Bibliography for EN3224 Ideas in Contemporary Fiction BETA

Agamben, Giorgio. ‘What Is the Contemporary?’ What Is an Apparatus? And Other Essays. Stanford, Calif: Stanford University Press, 2009. 39–54. Print.

Al Deek, Akram. Writing Displacement: Home and Identity in Contemporary Post-Colonial English Fiction. Basingstoke: Palgrave Macmillan, 2017. Print.

‘Alluvium | 21st Century Writing | 21st Century Approaches’. N.p., n.d. Web. <https://www.alluvium-journal.org/>.

Altman, Rick. A Theory of Narrative. New York: Columbia University Press, 2008. Print.

Annesley, James. Fictions of Globalization. London: Continuum, 2008. Print.

Barnard, Rita. ‘Fictions of the Global’. NOVEL: A Forum on Fiction 42.2 (2009): n. pag. Web. <https://www.jstor.org/stable/27764307?seq=1#metadata_info_tab_contents>.

Barrows, Adam. The Cosmic Time of Empire: Modern Britain and World Literature. Vol. 3. Berkeley: University of California Press, 2011. Print.

Bassett, Caroline. The Arc and the Machine: Narrative and New Media. Manchester: Manchester University Press, 2014. Print.

Beck, Ulrich, and Ciaran Cronin. The Cosmopolitan Vision. Cambridge: Polity Press, 2006. Print.

Bell, Alice, Astrid Ensslin, and Hans Kristian Rustad, eds. Analyzing Digital Fiction. London: Routledge, 2016. Print.

Bennett, Alice. Afterlife and Narrative in Contemporary Fiction. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012. Print.

Bérubé, Michael. ‘Introduction: Worldly English’. Modern Fiction Studies 48.1 (2002): n. pag. Web. <https://www.jstor.org/stable/26286053?seq=1#metadata_info_tab_contents>.

Bonneuil, Christophe, Jean-Baptiste Fressoz, and David Fernbach. The Shock of the Anthropocene: The Earth, History and Us. London: Verso, 2017. Print.

Boxall, Peter. Twenty-First Century Fiction: A Critical Introduction. Cambridge: Cambridge University Press, 2013. Print.

Bracke, Astrid. Climate Crisis and the 21st-Century British Novel. London: Bloomsbury Academic, 2018. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781474271141>.

Braidotti, Rosi. Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity, 2002. Print.

---. The Posthuman. Cambridge: Polity, 2013. Print.

---. The Posthuman. Cambridge: Polity, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1315633>.

Brouillette, Sarah. Postcolonial Writers in the Global Literary Marketplace. Basingstoke: Palgrave Macmillan, 2007. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736241>.

Buell, Lawrence. Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. Cambridge, Mass: Belknap, 2001. Print.

Burn, Stephen. Jonathan Franzen at the End of Postmodernism. London: Continuum, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441194404>.

Butler, Judith. Frames of War: When Is Life Grievable? London: New York, 2009. Print.

---. Precarious Life: The Powers of Mourning and Violence. London: Verso, 2006. Print.

‘C21 Literature: Journal of 21st-Century Writings’. N.p., n.d. Web. <https://c21.openlibhums.org/>.

Caruth, Cathy. Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press, 1995. Print.

Chakrabarty, Dipesh. ‘Postcolonial Studies and the Challenge of Climate Change’. New Literary History 43.1 (2012): n. pag. Web. <https://www.jstor.org/stable/23259358?seq=1#metadata_info_tab_contents>.

Chun, Wendy Hui Kyong. ‘The Enduring Ephemeral, or the Future Is a Memory’. Critical Inquiry 35.1 (2008): 148–171. Web.

Churchwell, Sarah. ‘A Visit from the Goon Squad by Jennifer Egan’. Guardian (2011): n. pag. Web. <https://www.theguardian.com/books/2011/mar/13/jennifer-egan-visit-goon-squad>.

Chute, Hillary L. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010. Print.

Clark, Timothy. Ecocriticism on the Edge: The Anthropocene as a Threshold Concept. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2015. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781472506702>.

---. The Cambridge Introduction to Literature and the Environment. Cambridge: Cambridge University Press, 2011. Print.

