Akerman, C., and Janet Bergstrom. ‘Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles’ and ’Chantal Akerman on Jeanne Dielman’. Camera Obscura: Feminism, Culture, and Media Studies 1.2 2 (1977): 115–121. Web.
Akerman, Chantal. ‘Je Tu Il Elle’. 1975 : n. pag. Print.
---. ‘Jeanne Dielman: 23, Quai Du Commerce, 1080 Bruxelles’. 1975 : n. pag. Print.
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Antonioni, Michelangelo. ‘La Notte’. 1961 : n. pag. Print.
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---. ‘L’Avventura | Box of Broadcasts’. 1960. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000959DA>.
---. ‘L’eclisse’. 1962 : n. pag. Print.
---. ‘Red Desert’. 1964 : n. pag. Print.
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---. ‘The Event and the Image’. Sight and Sound 33.1 (1963): n. pag. Web. <https://search.proquest.com/docview/1305505778/49B04220CB984A6APQ/6?accountid=11455>.
---. ‘The Event and the Image’. Sight and Sound 33.1 (1963): n. pag. Web. <http://search.proquest.com/docview/1305505778?accountid=11455>.
---. ‘The Red Desert | Box of Broadcasts’. 1964. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0206AE5D>.
Ayfre, Amédée. ‘Neorealism and Phenomenology’. Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave / Edited by Jim Hillier, Vol. 1: The 1950s. London: Routledge & Kegan Paul in association with the British Film Institute, 1985. 182–191. Print.
Bazin, André. ‘An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation’. What Is Cinema?. Berkeley, Calif: University of California Press, 1967. 16–40. Print.
Bazin, Andre. ‘An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation’. What Is Cinema?. Vol. 2. N.p., 2005. 16–40. Web. <https://www.fulcrum.org/epubs/t722h9385?locale=en#/6/50[xhtml00000025]!/4/1:0>.
Bazin, André. ‘In Defense of Rossellini’. What Is Cinema?. Berkeley, Calif: University of California Press, 1967. 93–101. Print.
Bazin, Andre. ‘In Defense of Rossellini’. What Is Cinema?. Vol. 2. N.p., 2005. 93–101. Web. <https://www.fulcrum.org/epubs/t722h9385?locale=en#/6/206[xhtml00000103]!/4/1:0>.
Beasley-Murray, Jon. ‘Whatever Happened to Neorealism? Bazin, Deleuze, and Tarkovsky’s Long Take’. Iris 23 (1997): 37–52. Web. <http://www.academia.edu/842648/Whatever_Happened_to_Neorealism_-Bazin_Deleuze_and_Tarkovskys_Long_Take>.
Bergstrom, Janet. ‘Keeping a Distance’. Sight and Sound 9.11 (1999): 26–28. Web. <http://search.proquest.com/docview/1305504342?accountid=11455>.
Bickerton, Emilie. ‘1966-1968: Politicization’. A Short History of Cahiers Du Cinéma. London: Verso, 2011. 51–69. Print.
Bird, Robert. Andrei Tarkovsky: Elements of Cinema. London: Reaktion, 2008. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=449393>.
Bondanella, Peter. ‘Paisà and the Rejection of Traditional Narrative Cinema’. The Films of Roberto Rossellini. Cambridge: Cambridge University Press, 1993. 64–82. Print.
---. ‘The Masters of NeoReaslism: Rossellini, De Sica, and Visconti’. Italian Cinema: From Neorealism to the Present. 3rd ed. New York: Continuum, 2001. 31–73. Print.
Bordwell, David. ‘Parametric Narration’. Narration in the Fiction Film. London: Routledge, 1985. 274–310. Print.
---. ‘Parametric Narration’. Narration in the Fiction Film. London: Routledge, 1997. 274–310. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315002163>.
Bresson, Robert. ‘A Man Escaped’. : n. pag. Print.
---. ‘Diary of a Country Priest | Journal D’un Curé De Campagne’. 1951 : n. pag. Print.
---. Notes on the Cinematograph. New York Review, 2017. Print.
---. ‘Pickpocket’. 1959 : n. pag. Print.
