Bibliography for MA2065: Modern European Cinema | Royal Holloway, University of London

@article{Akerman_Bergstrom_1977, title={Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles’ and ’Chantal Akerman on Jeanne Dielman}, volume={1}, DOI={10.1215/02705346-1-2_2-115}, number={2 2}, journal={Camera Obscura: Feminism, Culture, and Media Studies}, author={Akerman, C. and Bergstrom, Janet}, year={1977}, pages={115–121} }

@misc{Akerman_1975a, title={Jeanne Dielman: 23, Quai Du Commerce, 1080 Bruxelles}, publisher={Criterion}, author={Akerman, Chantal}, year={1975} }

@misc{Akerman_1975b, address={[Irvington, N.Y.]}, title={Je Tu Il Elle}, volume={Eclipse from the Criterion Collection, series 19, Chantal Akerman in the seventies}, publisher={Criterion Collection}, author={Akerman, Chantal}, year={1975} }

@misc{Akerman_2009, address={[S.l.]}, title={News From Home}, volume={eclipse series 19}, publisher={Paradise Films}, author={Akerman, Chantal}, year={2009} }

@misc{Antonioni_1959, address={[S.I.]}, title={L’Avventura}, publisher={Mr Bongo}, author={Antonioni, Michelangelo}, year={1959} }

@misc{Antonioni_1960, title={L’Avventura | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000959DA}, publisher={FilmFour}, author={Antonioni, Michelangelo}, year={1960} }

@misc{Antonioni_1961, address={[S.l.]}, title={La Notte}, volume={The Masters of cinema series}, publisher={Eureka}, author={Antonioni, Michelangelo}, year={1961} }

@misc{Antonioni_1962, address={S.l.}, title={L’eclisse}, publisher={Criterion Collection}, author={Antonioni, Michelangelo}, year={1962} }

@article{Antonioni_1963a, title={The Event and the Image}, volume={33}, url={https://search.proquest.com/docview/1305505778/49B04220CB984A6APQ/6?accountid=11455}, number={1}, journal={Sight and Sound}, author={Antonioni, Michelangelo}, year={1963} }

@article{Antonioni_1963b, title={The Event and the Image}, volume={33}, url={http://search.proquest.com/docview/1305505778?accountid=11455}, number={1}, journal={Sight and Sound}, author={Antonioni, Michelangelo}, year={1963} }

@misc{Antonioni_1964a, address={[S.l.]}, title={Red Desert}, publisher={BFI}, author={Antonioni, Michelangelo}, year={1964} }

@misc{Antonioni_1964b, title={The Red Desert | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0206AE5D}, publisher={FilmFour}, author={Antonioni, Michelangelo}, year={1964} }

@book{Antonioni_Di Carlo_Tinazzi_Cottino-Jones_2007, address={Chicago}, edition={University of Chicago Press ed}, title={The Architecture of Vision: Writings and Interviews on Cinema}, publisher={University of Chicago Press}, author={Antonioni, Michelangelo and Di Carlo, Carlo and Tinazzi, Giorgio and Cottino-Jones, Marga}, year={2007} }

@inbook{Ayfre_1985, address={London}, title={Neorealism and Phenomenology}, booktitle={Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave / Edited by Jim Hillier, Vol. 1: The 1950s}, publisher={Routledge & Kegan Paul in association with the British Film Institute}, author={Ayfre, Amédée}, year={1985}, pages={182–191} }

@inbook{Bazin_1967a, address={Berkeley, Calif}, title={An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation}, booktitle={What Is Cinema?}, publisher={University of California Press}, author={Bazin, André}, year={1967}, pages={16–40} }

@inbook{Bazin_1967b, address={Berkeley, Calif}, title={In Defense of Rossellini}, booktitle={What Is Cinema?}, publisher={University of California Press}, author={Bazin, André}, year={1967}, pages={93–101} }

@inbook{Bazin_2005a, title={An Aesthetic of Reality: Cinematic Realism and the Italian School of the Liberation}, volume={2}, url={https://www.fulcrum.org/epubs/t722h9385?locale=en#/6/50[xhtml00000025]!/4/1:0}, booktitle={What Is Cinema?}, author={Bazin, Andre}, year={2005}, pages={16–40} }

@inbook{Bazin_2005b, title={In Defense of Rossellini}, volume={2}, url={https://www.fulcrum.org/epubs/t722h9385?locale=en#/6/206[xhtml00000103]!/4/1:0}, booktitle={What Is Cinema?}, author={Bazin, Andre}, year={2005}, pages={93–101} }

@article{Beasley-Murray_1997, title={Whatever Happened to Neorealism? Bazin, Deleuze, and Tarkovsky’s Long Take}, volume={23}, url={http://www.academia.edu/842648/Whatever_Happened_to_Neorealism_-Bazin_Deleuze_and_Tarkovskys_Long_Take}, journal={Iris}, author={Beasley-Murray, Jon}, year={1997}, pages={37–52} }

@article{Bergstrom_1999, title={Keeping a Distance}, volume={9}, url={http://search.proquest.com/docview/1305504342?accountid=11455}, number={11}, journal={Sight and Sound}, author={Bergstrom, Janet}, year={1999}, pages={26–28} }