Cochrane, Kira. ‘Eimear McBride: “There Are Serious Readers Who Want to Be Challenged”’. Guardian (2014): n. pag. Web. <https://www.theguardian.com/books/2014/jun/05/eimear-mcbride-serious-readers-challenged-baileys-womens-prize>.

Cohen, Robin. Global Diasporas: An Introduction. 2nd ed. London: Routledge, 2008. Print.

---. Global Diasporas: An Introduction. London: New York, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=125974>.

Cole, Teju. Open City. London: Faber, 2012. Print.

Craps, Stef. Postcolonial Witnessing: Trauma Out of Bounds. New York: Palgrave Macmillan, 2013. Print.

---. Postcolonial Witnessing: Trauma Out of Bounds. Basingstoke: Palgrave Macmillan, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1094993>.

Crosthwaite, Paul. ‘Blood on the Trading Floor’. Angelaki 15.2 (2010): 3–18. Web.

---. ‘Phantasmagoric Finance: Crisis and the Supernatural in Contemporary Finance Culture’. Criticism, Crisis, and Contemporary Narrative: Textual Horizons in an Age of Global Risk. Ed. Paul Crosthwaite. Vol. 4. New York: Routledge, 2014. 178–200. Print.

Currie, Mark. About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh: Edinburgh University Press, 2007. Print.

---. About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh: Edinburgh University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=320448>.

Cusk, Rachel. Outline. Main. London: Faber & Faber, 2018. Print.

Dalley, Hamish. The Postcolonial Historical Novel: Realism, Allegory, and the Representation of Contested Pasts. Basingstoke, Hampshire: Palgrave Macmillan, 2014. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137450098>.

Dawson, Paul. The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century F. Ohio State University Press, 2015. Print.

Dawson Varughese, Emma. Beyond the Postcolonial: World Englishes Literature. Basingstoke: Palgrave Macmillan, an imprint of Macmillan Publishers, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137265234>.

---. Reading New India: Post-Millennial Indian Fiction in English. London: Bloomsbury, 2013. Print.

Dinnen, Zara. The Digital Banal: New Media in American Literature and Culture. New York: Columbia University Press, 2018. Print.

Driscoll, Lawrence Victor. Evading Class in Contemporary British Literature. 1st ed. New York: Palgrave Macmillan, 2009. Print.

---. Evading Class in Contemporary British Literature. New York: Palgrave Macmillan, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4715754>.

Duvall, John N., and Robert P. Marzec. ‘Narrating 9/11’. Modern Fiction Studies 57.3 (2011): n. pag. Web. <https://www.jstor.org/stable/26287207?seq=1#metadata_info_tab_contents>.

Eaglestone, Robert. ‘Contemporary Fiction in the Academy: Towards a Manifesto’. Textual Practice 27.7 (2013): 1089–1101. Web.

Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: University Press of Mississippi, 2017. Print.

Eaves, Will. Murmur. Main. Edinburgh: Canongate, 2019. Print.

Egan, Jennifer. A Visit from the Goon Squad. London: Corsair, 2011. Print.

El Refaie, Elisabeth. Autobiographical Comics: Life Writing in Pictures. Jackson, Mississippi: The University Press of Mississippi, 2012. Print.

Elias, A. ‘Postmodern Metafiction’. The Cambridge Companion to American Fiction After 1945. Cambridge: Cambridge University Press, 2011. 15–29. Print.

---. ‘Postmodern Metafiction’. The Cambridge Companion to American Fiction after 1945. Ed. John N. Duvall. Cambridge: Cambridge University Press, 2011. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521196314>.

English, James F. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, Mass: Harvard University Press, 2005. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674036536>.

Fisher, Mark. Capitalist Realism: Is There No Alternative? Winchester: O Books, 2009. Print.

Fowler, Karen Joy. We Are All Completely Beside Ourselves. London: Serpent’s Tail, 2013. Print.

Garrard, Greg. Ecocriticism. 2nd ed. London: Routledge, 2012. Print.

