[1]
A. Smith, Autumn. [London]: Penguin Books, 2017.
[2]
S. Moss, Ghost wall. London: Granta, 2019.
[3]
C. Whitehead, The underground railroad. London: Fleet, 2017.
[4]
G. Saunders, Lincoln in the Bardo. London: Bloomsbury, 2017.
[5]
M. Hamid, Exit West. UK: Penguin Books, 2018.
[6]
J. Egan, A visit from the goon squad. London: Corsair, 2011.
[7]
O. Laing, Crudo. London: Picador, 2019.
[8]
R. Cusk, Outline, Main. London: Faber & Faber, 2018.
[9]
B. Lerner, 10:04: a novel, Paperback edition. London: Granta Books, 2015.
[10]
E. McBride, A Girl Is a Half-Formed Thing. Galley Beggar Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1661128
[11]
T. Cole, Open city. London: Faber, 2012.
[12]
K. Han and D. Smith, The vegetarian: a novel. London: Portobello Books, 2015.
[13]
E. McBride, A Girl Is a Half-Formed Thing. London: Faber & Faber, 2014.
[14]
W. Eaves, Murmur, Main. Edinburgh: Canongate, 2019.
[15]
S. Rooney, Normal people. London: Faber and Faber, 2018.
[16]
C. Whitehead, The Underground Railroad. London: Fleet, 2017.
[17]
D. Szalay, Turbulence. London: Vintage, 2018.
[18]
M. Hamid, Exit west. UK: Penguin Books, 2018.
[19]
K. J. Fowler, We Are All Completely Beside Ourselves. London: Serpent’s Tail, 2013.
[20]
Z. Smith, NW. London: Penguin Books Ltd, 2013.
[21]
G. Gunaratne, In our mad and furious city. London: Tinder Press, 2019.
[22]
‘Alluvium | 21st Century Writing | 21st Century Approaches’. [Online]. Available: https://www.alluvium-journal.org/
[23]
‘C21 Literature: Journal of 21st-Century Writings’. [Online]. Available: https://c21.openlibhums.org/
[24]
G. Agamben, ‘What Is the Contemporary?’, in What Is an Apparatus? and Other Essays, Stanford, Calif: Stanford University Press, 2009, pp. 39–54.
[25]
A. Al Deek, Writing Displacement: Home and Identity in Contemporary Post-Colonial English Fiction. Basingstoke: Palgrave Macmillan, 2017.
[26]
R. Altman, A Theory of Narrative. New York: Columbia University Press, 2008.
[27]
J. Annesley, Fictions of Globalization. London: Continuum, 2008.
[28]
R. Barnard, ‘Fictions of the Global’, NOVEL: A Forum on Fiction, vol. 42, no. 2, 2009 [Online]. Available: https://www.jstor.org/stable/27764307?seq=1#metadata_info_tab_contents
[29]
A. Barrows, The Cosmic Time of Empire: Modern Britain and World Literature, vol. 3. Berkeley: University of California Press, 2011.
[30]
C. Bassett, The Arc and the Machine: Narrative and New Media. Manchester: Manchester University Press, 2014.
[31]
U. Beck and C. Cronin, The Cosmopolitan Vision. Cambridge: Polity Press, 2006.
[32]
A. Bell, A. Ensslin, and H. K. Rustad, Eds., Analyzing Digital Fiction. London: Routledge, 2016.
[33]
A. Bennett, Afterlife and Narrative in Contemporary Fiction. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.
[34]
M. Bérubé, ‘Introduction: Worldly English’, Modern Fiction Studies, vol. 48, no. 1, 2002 [Online]. Available: https://www.jstor.org/stable/26286053?seq=1#metadata_info_tab_contents
[35]
C. Bonneuil, J.-B. Fressoz, and D. Fernbach, The Shock of the Anthropocene: The Earth, History and Us. London: Verso, 2017.