@inbook{Bickerton_2011, address={London}, title={1966-1968: Politicization}, booktitle={A Short History of Cahiers Du Cinéma}, publisher={Verso}, author={Bickerton, Emilie}, year={2011}, pages={51–69} }

@book{Bird_2008, address={London}, title={Andrei Tarkovsky: Elements of Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=449393}, publisher={Reaktion}, author={Bird, Robert}, year={2008} }

@inbook{Bondanella_1993, address={Cambridge}, title={Paisà and the Rejection of Traditional Narrative Cinema}, booktitle={The Films of Roberto Rossellini}, publisher={Cambridge University Press}, author={Bondanella, Peter}, year={1993}, pages={64–82} }

@inbook{Bondanella_2001, address={New York}, edition={3rd ed}, title={The Masters of NeoReaslism: Rossellini, De Sica, and Visconti}, booktitle={Italian Cinema: From Neorealism to the Present}, publisher={Continuum}, author={Bondanella, Peter}, year={2001}, pages={31–73} }

@inbook{Bordwell_1985, address={London}, title={Parametric Narration}, booktitle={Narration in the Fiction Film}, publisher={Routledge}, author={Bordwell, David}, year={1985}, pages={274–310} }

@inbook{Bordwell_1997, address={London}, title={Parametric Narration}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315002163}, booktitle={Narration in the Fiction Film}, publisher={Routledge}, author={Bordwell, David}, year={1997}, pages={274–310} }

@misc{Bresson_1951, address={S.l}, title={Diary of a Country Priest | Journal D’un Curé De Campagne}, publisher={Optimum Releasing}, author={Bresson, Robert}, year={1951} }

@misc{Bresson_1959, title={Pickpocket}, publisher={Artificial Eye}, author={Bresson, Robert}, year={1959} }

@book{Bresson_2017, title={Notes on the Cinematograph}, publisher={New York Review}, author={Bresson, Robert}, year={2017} }

@misc{Bresson, address={S.l}, title={A Man Escaped}, publisher={Artificial Eye}, author={Bresson, Robert} }

@inbook{Brunette_1987a, address={New York}, title={Paisan}, booktitle={Roberto Rossellini}, publisher={Oxford University Press}, author={Brunette, Peter}, year={1987}, pages={61–75} }

@inbook{Brunette_1987b, address={New York}, title={Voyage to Italy}, booktitle={Roberto Rossellini}, publisher={Oxford University Press}, author={Brunette, Peter}, year={1987}, pages={155–171} }

@inbook{Brunette_1998a, address={Cambridge}, title={L’eclisse}, volume={Cambridge film classics}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399200210002671&institutionId=2671&customerId=2670}, booktitle={The Films of Michelangelo Antonioni}, publisher={Cambridge University Press}, author={Brunette, Peter}, year={1998}, pages={73–89} }

@inbook{Brunette_1998b, address={Cambridge, U.K.}, title={L’eclisse}, volume={Cambridge film classics}, url={http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.07597}, booktitle={The Films of Michelangelo Antonioni}, publisher={Cambridge University Press}, author={Brunette, Peter}, year={1998}, pages={73–89} }

@book{Cameron_1967, address={London}, title={The Films of Jean-Luc Godard}, publisher={Studio Vista}, author={Cameron, Ian}, year={1967} }

@book{Cameron_1969, address={London}, title={The Films of Robert Bresson}, publisher={Studio Vista}, author={Cameron, Ian}, year={1969} }

@article{Clarens_Cozarinsky_1974, title={Jacques Rivette Interviewed}, volume={43}, number={3}, journal={Sight and Sound}, author={Clarens, Carlos and Cozarinsky, Edgardo}, year={1974} }

@article{Comolli_Narboni_1971, title={Cinema/Ideology/Criticism}, volume={12}, DOI={10.1093/screen/12.2.145}, number={2}, journal={Screen}, author={Comolli, J.-L. and Narboni, J.}, year={1971}, pages={145–155} }

@book{Cunneen_2003, address={New York}, title={Robert Bresson: A Spiritual Style in Film}, url={https://muse.jhu.edu/article/30837}, publisher={Continuum}, author={Cunneen, Joseph E.}, year={2003} }

@misc{De Sica_1952, address={UK}, title={Umberto D.}, publisher={CultFilms}, author={De Sica, Vittorio}, year={1952} }

@article{Dempsey_1981a, title={Lost Harmony: Tarkovsky’s ‘The Mirror’ and ‘The Stalker’}, volume={35}, DOI={10.2307/1212075}, number={1}, journal={Film Quarterly}, author={Dempsey, Michael}, year={1981}, pages={12–17} }

@article{Dempsey_1981b, title={Lost Harmony: Tarkovsky’s ‘The Mirror’ and ‘The Stalker’}, volume={35}, DOI={10.2307/1212075}, number={1}, journal={Film Quarterly}, author={Dempsey, Michael}, year={1981}, pages={12–17} }

@misc{Donen_1952, title={Singin’ in the Rain | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0018C80D}, publisher={Channel 5}, author={Donen, Stanley}, year={1952} }

@book{Douchet_1998, title={French New Wave}, publisher={DAP}, author={Douchet, Jean}, year={1998} }

