Bibliography for GM3133 Dark Tales. E.T.A. Hoffmann and German Romanticism BETA

Alt, P.-A. and Leiteritz, C. (2005) Traum-Diskurse der Romantik. Berlin: De Gruyter.

Barkhoff, J. (2009a) ‘Romantic Science and Psychology’, in The Cambridge Companion to German Romanticism. Cambridge: Cambridge University Press.

Barkhoff, J. (2009b) ‘Romantic Science and Psychology’, in The Cambridge companion to German romanticism. Cambridge: Cambridge University Press, pp. 209–226. Available at: https://doi.org/10.1017/CCOL9780521848916.013.

Barkhoff, J. (2009c) ‘Romantic Science and Psychology’, in The Cambridge Companion to German Romanticism. Cambridge: Cambridge University Press.

Barkhoff, J. (2009d) ‘Romantic Science and Psychology’, in The Cambridge companion to German romanticism. Cambridge: Cambridge University Press, pp. 209–226. Available at: https://doi.org/10.1017/CCOL9780521848916.013.

Barry, P. (2017) Beginning Theory: An Introduction to Literary and Cultural Theory. Fourth edition. Manchester: Manchester University Press.

Becker, A.R. (1998) ‘Die Elixiere des Teufels: E.T.A. Hoffmann’s House of Mirrors’, Journal of the Fantastic in the Arts, 9(2 (34)), pp. 117–130. Available at: http://www.jstor.org/stable/43308335.

Behler, E. (1993) German Romantic Literary Theory. Cambridge: Cambridge University Press.

Beiser, F.C. (2006) The Romantic Imperative: The Concept of Early German Romanticism. Cambridge, Mass: Harvard University Press.

Bohm, A. (1991) ‘Consumers’ Paradise: E.T.A. Hoffmann’s Der Goldne Topf’, European Romantic Review, 2(1), pp. 1–22. Available at: https://doi.org/10.1080/10509589108569942.

Breithaupt, F. (2005) ‘The Invention of Trauma in German Romanticism’, Critical Inquiry, 32(1), pp. 77–101. Available at: https://doi.org/10.1086/498005.

Brown, H.M. (2006) E.T.A. Hoffmann and the Serapiontic Principle: Critique and Creativity. Columbia, S.C.: Camden House.

Byrd, V. (2012) ‘Regarding the Cousin: Surveillance and Narration in Hoffmann’s Des Vetters Eckfenster’, German Studies Review, 35(2), pp. 249–264. Available at: https://doi.org/10.1353/gsr.2012.0071.

Cambridge Companions Complete Collection (2009) The Cambridge Companion to German Romanticism. Edited by N. Saul. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521848916.

Campe, R. et al. (2013) ‘“Rahmenschau”: Scenes of Observation in E.T.A. Hoffmann’s Des Vetters Eckfenster’, Monatshefte, 105(3), pp. 407–425. Available at: https://doi.org/10.1353/mon.2013.0088.

Chalupa, C. (2006) ‘Re-Imaging the Fantastic: E.T.A. Hoffmann’s “The Story of the Lost Reflection”’, Marvels & Tales, 20(1). Available at: http://www.jstor.org/stable/41388773.

Crawford, H. (2009) ‘«Keine Apologie des Grauenhaften»: Toward an Aesthetic of Horror in E.T.A. Hoffmann’s «Vampyrismus»’, Colloquia Germanica, 42(1), pp. 19–25. Available at: http://www.jstor.org/stable/23982651.

Crisman, W. (2001) ‘The Noncourtship in E.T.A. Hoffmann’s “Der Sandmann”’, Colloquia Germanica, 34(1), pp. 15–26. Available at: http://www.jstor.org/stable/23981777.

Crisman, W. (2003) ‘Romanticism Repays Gothicism: E.T.A. Hoffmann’s “Councilor Krespel” as a Recovery of Matthew G. Lewis’ The Monk’, Comparative Literature Studies, 40(3), pp. 311–328. Available at: https://doi.org/10.1353/cls.2003.0023.