Brunette, Peter. ‘L’eclisse’. The Films of Michelangelo Antonioni. Cambridge film classics. Cambridge: Cambridge University Press, 1998. 73–89. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&amp;package_service_id=13399200210002671&amp;institutionId=2671&amp;customerId=2670>.
---. ‘L’eclisse’. The Films of Michelangelo Antonioni. Cambridge film classics. Cambridge, U.K.: Cambridge University Press, 1998. 73–89. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.07597>.
---. ‘Paisan’. Roberto Rossellini. New York: Oxford University Press, 1987. 61–75. Print.
---. ‘Voyage to Italy’. Roberto Rossellini. New York: Oxford University Press, 1987. 155–171. Print.
Cameron, Ian. The Films of Jean-Luc Godard. London: Studio Vista, 1967. Print.
---. The Films of Robert Bresson. London: Studio Vista, 1969. Print.
‘Celine and Julie Co Boating “(Céline Et Julie Vont En Bateau: Phantom Ladies Over Paris)”’. Monthly Film Bulletin 43.4 (1976): 191–194. Web. <https://search.proquest.com/docview/1305844794/D47E893626BA4E88PQ/38?accountid=11455>.
Clarens, Carlos, and Edgardo Cozarinsky. ‘Jacques Rivette Interviewed’. Sight and Sound 43.3 (1974): n. pag. Print.
Comolli, J.-L., and J. Narboni. ‘Cinema/Ideology/Criticism’. Screen 12.2 (1971): 145–155. Web.
Cunneen, Joseph E. Robert Bresson: A Spiritual Style in Film. New York: Continuum, 2003. Web. <https://muse.jhu.edu/article/30837>.
de Sica, Vittorio. ‘The Bicycle Thieves’. 1948 : n. pag. Print.
De Sica, Vittorio. ‘Umberto D.’ 1952 : n. pag. Print.
Dempsey, Michael. ‘Lost Harmony: Tarkovsky’s “The Mirror” and “The Stalker”’. Film Quarterly 35.1 (1981): 12–17. Web.
---. ‘Lost Harmony: Tarkovsky’s “The Mirror” and “The Stalker”’. Film Quarterly 35.1 (1981): 12–17. Web.
Donen, Stanley. ‘Singin’ in the Rain | Box of Broadcasts’. 1952. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D>.
Douchet, Jean. French New Wave. DAP, 1998. Print.
Dunne, Nathan. Tarkovsky. London: Black Dog, 2008. Print.
Dyer, Geoff. Zona: A Book about a Film about a Journey to a Room. Edinburgh: Canongate, 2012. Print.
Ferretter, Luke. Louis Althusser. London: Routledge, 2006. Print.
---. Louis Althusser. London: Routledge, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=308507>.
Fieschi, Jean- André. ‘Jacques Rivette’. Cinema: A Critical Dictionary : The Major Film-Makers. London: Secker & Warburg, 1980. 871–878. Print.
Foster, Gwendolyn Audrey. Identity and Memory: The Films of Chantal Akerman. Cinema voices. Trowbridge: Flicks Books, 1999. Print.
Gallagher, Tag. The Adventures of Roberto Rossellini. New York: Da Capo Press, 1998. Print.
---. The Adventures of Roberto Rossellini. New York: Da Capo Press, 1998. Print.
Gelley, Ora. Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini’s Italy. Vol. 15. New York: Routledge, 2012. Print.
---. Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini’s Italy. Vol. 15. New York: Routledge, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203120712>.
Godard, Jean-Luc. ‘A Bout de Souffle’. 1959 : n. pag. Print.
---. ‘A Bout de Souffle (Breathless) | Box of Broadcasts’. 1959. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00020428?bcast=5333460>.
---. ‘Alphaville’. 1965 : n. pag. Print.
Godard, Jean-Luc, Jean Nerboni, et al. ‘Interview with Jean-Luc Godard’. Godard on Godard: Critical Writings by Jean-Luc Godard. New York, N.Y.: Da Capo Press, 1972. 171–196. Print.
Godard, Jean-Luc. ‘Interview with Jean-Luc Godard’. Godard on Godard: Critical Writings. London: Secker and Warburg, 1972. Print.