@book{Dunne_2008, address={London}, title={Tarkovsky}, publisher={Black Dog}, author={Dunne, Nathan}, year={2008} }

@book{Dyer_2012, address={Edinburgh}, title={Zona: A Book about a Film about a Journey to a Room}, publisher={Canongate}, author={Dyer, Geoff}, year={2012} }

@book{Ferretter_2006a, address={London}, title={Louis Althusser}, publisher={Routledge}, author={Ferretter, Luke}, year={2006} }

@book{Ferretter_2006b, address={London}, title={Louis Althusser}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=308507}, publisher={Routledge}, author={Ferretter, Luke}, year={2006} }

@inbook{Fieschi_1980, address={London}, title={Jacques Rivette}, booktitle={Cinema: A Critical Dictionary : The Major Film-Makers}, publisher={Secker & Warburg}, author={Fieschi, Jean- André}, year={1980}, pages={871–878} }

@book{Foster_1999, address={Trowbridge}, title={Identity and Memory: The Films of Chantal Akerman}, volume={Cinema voices}, publisher={Flicks Books}, author={Foster, Gwendolyn Audrey}, year={1999} }

@book{Gallagher_1998a, address={New York}, title={The Adventures of Roberto Rossellini}, publisher={Da Capo Press}, author={Gallagher, Tag}, year={1998} }

@book{Gallagher_1998b, address={New York}, title={The Adventures of Roberto Rossellini}, publisher={Da Capo Press}, author={Gallagher, Tag}, year={1998} }

@book{Gelley_2012a, address={New York}, title={Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini’s Italy}, volume={15}, publisher={Routledge}, author={Gelley, Ora}, year={2012} }

@book{Gelley_2012b, address={New York}, title={Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini’s Italy}, volume={15}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203120712}, publisher={Routledge}, author={Gelley, Ora}, year={2012} }

@misc{Godard_1959a, title={A Bout de Souffle}, publisher={Optimum Releasing}, author={Godard, Jean-Luc}, year={1959} }

@misc{Godard_1959b, title={A Bout de Souffle (Breathless) | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00020428?bcast=5333460}, publisher={BBC2 England}, author={Godard, Jean-Luc}, year={1959} }

@misc{Godard_1961, address={S.l.}, title={Une Femme Est Une Femme}, volume={Criterion collection}, publisher={Criterion}, author={Godard, Jean-Luc}, year={1961} }

@misc{Godard_1963, address={S.l.}, title={Le Mépris}, publisher={Studio Canal}, author={Godard, Jean-Luc}, year={1963} }

@misc{Godard_1965, address={S.l.}, title={Alphaville}, publisher={Optimum World}, author={Godard, Jean-Luc}, year={1965} }

@misc{Godard_1967, title={Weekend}, publisher={Artificial Eye}, author={Godard, Jean-Luc}, year={1967} }

@misc{Godard_1968, address={S.l.}, title={Sympathy for the Devil: a.k.a. One Plus One}, publisher={Fabulous Films}, author={Godard, Jean-Luc}, year={1968} }

@inbook{Godard_1972, address={London}, title={Interview with Jean-Luc Godard}, booktitle={Godard on Godard: Critical Writings}, publisher={Secker and Warburg}, author={Godard, Jean-Luc}, year={1972} }

@misc{Godard_2006a, address={S.l.}, title={Vivre Sa Vie}, publisher={Nouveaux Pictures}, author={Godard, Jean-Luc}, year={2006} }

@misc{Godard_2006b, title={Pierrot Le Fou}, publisher={Studio Canal}, author={Godard, Jean-Luc}, year={2006} }

@misc{Godard_2012, address={S.l.}, title={La Chinoise}, publisher={Gaumont Video}, author={Godard, Jean-Luc}, year={2012} }

@misc{Godard_Gorin_1972, address={S.l.}, title={Tout Va Bien}, publisher={Arrow Films}, author={Godard, Jean-Luc and Gorin, Jean-Pierre}, year={1972} }

@inbook{Godard_Milne_1972a, address={New York, N.Y.}, title={Pierrot my Friend}, booktitle={Godard on Godard: Critical Writings by Jean-Luc Godard}, publisher={Da Capo Press}, author={Godard, Jean-Luc and Milne, Tom}, year={1972}, pages={213–215} }

@inbook{Godard_Milne_1972b, address={New York, N.Y.}, title={Let’s Talk About Pierrot}, booktitle={Godard on Godard: Critical Writings by Jean-Luc Godard}, publisher={Da Capo Press}, author={Godard, Jean-Luc and Milne, Tom}, year={1972}, pages={215–234} }

@inbook{Godard_Nerboni_Milne_Roud_1972, address={New York, N.Y.}, title={Interview with Jean-Luc Godard}, booktitle={Godard on Godard: Critical Writings by Jean-Luc Godard}, publisher={Da Capo Press}, author={Godard, Jean-Luc and Nerboni, Jean and Milne, Tom and Roud, Richard}, year={1972}, pages={171–196} }

@book{Godard_Sterritt_1998, address={Jackson}, title={Jean-Luc Godard: Interviews}, volume={Conversations with filmmakers}, publisher={University Press of Mississippi}, author={Godard, Jean-Luc and Sterritt, David}, year={1998} }

