Amici, Marco. 2010. ‘Urgency and Visions of the New Italian Epic’. Journal of Romance Studies 10 (1): 7–18. https://doi.org/10.3167/jrs.2010.100102.
Antonello, Pierpaolo, and Florian Mussgnug. 2009. Postmodern Impegno: Ethics and Commitment in Contemporary Italian Culture. Vol. Italian modernities. New York: Peter Lang. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1055603.
Barker, Francis, Peter Hulme, and Margaret Iversen. 1992. Postmodernism and the Re-Reading of Modernity. Manchester: Manchester University Press.
Bertens, Hans. 1995a. The Idea of the Postmodern. London: Routledge.
———. 1995b. The Idea of the Postmodern. Electronic resource. London: Routledge. http://www.myilibrary.com?id=5001.
Blisset, Luther. 1999. Q. Turin: Einaudi.
Blissett, Luther. 2004. Q. London: Arrow.
Bondanella, Peter. 1997. Umberto Eco and the Open Text: Semiotics, Fiction, Popular Culture. Cambridge: Cambridge University Press.
Boscolo, Claudia. 2010. ‘The Idea of Epic and New Italian Epic’. Journal of Romance Studies 10 (1): 19–35. https://doi.org/10.3167/jrs.2010.100103.
Breiner, Laurence A. 1988. ‘Italic Calvino: The Place of the Emperor in Invisible Cities’. MFS Modern Fiction Studies 34 (4): 559–73. https://muse.jhu.edu/article/242891.
Brooker, Peter. 1992. Modernism / Postmodernism. London: Longman.
Caesar, Michael. 1999. Umberto Eco: Philosophy, Semiotics, and the Work of Fiction. Vol. Key contemporary thinkers. Malden, Mass: Polity Press.
Caesar, Michael, and Peter Hainsworth. 1984. Writers & Society in Contemporary Italy: A Collection of Essays. Leamington Spa: Berg.
Calvino, Italo. 1972. Le Citta Invisibili. 3a ed. Torino: Einaudi.
———. 1987. The Literature Machine: Essays. London: Secker & Warburg.
———. 1988. Six Memos for the Next Millennium. Vol. The Charles Eliot Norton lectures. Cambridge, Mass: Harvard University Press.
———. 1997. Invisible Cities. London: Vintage.
Cannon, JoAnn. 1981. Italo Calvino: Writer and Critic. Vol. L’interprete. Ravenna: Longo.
———. 1989a. Postmodern Italian Fiction: The Crisis of Reason in Calvino, Eco, Sciascia, Malerba. Rutherford, N.J.: Fairleigh Dickinson University Press.
———. 1989b. Postmodern Italian Fiction: The Crisis of Reason in Calvino, Eco, Sciascia, Malerba. Rutherford, N.J.: Fairleigh Dickinson University Press.
Chimenti, Dimitri. 2010. ‘Unidentified Narrative Objects: Notes for a Rhetorical Typology’. Journal of Romance Studies 10 (1): 37–49. https://doi.org/10.3167/jrs.2010.100104.
Cohan, Steven, and Linda M. Shires. 1988. Telling Stories: A Theoretical Analysis of Narrative Fiction. Vol. New accents. New York: Routledge.
Coletti, Theresa. 1988. Naming the Rose: Eco, Medieval Signs, and Modern Theory. Ithaca: Cornell University Press.
Connor, Stephen. 2004. The Cambridge Companion to Postmodernism. Electronic book. Vol. Cambridge Companions to Literature. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521640520.
Connor, Steven. 2004. The Cambridge Companion to Postmodernism. Vol. Cambridge companions to literature The Cambridge companion to postmodernism. Cambridge University Press. https://doi.org/10.1017/CCOL0521640520.
Cotroneo, Roberto. 1995. La Diffidenza Come Sistema: Saggio Sulla Narrativa Di Uberto Eco. Vol. Lo spirito del tempo. Milano: Anabasi.
Docherty, Thomas. 1993. Postmodernism: A Reader. New York: Harvester Wheatsheaf.
Dombroski, Robert S. 1994. ‘Post Modern Rhetoric: Italo Calvino’s Le Citta Invisibili and Architecture’. In Properties of Writing: Ideological Discourse in Modern Italian Fiction, 171–84. Baltimore: Johns Hopkins University Press.
Eagleton, Terry. 1996. Literary Theory: An Introduction. 2nd ed. Oxford: Blackwell.
———. 2008. Literary Theory: An Introduction. Electronic book. Malden, Mass: Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=827065.
Eco, Umberto. 1985. Reflections on the Name of the Rose. London: Secker & Warburg.
———. 2014. Il Nome Della Rosa. II edizione Grandi Tascabili Bompiani (V edizione riveduta e corretta) novembre 2014. Milano [Milan, Italy]: Bompiani.