‘“Das Reich der Töne” : Zur Bedeutung der Musik bei E.T.A. Hoffmann unter besonderer Berücksichtigung der “Kreisleriana”’ (2002). Available at: https://www.duo.uio.no/handle/10852/25624.

Dawson, T. (2012) ‘Enchantment, Possession and the Uncanny in E.T.A. Hoffmann’s “The Sandman”’, International Journal of Jungian Studies, 4(1), pp. 41–54. Available at: https://doi.org/10.1080/19409052.2012.642483.

Dickson, S. (1994) The Narrator, Narrative Perspective and Narrative Form in the Short Prose Works of the German Romantics: With Particular Reference to the Works of E.T.A. Hoffmann. Stuttgart: H.-D. Heinz.

Dickson, S. (1996) ‘ETA Hoffmann: Mind, Mythology and Meaning’, Forum for Modern Language Studies, 32(3), pp. 251–263. Available at: https://doi.org/10.1093/fmls/32.3.251.

Dutchman-Smith, V. and Dutchman-Smith, V. (2009) E. T. A. Hoffmann and Alcohol : Biography, Reception, and Art. Modern Humanities Research Association.

Dutchman-Smith, V., Modern Humanities Research Association, and University of London. Institute of Germanic & Romance Studies (2010) E.T.A. Hoffmann and Alcohol: Biography, Reception, and Art. London: Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic & Romance Studies,University of London.

Eicher, T. (1993) ‘“Mit Einem Blick Das Ganze Panorama Des Grandiosen Platzes”. Panoramatische Strukturen in “Des Vetters Eckfenster” von E.T.A. Hoffmann’, Poetica, 25(3/4), pp. 360–377. Available at: http://www.jstor.org/stable/43028022.

Elardo, R.J. (1980) ‘E.T.A. Hoffmann’s Nussknacker Und Mausekönig: The Mouse-Queen in the Tragedy of the Hero’, The Germanic Review: Literature, Culture, Theory, 55(1), pp. 1–8. Available at: https://doi.org/10.1080/19306962.1980.11787242.

Falkenberg, M. (2005) Rethinking the Uncanny in Hoffmann and Tieck. Oxford: P. Lang.

Fetzer, J. (1971) ‘Ritter Gluck’s “Ungluck”: The Crisis of Creativity in the Age of the Epigone’, The German Quarterly, 44(3). Available at: https://doi.org/10.2307/404397.

Fetzer, John (1971) ‘Ritter Gluck’s “Unglück”: The Crisis of Creativity in the Age of the Epigone’, German Quarterly, 44(3), pp. 317–30.

Fletcher, J. (2002) ‘Freud, Hoffmann and the Death-Work’, Angelaki, 7(2), pp. 125–141. Available at: https://doi.org/10.1080/0969725022000046224.

Fröhler, B. (2004) Seelenspiegel und Schatten-Ich: Doppelgängermotiv und Anthropologie in der Literatur der deutschen Romantik. Marburg: Tectum.

Gray, R.T. (2011) ‘Imaginary Value and the Value of the Imaginary: J. G. Schlosser, E. T. A. Hoffmann, and the Convergence of Aesthetics and Economics in German Romanticism’, Modern Language Quarterly, 72(3), pp. 369–397. Available at: https://doi.org/10.1215/00267929-1275172.

Gray, W. (2010) Fantasy, Myth and the Measure of Truth: Tales of Pullman, Lewis, Tolkien, MacDonald and Hoffmann. Basingstoke: Palgrave Macmillan.

Grimm, R. (1978) ‘From Callot to Butor. E.T.A. Hoffmann and the Tradition of the Capriccio’, MLN, 93(3), pp. 399–415. Available at: https://doi.org/10.2307/2906644.

Gustafson, S.E. (1999) ‘The Cadaverous Bodies of Vampiric Mothers and the Genealogy of Pathology in E.T.A. Hoffmann’s Tales’, German Life and Letters, 52(2), pp. 238–254. Available at: https://doi.org/10.1111/1468-0483.00132.