---. ‘La Chinoise’. 2012 : n. pag. Print.
---. ‘Le Mépris’. 1963 : n. pag. Print.
Godard, Jean-Luc, Gian Maria Volonte, et al. ‘Le Vent d’Est’. 2012 : n. pag. Print.
Godard, Jean-Luc. ‘Pierrot Le Fou’. 2006 : n. pag. Print.
---. ‘Sympathy for the Devil: A.k.a. One Plus One’. 1968 : n. pag. Print.
---. ‘Une Femme Est Une Femme’. 1961 : n. pag. Print.
---. ‘Vivre Sa Vie’. 2006 : n. pag. Print.
---. ‘Weekend’. 1967 : n. pag. Print.
Godard, Jean-Luc, and Jean-Pierre Gorin. ‘Tout Va Bien’. 1972 : n. pag. Print.
Godard, Jean-Luc, and Tom Milne. ‘Let’s Talk About Pierrot’. Godard on Godard: Critical Writings by Jean-Luc Godard. New York, N.Y.: Da Capo Press, 1972. 215–234. Print.
---. ‘Pierrot My Friend’. Godard on Godard: Critical Writings by Jean-Luc Godard. New York, N.Y.: Da Capo Press, 1972. 213–215. Print.
Godard, Jean-Luc, and David Sterritt. Jean-Luc Godard: Interviews. Conversations with filmmakers. Jackson: University Press of Mississippi, 1998. Print.
Godard, Jean-Luc, and Dziga Vertov. ‘British Sounds’. 2012 : n. pag. Print.
Goddard, Jean-Luc. ‘Bande à Part’. 1964 : n. pag. Print.
---. ‘Vivre Sa Vie | Box of Broadcasts’. 1962. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FEB85?bcast=126082788>.
Greenberg, Izzy. ‘Cahiers de Rossellini’. Cineaction (1998): 42–46. Web. <https://search.proquest.com/docview/216881706/9C8CD357D3BE412DPQ/7?accountid=11455>.
Gunnlaugur A. Jónsson, Thorkell A. Ottarsson, and Thorkell A. Ottarsson. Through the Mirror. Newcastle upon Tyne: Cambridge Scholars Publisher, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4949895>.
Halligan, Benjamin. Desires for Reality: Radicalism and Revolution in Western European Film. New York: Berghahn Books, 2016. Print.
Hoveyda, Fereydoun, Jacques Rivette, and Jim Hillier. ‘Interview with Roberto Rossellini’. Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave / Edited by Jim Hillier, Vol. 1: The 1950s. Vol. 1. London: Routledge & Kegan Paul in association with the British Film Institute, 1985. 212–217. Print.
Johnson, Vida T, and Graham Petrie. ‘Tarkovsky’. Five Filmmakers: Tarkovsky, Forman, Polanski, Szabo, Makavejev. Bloomington: Indiana University Press, 1994. 1–49. Print.
Jonsson, Gunnlaugur A., and Þorkell Ágúst Óttarsson. Through the Mirror: Reflections on the Films of Andrei Tarkovsky. Newcastle: Cambridge Scholars Press, 2006. Print.
Kelly, Gene, and Stanley Donen. ‘Singin’ in the Rain’. 1952 : n. pag. Print.
Kinder, Marsha. ‘Reflections on “Jeanne Dielman”’. Film Quarterly 30.4 (1977): 2–8. Web.
King, Peter. ‘Memory and Exile: Time and Place in Tarkovsky’s’. Housing, Theory and Society 25.1 (2008): 66–78. Web.
Kinsman, R. Patrick. ‘She’s Come Undone: Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles and Countercinema’. Quarterly Review of Film and Video 24.3 (2007): 217–224. Web.
Kovács, András Bálint. ‘An Alternative to the Classical Form: Neorealism and Modernism’. Screening Modernism: European Art Cinema, 1950-1980. Chicago: University of Chicago Press, 2007. 253–271. Print.
---. ‘An Alternative to the Classical Form: Neorealism and Modernism’. Screening Modernism: European Art Cinema, 1950-1980. Chicago: University of Chicago Press, 2007. 253–271. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226451664>.
