}, title={The Ontology of Performance: Representation Without Reproduction}, booktitle={Unmarked: The Politics of Performance}, publisher={Routledge}, author={Phelan, Peggy}, year={1993}, pages={146–166} }

@book{Phelan_1993b, address={London}, title={Unmarked: The Politics of Performance}, publisher={Routledge}, author={Phelan, Peggy}, year={1993} }

@article{Phelan_2004, title={Marina Abramovic: Witnessing Shadows}, volume={56}, DOI={10.1353/tj.2004.0178}, number={4}, journal={Theatre Journal}, author={Phelan, Peggy}, year={2004}, pages={569–577} }

@inbook{Phelan_2005, address={Oxford}, title={Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=243554}, booktitle={A Companion to Narrative Theory}, publisher={Blackwell}, author={Phelan, Peggy}, year={2005}, pages={499–514} }

@inbook{Phelan_2008a, address={Malden, Mass}, title={Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly}, booktitle={A Companion to Narrative Theory}, publisher={Blackwell}, author={Phelan, Peggy}, year={2008}, pages={499–514} }

@inbook{Phelan_2008b, address={Malden, Mass}, title={Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly}, booktitle={A Companion to Narrative Theory}, publisher={Blackwell}, author={Phelan, Peggy}, year={2008}, pages={499–514} }

@book{Pollock_1951, title={Number 14 | Tate}, url={https://www.tate.org.uk/art/artworks/pollock-number-14-t03978}, author={Pollock, Jackson}, year={1951} }

@book{Ranciere_2015, address={London}, edition={Updated edition}, title={The Politics of Aesthetics: The Distribution of the Sensible}, publisher={Bloomsbury Academic}, author={Ranciere, Jacques}, editor={Rockhill, Gabriel}, year={2015} }

@book{Read, title={Theatre in the Expanded Field}, url={http://www.dramaonlinelibrary.com/context-and-criticism/theatre-in-the-expanded-field-iid-115137}, publisher={Bloomsbury Publishing}, author={Read, Alan} }

@book{Read_Robinson_2013, address={London}, title={Theatre in the Expanded Field: Seven Approaches to Performance}, publisher={Bloomsbury}, author={Read, Alan and Robinson, Beryl}, year={2013} }

@book{Rendell_2006, address={London}, title={Art and Architecture: A Place Between}, publisher={I. B. Tauris}, author={Rendell, Jane}, year={2006} }

@misc{Ridout_2007a, title={’You Look Charming. You Look Enchanting. You Look Dazzling. You Look Breathtaking. You Look Unique. but You Don’t Make an Evening. | Tate}, url={https://web.archive.org/web/20220710020051/https://www.tate.org.uk/tate-etc/issue-11-autumn-2007/you-look-charming-you-look-enchanting-you-look-dazzling-you-look}, author={Ridout, Nicholas}, year={2007} }

@misc{Ridout_2007b, title={’You Look Charming. You Look Enchanting. You Look Dazzling. You Look Breathtaking. You Look Unique. but You Don’t Make an Evening. | Tate}, url={https://web.archive.org/web/20180217070314/http://www.tate.org.uk/context-comment/articles/you-look-charming-you-look-enchanting-you-look-dazzling-you-look}, author={Ridout, Nicholas}, year={2007}, month={Sep} }

@inbook{Ridout_2008, address={London}, title={Performance in the Service Economy: Outsourcing and Delegation}, booktitle={Double Agent}, publisher={Institute of Contemporary Arts}, author={Ridout, Nicholas}, year={2008}, pages={126–131} }

@inbook{Roms_2019, address={London}, title={How and Why Are Performances Documented?}, booktitle={Thinking Through Theatre and Performance}, publisher={Methuen Drama}, author={Roms, Heike}, editor={Bleeker, Maaike and Kear, Adrian and Kelleher, Joe and Roms, Heike}, year={2019}, pages={225–239} }

@inbook{Rosenthal_2011a, address={London}, title={Choreographing You: Choreographies in the Visual Arts}, booktitle={Move: Choreographing You: Art and Dance Since the 1960s}, publisher={Hayward Pub}, author={Rosenthal, Stephanie}, year={2011}, pages={7–11} }