Gifford, T. ‘Pastoral, Anti-Pastoral and Post-Pastoral’. The Cambridge Companion to Literature and the Environment. Ed. Louise Hutchings Westling. New York: Cambridge University Press, 2014. Print.

---. ‘Pastoral, Anti-Pastoral and Post-Pastoral’. The Cambridge Companion to Literature and the Environment. Ed. Louise Hutchings Westling. Cambridge: Cambridge University Press, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139342728>.

Gifford, T. ‘The Environmental Humanities and the Pastoral Tradition’. Ecocriticism, Ecology, and the Cultures of Antiquity. Ed. Christopher Schliephake. Lanham, Maryland: Lexington Books, 2016. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4747233>.

Gilroy, Paul. Between Camps: Nations, Cultures and the Allure of Race. [New] ed. London: Routledge, 2004. Print.

Gray, R. ‘Open Doors, Closed Minds: American Prose Writing at a Time of Crisis’. American Literary History 21.1 (2008): 128–151. Web.

Gunaratne, Guy. In Our Mad and Furious City. London: Tinder Press, 2019. Print.

Halberstam, J. Jack. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: NYU Press, 2005. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=2081650>.

Hamid, Mohsin. Exit West. UK: Penguin Books, 2018. Print.

---. Exit West. UK: Penguin Books, 2018. Print.

Han, Kang, and Deborah Smith. The Vegetarian: A Novel. London: Portobello Books, 2015. Print.

Haraway, Donna. Primate Visions: Gender, Race and Nature in the World of Modern Science. London: Verso, 1992. Print.

Haraway, Donna J. Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association, 1991. Print.

Hartnell, Anna. After Katrina: Race, Neoliberalism, and the End of the American Century. Albany: SUNY Press, 2017. Print.

Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge: Cambridge University Press, 2002. Print.

---. The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge, U.K.: Cambridge University Press, 2002. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=16332>.

Herman, David. Story Logic: Problems and Possibilities of Narrative. Lincoln, Neb: University of Nebraska Press, 2004. Print.

Ho, Janice. Nation and Citizenship in the Twentieth-Century British Novel. New York: Cambridge University Press, 2015. Print.

Holloway, David. 9/11 and the War on Terror. Edinburgh: Edinburgh University Press, 2008. Print.

---. 9/11 and the War on Terror. Edinburgh: Edinburgh University Press, 2008. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=364821>.

Houen, Alex. ‘Novel Spaces and Taking Place(s) in the Wake of September 11’. Studies in the Novel 36.3 (2004): n. pag. Web. <https://www.jstor.org/stable/20831905?seq=1#metadata_info_tab_contents>.

---. Terrorism and Modern Literature From Joseph Conrad to Ciaran Carson. Oxford: Oxford University Press, 2002. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191541988>.

‘How to Write about Africa | Binyavanga Wainaina | Granta Magazine’. N.p., n.d. Web. <https://granta.com/how-to-write-about-africa/>.

Huehls, Mitchum. ‘The Great Flattening’. Contemporary Literature 54.4 (2013): 861–871. Web.

Irr, Caren. Toward the Geopolitical Novel: U.S. Fiction in the Twenty-First Century. New York: Columbia University Press, 2014. Print.

James, D. Discrepant Solace: Contemporary Writing and the Work of Consolation. OUP: Oxford, 2019. Print.

James, David. ‘A Renaissance for the Crystalline Novel?’ Contemporary Literature 53.4 (2012): n. pag. Web. <https://www.jstor.org/stable/41819538?seq=1#metadata_info_tab_contents>.

---. Modernist Futures: Innovation and Inheritance in the Contemporary Novel. Cambridge: Cambridge University Press, 2012. Print.

---. Modernist Futures: Innovation and Inheritance in the Contemporary Novel. Cambridge: Cambridge University Press, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781139532068>.

---. ‘“Style Is Morality”? Aesthetics and Politics in the Amis Era’. Textual Practice 26.1 (2012): 11–25. Web.

---. ‘Worlded Localisms: Cosmopolitics Writ Small’. Postmodern Literature and Race. Ed. Len Platt and Sara Upstone. New York, NY: Cambridge University Press, 2015. 47–61. Print.