[36]
P. Boxall, Twenty-First Century Fiction: A Critical Introduction. Cambridge: Cambridge University Press, 2013.
[37]
A. Bracke, Climate Crisis and the 21st-Century British Novel. London: Bloomsbury Academic, 2018 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781474271141
[38]
R. Braidotti, Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity, 2002.
[39]
R. Braidotti, The Posthuman. Cambridge: Polity, 2013.
[40]
R. Braidotti, The Posthuman. Cambridge: Polity, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1315633
[41]
S. Brouillette, Postcolonial Writers in the Global Literary Marketplace. Basingstoke: Palgrave Macmillan, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736241
[42]
L. Buell, Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. Cambridge, Mass: Belknap, 2001.
[43]
S. Burn, Jonathan Franzen at the End of Postmodernism. London: Continuum, 2008 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441194404
[44]
J. Butler, Frames of War: When Is Life Grievable? London: New York, 2009.
[45]
J. Butler, Precarious Life: The Powers of Mourning and Violence. London: Verso, 2006.
[46]
C. Caruth, Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press, 1995.
[47]
D. Chakrabarty, ‘Postcolonial Studies and the Challenge of Climate Change’, New Literary History, vol. 43, no. 1, 2012 [Online]. Available: https://www.jstor.org/stable/23259358?seq=1#metadata_info_tab_contents
[48]
W. H. K. Chun, ‘The Enduring Ephemeral, or the Future Is a Memory’, Critical Inquiry, vol. 35, no. 1, pp. 148–171, 2008, doi: 10.1086/595632.
[49]
S. Churchwell, ‘A Visit from the Goon Squad by Jennifer Egan’, Guardian, 2011 [Online]. Available: https://www.theguardian.com/books/2011/mar/13/jennifer-egan-visit-goon-squad
[50]
H. L. Chute, Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010.
[51]
T. Clark, The Cambridge Introduction to Literature and the Environment. Cambridge: Cambridge University Press, 2011.
[52]
T. Clark, Ecocriticism on the Edge: The Anthropocene as a Threshold Concept. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2015 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781472506702
[53]
K. Cochrane, ‘Eimear McBride: “There Are Serious Readers Who Want to Be Challenged”’, Guardian, 2014 [Online]. Available: https://www.theguardian.com/books/2014/jun/05/eimear-mcbride-serious-readers-challenged-baileys-womens-prize
[54]
R. Cohen, Global Diasporas: An Introduction, 2nd ed. London: Routledge, 2008.
[55]
R. Cohen, Global Diasporas: An Introduction. London: New York, 2008 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=125974
[56]
S. Craps, Postcolonial Witnessing: Trauma Out of Bounds. New York: Palgrave Macmillan, 2013.
[57]
S. Craps, Postcolonial Witnessing: Trauma Out of Bounds. Basingstoke: Palgrave Macmillan, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1094993
[58]
P. Crosthwaite, ‘Phantasmagoric Finance: Crisis and the Supernatural in Contemporary Finance Culture’, in Criticism, crisis, and contemporary narrative: textual horizons in an age of global risk, vol. 4, P. Crosthwaite, Ed. New York: Routledge, 2014, pp. 178–200.
[59]
P. Crosthwaite, ‘Blood on the Trading Floor’, Angelaki, vol. 15, no. 2, pp. 3–18, 2010, doi: 10.1080/0969725X.2010.521380.