@misc{Godard_Vertov_2012, title={British Sounds}, publisher={Ripley’s Home Video}, author={Godard, Jean-Luc and Vertov, Dziga}, year={2012} }

@misc{Godard_Volonte_Gorin_Wiazemsky_2012, address={S.l.}, title={Le Vent d’Est}, publisher={Gaumont Video}, author={Godard, Jean-Luc and Volonte, Gian Maria and Gorin, Jean-Pierre and Wiazemsky, Anne}, year={2012} }

@misc{Goddard_1962, title={Vivre Sa Vie | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000FEB85?bcast=126082788}, publisher={FilmFour}, author={Goddard, Jean-Luc}, year={1962} }

@misc{Goddard_1964, address={London}, title={Bande à Part}, publisher={BFI}, author={Goddard, Jean-Luc}, year={1964} }

@article{Greenberg_1998, title={Cahiers de Rossellini}, url={https://search.proquest.com/docview/216881706/9C8CD357D3BE412DPQ/7?accountid=11455}, journal={Cineaction}, author={Greenberg, Izzy}, year={1998}, pages={42–46} }

@book{Gunnlaugur A. Jónsson_Ottarsson_Ottarsson_2006, address={Newcastle upon Tyne}, title={Through the Mirror}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4949895}, publisher={Cambridge Scholars Publisher}, author={Gunnlaugur A. Jónsson and Ottarsson, Thorkell A. and Ottarsson, Thorkell A.}, year={2006} }

@book{Halligan_2016, address={New York}, title={Desires for Reality: Radicalism and Revolution in Western European Film}, publisher={Berghahn Books}, author={Halligan, Benjamin}, year={2016} }

@inbook{Hoveyda_Rivette_Hillier_1985, address={London}, title={Interview with Roberto Rossellini}, volume={1}, booktitle={Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave / Edited by Jim Hillier, Vol. 1: The 1950s}, publisher={Routledge & Kegan Paul in association with the British Film Institute}, author={Hoveyda, Fereydoun and Rivette, Jacques and Hillier, Jim}, year={1985}, pages={212–217} }

@inbook{Johnson_Petrie_1994, address={Bloomington}, title={Tarkovsky}, booktitle={Five Filmmakers: Tarkovsky, Forman, Polanski, Szabo, Makavejev}, publisher={Indiana University Press}, author={Johnson, Vida T and Petrie, Graham}, year={1994}, pages={1–49} }

@book{Jonsson_Óttarsson_2006, address={Newcastle}, title={Through the Mirror: Reflections on the Films of Andrei Tarkovsky}, publisher={Cambridge Scholars Press}, author={Jonsson, Gunnlaugur A. and Óttarsson, Þorkell Ágúst}, year={2006} }

@misc{Kelly_Donen_1952, address={S.l.}, title={Singin’ in the Rain}, publisher={Warner}, author={Kelly, Gene and Donen, Stanley}, year={1952} }

@article{Kinder_1977, title={Reflections on ‘Jeanne Dielman’}, volume={30}, DOI={10.2307/1211576}, number={4}, journal={Film Quarterly}, author={Kinder, Marsha}, year={1977}, pages={2–8} }

@article{King_2008, title={Memory and Exile: Time and Place in Tarkovsky’s}, volume={25}, DOI={10.1080/14036090601151269}, number={1}, journal={Housing, Theory and Society}, author={King, Peter}, year={2008}, pages={66–78} }

@article{Kinsman_2007, title={She’s Come Undone: Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles and Countercinema}, volume={24}, DOI={10.1080/10509200500486304}, number={3}, journal={Quarterly Review of Film and Video}, author={Kinsman, R. Patrick}, year={2007}, pages={217–224} }

@inbook{Kovács_2007a, address={Chicago}, title={An Alternative to the Classical Form: Neorealism and Modernism}, booktitle={Screening Modernism: European Art Cinema, 1950-1980}, publisher={University of Chicago Press}, author={Kovács, András Bálint}, year={2007}, pages={253–271} }

@inbook{Kovács_2007b, address={Chicago}, title={An Alternative to the Classical Form: Neorealism and Modernism}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226451664}, booktitle={Screening Modernism: European Art Cinema, 1950-1980}, publisher={University of Chicago Press}, author={Kovács, András Bálint}, year={2007}, pages={253–271} }

@book{Le Fanu_1987, address={London}, title={The Cinema of Andrei Tarkovsky}, publisher={BFI}, author={Le Fanu, Mark}, year={1987} }

@misc{Lesage, title={Celine and Julia Go Boating}, url={http://www.ejumpcut.org/archive/onlinessays/JC24-25folder/CelineJulie.html}, author={Lesage, Julia} }

@article{Levinson_1991, title={Céline and Julie Go Story Telling}, volume={65}, url={https://www.jstor.org/stable/395593?seq=1#metadata_info_tab_contents}, number={2}, journal={The French Review}, publisher={American Association of Teachers of French}, author={Levinson, Julie}, year={1991} }

@inbook{Loader_1985, address={Berkeley, Calif}, title={Jeanne Dielman: Death in Instalments}, booktitle={Movies and Methods: An Anthology}, publisher={University of California Press}, author={Loader, Jayne}, year={1985} }