Helfer, M.B. (2008) ‘The Male Muses of Romanticism: The Poetics of Gender in Novalis, E.T.A. Hoffmann, and Eichendorf1’, The German Quarterly, 78(3), pp. 299–319. Available at: https://doi.org/10.1111/j.1756-1183.2005.tb00017.x.

Hoffman, E.T.A. (2006) Nußknacker und Mausekönig. Reclam Philipp Jun.

Hoffmann (1998) Bergwerke Zu Falun. Ditzingen: Philipp Reclam Jun Verlag GmbH.

Hoffmann, E.T.A. (1819) Kapitel 7 des Buches: Die Serapions-Brüder. Available at: http://gutenberg.spiegel.de/buch/-3106/7.

Hoffmann, E. T. A. (1819a) The Serapion Brethren. Vol. I. Available at: http://www.gutenberg.org/files/31820/31820-h/31820-h.htm.

Hoffmann, E. T. A. (1819b) The Serapion Brethren. Vol. I. Available at: http://www.gutenberg.org/files/31820/31820-h/31820-h.htm#div1_fragment.

Hoffmann, E.T.A. (1960) Poetische Werke: Bd. 9: Lebensansichten des Katers Murr. Berlin: Walter de Gruyter & Co.

Hoffmann, E.T.A. (1963) Die Doppeltgänger. Available at: http://www.zeno.org/nid/20005075793.

Hoffmann, E.T.A. (1964a) Rat Krespel; Die Fermate; Don Juan. Stuttgart: Reclam.

Hoffmann, E.T.A. (1964b) Rat Krespel ; Die Fermate ; Don Juan. Stuttgart: Reclam.

Hoffmann, E.T.A. (1964c) Rat Krespel; Die Fermate; Don Juan. Stuttgart: Reclam.

Hoffmann, E.T.A. (1967) ‘Ritter Gluck’, in Fantasie- und Nachtstücke. München: Winkler.

Hoffmann, E.T.A. (1969a) Das Fräulein von Scuderi: Erzählung aus dem Zeitalter Ludwig des veirzehnten. Stuttgart: Reclam.

Hoffmann, E.T.A. (1969b) Das Fräulein von Scuderi: Erzählung aus dem Zeitalter Ludwig des veirzehnten. Stuttgart: Reclam.

Hoffmann, E.T.A. (1969c) Das Fräulein von Scuderi: Erzählung aus dem Zeitalter Ludwig des vierzehnten. Stuttgart: Reclam.

Hoffmann, E.T.A. (1972) Prinzessin Brambilla: Ein Capriccio nach Jakob Callot. Stuttgart): Reclam.

Hoffmann, E.T.A. et al. (1972) Tales of E.T.A. Hoffmann. Abridged Edition. London: University of Chicago Press.

Hoffmann, E.T.A. (1982) ‘The Doubles’, in Tales of Hoffmann. London: Penguin Books.

Hoffmann, E.T.A. (1998) Meister Floh Ein Marchen. Ditzingen: Philipp Reclam Jun Verlag GmbH.

Hoffmann, E.T.A. et al. (2006) Fantasiestücke in Callot’s Manier: Werke 1814. Frankfurt am Main: Deutscher Klassiker Verlag.

Hoffmann, E.T.A. (2012) The Mines of Falun. [Place of publication not identified]: Read Books.

Hoffmann, E.T.A. (2014) Die Elixiere des Teufels: nachgelassene Papiere des Bruders Medardus eines Kapuziners. Edited by W. Nehring. Stuttgart: P.Reclam jun.

Hoffmann, E.T.A. (2016) Councillor Krespel. [Place of publication not identified]: [publisher not identified].

Hoffmann, E.T.A. (2018a) The Serapion brethren. [Place of publication not identified]: Okitoks Press.

Hoffmann, E.T.A. (2018b) The Serapion brethren. [Place of publication not identified]: Okitoks Press.

Hoffmann, E.T.A. (no date) ‘Eine Spukgeschichte’. Available at: http://www.zeno.org/Literatur/M/Hoffmann,+E.+T.+A./Erz%C3%A4hlungen,+M%C3%A4rchen+und+Schriften/Die+Serapionsbr%C3%BCder/Zweiter+Band/Dritter+Abschnitt/%5BEine+Spukgeschichte%5D.