Johnston, Katherine D. ‘Metadata, Metafiction, and the Stakes of Surveillance in Jennifer Egan’s’. American Literature 89.1 (2017): 155–184. Web.

Jones, Allie. ‘Alt Lit Is Dead and Its Women Writers Are Creating Their Own Scene’. N.p., 2014. Web. <https://gawker.com/alt-lit-is-dead-and-its-women-writers-are-creating-thei-1642110662>.

Josipovici, Gabriel. What Ever Happened to Modernism? New Haven, Conn: Yale University Press, 2011. Print.

Keeble, Arin. The 9/11 Novel: Trauma, Politics and Identity. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781476615622>.

Kelly, Adam. ‘Beginning with Postmodernism’. Twentieth Century Literature 57.3 (2011): n. pag. Web. <https://www.jstor.org/stable/41698759?seq=1#metadata_info_tab_contents>.

Keniston, Ann, and Jeanne Follansbee Quinn. Literature After 9/11. Vol. 1. New York: Routledge, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203707494>.

Keren, Michael. Politics and Literature at the Turn of the Millennium. Calgary: University of Calgary Press, 2015. Print.

Laing, Olivia. Crudo. London: Picador, 2019. Print.

Lea, Daniel. Twenty-First-Century Fiction: Contemporary British Voices. Manchester: Manchester University Press, 2019. Print.

Leader-Picone, Cameron. ‘Post-Black Stories: Colson Whitehead’s Sag Harbor and Racial Individualism’. Contemporary Literature 56.3 (2015): 421–449. Web. <https://muse.jhu.edu/article/601565>.

Lebron, Christopher J. The Making of Black Lives Matter: A Brief History of an Idea. New York, NY: Oxford University Press, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780190601355>.

Lee-Potter, Charlie. Writing the 9/11 Decade: Reportage and the Evolution of the Novel. New York: Bloomsbury Academic, 2017. Print.

Leise, Christopher. ‘With Names, No Coincidence: Colson Whitehead’s Postracial Puritan Allegory’. African American Review 47.2 (2014): n. pag. Web. <https://www.jstor.org/stable/24589754?seq=1#metadata_info_tab_contents>.

Leitch, Vincent B. Literary Criticism in the 21st Century: Theory Renaissance. London: Bloomsbury Academic, 2014. Print.

Lerner, Ben. 10:04: A Novel. Paperback edition. London: Granta Books, 2015. Print.

Lethem, Jonathan. The Ecstasy of Influence: Nonfictions, Etc. Vintage, 2012. Print.

Li, Stephanie. ‘Introduction: What Is Twenty-First-Century African American Literature?’ American Literary History 29.4 (2017): 631–639. Web.

Lilley, D. ‘Contemporary British Fiction, Environmental Crisis and the Pastoral’. Twenty-First-Century British Fiction. Ed. Bianca Leggett and A. D. Venezia. Canterbury: Gylphi, 2014. 153–177. Print.

Linscott, Charles ‘Chip’ P. ‘All Lives (Don’t) Matter: The Internet Meets Afro-Pessimism and Black Optimism’. Black Camera 8.2 (2017): 104–119. Web. <https://muse.jhu.edu/article/659461>.

Literature Against Criticism : University English and Contemporary Fiction in Conflict. Open Book Publishers. Print.

Marcus, Laura. ‘The Legacies of Modernism’. The Cambridge Companion to the Modernist Novel. Cambridge: Cambridge University Press, 2007. 82–98. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL052185444X>.

Marsh, Nicky. Money, Speculation and Finance in Contemporary British Fiction. London: Continuum, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441153845>.

McBride, Eimear. A Girl Is a Half-Formed Thing. Galley Beggar Press, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1661128>.

---. A Girl Is a Half-Formed Thing. London: Faber & Faber, 2014. Print.

---. ‘My Hero: Eimear McBride on James Joyce’. Guardian (2014): n. pag. Web. <https://www.theguardian.com/books/2014/jun/06/my-hero-eimear-mcbride-james-joyce>.

McCallum, E. L. The Cambridge History of Gay and Lesbian Literature. Ed. E. L. McCallum and Mikko Tuhkanen. Cambridge: Cambridge University Press, 2014. Print.

