Bibliography for EN5607: Medieval Narratives BETA

Adams, Jenny. 1999. ‘Pawn Takes Knight’s Queen: Playing with Chess in the Book of the Duchess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 34 (2): 125–38. https://doi.org/10.2307_25096082.

Adams, Tracy. 2007. ‘Performing the Medieval Art of Love: Medieval Theories of the Emotions and the Social Logic of the Roman De La Rose of Guillaume De Lorris’. Viator: Medieval and Renaissance Studies 38 (2): 55–74. http://www.brepolsonline.net/doi/abs/10.1484/J.VIATOR.2.302524.

Aers, D. n.d. ‘Imagination, Order and Ideology’. http://sites.fas.harvard.edu/~chaucer/bibliog/kt-aers.htm.

Aers, David. 1980. ‘Imagination, Order and Ideology’. In Chaucer, Langland and the Creative Imagination. London: Routledge & Kegan Paul.

———. 1988. ‘"In Arthurus Day”: Community, Virtue, and Individual Identity in Sir Gawain and the Green Knight’. In Community, Gender, and Individual Identity: English Writing 1360-1430, 153–78. London: Routledge.

———. 1994. ‘Justice and Wage-Labor After the Black Death: Some Perplexities for William Langland’. In The Work of Work, 169–91. Glasgow: Cruithne Press.

Akbari, Suzanne Conklin. 1994. ‘Medieval Optics in Guillaume de Lorris’ Roman de La Rose’. Mediaevalia et Humanistica 21: 1–15.

Alighieri, Dante. n.d. ‘“Ugolino”, from the Inferno, Canto 33, 1-90, at the Harvard Chaucer Website’. http://sites.fas.harvard.edu/~chaucer/special/authors/dante/dant-ugo.html.

Allen, Peter L. 1989. ‘Ars Amandi, Ars Legendi: Love Poetry and Literary Theory in Ovid, Andreas Capellanus, and Jean de Meun’. Exemplaria 1 (1): 181–205. https://doi.org/10.1179/exm.1989.1.1.181.

———. 1992. The Art of Love: Amatory Fiction From Ovid to the Romance of the Rose. Vol. The Middle Ages series. Philadelphia: University of Pennsylvania Press.

Allen, Rosamund. 1991. ‘The Siege of Thebes: Lydgate’s Canterbury Tale’. In Chaucer and Fifteenth-Century Poetry, King’s College, London medieval studies:122–42. London: Centre for Late Antique and Medieval Studies, King’s College.

Amodio, Mark. 2013. The Anglo-Saxon Literature Handbook. Vol. Blackwell literature handbooks. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1165229.

———. 2014. The Anglo-Saxon Literature Handbook. Vol. Blackwell literature handbooks. Malden, MA: Wiley-Blackwell.

Anderson (ed.), J. J. 1996. ‘Sir Gawain and the Green Knight’. In Sir Gawain and the Green Knight: Pearl, Cleanness, Patience, 167–277. London: Everyman.

Anderson, J. J. 1992. ‘The Narrators in the “Book of the Duchess” and the “Parlement of Foules”’. The Chaucer Review 26 (3): 219–35. http://www.jstor.org/stable/25094198.

Andrew (ed.), Malcolm, and Ronald Waldron (ed.). 1978. ‘Sir Gawain and the Green Knight’. In The Poems of the ‘Pearl’ Manuscript: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight. Vol. York medieval texts. London: Edward Arnold.

Anlezark, Daniel. 2011. Old Testament Narratives. Vol. Dumbarton Oaks medieval library. Cambridge, Mass: Harvard University Press.

Armstrong, Adrian, Sarah Kay, and Rebecca Dixon. 2011. Knowing Poetry: Verse in Medieval France from the Rose to the Rhétoriqueurs. Ithaca, N.Y.: Cornell University Press.

Armstrong, Guyda, Rhiannon Daniels, and Stephen J. Milner, eds. 2015a. The Cambridge Companion to Boccaccio. Cambridge, United Kingdom: Cambridge University Press.

———, eds. 2015b. The Cambridge Companion to Boccaccio. Cambridge. https://doi.org/10.1017/CCO9781139013987.

Arthur, Ross G. 1987. Medieval Sign Theory and Sir Gawain and the Green Knight. Toronto: University of Toronto Press.

Auerbach, Eric. 1953a. ‘Frate Alberto’. In Mimesis: The Representation of Reality in Western Literature, 203–31. Princeton: Princeton University Press.

———. 1953b. ‘The Knight Sets Forth’. In Mimesis: The Representation of Reality in Western Literature, 123–42. Princeton: Princeton University Press.

Auerbach, Erich. 1953a. ‘Frate Alberto’. In Mimesis : The Representation of Reality in Western Literature, 203–31. Princeton: Princeton University Press. https://hdl.handle.net/2027/heb.09353.

———. 1953b. Mimesis: The Representation of Reality in Western Literature. Princeton: Princeton University Press. https://www.fulcrum.org/concern/monographs/2v23vt914.

Bahr, Arthur W. 2000. ‘The Rhetorical Construction of Narrator and Narrative in Chaucer’s the Book of the Duchess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 35 (1): 43–59. https://doi.org/10.2307_25096116.

Baker, Denise N. 1976. ‘The Priesthood of Genius: A Study of the Medieval Tradition’. Speculum: A Journal of Medieval Studies 51 (2): 277–91. http://www.jstor.org/stable/2854264.

———. 1980. ‘From Plowing to Penitence: Piers Plowman and Fourteenth-Century Theology’. Speculum: A Journal of Medieval Studies 55 (4): 715–25. http://www.jstor.org/stable/2847662.

Bal, Mieke. 1985. Narratology: Introduction to the Theory of Narrative. 2nd Edition. Toronto: University of Toronto Press.