[60]
M. Currie, About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh: Edinburgh University Press, 2007.
[61]
M. Currie, About Time: Narrative, Fiction and the Philosophy of Time. Edinburgh: Edinburgh University Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=320448
[62]
H. Dalley, The Postcolonial Historical Novel: Realism, Allegory, and the Representation of Contested Pasts. Basingstoke, Hampshire: Palgrave Macmillan, 2014 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137450098
[63]
E. Dawson Varughese, Beyond the Postcolonial: World Englishes Literature. Basingstoke: Palgrave Macmillan, an imprint of Macmillan Publishers, 2012 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137265234
[64]
E. Dawson Varughese, Reading New India: Post-Millennial Indian Fiction in English. London: Bloomsbury, 2013.
[65]
P. Dawson, The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century F. Ohio State University Press, 2015.
[66]
Z. Dinnen, The Digital Banal: New Media in American Literature and Culture. New York: Columbia University Press, 2018.
[67]
L. V. Driscoll, Evading Class in Contemporary British Literature, 1st ed. New York: Palgrave Macmillan, 2009.
[68]
L. V. Driscoll, Evading Class in Contemporary British Literature. New York: Palgrave Macmillan, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4715754
[69]
J. N. Duvall and R. P. Marzec, ‘Narrating 9/11’, Modern Fiction Studies, vol. 57, no. 3, 2011 [Online]. Available: https://www.jstor.org/stable/26287207?seq=1#metadata_info_tab_contents
[70]
R. Eaglestone, ‘Contemporary Fiction in the Academy: Towards a Manifesto’, Textual Practice, vol. 27, no. 7, pp. 1089–1101, 2013, doi: 10.1080/0950236X.2013.840113.
[71]
H. E. H. Earle, Comics, Trauma, and the New Art of War. Jackson: University Press of Mississippi, 2017.
[72]
E. El Refaie, Autobiographical Comics: Life Writing in Pictures. Jackson, Mississippi: The University Press of Mississippi, 2012.
[73]
A. Elias, ‘Postmodern Metafiction’, in The Cambridge Companion to American Fiction After 1945, Cambridge: Cambridge University Press, 2011, pp. 15–29.
[74]
A. Elias, ‘Postmodern Metafiction’, in The Cambridge Companion to American Fiction after 1945, J. N. Duvall, Ed. Cambridge: Cambridge University Press, 2011 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521196314
[75]
J. F. English, The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, Mass: Harvard University Press, 2005 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674036536
[76]
Literature Against Criticism : University English and Contemporary Fiction in Conflict. Open Book Publishers.
[77]
M. Fisher, Capitalist Realism: Is There No Alternative? Winchester: O Books, 2009.
[78]
G. Garrard, Ecocriticism, 2nd ed. London: Routledge, 2012.
[79]
T. Gifford, ‘Pastoral, Anti-Pastoral and Post-Pastoral’, in The Cambridge Companion to Literature and the Environment, L. H. Westling, Ed. New York: Cambridge University Press, 2014.
[80]
T. Gifford, ‘Pastoral, Anti-Pastoral and Post-Pastoral’, in The Cambridge Companion to Literature and the Environment, L. H. Westling, Ed. Cambridge: Cambridge University Press, 2016 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139342728
[81]
T. Gifford, ‘The Environmental Humanities and the Pastoral Tradition’, in Ecocriticism, ecology, and the cultures of antiquity, C. Schliephake, Ed. Lanham, Maryland: Lexington Books, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4747233
[82]
P. Gilroy, Between Camps: Nations, Cultures and the Allure of Race, [New] ed. London: Routledge, 2004.
[83]
R. Gray, ‘Open Doors, Closed Minds: American Prose Writing at a Time of Crisis’, American Literary History, vol. 21, no. 1, pp. 128–151, 2008, doi: 10.1093/alh/ajn061.
[84]
J. J. Halberstam, In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: NYU Press, 2005 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=2081650
[85]
D. Haraway, Primate Visions: Gender, Race and Nature in the World of Modern Science. London: Verso, 1992.
[86]
D. J. Haraway, Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association, 1991.
[87]
A. Hartnell, After Katrina: race, neoliberalism, and the end of the American century. Albany: SUNY Press, 2017.
[88]
D. Head, The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge: Cambridge University Press, 2002.
[89]
D. Head, The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge, U.K.: Cambridge University Press, 2002 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=16332
[90]