McIlvanney, Liam, and Ray Ryan. The Good of the Novel. London: Faber, 2011. Print.

McLaughlin, Robert L. ‘After the Revolution: US Postmodernism in the Twenty-First Century’. Narrative 21.3 (2013): 284–295. Web.

McLeod, John. Postcolonial London: Rewriting the Metropolis. London: Routledge, 2004. Print.

---. Postcolonial London: Rewriting the Metropolis. London: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=199482>.

Miller, Nancy K. ‘The Entangled Self: Genre Bondage in the Age of the Memoir’. PMLA 122.2 (2007): n. pag. Web. <https://www.jstor.org/stable/25501720?seq=1#metadata_info_tab_contents>.

Mills, C. ‘Friendship, Fiction, and Memoir: Trust and Betrayal in Writing from One’s Own Life’. The Ethics of Life Writing. Ithaca, N.Y.: Cornell University Press, 2004. 101–120. Print.

Mishra, Sudesh. Diaspora Criticism. Edinburgh: Edinburgh University Press, 2006. Print.

Mookerjee, Robin. Transgressive Fiction: The New Satiric Tradition. Basingstoke: Palgrave Macmillan, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137341082>.

Morey, Peter, and Amina Yaqin. Framing Muslims: Stereotyping and Representation After 9/11. Cambridge, MA.: Harvard University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300974>.

Morley, Catherine. 9/11: Topics in Contemporary North American Literature. London: Bloomsbury Academic, 2016. Print.

---. ‘“How Do We Write About This?” The Domestic and the Global in the Post-9/11 Novel’. Journal of American Studies 45.4 (2011): n. pag. Web. <https://www.jstor.org/stable/41427296?seq=1#metadata_info_tab_contents>.

Morrison, Jago. Contemporary Fiction. London: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180269>.

Moss, Sarah. Ghost Wall. London: Granta, 2019. Print.

Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Cambridge, Mass: Harvard University Press, 2012. Print.

---. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523>.

Nguyen, Viet Thanh. Nothing Ever Dies: Vietnam and the Memory of War. Cambridge, Massachusetts: Harvard University Press, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674969889>.

Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard University Press, 2011. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300958>.

Nyman, Jopi. Home, Identity, and Mobility in Contemporary Diasporic Fiction. Vol. 59. Amsterdam, Netherlands: Rodopi, 2009. Print.

O’Gorman, Daniel. Fictions of the War on Terror: Difference and the Transnational 9/11 Novel. Basingstoke: Palgrave Macmillan, 2015. Print.

Parrinder, Patrick. Nation & Novel: The English Novel From Its Origins to the Present Day. Oxford: Oxford University Press, 2006. Print.

---. Nation & Novel: The English Novel From Its Origins to the Present Day. Oxford: Oxford University Press, 2006. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=90539>.

Phillips, Dana. The Truth of Ecology: Nature, Culture, and Literature in America. Oxford: Oxford University Press, 2003. Print.

Punday, Daniel. Writing at the Limit: The Novel in the New Media Ecology. Lincoln: University of Nebraska Press, 2012. Print.

Randall, Martin. 9/11 and the Literature of Terror. Edinburgh: Edinburgh University Press, 2012. Print.

Reilly, Charlie. ‘An Interview With              Jennifer Egan’. Contemporary Literature 50.3 (2009): n. pag. Web. <https://www.jstor.org/stable/40664359?seq=1#metadata_info_tab_contents>.

Rooney, Sally. Normal People. London: Faber and Faber, 2018. Print.

Ruffel, Lionel. Brouhaha: Worlds of the Contemporary. Minneapolis: University of Minnesota Press, 2018. Print.

Saunders, George. Lincoln in the Bardo. London: Bloomsbury, 2017. Print.

Scott, Jeremy. The Demotic Voice in Contemporary British Fiction. Basingstoke: Palgrave Macmillan, 2009. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230236882>.

Shaw, Katy. Crunch Lit. London: Bloomsbury Academic, an imprint of Bloosmbury Publishing, 2015. Print.