Barney, Stephen A. 1973. ‘The Plowshare of the Tongue: The Progress of a Symbol from the Bible to Piers Plowman’. Mediaeval Studies 35: 261–93. https://doi.org/10.1484/J.MS.2.306140.

Batt, Catherine. 1992. ‘Gawain’s Antifeminist Rant, the Pentangle, and Narrative Space’. The Yearbook of English Studies 22: 117–39. https://doi.org/10.2307/3508380.

Battles, Paul. 2000. ‘Genesis A and the Anglo-Saxon “Migration Myth”’. Anglo-Saxon England 29: 43–66. https://doi.org/10.1017/S0263675100002404.

Beichner, Paul E. 1959. ‘Daun Piers, Monk and Business Administrator’. Speculum: A Journal of Medieval Studies 34 (4): 611–19. http://www.jstor.org/stable/2850661.

Bennett, Alastair. 2014. ‘Covetousness, “Unkyndenesse”, and the “Blered” Eye in Piers Plowman and “The Canon’s Yeoman’s Tale”’. The Yearbook of Langland Studies 28: 29–64. https://doi.org/10.1484/J.YLS.5.103721.

Bishop, Louise M. 1994. ‘Hearing God’s Voice: Kind Wit’s Call to Labor in Piers Plowman’. In The Work of Work, 191–206. Glasgow: Cruithne Press.

Bjork, Robert, and John Niles. 1998. A Beowulf Handbook. Exeter: University of Exeter Press.

Blamires, Alcuin, and Gail C. Holian. 2002. The Romance of the Rose Illuminated. Cardiff: University of Wales Press.

Bleeke, Marian. 2010. ‘Versions of Pygmalion in the Illuminated Roman de La Rose’. Art History 33 (1): 28–53. https://doi.org/10.1111/j.1467-8365.2009.00721.x.

Bloom, Harold. 1987. Beowulf. New York: Chelsea House. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13404622490002671&institutionId=2671&customerId=2670.

———. 2007. Beowulf. New York: Chelsea House. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781438113685.

Boccaccio, Giovanni, and G. H. McWilliam. 1995. The Decameron. 2nd Edition. Vol. Penguin classics. London: Penguin.

Boccaccio, Giovanni, Guido Waldman, and Jonathan Usher. 1993. The Decameron. Vol. The world’s classics. Oxford: Oxford University Press.

Boitani, Piero. 1995. ‘‘‘My Tale Is of a Cock", or, the Problems of Literal Interpretation’. In Literature and Religion in the Later Middle Ages: Philological Studies in Honor of Siegfried Wenzel, edited by Richard Newhauser and John A. Alford, Nabu public domain reprints:25–42. [Charleston]: Nabu.

———. 2003. ‘Old Books Brought to Life in Dreams: The Book of the Duchess, The House of Fame, and The Parliament of Fools’. In The Cambridge Companion to Chaucer, 2nd ed, 58–77. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339100002671&institutionId=2671&customerId=2670.

———. 2004. ‘Old Books Brought to Life in Dreams: The Book of the Duchess, The House of Fame, and The Parliament of Fools’. In The Cambridge Companion to Chaucer, edited by Piero Boitani and Jill Mann, 58–77. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339080002671&institutionId=2671&customerId=2670.

Bolens, Guillemette, and Paul Beekman Taylor. 2001. ‘Chess, Clocks, and Counsellors in Chaucer’s Book of the Duchess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 35 (3): 281–93. https://doi.org/10.2307_25096133.

Bonjour, Adrien. 1968. ‘The Digressions in Beowulf: The Finn and Heathobards Episodes’. In Old English Literature: Twenty-Two Analytical Essays, 319–27. Lincoln, Neb: University of Nebraska Press.

Borroff, Marie. 1998a. ‘Chaucer’s English Rhymes: The Roman, the Romaunt and The Book of the Duchess’. In Words and Works: Studies in Medieval English Language and Literature in Honour of Fred C. Robinson, 74th ed, Toronto Old English Studies:223–42. Toronto: University of Toronto Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409380200002671&institutionId=2671&customerId=2670.

———. 1998b. ‘Chaucer’s English Rhymes: The Roman, the Romaunt and The Book of the Duchess’. In Words and Works: Studies in Medieval English Language and Literature in Honour of Fred C. Robinson, 74th ed, v.Vol. 10:223–42. Toronto: University of Toronto Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410284790002671&institutionId=2671&customerId=2670.

Bowers, John M. 1985. ‘The Tale of Beryn and The Siege of Thebes: Alternative Ideas of The Canterbury Tales’. Studies in the Age of Chaucer 7: 23–50. https://muse.jhu.edu/article/658751/pdf.

Boyd, Nina. 1982. ‘Doctrine and Criticism: A Revaluation of Genesis A’. Neuphilologische Mitteilungen: Bulletin de La Societe Neophilologique/Bulletin of the Modern Language Society 83 (3): 230–38. http://www.jstor.org/stable/43343457.

Bradbury, Nancy Mason, and Carolyn P. Collette. 2009. ‘Changing Times: The Mechanical Clock in Late Medieval Literature’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 43 (4): 351–75. http://www.jstor.org/stable/25642120.

Bradley, S. A. J. 1982. Anglo-Saxon Poetry: An Anthology of Old English Poems. London: Dent.

Branca, Vittore. 1970. Boccaccio Medievale. Nuova Edition Accresciuta. Vol. La civiltà europea. Firenze: Sansoni.

———. 1976. ‘The Myth of the Hero in Boccaccio’. In Concepts of the Hero in the Middle Ages and the Renaissance. London: Hodder and Stoughton.

———. 1984. ‘Boccaccio’s Role in the Renewal of Literary Genres’. In The J.A.W. Bennett Memorial Lectures, Perugia, 1982-1983, Medieval and pseudo-medieval literature:33–54. Tübingen: Narr.

Brewer, Derek, and Jonathan Gibson. 1997. A Companion to the Gawain-Poet. Vol. Arthurian studies. Cambridge: Brewer.