———. 2016. The Name of the Rose. New edition. London: Vintage.
Farronato, Cristina. 2003. Eco’s Chaosmos: From the Middle Ages to Postmodernity. Vol. Toronto Italian studies. Toronto: University of Toronto Press.
Forchetti, Franco. 2005. Il Segno E La Rosa: I Segreti Della Narrativa Di Umberto Eco. Vol. Contatti. Roma: Castelvecchi.
Gabriele, Tommasina. 1994. Italo Calvino: Eros and Language. Rutherford: Fairleigh Dickinson University Press.
Gracia, Jorge J. E. 2002. Literary Philosophers: Borges, Calvino, Eco. London: Routledge.
Hernández Martín, Jorge. 1995. Readers and Labyrinths: Detective Fiction in Borges, Bustos Domecq, and Eco. Vol. Latin American studies. New York: Garland.
Hume, Kathryn. 1992a. Calvino’s Fictions: Cogito and Cosmos. Oxford: Clarendon.
———. 1992b. ‘Sensuality and the Senses in Calvino’s Fiction’. MLN 107 (1). https://doi.org/10.2307/2904680.
Hutcheon, Linda. 1988. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.
———. 1989. The Politics of Postmodernism. Vol. New accents. London: Routledge.
James, Carol P. 1982. ‘Seriality and Narrativity in Calvino’s Le Citta Invisibili’. MLN 97 (1). https://doi.org/10.2307/2906279.
Jansen, Monica. 2010. ‘Laboratory NIE: Mutations in Progress’. Journal of Romance Studies 10 (1): 97–109. https://doi.org/10.3167/jrs.2010.100108.
Jeannet, Angela M. 2000. Under the Radiant Sun and the Crescent Moon: Italo Calvino’s Storytelling. Vol. Toronto Italian studies. Toronto: University of Toronto Press.
Lodge, David, and Nigel Wood. 2008. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Lucente, Gregory L. 1986. Beautiful Fables: Self-Consciousness in Italian Narrative From Manzoni to Calvino. Baltimore: Johns Hopkins University Press.
Markey, Constance. 1999. Italo Calvino: A Journey Toward Postmodernism. Vol. Crosscurrents. Gainesville, Fla: University Press of Florida.
McLaughlin, Martin. 1998. Italo Calvino. Vol. Writers of Italy. Edinburgh: Edinburgh University Press.
Pacifici, Sergio. 1963. ‘From Engagement to Alienation: A View of Contemporary Italian Literature’. Italica 40 (3): 236–58. https://doi.org/10.2307/477105.
———. 1969. From Verismo to Experimentalism: Essays on the Modern Italian Novel. Bloomington, Ind: Indiana University Press.
Pine, Jason. 2008. ‘Icons and Iconoclasm: Roberto Saviano’s Gomorrah and La Denuncia’. Journal of Modern Italian Studies 13 (3): 431–36. https://doi.org/10.1080/13545710802218676.
Pischedda, Bruno. 1994. Come Leggere Il Nome Della Rosa Di Umberto Eco. Vol. Come leggere. Milano: Mursia.
Pocci, Luca. 2011. ‘“Io So”: A Reading of Roberto Saviano’s Gomorra’. MLN 126 (1): 224–44. http://www.jstor.org/stable/23012698.
Ricci, Franco. 1989. Calvino Revisited. Vol. University of Toronto Italian studies. Ottawa: Dovehouse.
———. 2001. Painting With Words, Writing With Pictures: Word and Image in the Work of Italo Calvino. Vol. Toronto Italian studies. Toronto: University of Toronto Press.
Saviano, Roberto. 2006. Gomorra: Viaggio Nell’impero Economico E Nel Sogno Di Dominio Della Camorra. 1. ed. Vol. Strade blu. Milano: Mondadori.
———. 2008. Gomorrah: Italy’s Other Mafia. London: Pan Books.
Silverman, Hugh J. 1990. Postmodernism: Philosophy and the Arts. Vol. Continental philosophy. New York: Routledge.
Wales, Katie. 2011. A Dictionary of Stylistics. 3rd ed. Vol. Studies in language and linguistics. Harlow: Pearson Longman. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1782377.
Waugh, Patricia. 1988. Metafiction: The Theory and Practice of Self-Conscious Fiction. Vol. New accents. London: Routledge.
———. 1993. Metafiction: The Theory and Practice of Self-Conscious Fiction. Electronic book. Vol. New accents. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165759.
Weiss, Beno. 1993. Understanding Italo Calvino. University of South Carolina Press.
Woods, Tim. 1999. Beginning Postmodernism. Vol. Beginnings. Manchester: Manchester University Press.