Hoffmann, E.T.A. and Charlton, D. (1989) E. T. A Hoffmann’s Musical Writings: Kreisleriana, the Poet and the Composer, Music Criticism. Cambridge: Cambridge University Press.

Hoffmann, E.T.A. and Drux, R. (1991) Der Sandmann. Stuttgart: Reclam.

Hoffmann, E.T.A. and Hollingdale, R.J. (1982a) Tales of Hoffmann. London: Penguin Books.

Hoffmann, E.T.A. and Hollingdale, R.J. (1982b) Tales of Hoffmann. London: Penguin Books.

Hoffmann, E.T.A. and Kaiser, G.R. (1990) Nachtstücke. Reclam, Ditzingen.

Hoffmann, E.T.A., Kent, L.J. and Knight, E.C. (1982) ‘Ritter Gluck’, in Tales of Hoffmann. London: Penguin Books.

Hoffmann, E.T.A. and Kozieiek, G. (2014a) Des Vetters Eckfenster. Stuttgart: Reclam Philipp.

Hoffmann, E.T.A. and Kozieiek, G. (2014b) Des Vetters Eckfenster. Stuttgart: Reclam Philipp.

Hoffmann, E.T.A. and Kozieiek, G. (2014c) Des Vetters Eckfenster. Stuttgart: Reclam Philipp.

Hoffmann, E.T.A., Pörnbacher, H. and Hoffmann, E.T.A. (2017a) Die Bergwerke zu Falun: Der Artushof. Stuttgart: P. Reclam.

Hoffmann, E.T.A., Pörnbacher, H. and Hoffmann, E.T.A. (2017b) Die Bergwerke zu Falun: Der Artushof. Stuttgart: P. Reclam.

Hoffmann, E.T.A. and Robertson, R. (2008a) The Golden Pot and Other Tales. Oxford: Oxford University Press.

Hoffmann, E.T.A. and Robertson, R. (2008b) The Golden Pot and Other Tales. Oxford: Oxford University Press.

Hoffmann, E.T.A. and Robertson, R. (2008c) The Golden Pot and Other Tales. Oxford: Oxford University Press.

Hoffmann, E.T.A. and Robertson, R. (2008d) The Golden Pot and Other Tales. Oxford: Oxford University Press.

Hoffmann, E.T.A. and Robertson, R. (2008e) The Golden Pot and Other Tales. Oxford: Oxford University Press.

Hoffmann, E.T.A. and Sasse, G. (2004) E.T.A. Hoffmann: Romane und Erzählungen. Stuttgart: P. Reclam.

Hoffmann, E.T.A., Segebrecht, W. and Segebrecht, U. (2008a) Die Serapions-Brüder. Frankfurt am Main: Deutscher Klassiker Verlag.

Hoffmann, E.T.A., Segebrecht, W. and Segebrecht, U. (2008b) Die Serapions-Bruder. Frankfurt am Main: Deutscher Klassiker Verlag.

Hoffmann, E.T.A., Segebrecht, W. and Segebrecht, U. (2008c) Die Serapions-Bruder. Frankfurt am Main: Deutscher Klassiker Verlag.

Hoffmann, E.T.A. and Steinecke, H. (1993a) Der Goldne Topf: ein Märchen aus der neuen Zeit. Stuttgart: Reclam.

Hoffmann, E.T.A. and Steinecke, H. (1993b) Der Goldne Topf: ein Märchen aus der neuen Zeit. Stuttgart: Reclam.

Hoffmann, E.T.A. and Steinecke, H. (1993c) Der Goldne Topf: ein Märchen aus der neuen Zeit. Stuttgart: Reclam.

Hoffmann, E.T.A. and Steinecke, H. (1993d) Der Goldne Topf: ein Märchen aus der neuen Zeit. Stuttgart: Reclam.

Hoffmann, E.T.A., Steinecke, H. and Allroggen, G. (2009) Nachtstücke: Klein Zaches ; Prinzessin Brambilla ; Werke 1816-1820. Frankfurt am Main: Deutscher Klassiker Verlag.