Brodeur, Arthur Gilchrist. 1959. The Art of Beowulf. Berkeley: California University Press.

Brown, Mary Frances. 2009. ‘Critique and Complicity: Metapoetical Reflections on the Gendered Figures of Body and Text in the Roman De La Rose’. Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 21 (2): 129–59. http://www.tandfonline.com/doi/abs/10.1179/175330709X406384.

Brown, Peter. 2007. A Companion to Medieval English Literature and Culture, c.1350-c.1500. Oxford: Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284252.

———. 2009. A Companion to Medieval English Literature and Culture, c.1350-c.1500. Vol. Blackwell companions to literature and culture. Malden, MA: Blackwell Publishing.

Brownlee, Kevin, and Sylvia Huot, eds. 1992. Rethinking the Romance of the Rose: Text, Image, Reception. Vol. Middle Ages series. Philadelphia: University of Pennsylvania Press.

Brucker, Matilda Tomaryn. 2008. ‘Chretien de Troyes’. In The Cambridge Companion to Medieval French Literature, Cambridge companions to literature:79–84. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410215030002671&institutionId=2671&customerId=2670.

Bruckner, Matilda. 1993. ‘Textual Identity and the Name of a Collection: Marie de France’s Lais’. In Shaping Romance: Interpretation, Truth, and Closure in Twelfth-Century French Fictions, The Middle Ages series:157–206. Philadelphia: University of Pennsylvania Press.

———. 2011a. ‘Speaking Through Animals in Marie de France’s Lais and Fables’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:157–86. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339170002671&institutionId=2671&customerId=2670.

———. 2011b. ‘Speaking Through Animals in Marie de France’s Lais and Fables’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:157–86. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410214220002671&institutionId=2671&customerId=2670.

Bruckner, Matilda Tomaryan. 2000. ‘The Shape of Romance in Medieval France’. In The Cambridge Companion to Medieval Romance, Cambridge companions to literature:13–28. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409260570002671&institutionId=2671&customerId=2670.

Bruckner, Matilda Tomaryn. 1993. Shaping Romance: Interpretation, Truth, and Closure in Twelfth-Century French Fictions. Vol. The Middle Ages series. Philadelphia: University of Pennsylvania Press.

———. 2000a. ‘The Shape of Romance in Medieval France’. In The Cambridge Companion to Medieval Romance, 13–28. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405776440002671&institutionId=2671&customerId=2670.

———. 2000b. ‘The Shape of Romance in Medieval France’. In The Cambridge Companion to Medieval Romance, edited by Roberta L. Krueger (ed.), 13–28. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405963760002671&institutionId=2671&customerId=2670.

———. 2000c. ‘The Shape of Romance in Medieval France’. In The Cambridge Companion to Medieval Romance, edited by Roberta L. Krueger, Cambridge Companions to Literature:13–28. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409326560002671&institutionId=2671&customerId=2670.

———. 2008. ‘Chretien de Troyes’. In The Cambridge Companion to Medieval French Literature, edited by Simon Gaunt and Sarah Kay, Cambridge Companions to Literature:79–94. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410215010002671&institutionId=2671&customerId=2670.

Burger, Glenn. 1993. ‘Reading Otherwise: Recovering the Subject in the Book of the Duchess’. Exemplaria 5 (2): 325–41. https://doi.org/10.1179/exm.1993.5.2.325.

Burgess, Glyn S. 1987. The Lais of Marie De France: Text and Context. Manchester: Manchester University Press.

Burgess, Glyn S., Keith Busby, and Marie. 1999. The Lais of Marie De France. 2nd ed. with two further lais in the original Old French. London: Penguin.

Burgwinkle, William E. 2004a. ‘Queering the Celtic: Marie de France and the Men Who Don’t Marry’. In Sodomy, Masculinity, and Law in Medieval Literature: France and England, 1050-1230, 138–69. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409381640002671&institutionId=2671&customerId=2670.

———. 2004b. ‘Queering the Celtic: Marie de France and the Men Who Don’t Marry’. In Sodomy, Masculinity, and Law in Medieval Literature: France and England, 1050-1230, 51:168–69. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267860002671&institutionId=2671&customerId=2670.

Burrow, J. A. 2004. ‘The Canterbury Tales I’. In The Cambridge Companion to Chaucer, edited by Piero Boitani and Jill Mann, 143–59. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521815568.

Burrow, John. 1959. ‘The Two Confession Scenes in Sir Gawain and the Green Knight’. Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature 57 (2): 73–79. http://www.jstor.org/stable/435118.

Burrows, J. A. 2003. ‘The Canterbury Tales I’. In The Cambridge Companion to Chaucer, 2nd Edition. Cambridge: Cambridge University Press.

Busby, Keith. 2011a. ‘The Manuscripts of Marie de France’. In A Companion to Marie de France, v. 27:303–18. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339160002671&institutionId=2671&customerId=2670.

———. 2011b. ‘The Manuscripts of Marie de France’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:303–18. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409381610002671&institutionId=2671&customerId=2670.

Butterfield, Ardis. 1990. ‘Medieval Genres and Modern Genre Theory’. Paragraph 13 (2): 184–201. https://www.jstor.org/stable/43151717.

———. 1991. ‘Lyric and Elegy in The Book of the Duchess’. Medium Aevum 60 (1): 33–60. http://www.jstor.org/stable/43629381.

———. 2008. Poetry and Music in Medieval France: From Jean Renart to Guillaume De Machaut. Vol. Cambridge studies in medieval literature. Cambridge: Cambridge University Press.

Camargo, Martin. 1996. ‘Rhetorical Ethos and the “Nun’s Priest’s Tale”’. Comparative Literature Studies 33 (2): 173–86. http://www.jstor.org/stable/40247053.

Camille, Michael. 1987. ‘Labouring for the Lord: The Ploughman and the Social Order in the Luttrell Psalter’. Art History 10 (4): 423–54. https://doi.org/10.1111/j.1467-8365.1987.tb00267.x.