Le Fanu, Mark. The Cinema of Andrei Tarkovsky. London: BFI, 1987. Print.
Lesage, Julia. ‘Celine and Julia Go Boating’. N.p., n.d. Web. <http://www.ejumpcut.org/archive/onlinessays/JC24-25folder/CelineJulie.html>.
Levinson, Julie. ‘Céline and Julie Go Story Telling’. The French Review 65.2 (1991): n. pag. Web. <https://www.jstor.org/stable/395593?seq=1#metadata_info_tab_contents>.
Loader, Jayne. ‘Jeanne Dielman: Death in Instalments’. Movies and Methods: An Anthology. Berkeley, Calif: University of California Press, 1985. Print.
MacBean, James Roy. ‘Godard and the Dziga Vertov Group: Film and Dialectics’. Film Quarterly 26.1 (1972): 30–44. Web.
Macbean, James Roy. ‘“See You at Mao”: Godard’s Revolutionary British Sounds’. Film Quarterly 24.2 (1970): 15–23. Web.
MacCabe, Colin. ‘A Certain Tendency of French Film Production: The New Wave of Karina and Coutard’. Godard: A Portrait of the Artist at 70. London: Bloomsbury, 2004. 97–178. Print.
---. ‘Student Revolution: Wiazemsky and Gorin’. Godard: A Portrait of the Artist at 70. London: Bloomsbury, 2003. 179–238. Print.
Marchessault, Janine. ‘Inventing Paradox: Céline and Julie Go Boating’. CineAction 3.4 (1986): 84–90. Print.
Marguilies, Ivone. ‘Dossier: Chantal Akerman’. Film Quarterly 70.1 (2016): 11–84. Web. <http://fq.ucpress.edu/content/70/1>.
Margulies, Ivone. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. Durham: Duke University Press, 1996. Print.
Marie, Michel. The French New Wave: An Artistic School. Oxford: Blackwell, 2003. Print.
---. The French New Wave: An Artistic School. Oxford: Blackwell, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=351546>.
Martin, Angela, and Chantal Akerman. ‘Chantal Akerman’s Films: A Dossier’. Feminist Review 3 (1979): n. pag. Web.
---. ‘Chantal Akerman’s Films: A Dossier’. Feminist Review 3 (1979): n. pag. Web.
Monaco, James. ‘Rivette: The Process of Narrative’. The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. 30th ed. New York: Harbor, 1976. Print.
---. The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. 30th ed. New York: Harbor, 2004. Print.
Morrey, Douglas. Jean-Luc Godard. French film directors. Manchester: Manchester University Press, 2005. Print.
Morrey, Douglas, and Alison Smith. Jacques Rivette. Manchester: Manchester University Press, 2009. Print.
Mulvey, Laura. ‘‘"New Wave” Interchanges: Céline and Julie and Desperately Seeking Susan’. Hollywood and Europe: Economics, Culture, National Identity 1945-95. London: British Film Institute, 1998. Print.
---. ‘Vesuvian Topographies: The Eruption of the Past in Journey to Italy’. Roberto Rossellini: Magician of the Real. London: BFI Publishing, 2000. 95–111. Print.
Neupert, Richard. A History of the French New Wave Cinema. Madison, Wis: University of Wisconsin Press, 2002. Print.
Neupert, Richard John. A History of the French New Wave Cinema. Madison: University of Wisconsin Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=259471>.
Nowell-Smith, Geoffrey. Making Waves: New Cinemas of the 1960s. Revised and expanded edition. New York: Bloomsbury, 2013. Print.
---. ‘Shape around a Black Point’. Sight and Sound 33.1 (1963): 15–20. Web. <https://search.proquest.com/docview/1305505794/49B04220CB984A6APQ/7?accountid=11455>.
---. ‘Shape Around a Black Point (On L’eclisse)’. Sight and Sound 33.1 (1963): n. pag. Web. <http://search.proquest.com/docview/1305505794?accountid=11455>.
---. ‘Shape Around a Black Point (On L’eclisse)’. Movies and Methods: An Anthology, Vol. 1. Berkeley: University of California Press, 1976. Print.