Itälä, M.-L. (1993) ‘Studie Zur Fiktionalen Wirklichkeit Am Beispiel Ausgewählter Texte Von e.t.a. Hoffmann’, Neuphilologische Mitteilungen, 94(2), pp. 113–139. Available at: http://www.jstor.org/stable/43345936.

Kaiser, G. (2010) Literarische Romantik. Göttingen: Vandenhoeck & Ruprecht.

Kamla, T.A. (1988) ‘E.T.A. Hoffmann’s ‘“Der Sandmann”: The Narcissistic Poet as Romantic Solipsist’, The Germanic Review: Literature, Culture, Theory, 63(2), pp. 94–102. Available at: https://doi.org/10.1080/19306962.1987.11787308.

Kleine, S. (1999) ‘Elixiere Des Teufels: Notes on E.T.A. Hoffmann’s "Black Romanticism” and the Idealist Critical Response’, Journal of the Australasian Universities Language and Literature Association, 91(1), pp. 27–44. Available at: https://doi.org/10.1179/aulla.1999.004.

Kohlenbach, M. (1994) ‘Women and Artists: E. T. A. Hoffmann’s Implicit Critique of Early Romanticism’, The Modern Language Review, 89(3), pp. 659–673. Available at: https://doi.org/10.2307/3735123.

Kołodziejczyk-Mróz, B. (2012) ‘“Das Fräulein von Scuderi” von E.T.A Hoffmann - zum Verhältnis zwischen Realem und Dämonischem’, Roczniki Humanistyczne, 60(5), pp. 225–247. Available at: http://czasopisma.tnkul.pl/index.php/rh/article/view/5103.

Kremer, D. (1996) Prosa der Romantik. Stuttgart: Metzler.

Kremer, D. (1999) E.T.A. Hoffmann: Erzählungen und Romane. Berlin: Schmidt.

Laurs, A. (2000) ‘" … Noch Einmal Hinter Die Gardinen Zu Kucicen”: Reflections on Absolutism in E.T.A. Hoffmann’s Das Fräulein Von Scuderi’, Journal of the Australasian Universities Language and Literature Association, 94(1), pp. 1–18. Available at: https://doi.org/10.1179/aulla.2000.94.1.002.

Lehleiter, C. (2011) ‘On Genealogy: Biology, Religion, and Aesthetics in E.T.A. Hoffmann’s Elixiere des Teufels (1815-16) and Erasmus Darwin’s Zoonomia (1794-96)’, The German Quarterly, 84(1), pp. 41–60. Available at: https://doi.org/10.1111/j.1756-1183.2011.00103.x.

Luly, S. (2013) ‘Magnetism and Masculinity in E. T. A. Hoffmann’s “Der Magnetiseur”’, The Germanic Review: Literature, Culture, Theory, 88(4), pp. 418–434. Available at: https://doi.org/10.1080/00168890.2013.843962.

Mahoney, D.F. (2004a) The Literature of German Romanticism. Columbia, S.C.: Camden House.

Mahoney, D.F. (2004b) The Literature of German Romanticism. Rochester, N.Y.: Camden House. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3003858.

McChesney, A. (2008a) ‘The Female Poetics of Crime in E.T.A. Hoffmann’s “Mademoiselle Scuderi”’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 24(1), pp. 1–25. Available at: https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/254023.

McChesney, A. (2008b) ‘The Female Poetics of Crime in E.T.A. Hoffmann’s “Mademoiselle Scuderi”’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 24(1), pp. 1–25. Available at: https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/254023.

McCort, D. (2003) ‘Identität, Differenz, Ambivalenz: Erzählstrukturen und Erzählstrategien bei E.T.A. Hoffmann’, Monatshefte, XCV(3), pp. 509–512. Available at: https://doi.org/10.3368/m.XCV.3.509.

Mcfarland, R. (2008) ‘Reading “Das öde Haus”: E. T. A. Hoffmann’s Urban Hermeneutics’, Monatshefte, 100(4), pp. 489–503. Available at: https://doi.org/10.1353/mon.0.0074.