Cannon, Christopher. 2008a. Middle English Literature: A Cultural History. Cambridge: Polity.

———. 2008b. Middle English Literature: A Cultural History. Cambridge [England]: Polity. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1174286.

Cervigni, Dino S. 2013. ‘Special Issue: Boccaccio’s Decameron: Rewriting the Christian Middle Ages’. Annali d’Italianistica 31: 1–560. http://www.jstor.org/stable/i24017782.

Chance, Jane. 1990. ‘The Structural Unity of Beowulf: The Problem of Grendel’s Mother’. In New Readings on Women in Old English Literature, 248–61. Bloomington: Indiana University Press.

Chaucer, Geoffrey. 2005a. ‘The Monk’s Prologue and Tale’. In The Canterbury Tales, Penguin classics:562–621. London: Penguin.

———. 2005b. ‘The Nun’s Priest’s Prologue, Tale, and Epilogue’. In The Canterbury Tales, Penguin classics:596–621. London: Penguin.

———. 2007. ‘The Book of the Duchess’. In Dream Visions and Other Poems: Authoritative Texts, Contexts, Criticism. New York: Norton.

———. 2008a. ‘The Book of the Duchess’. In The Riverside Chaucer, 3rd ed, 329–46. Oxford: Oxford University Press.

———. 2008b. ‘The Knight’s Tale’. In The Riverside Chaucer, 3rd ed. Oxford: Oxford University Press.

———. 2008c. ‘The Monk’s Prologue and Tale’. In The Riverside Chaucer, 3rd ed, 240–51. Oxford: Oxford University Press.

———. 2008d. ‘The Nun’s Priest’s Prologue and Tale’. In The Riverside Chaucer, 3rd ed, 252–61. Oxford: Oxford University Press.

Chaucer, Geoffrey, Helen Phillips, and N. R. Havely. 1997. Chaucer’s Dream Poetry. Vol. Longman annotated texts. London: Longman.

Clark, Cecily. 1971. ‘The Narrative Mode of The Anglo-Saxon Chronicle before the Conquest’. In England before the Conquest: Studies in Primary Sources Presented to Dorothy Whitelock. London: Cambridge University Press.

Clements, Robert John, and Joseph Gibaldi. 1977. Anatomy of the Novella: The European Tale Collection From Boccaccio and Chaucer to Cervantes. Vol. The Gotham library of the New York University Press. New York: New York University Press.

Cobley, Paul. 2001. Narrative. Vol. The new critical idiom. London: Routledge.

Cohen, Jeffrey J. 2012. ‘The Werewolf’s Indifference’. Studies in the Age of Chaucer 34 (1): 351–56. https://doi.org/10.1353/sac.2012.0024.

Connolly, Margaret. 1994. ‘Chaucer and Chess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 29 (1): 40–44. https://www.jstor.org/stable/25095870.

Cooper, Helen. 1999. ‘The Four Last Things in Dante and Chaucer: Ugolino in the House of Rumour’. In New Medieval Literatures: Vol. 3, 39–66. Oxf.U.P.

Copeland, Rita, and Ineke Sluiter. 2009. ‘Rhetoric, Poetics, and the Forms of Fiction’. In Medieval Grammar and Rhetoric: Language Arts and Literary Theory, AD 300 -1475, 38–47. Oxford: Oxford University Press.

Crane, Susan. 1992. ‘Froissart’s Dit Dou Bleu Chevalier as a Source for Chaucer’s Book of the Duchess’. Medium Ævum 61 (1): 59–74. http://www.jstor.org/stable/43632169.

Crossley-Holland, Kevin. 2002. The Anglo-Saxon World. New edition. Woodbridge: Boydell.

Curtis, Renée L. 1996. ‘Physical and Mental Cruelty in the “Lais” of Marie de France’. Arthuriana 6 (1): 22–35. http://www.jstor.org/stable/27869168.

Davenport, W. A. 2004. Medieval Narrative: An Introduction. Oxford: Oxford University Press.

Davis, R.H.C. 1971. ‘Alfred the Great: Propaganda and Truth’. History 56: 169–82. http://www.jstor.org/stable/24407164.

‘Decameron Web’. n.d. http://www.brown.edu/Departments/Italian_Studies/dweb/.

Derrida, Jacques. 1981. ‘The Law of Genre’. In On Narrative, 51–77. Chicago: University of Chicago Press.

Dinshaw, Carolyn. 1994. ‘A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in Sir Gawain and the Green Knight’. Diacritics: A Review of Contemporary Criticism 24 (2–3): 205–26. https://doi.org/10.2307/465173.

———. 1997. ‘Getting Medieval: Pulp Fiction, Gawain, Foucault’. In The Book and the Body. Vol. University of Notre Dame Ward-Phillips lectures in English language and literature. Notre Dame, Ind: University of Notre Dame Press.

Doane, Alger N. 1978. Genesis: A New Edition. Madison, Wis: University of Wisconsin Press.

———. 1991. The Saxon Genesis: An Edition of the West Saxon Genesis B and the Old Saxon Vatican Genesis. Madison, Wis: University of Wisconsin Press.

Dombroski, Robert S. 1976. Critical Perspectives on the ‘Decameron’. London: Hodder and Stoughton.

Donoghue, Daniel. 2004a. Old English Literature: A Short Introduction. Vol. Blackwell introductions to literature. Malden, Mass: Blackwell.

———. 2004b. Old English Literature: A Short Introduction. Malden, MA: Blackwell Pub.

Duffy, Eamon. 2005. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. 2nd Edition. New Haven: Yale University Press.

Duncan, Ian. 1987. ‘Epitaphs for Æglæcan: Narrative Strife in Beowulf’. In Beowulf, Modern critical interpretations:111–30. New York: Chelsea House. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405921570002671&institutionId=2671&customerId=2670.