@article{Macbean_1970, title={‘See You at Mao’: Godard’s Revolutionary British Sounds}, volume={24}, DOI={10.2307/1211216}, number={2}, journal={Film Quarterly}, author={Macbean, James Roy}, year={1970}, pages={15–23} }

@article{MacBean_1972, title={Godard and the Dziga Vertov Group: Film and Dialectics}, volume={26}, DOI={10.2307/1211409}, number={1}, journal={Film Quarterly}, author={MacBean, James Roy}, year={1972}, pages={30–44} }

@inbook{MacCabe_2003, address={London}, title={Student Revolution: Wiazemsky and Gorin}, booktitle={Godard: A Portrait of the Artist at 70}, publisher={Bloomsbury}, author={MacCabe, Colin}, year={2003}, pages={179–238} }

@inbook{MacCabe_2004, address={London}, title={A Certain Tendency of French Film Production: The New Wave of Karina and Coutard}, booktitle={Godard: A Portrait of the Artist at 70}, publisher={Bloomsbury}, author={MacCabe, Colin}, year={2004}, pages={97–178} }

@article{Marchessault_1986, title={Inventing Paradox: Céline and Julie Go Boating}, volume={3}, number={4}, journal={CineAction}, author={Marchessault, Janine}, year={1986}, pages={84–90} }

@article{Marguilies_2016, title={Dossier: Chantal Akerman}, volume={70}, url={http://fq.ucpress.edu/content/70/1}, number={1}, journal={Film Quarterly}, author={Marguilies, Ivone}, year={2016}, pages={11–84} }

@book{Margulies_1996, address={Durham}, title={Nothing Happens: Chantal Akerman’s Hyperrealist Everyday}, publisher={Duke University Press}, author={Margulies, Ivone}, year={1996} }

@book{Marie_2003a, address={Oxford}, title={The French New Wave: An Artistic School}, publisher={Blackwell}, author={Marie, Michel}, year={2003} }

@book{Marie_2003b, address={Oxford}, title={The French New Wave: An Artistic School}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=351546}, publisher={Blackwell}, author={Marie, Michel}, year={2003} }

@article{Martin_Akerman_1979a, title={Chantal Akerman’s Films: A Dossier}, DOI={10.2307/1394708}, number={3}, journal={Feminist Review}, author={Martin, Angela and Akerman, Chantal}, year={1979} }

@article{Martin_Akerman_1979b, title={Chantal Akerman’s Films: A Dossier}, DOI={10.2307/1394708}, number={3}, journal={Feminist Review}, author={Martin, Angela and Akerman, Chantal}, year={1979} }

@inbook{Monaco_1976, address={New York}, edition={30th ed}, title={Rivette: The Process of Narrative}, booktitle={The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette}, publisher={Harbor}, author={Monaco, James}, year={1976} }

@book{Monaco_2004, address={New York}, edition={30th ed}, title={The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette}, publisher={Harbor}, author={Monaco, James}, year={2004} }

@book{Morrey_2005, address={Manchester}, title={Jean-Luc Godard}, volume={French film directors}, publisher={Manchester University Press}, author={Morrey, Douglas}, year={2005} }

@book{Morrey_Smith_2009, address={Manchester}, title={Jacques Rivette}, publisher={Manchester University Press}, author={Morrey, Douglas and Smith, Alison}, year={2009} }

@inbook{Mulvey_1998, address={London}, title={‘"New Wave” Interchanges: Céline and Julie and Desperately Seeking Susan}, booktitle={Hollywood and Europe: economics, culture, national identity 1945-95}, publisher={British Film Institute}, author={Mulvey, Laura}, year={1998} }

@inbook{Mulvey_2000, address={London}, title={Vesuvian Topographies: The Eruption of the Past in Journey to Italy}, booktitle={Roberto Rossellini: Magician of the Real}, publisher={BFI Publishing}, author={Mulvey, Laura}, year={2000}, pages={95–111} }

@book{Neupert_2002, address={Madison, Wis}, title={A History of the French New Wave Cinema}, publisher={University of Wisconsin Press}, author={Neupert, Richard}, year={2002} }

@book{Neupert_2007, address={Madison}, title={A History of the French New Wave Cinema}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=259471}, publisher={University of Wisconsin Press}, author={Neupert, Richard John}, year={2007} }

@article{Nowell-Smith_1963a, title={Shape around a Black Point}, volume={33}, url={https://search.proquest.com/docview/1305505794/49B04220CB984A6APQ/7?accountid=11455}, number={1}, journal={Sight and Sound}, author={Nowell-Smith, Geoffrey}, year={1963}, pages={15–20} }

@article{Nowell-Smith_1963b, title={Shape Around a Black Point (On L’eclisse)}, volume={33}, url={http://search.proquest.com/docview/1305505794?accountid=11455}, number={1}, journal={Sight and Sound}, author={Nowell-Smith, Geoffrey}, year={1963} }

@inbook{Nowell-Smith_1976, address={Berkeley}, title={Shape Around a Black Point (On L’eclisse)}, booktitle={Movies and Methods: An Anthology, Vol. 1}, publisher={University of California Press}, author={Nowell-Smith, Geoffrey}, year={1976} }