D. Herman, Story Logic: Problems and Possibilities of Narrative. Lincoln, Neb: University of Nebraska Press, 2004.
[91]
J. Ho, Nation and Citizenship in the Twentieth-Century British Novel. New York: Cambridge University Press, 2015.
[92]
D. Holloway, 9/11 and the War on Terror. Edinburgh: Edinburgh University Press, 2008.
[93]
D. Holloway, 9/11 and the War on Terror. Edinburgh: Edinburgh University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=364821
[94]
A. Houen, ‘Novel Spaces and Taking Place(s) in the Wake of September 11’, Studies in the Novel, vol. 36, no. 3, 2004 [Online]. Available: https://www.jstor.org/stable/20831905?seq=1#metadata_info_tab_contents
[95]
A. Houen, Terrorism and Modern Literature From Joseph Conrad to Ciaran Carson. Oxford: Oxford University Press, 2002 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191541988
[96]
M. Huehls, ‘The Great Flattening’, Contemporary Literature, vol. 54, no. 4, pp. 861–871, 2013, doi: 10.1353/cli.2013.0043.
[97]
C. Irr, Toward the Geopolitical Novel: U.S. Fiction in the Twenty-First Century. New York: Columbia University Press, 2014.
[98]
D. James, Discrepant Solace: Contemporary Writing and the Work of Consolation. OUP: Oxford, 2019.
[99]
D. James, ‘Worlded Localisms: Cosmopolitics Writ Small’, in Postmodern literature and race, L. Platt and S. Upstone, Eds. New York, NY: Cambridge University Press, 2015, pp. 47–61.
[100]
D. James, ‘“Style Is Morality”? Aesthetics and Politics in the Amis Era’, Textual Practice, vol. 26, no. 1, pp. 11–25, 2012, doi: 10.1080/0950236X.2012.638760.
[101]
D. James, ‘A Renaissance for the Crystalline Novel?’, Contemporary Literature, vol. 53, no. 4, 2012 [Online]. Available: https://www.jstor.org/stable/41819538?seq=1#metadata_info_tab_contents
[102]
D. James, Modernist Futures: Innovation and Inheritance in the Contemporary Novel. Cambridge: Cambridge University Press, 2012.
[103]
D. James, Modernist Futures: Innovation and Inheritance in the Contemporary Novel. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781139532068
[104]
K. D. Johnston, ‘Metadata, Metafiction, and the Stakes of Surveillance in Jennifer Egan’s’, American Literature, vol. 89, no. 1, pp. 155–184, 2017, doi: 10.1215/00029831-3788753.
[105]
A. Jones, ‘Alt Lit Is Dead and Its Women Writers Are Creating Their Own Scene’, 2014. [Online]. Available: https://gawker.com/alt-lit-is-dead-and-its-women-writers-are-creating-thei-1642110662
[106]
G. Josipovici, What Ever Happened to Modernism? New Haven, Conn: Yale University Press, 2011.
[107]
A. Keeble, The 9/11 Novel: Trauma, Politics and Identity. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781476615622
[108]
A. Kelly, ‘Beginning with Postmodernism’, Twentieth Century Literature, vol. 57, no. 3, 2011 [Online]. Available: https://www.jstor.org/stable/41698759?seq=1#metadata_info_tab_contents
[109]
A. Keniston and J. F. Quinn, Literature After 9/11, vol. 1. New York: Routledge, 2010 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203707494
[110]
M. Keren, Politics and Literature at the Turn of the Millennium. Calgary: University of Calgary Press, 2015.
[111]