Perez, Gilberto. ‘The Point of View of a Stranger: An Essay on Antonioni’s “Eclipse”’. The Hudson Review 44.2 (1991): n. pag. Web.
---. ‘The Signifiers of Tenderness’. The Material Ghost: Films and Their Medium. Baltimore: Johns Hopkins University Press, 1998. Print.
Perlmutter, Ruth. ‘Feminine Absence: A Political Aesthetic in Chantal Ackerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles’. Quarterly Review of Film Studies 4.2 (1979): 125–133. Web.
Petrie, Graham, and Vida T. Johnson. ‘Mirror’. The Films of Andrei Tarkovsky: A Visual Fugue. Bloomington: Indiana University Press, 1994. 111–136. Print.
---. ‘Stalker’. The Films of Andrei Tarkovsky: A Visual Fugue. Bloomington: Indiana University Press, 1994. 137–155. Print.
‘Pickpocket (1959) | BoB’. 1996. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/buf620fb4?bcast=130438481>.
‘Pierrot Le Fou (1965) | BoB’. 2019. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000184D5?bcast=130947503>.
Pipolo, Tony. Robert Bresson: A Passion for Film. New York: Oxford University Press, 2010. Print.
---. Robert Bresson: A Passion for Film. New York: Oxford University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472343>.
Quandt, James. Robert Bresson Revised. Indiana University Press, 2011. Print.
Reader, Keith. Robert Bresson. Manchester: Manchester University Press, 2000. Print.
Rivette, Jacques. ‘Celine and Julie Go Boating’. 2006 : n. pag. Print.
---. Out 1: Noli Me Tangere. Berlin: Medien, 1971. Print.
Rivette, Jacques, and Juliet Berto. ‘Duelle’. 1976 : n. pag. Print.
Robert Bresson. Bresson on Bresson. N.p., 2016. Print.
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---. ‘Work and Play in the House of Fiction’’. Placing Movies: The Practice of Film Criticism. Berkeley: University of California Press, 1974. Web. <http://hdl.handle.net/2027/heb.08129>.
Rossellini, Roberto. ‘Europa 51’. 1952 : n. pag. Print.
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---. ‘Stromboli | Box of Broadcasts’. 1950. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001A5B9E?bcast=101314809>.
---. ‘Viaggio in Italia | Journey to Italy’. 1954 : n. pag. Print.
Rossellini, Roberto, and Adriano Apra. My Method : Writings and Interviews. Venice: Marsilio Editori SPA, 1987. Print.
Rossellini, Roberto, and Aldo Fabrizi. ‘Rome, Open City’. 1945 : n. pag. Print.
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---. ‘Reality and Abstraction’. Godard. 3rd ed. Basingstoke: Palgrave Macmillan, 2010. 65–90. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781844575619>.
Skakov, Naiman. ‘Revelations of Stalker’. The Cinema of Tarkovsky: Labyrinths of Space and Time. London: I.B. Tauris, 2012. 140–166. Print.
Skakov, Nariman. ‘Memories of a Mirror’. The Cinema of Tarkovsky: Labyrinths of Space and Time. London: I.B. Tauris, 2012. 100–139. Print.
---. ‘Memories of Mirror’. The Cinema of Tarkovsky: Labyrinths of Space and Time. London: I.B.Tauris & Co Ltd, 2012. 100–139. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857721198>.
---. ‘Revelations of Stalker’. The Cinema of Tarkovsky: Labyrinths of Space and Time. London: I.B.Tauris & Co Ltd, 2012. 140–166. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857721198>.
---. The Cinema of Tarkovsky: Labyrinths of Space and Time. KINO. London: I.B. Tauris, 2012. Print.
Sontag, Susan. ‘Against Interpretation’. A Susan Sontag Reader. Vintage, 1983. 95–104. Print.
---. ‘Spiritual Style in the Films of Robert Bresson’. Against Interpretation: And Other Essays. London: Penguin, 2009. 177–195. Print.
Synessios, Natasha. Mirror. Vol. 6. London: I.B. Tauris, 2001. Print.
---. Mirror. Vol. 6. N.p. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000006327>.