@book{Nowell-Smith_2013, address={New York}, edition={Revised and expanded edition}, title={Making Waves: New Cinemas of the 1960s}, publisher={Bloomsbury}, author={Nowell-Smith, Geoffrey}, year={2013} }

@article{Perez_1991, title={The Point of View of a Stranger: An Essay on Antonioni’s ‘Eclipse’}, volume={44}, DOI={10.2307/3851918}, number={2}, journal={The Hudson Review}, author={Perez, Gilberto}, year={1991} }

@inbook{Perez_1998, address={Baltimore}, title={The Signifiers of Tenderness}, booktitle={The Material Ghost: Films and Their Medium}, publisher={Johns Hopkins University Press}, author={Perez, Gilberto}, year={1998} }

@article{Perlmutter_1979, title={Feminine Absence: A Political Aesthetic in Chantal Ackerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles}, volume={4}, DOI={10.1080/10509207909360986}, number={2}, journal={Quarterly Review of Film Studies}, author={Perlmutter, Ruth}, year={1979}, pages={125–133} }

@inbook{Petrie_Johnson_1994a, address={Bloomington}, title={Mirror}, booktitle={The Films of Andrei Tarkovsky: A Visual Fugue}, publisher={Indiana University Press}, author={Petrie, Graham and Johnson, Vida T.}, year={1994}, pages={111–136} }

@inbook{Petrie_Johnson_1994b, address={Bloomington}, title={Stalker}, booktitle={The films of Andrei Tarkovsky: a visual fugue}, publisher={Indiana University Press}, author={Petrie, Graham and Johnson, Vida T.}, year={1994}, pages={137–155} }

@book{Pipolo_2010a, address={New York}, title={Robert Bresson: A Passion for Film}, publisher={Oxford University Press}, author={Pipolo, Tony}, year={2010} }

@book{Pipolo_2010b, address={New York}, title={Robert Bresson: A Passion for Film}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472343}, publisher={Oxford University Press}, author={Pipolo, Tony}, year={2010} }

@book{Quandt_2011, title={Robert Bresson Revised}, publisher={Indiana University Press}, author={Quandt, James}, year={2011} }

@book{Reader_2000, address={Manchester}, title={Robert Bresson}, publisher={Manchester University Press}, author={Reader, Keith}, year={2000} }

@book{Rivette_1971, address={Berlin}, title={Out 1: Noli Me Tangere}, publisher={Medien}, author={Rivette, Jacques}, year={1971} }

@misc{Rivette_2006, address={S.l.}, title={Celine and Julie Go Boating}, publisher={BFI}, author={Rivette, Jacques}, year={2006} }

@misc{Rivette_Berto_1976, address={S.l.}, title={Duelle}, publisher={Aventi}, author={Rivette, Jacques and Berto, Juliet}, year={1976} }

@book{Robert Bresson_2016, title={Bresson on Bresson}, author={Robert Bresson}, year={2016} }

@article{Rosenbaum_1974a, title={Phantom Interviewers Over Rivette}, volume={10}, url={https://www.jstor.org/stable/43450770}, number={5}, journal={Film Comment}, publisher={Film Society of Lincoln Center}, author={Rosenbaum, Jonathan}, year={1974}, pages={18–24} }

@inbook{Rosenbaum_1974b, address={Berkeley}, title={Work and Play in the House of Fiction’}, url={http://hdl.handle.net/2027/heb.08129}, booktitle={Placing movies: the practice of film criticism}, publisher={University of California Press}, author={Rosenbaum, Jonathan}, year={1974} }

@inbook{Rosenbaum_1995, address={Berkeley}, title={A Cinema of Uncertainty: Films by Michelangelo Antonioni}, booktitle={Placing Movies: The Practice of Film Criticism}, publisher={University of California Press}, author={Rosenbaum, Jonathan}, year={1995} }

@misc{Rossellini_1949, title={Stromboli}, volume={672}, publisher={Criterion Collection}, author={Rossellini, Roberto}, year={1949} }

@misc{Rossellini_1950, title={Stromboli | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001A5B9E?bcast=101314809}, publisher={BBC2 England}, author={Rossellini, Roberto}, year={1950} }

@misc{Rossellini_1952, address={S.l}, title={Europa 51}, publisher={s.n}, author={Rossellini, Roberto}, year={1952} }

@misc{Rossellini_1954, title={Viaggio in Italia | Journey to Italy}, publisher={Criterion Collection}, author={Rossellini, Roberto}, year={1954} }

@book{Rossellini_Apra_1987, address={Venice}, title={My Method : Writings and Interviews}, publisher={Marsilio Editori SPA}, author={Rossellini, Roberto and Apra, Adriano}, year={1987} }

@misc{Rossellini_Fabrizi_1945, address={S.l.}, title={Rome, Open City}, publisher={Criterion}, author={Rossellini, Roberto and Fabrizi, Aldo}, year={1945} }

@misc{Rossellini_Michi_1946, address={S.l.}, title={Paisà}, publisher={Off-air}, author={Rossellini, Roberto and Michi, Maria}, year={1946} }

@misc{Rossellini_Moeschke_1948, address={S.l.}, title={Germany, Year Zero}, publisher={Criterion}, author={Rossellini, Roberto and Moeschke, Edmund}, year={1948} }