D. Lea, Twenty-First-Century Fiction: Contemporary British Voices. Manchester: Manchester University Press, 2019.
[112]
C. Leader-Picone, ‘Post-Black Stories: Colson Whitehead’s Sag Harbor and Racial Individualism’, Contemporary Literature, vol. 56, no. 3, pp. 421–449, 2015 [Online]. Available: https://muse.jhu.edu/article/601565
[113]
C. J. Lebron, The Making of Black Lives Matter: A Brief History of an Idea. New York, NY: Oxford University Press, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780190601355
[114]
C. Leise, ‘With Names, No Coincidence: Colson Whitehead’s Postracial Puritan Allegory’, African American Review, vol. 47, no. 2, 2014 [Online]. Available: https://www.jstor.org/stable/24589754?seq=1#metadata_info_tab_contents
[115]
V. B. Leitch, Literary Criticism in the 21st Century: Theory Renaissance. London: Bloomsbury Academic, 2014.
[116]
J. Lethem, The Ecstasy of Influence: Nonfictions, Etc. Vintage, 2012.
[117]
S. Li, ‘Introduction: What Is Twenty-First-Century African American Literature?’, American Literary History, vol. 29, no. 4, pp. 631–639, 2017, doi: 10.1093/alh/ajx035.
[118]
D. Lilley, ‘Contemporary British Fiction, Environmental Crisis and the Pastoral’, in Twenty-first-century British fiction, B. Leggett and A. D. Venezia, Eds. Canterbury: Gylphi, 2014, pp. 153–177.
[119]
C. ‘Chip’ P. Linscott, ‘All Lives (Don’t) Matter: The Internet Meets Afro-Pessimism and Black Optimism’, Black Camera, vol. 8, no. 2, pp. 104–119, 2017 [Online]. Available: https://muse.jhu.edu/article/659461
[120]
L. Marcus, ‘The Legacies of Modernism’, in The Cambridge Companion to the Modernist Novel, Cambridge: Cambridge University Press, 2007, pp. 82–98 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL052185444X
[121]
N. Marsh, Money, Speculation and Finance in Contemporary British Fiction. London: Continuum, 2007 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441153845
[122]
E. McBride, ‘My Hero: Eimear McBride on James Joyce’, Guardian, 2014 [Online]. Available: https://www.theguardian.com/books/2014/jun/06/my-hero-eimear-mcbride-james-joyce
[123]
L. McIlvanney and R. Ryan, The Good of the Novel. London: Faber, 2011.
[124]
R. L. McLaughlin, ‘After the Revolution: US Postmodernism in the Twenty-First Century’, Narrative, vol. 21, no. 3, pp. 284–295, 2013, doi: 10.1353/nar.2013.0021.
[125]
J. McLeod, Postcolonial London: Rewriting the Metropolis. London: Routledge, 2004.
[126]
J. McLeod, Postcolonial London: Rewriting the Metropolis. London: Routledge, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=199482
[127]
N. K. Miller, ‘The Entangled Self: Genre Bondage in the Age of the Memoir’, PMLA, vol. 122, no. 2, 2007 [Online]. Available: https://www.jstor.org/stable/25501720?seq=1#metadata_info_tab_contents
[128]
C. Mills, ‘Friendship, Fiction, and Memoir: Trust and Betrayal in Writing from One’s Own Life’, in The ethics of life writing, Ithaca, N.Y.: Cornell University Press, 2004, pp. 101–120.
[129]
S. Mishra, Diaspora Criticism. Edinburgh: Edinburgh University Press, 2006.
[130]
R. Mookerjee, Transgressive Fiction: The New Satiric Tradition. Basingstoke: Palgrave Macmillan, 2013 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137341082
[131]
C. Morley, ‘“How Do We Write About This?” the Domestic and the Global in the Post-9/11 Novel’, Journal of American Studies, vol. 45, no. 4, 2011 [Online]. Available: https://www.jstor.org/stable/41427296?seq=1#metadata_info_tab_contents
[132]
C. Morley, 9/11: Topics in Contemporary North American Literature. London: Bloomsbury Academic, 2016.
[133]
J. Morrison, Contemporary Fiction. London: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=180269
[134]
S. Ngai, Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523
[135]