McGlathery, J.M. (1978a) ‘“Bald Dein Fall Ins-Ehebett”? A New Reading of E.T.A. Hoffmann’s Goldner Topf’, The Germanic Review: Literature, Culture, Theory, 53(3), pp. 106–114. Available at: https://doi.org/10.1080/00168890.1978.9936513.

McGlathery, J.M. (1978b) ‘“Der Himmel Hangt ihm voller Geigen”: E. T. A. Hoffmann’s Rat Krespel, Die Fermate, and Der Baron von B.’, The German Quarterly, 51(2). Available at: https://doi.org/10.2307/404940.

McIntyre, A.J. (1979) ‘Romantic Transcendence and the Robot in Heinrich Von Kleist and E.T.A. Hoffmann’, The Germanic Review: Literature, Culture, Theory, 54(1), pp. 29–34. Available at: https://doi.org/10.1080/00168890.1979.9935348.

Mishina, L.A. and al, et (2016) ‘The Urban Text of E.T.A. Hoffmann: the Stories "The Golden Pot”, "The Deserted House” and the Novel "The Devil’s Elixirs”’, International Journal of Applied Linguistics and English Literature, 5(5). Available at: https://doi.org/10.7575/aiac.ijalel.v.5n.5p.153.

Neubauer, J. (1980a) ‘The Mines of Falun: Temporal Fortunes of a Romantic Myth of Time’, Studies in Romanticism, 19(4). Available at: https://doi.org/10.2307/25600264.

Neubauer, J. (1980b) ‘The Mines of Falun: Temporal Fortunes of a Romantic Myth of Time’, Studies in Romanticism, 19(4). Available at: https://doi.org/10.2307/25600264.

Oellig, C. (2014) ‘Mystische Gefäße als Romantische Sphärenwächter: Gefäßsymbolik in Der Goldne Topf von E.T.A. Hoffmann’. Available at: https://www.diva-portal.org/smash/get/diva2:709698/FULLTEXT01.pdf.

Pearson, J. (2013) ‘Total Narcissism and the Uncanny: A New Interpretation of E.T.A. Hoffmann’s "The Sandman”’, Angelaki, 18(2), pp. 17–27. Available at: https://doi.org/10.1080/0969725X.2013.804988.

Peters, D.S. (1974) ‘E.T.A. Hoffmann: The Conciliatory Satirist’, Monatshefte, 66(1), pp. 55–73. Available at: http://www.jstor.org/stable/30154756.

Pikulik, L. (2000) Frühromantik: Epoche, Werke, Wirkung. 2. Aufl. Munchen: Beck.

Ribbat, E. (1979) Romantik: ein literaturwissenschaftliches Studienbuch. Königstein/Ts: Athenäum.

Riou, J. (2004) Imagination in German Romanticism: Re-Thinking the Self and Its Environment. Oxford: P. Lang.

Röder, B. (2000) ‘“Sie ist dahin und das Geheimnis gelöst!”: Künstler und Mensch in E.T.A. Hoffmann’s Rat Krespel’, German Life and Letters, 53(1), pp. 1–16. Available at: https://doi.org/10.1111/1468-0483.00149.

Röder, B. (2001) ‘«Ich sah aus tiefer Nacht feurige Dämonen ihre glühenden Krallen ausstrecken»: The Problem of the Romantic Ideal in E.T.A. Hoffmann’s “Don Juan”’, Colloquia Germanica, 34(1), pp. 1–14. Available at: http://www.jstor.org/stable/23981775.

Roder, B. (2003) A Study of the Major Novellas of E.T.A. Hoffmann. Woodbridge: Camden House.

Ruprecht, L. (2006) Dances of the Self in Heinrich Von Kleist, E. T. A. Hoffman and Heinrich Heine. Aldershot: Ashgate.

Safranski, R. and Goodwin, R.E. (2015) Romanticism: A German Affair. Evanston: Northwestern University Press.

Saul, N. (2009) The Cambridge Companion to German Romanticism. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521848916.

Saul, N. and Die deutsche literarische Romantik und die Wissenschaften (1991) Die deutsche literarische Romantik und die Wissenschaften. München: Iudicium.