———. 2007. ‘Epitaphs for Æglæcan: Narrative Strife in Beowulf’. In Beowulf, Bloom’s modern critical interpretations:111–30. New York: Chelsea House. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405921560002671&institutionId=2671&customerId=2670.

Dyer, Christopher. 1994. ‘Piers Plowman and Plowmen: A Historical Perspective’. The Yearbook of Langland Studies 08: 155–76. https://doi.org/10.1484/J.YLS.2.302845.

Earl, James. 2015. ‘The Swedish Wars In Beowulf’. The Journal of English and Germanic Philology 114 (1). https://doi.org/10.5406/jenglgermphil.114.1.0032.

Eberle, Patricia J. 1977. ‘The Lover’s Glass: Nature’s Discourse on Optics and the Optical Design of the Romance of the Rose’. University of Toronto Quarterly 46 (3): 241–62. https://muse.jhu.edu/article/560518/pdf.

Eliason, Norman E. 1952. ‘The “Improvised Lay” in Beowulf’. Philological Quarterly 31: 171–79. https://search.proquest.com/docview/1290866334?OpenUrlRefId=info:xri/sid:primo&accountid=11455.

Ellis, Roger. 2008a. The Oxford History of Literary Translation in English - Volume 1: To 1550. Oxford: Oxford University Press.

———, ed. 2008b. The Oxford History of Literary Translation in English - Volume 1: To 1550. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=415936.

Ellis, Steve. 1995. ‘The Death of the “Book of the Duchess”’. The Chaucer Review 29 (3): 249–58. http://www.jstor.org/stable/25095891.

Emmerson, Richard Kenneth, and Ronald B. Herzman. 1987. ‘The Apocalyptic Age of Hypocrisy: Faus Semblant and Amant in the Roman De La Rose’. Speculum 62 (3): 612–34. https://doi.org/10.2307/2846384.

Farber, Annika. 2008. ‘Usurping “Chaucer’s Dreame”: Book of the Duchess and the Apocryphal Isle of Ladies’. Studies in Philology 105 (2): 207–25. https://muse.jhu.edu/article/235191.

Ferster, Judith. 2006a. ‘Genre in and of the Canterbury Tales’. In A Concise Companion to Chaucer. Malden, MA: Blackwell.

———. 2006b. ‘Genre in and of the Canterbury Tales’. In A Concise Companion to Chaucer. Vol. Blackwell concise companions to literature and culture. Malden, MA: Blackwell Pub. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=130836.

Finlayson, John. 1992. ‘The Knight’s Tale: The Dialogue of Romance, Epic, and Philosophy’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 27 (2): 126–49. http://www.jstor.org/stable/25095793.

Foot, Sarah. 1996. ‘The Making of the Angelcynn: English Identity before the Norman Conquest’. Transactions of the Royal Historical Society 6: 25–49. http://www.jstor.org/stable/3679228.

Forni, Pier Massimo. 1996. Adventures in Speech: Rhetoric and Narration in Boccaccio’s Decameron. Vol. The Middle Ages series. Philadelphia: University of Pennsylvania Press.

Foster, Michael. 2007. ‘On Dating the Duchess: The Personal and Social Context of Book of the Duchess’. The Review of English Studies 59 (239): 185–96. https://doi.org/10.1093/res/hgm089.

Fowler, Alastair. 1982. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Oxford: Clarendon.

Fradenburg, L. O. Aranye. 2002. ‘The Ninety-Six Tears of Chaucer’s Monk’. In Sacrifice Your Love: Psychoanalysis, Historicism, Chaucer, v. 31:113–54. Minneapolis, Minn: University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409281850002671&institutionId=2671&customerId=2670.

Fradneburg, L. O. Aranye. 2002. ‘The Ninety-Six Tears of Chaucer’s Monk’. In Sacrifice Your Love: Psychoanalysis, Historicism, Chaucer, v. 31:113–54. Minneapolis: University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410214000002671&institutionId=2671&customerId=2670.

France, Marie de. 2011. ‘The Cock and the Fox’. In The Fables of Marie de France, edited by Harriet Spiegel (ed. and trans.). Vol. 32. Toronto: University of Toronto Press.

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Fulk, R. D., Christopher M. Cain, and Rachel S. Anderson. 2003. A History of Old English Literature. Vol. Blackwell histories of literature. Malden, Mass: Blackwell.

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———. 2007. Language and the Declining World in Chaucer, Dante, and Jean De Meun. Vol. Cambridge studies in medieval literature. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107318571.

———. 2010. Language and the Declining World in Chaucer, Dante, and Jean De Meun. Cambridge: Cambridge University Press.

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———. 2011b. The Cambridge Companion to Medieval English Culture. Vol. Cambridge Companions to Culture. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521856898.

Gaunt, Simon. 2001. ‘Fictions of Orality in Marie de France’s Lais’. In Retelling the Tale: An Introduction to Medieval French Literature, 49–70. London: Duckworth.

Gayk, Shannon. 2006. ‘“As Plouȝmen Han Preued”: The Alliterative Work of a Set of Lollard Sermons’. The Yearbook of Langland Studies 20: 43–65. https://doi.org/10.1484/J.YLS.2.302574.

Georgianna, Linda. 1987. ‘King Hrethel’s Sorrow and the Limits of Heroic Action in Beowulf’. Speculum 62 (4): 829–50. https://doi.org/10.2307/2851782.

Gertz, Sun Hee Kim. 1998. ‘Echoes and Reflections of Enigmatic Beauty in Ovid and Marie de France’. Speculum 73 (2): 372–96. https://doi.org/10.2307/2887157.

Gilbert, Jane. 2005. ‘“I Am Not He”: Narcissus and Ironic Performativity in Medieval French Literature’. The Modern Language Review 100 (4): 940–53. http://www.jstor.org/stable/3737718?seq=1#page_scan_tab_contents.