---. Crunch Lit. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2015. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4000354>.

---. Hauntology: The Presence of the Past in Twenty-First Century English Literature. Basingstoke: Palgrave Macmillan, 2018. Print.

Shields, David. Reality Hunger: A Manifesto. London: Penguin, 2011. Print.

Smith, Ali. Autumn. [London]: Penguin Books, 2017. Print.

Smith, Rachel Greenwald. ‘Postmodernism and the Affective Turn’. Twentieth Century Literature 57.3 (2011): n. pag. Web. <https://www.jstor.org/stable/41698760?seq=1#metadata_info_tab_contents>.

Smith, Zadie. Changing My Mind: Occasional Essays. New York: Penguin, 2010. Print.

---. NW. London: Penguin Books Ltd, 2013. Print.

Smith, Zadie David Bromwich. ‘Two Paths for the Novel’. The New York Review of Books 2008 (2008): n. pag. Web. <https://www.nybooks.com/articles/2008/11/20/two-paths-for-the-novel/>.

Stein, Mark. Black British Literature: Novels of Transformation. Columbus, [Ohio]: Ohio State University Press, 2004. Print.

Stierstorfer, Klaus. Beyond Postmodernism: Reassessments in Literature, Theory, and Culture. Berlin: Walter de Gruyter, 2003. Print.

Still, Judith. Derrida and Other Animals: The Boundaries of the Human. Edinburgh: Edinburgh University Press, 2015. Print.

---. Derrida and Other Animals: The Boundaries of the Human. Edinburgh: Edinburgh University Press, 2015. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306103>.

Stonebridge, Lyndsey. ‘Refugee Style: Hannah Arendt and the Perplexities of Rights’. Textual Practice 25.1 (2011): 71–85. Web.

Sykes, Rachel. ‘"All That Howling Space”: "9/11” and the Aesthetic of Noise in Contemporary American Fiction’. C21 Literature: Journal of 21st-Century Writings 4.1 (2016): n. pag. Web.

Szalay, David. Turbulence. London: Vintage, 2018. Print.

Tabbi, Joseph, and Michael Wutz. Reading Matters: Narrative in the New Media Ecology. Ithaca, N.Y.: Cornell University Press, 1997. Print.

Timmer, Nicoline. Do You Feel It Too?: The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium. Vol. 44. Amsterdam: Rodopi, 2010. Print.

Upstone, Sara. Rethinking Race and Identity in Contemporary British Fiction. New York: Routledge, 2017. Print.

---. Rethinking Race and Identity in Contemporary British Fiction. Vol. 16. New York: Routledge, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315851143>.

---. ‘"Some Kind of Black”: Black British Historiographic Metafiction and the Postmodern Politics of Race’. Postmodern Literature and Race. Ed. Len Platt and Sara Upstone. New York, NY: Cambridge University Press, 2015. Print.

Vermeulen, Timotheus, and Robin van den Akker. ‘Notes on Metamodernism’. Journal of Aesthetics & Culture 2.1 (2010): n. pag. Web.

Versluys, Kristiaan. Out of the Blue: September 11 and the Novel. New York: Columbia University Press, 2009. Print.

Waldman, Amy, and Bernadette Dunne. The Submission. Audiogo, 2011. Print.

Wallace, D.F. ‘E Unibus Plurum: Television and U.S. Fiction’. Review of Contemporary Fiction 13.2 (1993): 151–194. Print.

Warren, Kenneth W. What Was African American Literature? Cambridge, Mass: Harvard University Press, 2012. Print.

Waugh, Patricia, and Jennifer Hodgson. ‘On the Exaggerated Reports of a Decline in British Fictio’. The White Review (2013): n. pag. Print.

Whitehead, Colson. The Underground Railroad. London: Fleet, 2017. Print.

---. The Underground Railroad. London: Fleet, 2017. Print.

Whitlock, Gillian. Postcolonial Life Narratives: Testimonial Transactions. Oxford: Oxford University Press, 2015. Print.

---. Postcolonial Life Narratives: Testimonial Transactions. N.p. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=2012873>.

Yanagihara, Hanya. A Little Life. London: Picador, 2016. Print.