@inbook{Roud_2010a, address={London}, edition={3rd ed}, title={Reality and Abstraction}, booktitle={Godard}, publisher={Palgrave Macmillan}, author={Roud, Richard}, year={2010}, pages={65–90} }

@inbook{Roud_2010b, address={Basingstoke}, edition={3rd ed}, title={Reality and Abstraction}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781844575619}, booktitle={Godard}, publisher={Palgrave Macmillan}, author={Roud, Richard}, year={2010}, pages={65–90} }

@book{Roud_2010c, address={London}, edition={3rd ed}, title={Godard}, volume={BFI silver}, publisher={Palgrave Macmillan}, author={Roud, Richard}, year={2010} }

@misc{de Sica_1948, title={The Bicycle Thieves}, publisher={Arrow Films}, author={de Sica, Vittorio}, year={1948} }

@inbook{Skakov_2012a, address={London}, title={Revelations of Stalker}, booktitle={The Cinema of Tarkovsky: Labyrinths of Space and Time}, publisher={I.B. Tauris}, author={Skakov, Naiman}, year={2012}, pages={140–166} }

@book{Skakov_2012b, address={London}, title={The Cinema of Tarkovsky: Labyrinths of Space and Time}, volume={KINO}, publisher={I.B. Tauris}, author={Skakov, Nariman}, year={2012} }

@inbook{Skakov_2012c, address={London}, title={Memories of a Mirror}, booktitle={The Cinema of Tarkovsky: Labyrinths of Space and Time}, publisher={I.B. Tauris}, author={Skakov, Nariman}, year={2012}, pages={100–139} }

@inbook{Skakov_2012d, address={London}, title={Memories of Mirror}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857721198}, booktitle={The Cinema of Tarkovsky: Labyrinths of Space and Time}, publisher={I.B.Tauris & Co Ltd}, author={Skakov, Nariman}, year={2012}, pages={100–139} }

@inbook{Skakov_2012e, address={London}, title={Revelations of Stalker}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857721198}, booktitle={The Cinema of Tarkovsky: Labyrinths of Space and Time}, publisher={I.B.Tauris & Co Ltd}, author={Skakov, Nariman}, year={2012}, pages={140–166} }

@inbook{Sontag_1983, title={Against Interpretation}, booktitle={A Susan Sontag Reader}, publisher={Vintage}, author={Sontag, Susan}, year={1983}, pages={95–104} }

@inbook{Sontag_2009, address={London}, title={Spiritual Style in the Films of Robert Bresson}, booktitle={Against Interpretation: And Other Essays}, publisher={Penguin}, author={Sontag, Susan}, year={2009}, pages={177–195} }

@book{Synessios_2001, address={London}, title={Mirror}, volume={6}, publisher={I.B. Tauris}, author={Synessios, Natasha}, year={2001} }

@book{Synessios, title={Mirror}, volume={6}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000006327}, author={Synessios, Natasha} }

@book{Tarkovskiĭ_1989, address={Austin}, title={Sculpting in Time: Reflections on the Cinema}, publisher={University of Texas Press}, author={Tarkovskiĭ, Andreĭ Arsenʹevich}, year={1989} }

@misc{Tarkovskiĭ_2016, address={London}, title={Nostalghia (Nostalgia)}, publisher={Artificial Eye}, author={Tarkovskiĭ, Andreĭ Arsenʹevich}, year={2016} }

@misc{Tarkovsky_1962, address={S.l.}, title={Ivan’s Childhood}, publisher={Artificial Eye}, author={Tarkovsky, Andrei}, year={1962} }

@misc{Tarkovsky_1963, title={Ivan’s Childhood | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001D2A1D?bcast=125872069}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1963} }

@misc{Tarkovsky_1966a, address={S.l.}, title={Andrei Rublev}, publisher={Artificial Eye}, author={Tarkovsky, Andrei}, year={1966} }

@misc{Tarkovsky_1966b, title={Andrei Rublev | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000FD4EC?bcast=123867685}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1966} }

@misc{Tarkovsky_1972a, address={[S.l.]}, title={Solaris}, publisher={Artificial Eye}, author={Tarkovsky, Andrei}, year={1972} }

@misc{Tarkovsky_1972b, title={Solaris | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00114161}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1972} }

@misc{Tarkovsky_1975a, address={S.l.}, title={Mirror}, publisher={Artificial Eye}, author={Tarkovsky, Andrei}, year={1975} }

@misc{Tarkovsky_1975b, title={Mirror | Box of Broadcasts}, url={http://bobnational.net/record/15563}, author={Tarkovsky, Andrei}, year={1975} }

@misc{Tarkovsky_1979a, address={S.l.}, title={Stalker}, publisher={Artifical Eye}, author={Tarkovsky, Andrei}, year={1979} }

@misc{Tarkovsky_1979b, title={Stalker | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDE5B?bcast=124002923}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1979} }

@misc{Tarkovsky_1983, title={Nostalgia | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE35F0B?bcast=126665335}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1983} }

@misc{Tarkovsky_1986a, address={S.l.}, title={The Sacrifice}, publisher={Artificial Eye}, author={Tarkovsky, Andrei}, year={1986} }