@inbook{Rosenthal_2011b, address={London}, title={Choreographing You: Choreographies in the Visual Arts}, booktitle={Move: Choreographing You : Art and Dance Since the 1960s}, publisher={Hayward Pub}, author={Rosenthal, Stephanie}, year={2011}, pages={7–11} }

@book{Rugg_Sedgwick_2007a, address={Bristol, UK}, title={Issues in Curating Contemporary Art and Performance}, publisher={Intellect}, author={Rugg, Judith and Sedgwick, Michele}, year={2007} }

@book{Rugg_Sedgwick_2007b, address={Bristol, UK}, title={Issues in Curating Contemporary Art and Performance}, publisher={Intellect}, author={Rugg, Judith and Sedgwick, Michele}, year={2007} }

@book{Rugg_Sedgwick_2007c, address={Bristol, UK}, title={Issues in Curating Contemporary Art and Performance}, publisher={Intellect}, author={Rugg, Judith and Sedgwick, Michele}, year={2007} }

@book{de Saint Phalle_1961, title={Shooting Picture | Tate}, url={https://www.tate.org.uk/art/artworks/saint-phalle-shooting-picture-t03824}, author={de Saint Phalle, Niki}, year={1961} }

@book{Sayre_1992, address={Chicago, IL}, edition={New Edition}, title={The Object of Performance: The American Avant-Garde Since 1970}, publisher={The University of Chicago Press}, author={Sayre, Henry M.}, year={1992} }

@book{Schimmel_Stiles_1998, address={Los Angeles}, title={Out of Actions: Between Performance and the Object, 1949-1979}, publisher={Museum of Contemporary Art}, author={Schimmel, Paul and Stiles, Kristine}, year={1998} }

@inbook{Schneider_2011a, address={London}, title={In the Meantime: Performance Remains}, booktitle={Performing Remains: Art and War in Times of Theatrical Reenactment}, publisher={Routledge}, author={Schneider, Rebecca}, year={2011}, pages={87–110} }

@inbook{Schneider_2011b, address={London}, title={In the Meantime: Performance Remains}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=668786}, booktitle={Performing Remains: Art and War in Times of Theatrical Reenactment}, publisher={Routledge}, author={Schneider, Rebecca}, year={2011}, pages={87–110} }

@book{Schneider_2011c, address={London}, title={Performing Remains: Art and War in Times of Theatrical Reenactment}, publisher={Routledge}, author={Schneider, Rebecca}, year={2011} }

@book{Schneider_2011d, address={London}, title={Performing Remains: Art and War in Times of Theatrical Reenactment}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668786}, publisher={Routledge}, author={Schneider, Rebecca}, year={2011} }

@article{Schneider_2014, title={Remembering Feminist Remimesis: A Riddle in Three Parts}, volume={58}, url={https://muse.jhu.edu/article/545170}, number={2}, journal={TDR/The Drama Review}, author={Schneider, Rebecca}, year={2014}, pages={14–32} }

@book{Serota_2000, address={London}, title={Experience or Interpretation: The Dilemma of Museums of Modern Art}, publisher={Thames & Hudson}, author={Serota, Nicholas}, year={2000} }

@article{Shalson_2012, title={On Duration and Multiplicity}, volume={17}, DOI={10.1080/13528165.2012.728448}, number={5}, journal={Performance Research}, author={Shalson, Lara}, year={2012}, pages={98–106} }

@book{Shimamoto_1954, title={Holes | Tate}, url={https://www.tate.org.uk/art/artworks/shimamoto-holes-t07898}, author={Shimamoto, Shozo}, year={1954} }

@inbook{Spector_2010, address={New York}, title={Seven Easy Pieces}, booktitle={Marina Abramovic: The Artist Is Present}, author={Spector, Nancy}, year={2010}, pages={36–93} }

@inbook{Westerman_2018a, address={London}, title={Museum of Modern Art, New York}, booktitle={Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices}, publisher={Routledge}, author={Westerman, Jonah}, editor={Giannachi, Gabriella and Westerman, Jonah}, year={2018}, pages={15–20} }