S. Ngai, Our Aesthetic Categories: Zany, Cute, Interesting. Cambridge, Mass: Harvard University Press, 2012.
[136]
V. T. Nguyen, Nothing Ever Dies: Vietnam and the Memory of War. Cambridge, Massachusetts: Harvard University Press, 2016 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674969889
[137]
R. Nixon, Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard University Press, 2011 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300958
[138]
J. Nyman, Home, Identity, and Mobility in Contemporary Diasporic Fiction, vol. 59. Amsterdam, Netherlands: Rodopi, 2009.
[139]
D. O’Gorman, Fictions of the War on Terror: Difference and the Transnational 9/11 Novel. Basingstoke: Palgrave Macmillan, 2015.
[140]
P. Parrinder, Nation & Novel: The English Novel From Its Origins to the Present Day. Oxford: Oxford University Press, 2006.
[141]
P. Parrinder, Nation & Novel: The English Novel From Its Origins to the Present Day. Oxford: Oxford University Press, 2006 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=90539
[142]
D. Phillips, The Truth of Ecology: Nature, Culture, and Literature in America. Oxford: Oxford University Press, 2003.
[143]
C. Lee-Potter, Writing the 9/11 Decade: Reportage and the Evolution of the Novel. New York: Bloomsbury Academic, 2017.
[144]
D. Punday, Writing at the Limit: The Novel in the New Media Ecology. Lincoln: University of Nebraska Press, 2012.
[145]
M. Randall, 9/11 and the Literature of Terror. Edinburgh: Edinburgh University Press, 2012.
[146]
C. Reilly, ‘An Interview With Jennifer Egan’, Contemporary Literature, vol. 50, no. 3, 2009 [Online]. Available: https://www.jstor.org/stable/40664359?seq=1#metadata_info_tab_contents
[147]
L. Ruffel, Brouhaha: Worlds of the Contemporary. Minneapolis: University of Minnesota Press, 2018.
[148]
J. Scott, The Demotic Voice in Contemporary British Fiction. Basingstoke: Palgrave Macmillan, 2009 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230236882
[149]
K. Shaw, Crunch Lit. London: Bloomsbury Academic, an imprint of Bloosmbury Publishing, 2015.
[150]
K. Shaw, Crunch Lit. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4000354
[151]
K. Shaw, Hauntology: The Presence of the Past in Twenty-First Century English Literature. Basingstoke: Palgrave Macmillan, 2018.
[152]
D. Shields, Reality Hunger: A Manifesto. London: Penguin, 2011.
[153]
Z. Smith, Changing My Mind: Occasional Essays. New York: Penguin, 2010.
[154]
R. G. Smith, ‘Postmodernism and the Affective Turn’, Twentieth Century Literature, vol. 57, no. 3, 2011 [Online]. Available: https://www.jstor.org/stable/41698760?seq=1#metadata_info_tab_contents
[155]
Z. D. B. Smith, ‘Two Paths for the Novel’, The New York Review of Books, no. 2008, 2008 [Online]. Available: https://www.nybooks.com/articles/2008/11/20/two-paths-for-the-novel/
[156]
M. Stein, Black British Literature: Novels of Transformation. Columbus, [Ohio]: Ohio State University Press, 2004.
[157]
E. L. McCallum, The Cambridge History of Gay and Lesbian Literature. Cambridge: Cambridge University Press, 2014.
[158]
K. Stierstorfer, Beyond Postmodernism: Reassessments in Literature, Theory, and Culture. Berlin: Walter de Gruyter, 2003.
[159]
J. Still, Derrida and Other Animals: The Boundaries of the Human. Edinburgh: Edinburgh University Press, 2015.
[160]
J. Still, Derrida and Other Animals: The Boundaries of the Human. Edinburgh: Edinburgh University Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306103
[161]
L. Stonebridge, ‘Refugee Style: Hannah Arendt and the Perplexities of Rights’, Textual Practice, vol. 25, no. 1, pp. 71–85, 2011, doi: 10.1080/0950236X.2010.510901.
[162]
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