Godden, Malcolm. 1991a. ‘Biblical Literature: The Old Testament’. In The Cambridge Companion to Old English Literature, 206–42. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267890002671&institutionId=2671&customerId=2670.

———. 1991b. ‘Biblical Literature: The Old Testament’. In The Cambridge Companion to Old English Literature, 2nd ed, Cambridge companions to:206–42. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409381990002671&institutionId=2671&customerId=2670.

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———. 2013. The Cambridge Companion to Old English Literature. 2nd Edition. Vol. Cambridge companions to. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCO9781139042987.

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Gustafson, Kevin. 2006. ‘Sir Gawain and the Green Knight’. In A Companion to Medieval English Literature and Culture, c.1350-c.1500, Blackwell companions to literature and culture:619–33. Malden, MA: Blackwell Publishing. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410274980002671&institutionId=2671&customerId=2670.

———. 2007. ‘Sir Gawain and the Green Knight’. In A Companion to Medieval English Literature and Culture, c.1350-c.1500, 619–33. Oxford: Blackwell. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267790002671&institutionId=2671&customerId=2670.

Guynn, Noah D. 2007a. Allegory and Sexual Ethics in the High Middle Ages. 1st ed. 2007. Basingstoke: Palgrave Macmillan.

———. 2007b. Allegory and Sexual Ethics in the High Middle Ages. Basingstoke: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230603660.

Hainsworth, Peter, and David Robey. 2015. Dante: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press.

Hamaguchi, Keiko. 2005. ‘Transgressing the Borderline of Gender: Zenobia in the Monk’s Tale’. The Chaucer Review 40 (2): 183–205. https://doi.org/10.1353/cr.2005.0019.

Hamer, R. F. S. 1970. A Choice of Anglo-Saxon Verse. London: Faber and Faber.

Hardman, Phillipa. 1994. ‘The Book of the Duchess as a Memorial Monument’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 28 (3): 205–15. http://www.jstor.org/stable/25095845.

Harwood, Britton J. 1991a. ‘Gawain and the Gift’. PMLA 106 (3): 483–99. https://doi.org/10.2307/462781.

———. 1991b. ‘The Plot of Piers Plowman and the Contradictions of Feudalism’. In Speaking Two Languages: Traditional Disciplines and Contemporary Theory in Medieval Studies, SUNY series in medieval studies:91–114. Albany: State University of New York Press.

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Heller, Sarah-Grace. 2001. ‘Light as Glamour: The Luminescent Ideal of Beauty in the Roman de La Rose’. Speculum 76 (4): 934–59. https://doi.org/10.2307/2903616.

Henderhot, Cyndy. 1996. ‘Male Subjectivity, Fin Amor, and Melancholia in the Book of the Duchess’. Mediaevalia 21 (1): 1–26.

Herbison, Ivan. 1996. ‘The Idea of the Christian “Epic”: Towards a History of an Old English Poetic Genre’. In Studies in English Language and Literature: ‘Doubt Wisely’; Papers in Honour of E. G. Stanley, 342–61. London: Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405776450002671&institutionId=2671&customerId=2670.

Herman, David, ed. 2007a. The Cambridge Companion to Narrative. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press.

———, ed. 2007b. The Cambridge Companion to Narrative. Vol. Cambridge Companions to Literature. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521856965.

Hewett-Smith, Kathleen M. 1996. ‘Allegory on the Half-Acre: The Demands of History’. The Yearbook of Langland Studies 10: 1–22. https://doi.org/10.1484/J.YLS.2.302800.

Horowitz, Deborah. 2005. ‘An Aesthetic of Permeability: Three Transcapes of the Book of the Duchess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 39 (3): 259–79. http://www.jstor.org/stable/25094291.

Horrox, Rosemary, and W. M Ormrod. 2006a. A Social History of England, 1200-1500. Cambridge: Cambridge University Press.

Horrox, Rosemary, and W. M. Ormrod, eds. 2006b. A Social History of England, 1200-1500. Cambridge: Cambridge University Press. http://dx.doi.org/10.1017/CBO9781139167154.

Huber, Emily Rebekah. 2013. ‘Langland’s Confessional Dissonance: Wanhope in Piers Plowman B’. The Yearbook of Langland Studies 27: 79–101. https://doi.org/10.1484/J.YLS.1.103844.

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———. 1986. Chretien de Troyes: Yvain. Vol. Critical guides to French texts. London: Grant & Cutler.

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———. 2000. ‘Bodily Peril: Sexuality and the Subversion of Order in Jean De Meun’s “Roman De La Rose”’. The Modern Language Review 95 (1). https://doi.org/10.2307/3736369.

———. 2010. Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman De La Rose. Vol. Research monographs in French studies. London: Legenda. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400857380002671&institutionId=2671&customerId=2670.

Irvine, Martin. 1986. ‘Anglo-Saxon Literary Theory Exemplified in Old English Poems: Interpreting the Cross in The Dream of the Rood and Elene’. Style 20 (2): 157–81. http://www.jstor.org/stable/42945598?seq=1#page_scan_tab_contents.

———. 1994. ‘Anglo-Saxon Literary Theory Exemplified in Old English Poems: Interpreting the Cross in The Dream of the Roodand Elene’. In Old English Shorter Poems: Basic Readings, 3:31–63. New York: Garland.

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Isaacs, Neil D. 1968. Structural Principles in Old English Poetry. Knoxville: University of Tennessee Press.

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———. 1999b. Chivalry and Violence in Medieval Europe. Oxford: Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3055829.

Kamath, Stephanie A. V. G. 2012a. Authorship and First-Person Allegory in Late Medieval France and England. Vol. Gallica. Cambridge: D.S. Brewer. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401176740002671&institutionId=2671&customerId=2670.

———. 2012b. Authorship and First-Person Allegory in Late Medieval France and England. Vol. Gallica. Cambridge: D.S. Brewer. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781846158698.

