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——, ‘Romantic Science and Psychology’, in The Cambridge Companion to German Romanticism (Cambridge University Press, 2009), pp. 209–26, doi:10.1017/CCOL9780521848916.013
——, ‘Romantic Science and Psychology’, in The Cambridge Companion to German Romanticism (Cambridge University Press, 2009)
——, ‘Romantic Science and Psychology’, in The Cambridge Companion to German Romanticism (Cambridge University Press, 2009), pp. 209–26, doi:10.1017/CCOL9780521848916.013
Barry, Peter, Beginning Theory: An Introduction to Literary and Cultural Theory, Fourth edition (Manchester University Press, 2017)
Becker, Allienne R., ‘Die Elixiere Des Teufels: E.T.A. Hoffmann’s House of Mirrors’, Journal of the Fantastic in the Arts, 9.2 (34) (1998), pp. 117–30 <http://www.jstor.org/stable/43308335>
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Beiser, Frederick C., The Romantic Imperative: The Concept of Early German Romanticism (Harvard University Press, 2006)
Bohm, Arnd, ‘Consumers’ Paradise: E.T.A. Hoffmann’s Der Goldne Topf’, European Romantic Review, 2.1 (1991), pp. 1–22, doi:10.1080/10509589108569942
Breithaupt, Fritz, ‘The Invention of Trauma in German Romanticism’, Critical Inquiry, 32.1 (2005), pp. 77–101, doi:10.1086/498005
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Chalupa, Cynthia, ‘Re-Imaging the Fantastic: E.T.A. Hoffmann’s “The Story of the Lost Reflection”’, Marvels & Tales, 20.1 (2006) <http://www.jstor.org/stable/41388773>
Crawford, Heide, ‘«Keine Apologie Des Grauenhaften»: Toward an Aesthetic of Horror in E.T.A. Hoffmann’s «Vampyrismus»’, Colloquia Germanica, 42.1 (2009), pp. 19–25 <http://www.jstor.org/stable/23982651>
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——, ‘The Noncourtship in E.T.A. Hoffmann’s “Der Sandmann”’, Colloquia Germanica, 34.1 (2001), pp. 15–26 <http://www.jstor.org/stable/23981777>
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——, Modern Humanities Research Association, and University of London. Institute of Germanic & Romance Studies, E.T.A. Hoffmann and Alcohol: Biography, Reception, and Art (Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic & Romance Studies,University of London, 2010), MHRA texts and dissertations
Eicher, Thomas, ‘“Mit Einem Blick Das Ganze Panorama Des Grandiosen Platzes”. Panoramatische Strukturen in “Des Vetters Eckfenster” von E.T.A. Hoffmann’, Poetica, 25.3/4 (1993), pp. 360–77 <http://www.jstor.org/stable/43028022>
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Grimm, Reinhold, ‘From Callot to Butor. E.T.A. Hoffmann and the Tradition of the Capriccio’, MLN, 93.3 (1978), pp. 399–415, doi:10.2307/2906644
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——, Das Fräulein von Scuderi: Erzählung Aus Dem Zeitalter Ludwig Des Veirzehnten (Reclam, 1969), Nr. 25
——, Das Fräulein von Scuderi: Erzählung Aus Dem Zeitalter Ludwig Des Vierzehnten (Reclam, 1969), Universal-Bibliothek
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——, Rat Krespel; Die Fermate; Don Juan (Reclam, 1964), Nr. 5274
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——, and R. J. Hollingdale, Tales of Hoffmann (Penguin Books, 1982)
——, and R. J. Hollingdale, Tales of Hoffmann (Penguin Books, 1982)
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——, and Gerard Kozieiek, Des Vetters Eckfenster (Reclam Philipp, 2014), Nr. 231
——, Hans Pörnbacher, and E. T. A. Hoffmann, Die Bergwerke Zu Falun: Der Artushof (P. Reclam, 2017), Nr. 8991
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——, and Ritchie Robertson, The Golden Pot and Other Tales (Oxford University Press, 2008)
——, and Ritchie Robertson, The Golden Pot and Other Tales (Oxford University Press, 2008)
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——, Wulf Segebrecht, and Ursula Segebrecht, Die Serapions-Brüder (Deutscher Klassiker Verlag, 2008), Deutscher Klassiker Verlag im Taschenbuch
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——, and Hartmut Steinecke, Der Goldne Topf: Ein Märchen Aus Der Neuen Zeit (Reclam, 1993), ci
——, and Hartmut Steinecke, Der Goldne Topf: Ein Märchen Aus Der Neuen Zeit (Reclam, 1993), Universal-Bibliothek