Schlutz, A. (2011) ‘The Mirror of Laughter: Mediation, Self‐Reflection, and Healing in E.T.A. Hoffmann’s Princess Brambilla’, European Romantic Review, 22(3), pp. 415–422. Available at: https://doi.org/10.1080/10509585.2011.564466.

Scullion, V. (2009) ‘“Kinaesthetic, Spastic and Spatial Motifs as Expressions of Romantic Irony in E.T.A. Hoffmann’s The Sandman and Other Writings”’, The Journal of Literature and Science, 2(1), pp. 1–22. Available at: https://doi.org/10.12929/jls.02.1.01.

Scullion, V. and Treby, M. (2013) ‘Sexual Politics in the Narratives of E.T.A. Hoffmann’, Journal of Gender Studies, 22(3), pp. 297–308. Available at: https://doi.org/10.1080/09589236.2012.745685.

Silz, W. (1942) ‘Natural Science in German Romanticism’, Modern Language Quarterly, 3(3), pp. 498–501. Available at: https://doi.org/10.1215/00267929-3-3-498.

Stanyon, M. (2010a) ‘"Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann’s Ritter Gluck’, The German Quarterly, 83(4), pp. 412–430. Available at: https://doi.org/10.1111/j.1756-1183.2010.00093.x.

Stanyon, M. (2010b) ‘“Rastrierte Blätter, aber mit keiner Note beschrieben”: The Musical Sublime and Aporias of Inscription in Hoffmann’s “Ritter Gluck”’, The German Quarterly, 83(4). Available at: https://www.jstor.org/stable/40928937.

Steinecke, H. (1997) E.T.A. Hoffmann. Stuttgart: Reclam.

Tatar, M.M. (1980) ‘E.T.A. Hoffmann’s “Der Sandmann”: Reflection and Romantic Irony’, MLN, 95(3). Available at: https://doi.org/10.2307/2906690.

Walzel, O. (1965) German Romanticism. New York: Ungar.

Webber, A.J. (1996a) The Doppelgänger: Double Visions in German Literature. Oxford: Clarendon.

Webber, A.J. (1996b) ‘Theories and Practices of the Doppelgänger’, in The Doppelgänger: Double Visions in German Literature. Oxford: Clarendon.

Webber, A.J. (1996c) ‘Theories and Practices of the Doppelgänger’, in The Doppelgänger: Double Visions in German Literature. Oxford: Clarendon. Available at: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198159049.001.0001/acprof-9780198159049-chapter-1.

Weiss, H.F. (1976a) ‘“The Labyrinth of Crime.” A Reinterpretation of E.T.A. Hoffmann’s “Das Fräulein von Scuderi”’, The Germanic Review: Literature, Culture, Theory, 51(3), pp. 181–189. Available at: https://doi.org/10.1080/00168890.1976.9934780.

Weiss, H.F. (1976b) ‘“The Labyrinth of Crime.” A Reinterpretation of E.T.A. Hoffmann’s Das Fräulein Von Scuderi’, The Germanic Review: Literature, Culture, Theory, 51(3), pp. 181–189. Available at: https://doi.org/10.1080/00168890.1976.9934780.

Werber, N. (1998) ‘Gestalten des Unheimlichen: Seine Struktur und Funktion bei Eichendorff und Hoffmann’, E.T.A. Hoffmann-Jahrbuch, 6, pp. 7–27. Available at: http://www.goethezeitportal.de/db/wiss/epoche/werber_gestalten.pdf.

Williams, S.M. (2016) ‘E.T.A. Hoffmann and the Hairdresser around 1800’, Publications of the English Goethe Society, 85(1), pp. 54–66. Available at: https://doi.org/10.1080/09593683.2016.1162582.

Woodgate, K.B. (1999) ‘Revisiting Serapion: E. T. A. Hoffmann’s Principles of Literary Production and the Limits of Literary Discourse’, Journal of the Australasian Universities Language and Literature Association, 92(1), pp. 33–50. Available at: https://doi.org/10.1179/aulla.92.1.002.

XXX (2009) 106 / MADEMOISELLE DE SCUDERY. MAGNARD.