Kay, Sarah. 1993. ‘Sexual Knowledge: The Once and Future Texts of the Romance of the Rose’. In Textuality and Sexuality: Reading Theories and Practices, 69–86. Manchester: Manchester University Press.

———. 1994. ‘Women’s Body of Knowledge: Epistemology and Misogyny in the Romance of the Rose’. In Framing Medieval Bodies, 211–35. Manchester: Manchester University Press.

———. 1995. The Romance of the Rose. Vol. Critical guides to French texts. London: Grant & Cutler.

———. 1996. ‘The Contradictions of Courtly Love: The Evidence of the Lauzengiers’. Journal of Medieval and Early Modern Studies 26: 209–53.

———. 1997. ‘The Birth of Venus in the Roman De La Rose’. Exemplaria 9 (1): 7–37. https://doi.org/10.1179/exm.1997.9.1.7.

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———. 1992b. The Art of Medieval French Romance. Madison, Wis: University of Wisconsin Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08769.

Kelly, Henry Angsar. 1997. ‘Chaucer on Tragedy’. In Chaucerian Tragedy, Chaucer studies:39–91. Woodbridge: Brewer.

Khanmohamadi, Shirin Azizeh. 2011. ‘Salvage Anthropology and Displaced Mourning in the “Lais” of Marie de France’. Arthuriana 21 (3): 49–69. http://www.jstor.org/stable/23238953?seq=1#page_scan_tab_contents.

Kinney, Clare R. 1994a. ‘The (Dis)Embodied Hero and the Signs of Manhood in Sir Gawain and the Green Knight’. In Medieval Masculinities: Regarding Men in the Middle Ages, Medieval cultures:47–58. Minneapolis: University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409281870002671&institutionId=2671&customerId=2670.

———. 1994b. ‘The (Dis)Embodied Hero and the Signs of Manhood in Sir Gawain and the Green Knight’. In Medieval Masculinities: Regarding Men in the Middle Ages, edited by Clare A. Lees, Thelma S. Fenster, and Jo Ann McNamara, v. 7:47–58. Minneapolis: University of Minnesota Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339070002671&institutionId=2671&customerId=2670.

Kinoshita, Sharon, and Peggy McCracken. 2012a. Marie de France: A Critical Companion. Vol. Gallica. Woodbridge: D.S. Brewer.

———. 2012b. Marie de France: A Critical Companion. Vol. Gallica. Suffolk: Boydell & Brewer. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=9359097980002671&institutionId=2671&customerId=2670.

Kirk, Elizabeth D. 1988. ‘Langland’s Plowman and the Recreation of Fourteenth-Century Religious Metaphor’. The Yearbook of Langland Studies 02: 1–21. https://doi.org/10.1484/J.YLS.2.302948.

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Knowles, Jim. 2010. ‘Can You Serve? The Theology of Service from Langland to Luther’. Journal of Medieval and Early Modern Studies 40 (3): 527–57. https://doi.org/10.1215/10829636-2010-005.

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———. 2003b. ‘Marie de France’. In The Cambridge Companion to Medieval Women’s Writing, edited by Carolyn Dinshaw and David Wallace, 172–83. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267840002671&institutionId=2671&customerId=2670.

———. 2011a. ‘The Wound, the Knot, and the Book: Marie de France and Literary Traditions of Love in the Lais’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:55–186. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410214180002671&institutionId=2671&customerId=2670.

———. 2011b. ‘The Wound, the Knot, and the Book: Marie de France and Literary Traditions of Love in the Lais’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:55–88. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410339110002671&institutionId=2671&customerId=2670.

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———. 1992b. Dreaming in the Middle Ages. Vol. Cambridge Studies in Medieval Literature. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511518737.

Lacy, Norris J., and Joan Tasker Grimbert. 2005a. A Companion to Chrétien de Troyes. Vol. Arthurian studies. Cambridge: D.S. Brewer. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13404624260002671&institutionId=2671&customerId=2670.

———. 2005b. A Companion to Chrétien De Troyes. Vol. Arthurian studies. Cambridge: D.S. Brewer. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781846153860.

Langland, William. 2014. Piers Plowman: A New Annotated Edition of the C-Text. Edited by Derek Pearsall. Vol. Exeter medieval texts and studies. Liverpool: Liverpool University Press.

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Langland, William, George Russell, and George Kane. 1997. Piers Plowman: The C Version. London: Athlone.

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———. 1978b. The Vision of Piers Plowman: A Critical Edition of the B-Text. London: Dent.

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Lees, Clare A. 2012. The Cambridge History of Early Medieval English Literature. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CHO9781139035637.

———. 2013. The Cambridge History of Early Medieval English Literature. Cambridge: Cambridge University Press.

Lindley, Arthur. 1994. ‘"Ther He Watz Dispoyled, With Spechez of Myerthe”: Carnival and the Undoing of Sir Gawain’. Exemplaria 6 (1): 67–86. https://doi.org/10.1179/exm.1994.6.1.67.

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———. 2002a. Old English Literature: Critical Essays. New Haven: Yale University Press.

———. 2002b. Old English Literature: Critical Essays. New Haven: Yale University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3419944.

Lowe, Jeremy. 2001. ‘The Cinematic Consciousness of Sir Gawain and the Green Knight’. Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 13 (1): 67–97. http://www.tandfonline.com/doi/abs/10.1179/exm.2001.13.1.67.

Lucas, Peter J. 1992. ‘Loyalty and Obedience in the Old English Genesis and the Interpolation of Genesis B Into Genesis A’. Neophilologus 76 (1): 121–35. https://doi.org/10.1007/BF00316762.

Lumiansky, R. M. 1999. ‘The Bereaved Narrator in Chaucer’s The Book of the Duchess’. In Chaucer’s Dream Visions and Shorter Poems, Basic readings in Chaucer and his time:117–29. New York: Garland.

Lydgate, John. 2013. The Fall of Princes. Edited by Henry Bergen (ed.). Vol. HardPress classics series. Miami, FL: HardPress Publishing.