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——, ‘Kapitel 7 Des Buches: Die Serapions-Brüder’, 1819 <http://gutenberg.spiegel.de/buch/-3106/7>
——, Meister Floh Ein Marchen (Philipp Reclam Jun Verlag GmbH, 1998)
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——, Leonard J. Kent, and Elizabeth C. Knight, ‘Ritter Gluck’, in Tales of Hoffmann (Penguin Books, 1982)
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Kohlenbach, Margarete, ‘Women and Artists: E. T. A. Hoffmann’s Implicit Critique of Early Romanticism’, The Modern Language Review, 89.3 (1994), pp. 659–73, doi:10.2307/3735123
Kołodziejczyk-Mróz, Beata, ‘“Das Fräulein von Scuderi” von E.T.A Hoffmann - Zum Verhältnis Zwischen Realem Und Dämonischem’, Roczniki Humanistyczne, 60.5 (2012), pp. 225–47 <http://czasopisma.tnkul.pl/index.php/rh/article/view/5103>
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——, Prosa Der Romantik (Metzler, 1996), Sammlung Metzler
Laurs, Axel, ‘" … Noch Einmal Hinter Die Gardinen Zu Kucicen”: Reflections on Absolutism in E.T.A. Hoffmann’s Das Fräulein Von Scuderi’, Journal of the Australasian Universities Language and Literature Association, 94.1 (2000), pp. 1–18, doi:10.1179/aulla.2000.94.1.002
Lehleiter, Christine, ‘On Genealogy: Biology, Religion, and Aesthetics in E.T.A. Hoffmann’s Elixiere Des Teufels (1815-16) and Erasmus Darwin’s Zoonomia (1794-96)’, The German Quarterly, 84.1 (2011), pp. 41–60, doi:10.1111/j.1756-1183.2011.00103.x
Luly, Sara, ‘Magnetism and Masculinity in E. T. A. Hoffmann’s “Der Magnetiseur”’, The Germanic Review: Literature, Culture, Theory, 88.4 (2013), pp. 418–34, doi:10.1080/00168890.2013.843962
Mahoney, Dennis F., The Literature of German Romanticism (Camden House, 2004), Camden House History of German Literature
——, The Literature of German Romanticism (Camden House, 2004), The Camden House History of German Literature <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3003858>
McChesney, Anita, ‘The Female Poetics of Crime in E.T.A. Hoffmann’s “Mademoiselle Scuderi”’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 24.1 (2008), pp. 1–25 <https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/254023>
——, ‘The Female Poetics of Crime in E.T.A. Hoffmann’s “Mademoiselle Scuderi”’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 24.1 (2008), pp. 1–25 <https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/254023>
McCort, D., ‘Identität, Differenz, Ambivalenz: Erzählstrukturen Und Erzählstrategien Bei E.T.A. Hoffmann’, Monatshefte, XCV.3 (2003), pp. 509–12, doi:10.3368/m.XCV.3.509
Mcfarland, R., ‘Reading “Das Öde Haus”: E. T. A. Hoffmann’s Urban Hermeneutics’, Monatshefte, 100.4 (2008), pp. 489–503, doi:10.1353/mon.0.0074
McGlathery, James M., ‘“Bald Dein Fall Ins-Ehebett”? A New Reading of E.T.A. Hoffmann’s Goldner Topf’, The Germanic Review: Literature, Culture, Theory, 53.3 (1978), pp. 106–14, doi:10.1080/00168890.1978.9936513
——, ‘“Der Himmel Hangt Ihm Voller Geigen”: E. T. A. Hoffmann’s Rat Krespel, Die Fermate, and Der Baron von B.’, The German Quarterly, 51.2 (1978), doi:10.2307/404940
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Mishina, Larisa Aleksejevna, and et al, ‘The Urban Text of E.T.A. Hoffmann: The Stories "The Golden Pot”, "The Deserted House” and the Novel "The Devil’s Elixirs”’, International Journal of Applied Linguistics and English Literature, 5.5 (2016), doi:10.7575/aiac.ijalel.v.5n.5p.153
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——, ‘The Mines of Falun: Temporal Fortunes of a Romantic Myth of Time’, Studies in Romanticism, 19.4 (1980), doi:10.2307/25600264
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Röder, Birgit, ‘«Ich Sah Aus Tiefer Nacht Feurige Dämonen Ihre Glühenden Krallen Ausstrecken»: The Problem of the Romantic Ideal in E.T.A. Hoffmann’s “Don Juan”’, Colloquia Germanica, 34.1 (2001), pp. 1–14 <http://www.jstor.org/stable/23981775>
——, ‘“Sie Ist Dahin Und Das Geheimnis Gelöst!”: Künstler Und Mensch in E.T.A. Hoffmann’s Rat Krespel’, German Life and Letters, 53.1 (2000), pp. 1–16, doi:10.1111/1468-0483.00149
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