Tarkovskiĭ, Andreĭ Arsenʹevich. ‘Nostalghia (Nostalgia)’. 2016 : n. pag. Print.
---. Sculpting in Time: Reflections on the Cinema. Austin: University of Texas Press, 1989. Print.
Tarkovsky, Andrei. ‘Andrei Rublev’. 1966 : n. pag. Print.
---. ‘Andrei Rublev | Box of Broadcasts’. 1966. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FD4EC?bcast=123867685>.
---. ‘Ivan’s Childhood’. 1962 : n. pag. Print.
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---. ‘Mirror | Box of Broadcasts’. N.p., 1975. Web. <http://bobnational.net/record/15563>.
---. ‘Nostalgia | Box of Broadcasts’. 1983. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE35F0B?bcast=126665335>.
---. ‘Sacrifice | Box of Broadcasts’. 1986. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000DBC26?bcast=124153170>.
---. ‘Solaris’. 1972 : n. pag. Print.
---. ‘Solaris | Box of Broadcasts’. 1972. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00114161>.
---. ‘Stalker’. 1979 : n. pag. Print.
---. ‘Stalker | Box of Broadcasts’. 1979. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDE5B?bcast=124002923>.
---. ‘The Sacrifice’. 1986 : n. pag. Print.
---. ‘Time, Rhythm and Editing’. Sculpting in Time: Reflections on the Cinema. Austin: University of Texas Press, 1989. 113–124. Print.
---. Time Within Time: The Diaries, 1970-1986. London: Faber & Faber, 1994. Print.
Tarkovsky, Andrei, and Ian Christie. ‘Against Interpretation: An Interview With Andrei Tarkovsky’. Framework: The Journal of Cinema and Media 14 (1981): n. pag. Web. <https://www.jstor.org/stable/44111800>.
Tarkovsky, Andrei, and John Gianvito. Andrei Tarkovsky: Interviews. Jackson: University Press of Mississippi, 2006. Print.
Tarkovsky, Andrei, and Stephen Gill. Bright, Bright Day: Andrey Tarkovsky’s Polaroids. London: White Space Gallery, 2008. Print.
Turovskai︠a︡, Maĭi︠a︡. Tarkovsky: Cinema as Poetry. Rev. ed. London: Faber and Faber, 1989. Print.
Visconti, Luchino. ‘La Terra Trema’. 1948 : n. pag. Print.
Wagstaff, Christopher. ‘Paisà’. Italian Neorealist Cinema: An Aesthetic Approach. Toronto: University of Toronto Press, 2007. 185–290. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4634682>.
Weis, Don. ‘I Love Melvin’. 2011 : n. pag. Print.
Wiles, Mary M. Jacques Rivette. Urbana, [Ill.]: University of Illinois Press, 2012. Print.
Wills, David. Jean-Luc Godard’s Pierrot Le Fou. Cambridge: Cambridge University Press, 2000. Print.
---. Jean-Luc Godard’s Pierrot Le Fou. Cambridge, U.K.: Cambridge University Press, 2000. Web. <http://hdl.handle.net/2027/heb.07621>.
Wollen, Peter. ‘Godard and Counter Cinema: Vent d’Est’. Readings and Writings: Semiotic Counter-Strategies. London: Verso, 1982. 79–91. Print.
Wood, Robin. ‘Narrative Pleasure: Two Films of Jacques Rivette’. Film Quarterly 35.1 (1981): 2–12. Web. <https://www.jstor.org/stable/1212074?seq=1#metadata_info_tab_contents>.
Yervasi, Carina. ‘Dislocating the Domestic in Chantal Akerman’s Jeanne Dielman’. Sites: Journal of Contemporary French Studies 4.2 (2000): n. pag. Web. <http://www.tandfonline.com/doi/abs/10.1080/10260210008456039>.
Youngblood, Gene. ‘Jean-Luc Godard: No Difference Between Life and Cinema’. Jean-Luc Godard: Interviews. Ed. David Sterritt. Jackson: University Press of Mississippi, 1998. 9–49. Print.
Zavattini, Cesare. ‘A Thesis on Neorealism’. Springtime in Italy: A Reader on Neo-Realism. London: Talisman Books, 1978. 67–78. Print.