@inbook{Westerman_2018b, address={London}, title={Museum of Modern Art, New York}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4947457}, booktitle={Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices}, publisher={Routledge, Taylor & Francis Group}, author={Westerman, Jonah}, editor={Giannachi, Gabriella and Westerman, Jonah}, year={2018}, pages={15–20} }

@inbook{Wood_2012, address={London}, title={Painting in the Shape of a House}, booktitle={A Bigger Splash: Painting After Performance}, publisher={Tate}, author={Wood, Catherine}, year={2012}, pages={10–22} }

@book{Wood_2018a, address={London}, title={Performance in Contemporary Art}, publisher={Tate Publishing}, author={Wood, Catherine}, year={2018} }

@book{Wood_2018b, address={London}, title={Performance in Contemporary Art}, publisher={Tate Publishing}, author={Wood, Catherine}, year={2018} }

@book{Wood_Cufer_2012, address={London}, title={A Bigger Splash: Painting After Performance}, publisher={Tate}, author={Wood, Catherine and Cufer, Eda}, year={2012} }

@misc{Theanyspacewhatever | Guggenheim_2008, url={https://www.guggenheim.org/video/theanyspacewhatever}, year={2008}, month={Oct} }

@book{Jones_Heathfield_2012c, address={Bristol}, title={Perform, Repeat, Record: Live Art in History}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4307809}, publisher={Intellect}, year={2012} }

@book{Jones_Heathfield_2012d, address={Bristol}, title={Perform, Repeat, Record: Live Art in History}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4307809}, publisher={Intellect}, year={2012} }

@book{Heddon_Klein_2012, address={Basingstoke, Hampshire}, title={Histories and Practices of Live Art}, publisher={Palgrave Macmillan}, year={2012} }

@book{Rebellato_Boon_Roberts_2013, address={London}, title={Modern British Playwriting: 2000 – 2009: Voices, Documents, New Interpretations}, publisher={Bloomsbury}, year={2013} }

@book{Remes_MacCulloch_Leino_2014, address={Bern}, title={Performativity in the Gallery: Staging Interactive Encounters}, volume={volume 31}, publisher={Peter Lang}, year={2014} }

@book{Rebellato_Boon_Roberts_2015, title={Modern British Playwriting: 2000 – 2009: Voices, Documents, New Interpretations}, url={http://www.dramaonlinelibrary.com/context-and-criticism/modern-british-playwriting-2000-2009-iid-137977}, publisher={Bloomsbury Publishing}, year={2015} }

@book{Giannachi_Westerman_2018, address={London}, title={Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices}, publisher={Routledge}, year={2018} }

@book{Courage_McKeown_2019a, address={London}, title={Creative Placemaking: Research, Theory and Practice}, publisher={Routledge}, year={2019} }

@book{Courage_McKeown_2019b, address={London}, title={Creative Placemaking: Research, Theory and Practice}, url={https://www-taylorfrancis-com.ezproxy01.rhul.ac.uk/books/9781315104607}, publisher={Routledge}, year={2019} }

@misc{Tate Exchange at Tate Modern | Tate, url={https://www.tate.org.uk/visit/tate-modern/tate-exchange} }

@misc{Pan Daijing: Tissues – Performance at Tate Modern | Tate, url={https://www.tate.org.uk/whats-on/tate-modern/performance/pan-daijing-tissues} }

@misc{Pan Daijing: The Absent Hour – Performance at Tate Modern | Tate, url={https://www.tate.org.uk/whats-on/tate-modern/performance/pan-daijing-absent-hour} }

@misc{BMW Tate Live: If Tate Modern was Musée de la danse? – Performance at Tate Modern | Tate, url={https://www.tate.org.uk/whats-on/tate-modern/performance/bmw-tate-live-2015/bmw-tate-live-if-tate-modern-was-musee-de-la} }

@misc{Rebecca Horn – Display at Tate Modern | Tate, url={https://www.tate.org.uk/visit/tate-modern/display/tanks/rebecca-horn} }

@misc{What Happened, Sherlock Holmes and the Museum Dance | Spangbergianism, url={https://spangbergianism.wordpress.com/2014/10/19/what-happened-sherlock-holmes-and-the-museum-dance/} }