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Lydgate, John, and Henry Bergen. 1924a. The Fall of Princes: Pt.1.

———. 1924b. The Fall of Princes: Pt.2.

———. 1924c. The Fall of Princes: Pt.3.

———. 1927. The Fall of Princes: Pt.4.

Lydgate, John, and Robert Edwards. 2001. The Siege of Thebes. Vol. Middle English texts. Kalamazoo, Mich: Medieval Institute Publications.

Maddox, Donald. 2008. The Arthurian Romances of Chretien De Troyes: Once and Future Fictions. Vol. 12. Cambridge: Cambridge University Press.

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Mann, Jill. 1975. ‘The Speculum Stultorum and the Nun’s Priest’s Tale’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 9 (3): 262–82. http://www.jstor.org/stable/25093313.

———. 1986. ‘Price and Value in Sir Gawain and the Green Knight’. Essays in Criticism XXXVI (4): 294–318. https://doi.org/10.1093/eic/XXXVI.4.294.

———. 2009. ‘Courtly Aesthetics and Courtly Ethics in Sir Gawain and the Green Knight’. Studies in the Age of Chaucer 31: 231–65. https://muse.jhu.edu/article/380147.

Marcus, Millicent Joy. 1979a. An Allegory of Form: Literary Self-Consciousness in the Decameron. Vol. Stanford French and Italian studies. Saratoga, Calif: Anma Libri.

———. 1979b. An Allegory of Form: Literary Self-Consciousness in the Decameron. Vol. Stanford French and Italian studies. Saratoga, Calif: Anma Libri.

Margherita, Gayle. 1993. ‘Originary Fantasies and Chaucer’s Book of the Duchess’. In Feminist Approaches to the Body in Medieval Literature, New cultural studies:116–41. Philadelphia: University of Pennsylvania Press.

Marino, Lucia. 1979. The Decameron ‘Cornice’: Allusion, Allegory and Iconology. Vol. Interprete. Ravenna: Longo.

Martin, Carl Grey. 2009. ‘The Cipher of Chivalry: Violence as Courtly Play in the World of Sir Gawain and the Green Knight’. The Chaucer Review 43 (3): 311–29. http://www.jstor.org/stable/25642113?seq=1#page_scan_tab_contents.

Martin, Carol A. N. 1993. ‘Mercurial Translation in the Book of the Duchess’. Chaucer Review: A Journal of Medieval Studies and Literary Criticism 28 (2): 95–116. http://www.jstor.org/stable/25095835.

Mazzotta, Giuseppe. 1986. The World at Play in Boccaccio’s Decameron. Princeton, N.J.: Princeton University Press.

McCracken, Peggy. 1998. The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature. Philadelphia: University of Pennsylvania Press.

McLoone, Katherine. 2011. ‘Strange Bedfellows: Politics, Miscegenation, and Translation in Two Lays of Lanval’. Arthuriana 21 (4): 3–22. https://doi.org/10.1353/art.2011.0039.

McQuillan, Martin. 2000. The Narrative Reader. London: Routledge.

Meun, Jean de, Guillaume de Lorris, and Frances Horgan. 1994. The Romance of the Rose. Vol. The world’s classics. Oxford: Oxford University Press.

Meyer-Lee, Robert John. 2009. Poets and Power From Chaucer to Wyatt. Vol. Cambridge studies in medieval literature. Cambridge: Cambridge University Press.

Mickel, Emanuel J. 2011a. ‘Marie de France and the Learned Tradition’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:31–54. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267820002671&institutionId=2671&customerId=2670.

———. 2011b. ‘Marie de France and the Learned Tradition’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:31–54. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410267810002671&institutionId=2671&customerId=2670.

Middleton, Anne. 1982. ‘Narration and the Invention of Experience: Episodic Form in Piers Plowman’. In The Wisdom of Poetry: Essays in Early English Literature in Honor of Morton W. Bloomfield, 91–122. Kalamazoo, Mich: Medieval Institute Publications, Western Michigan University.

———. 1997. ‘Acts of Vagrancy: The C-Version "Autobiography” and the Statute of 1388’. In Written Work: Langland, Labor, and Authorship, The Middle Ages series:208–317. Philadelphia, Pa: University of Pennsylvania Press.

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Migiel, Marilyn. 2003a. A Rhetoric of the Decameron. Vol. Toronto Italian studies. Toronto: University of Toronto Press.

———. 2003b. A Rhetoric of the Decameron. Vol. Toronto Italian studies. Toronto: University of Toronto Press.

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Minnis, Alastair J. 2001. Magister Amoris: The Roman de La Rose and Vernacular Hermeneutics. Oxford: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780198187547.001.0001.

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———. 2002b. ‘The Mirror and the Rose: Marguerite Porete’s Encounter With the Dieu D’amours’. In The Vernacular Spirit: Essays on Medieval Religious Literature, 105–23. New York, N.Y.: Palgrave. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409381660002671&institutionId=2671&customerId=2670.

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———. 2013. ‘Heroic Values and Christian Ethics’. In The Cambridge Companion to Old English Literature. Cambridge: Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13405802810002671&institutionId=2671&customerId=2670.

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———. 2011b. ‘Literary and Socio-Cultural Aspects of the Lais of Marie de France’. In A Companion to Marie de France, Brill’s companions to the Christian tradition:78–88. Leiden: Brill. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410409520002671&institutionId=2671&customerId=2670.

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———. 2006. Chaucer’s Queer Poetics: Rereading the Dream Trio. Toronto: University of Toronto Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13404655870002671&institutionId=2671&customerId=2670.

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———. 2005. ‘Chaucer’s Book of the Duchess: A Proposal’. Medium Ævum 74 (1): 60–70. https://literature.proquest.com/searchFulltext.do?id=R03621056&divLevel=0&queryId=3031183898769&trailId=16045D313C8&area=abell&forward=critref_ft.

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