@misc{Tarkovsky_1986b, title={Sacrifice | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000DBC26?bcast=124153170}, publisher={FilmFour}, author={Tarkovsky, Andrei}, year={1986} }

@inbook{Tarkovsky_1989, address={Austin}, title={Time, Rhythm and Editing}, booktitle={Sculpting in Time: Reflections on the Cinema}, publisher={University of Texas Press}, author={Tarkovsky, Andrei}, year={1989}, pages={113–124} }

@book{Tarkovsky_1994, address={London}, title={Time Within Time: The Diaries, 1970-1986}, publisher={Faber & Faber}, author={Tarkovsky, Andrei}, year={1994} }

@article{Tarkovsky_Christie_1981, title={Against Interpretation: An Interview With Andrei Tarkovsky}, url={https://www.jstor.org/stable/44111800}, number={14}, journal={Framework: The Journal of Cinema and Media}, publisher={Drake Stutesman}, author={Tarkovsky, Andrei and Christie, Ian}, year={1981} }

@book{Tarkovsky_Gianvito_2006, address={Jackson}, title={Andrei Tarkovsky: Interviews}, publisher={University Press of Mississippi}, author={Tarkovsky, Andrei and Gianvito, John}, year={2006} }

@book{Tarkovsky_Gill_2008, address={London}, title={Bright, Bright Day: Andrey Tarkovsky’s Polaroids}, publisher={White Space Gallery}, author={Tarkovsky, Andrei and Gill, Stephen}, year={2008} }

@book{Turovskai︠a︡_1989, address={London}, edition={Rev. ed.}, title={Tarkovsky: Cinema as Poetry}, publisher={Faber and Faber}, author={Turovskai︠a︡, Maĭi︠a︡}, year={1989} }

@misc{Visconti_1948, title={La Terra Trema}, publisher={BFI.}, author={Visconti, Luchino}, year={1948} }

@inbook{Wagstaff_2007, address={Toronto}, title={Paisà}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4634682}, booktitle={Italian Neorealist Cinema: An Aesthetic Approach}, publisher={University of Toronto Press}, author={Wagstaff, Christopher}, year={2007}, pages={185–290} }

@misc{Weis_2011, address={United States}, edition={Remastered ed}, title={I Love Melvin}, publisher={Turner Entertainment Co}, author={Weis, Don}, year={2011} }

@book{Wiles_2012, address={Urbana, [Ill.]}, title={Jacques Rivette}, publisher={University of Illinois Press}, author={Wiles, Mary M.}, year={2012} }

@book{Wills_2000a, address={Cambridge}, title={Jean-Luc Godard’s Pierrot Le Fou}, publisher={Cambridge University Press}, author={Wills, David}, year={2000} }

@book{Wills_2000b, address={Cambridge, U.K.}, title={Jean-Luc Godard’s Pierrot Le Fou}, url={http://hdl.handle.net/2027/heb.07621}, publisher={Cambridge University Press}, author={Wills, David}, year={2000} }

@inbook{Wollen_1982, address={London}, title={Godard and Counter Cinema: Vent d’Est}, booktitle={Readings and Writings: Semiotic Counter-Strategies}, publisher={Verso}, author={Wollen, Peter}, year={1982}, pages={79–91} }

@article{Wood_1981, title={Narrative Pleasure: Two Films of Jacques Rivette}, volume={35}, url={https://www.jstor.org/stable/1212074?seq=1#metadata_info_tab_contents}, number={1}, journal={Film Quarterly}, author={Wood, Robin}, year={1981}, pages={2–12} }

@article{Yervasi_2000, title={Dislocating the Domestic in Chantal Akerman’s Jeanne Dielman}, volume={4}, url={http://www.tandfonline.com/doi/abs/10.1080/10260210008456039}, number={2}, journal={Sites: Journal of Contemporary French Studies}, publisher={Taylor & Francis Group}, author={Yervasi, Carina}, year={2000} }

@inbook{Youngblood_1998, address={Jackson}, title={Jean-Luc Godard: No Difference Between Life and Cinema}, booktitle={Jean-Luc Godard: Interviews}, publisher={University Press of Mississippi}, author={Youngblood, Gene}, editor={Sterritt, David}, year={1998}, pages={9–49} }

@inbook{Zavattini_1978, address={London}, title={A Thesis on Neorealism}, booktitle={Springtime in Italy: A Reader on Neo-Realism}, publisher={Talisman Books}, author={Zavattini, Cesare}, year={1978}, pages={67–78} }

@article{Celine and Julie Co Boating ‘(Céline Et Julie Vont en Bateau: Phantom Ladies Over Paris)’_1976, volume={43}, url={https://search.proquest.com/docview/1305844794/D47E893626BA4E88PQ/38?accountid=11455}, number={4}, journal={Monthly Film Bulletin}, year={1976}, pages={191–194} }

@misc{Pickpocket (1959) | BoB_1996, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/buf620fb4?bcast=130438481}, publisher={Channel 4}, year={1996} }

@misc{Pierrot Le Fou (1965) | BoB_2019, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000184D5?bcast=130947503}, publisher={Arte}, year={2019} }

Bibliography for MA2065: Modern European Cinema BETA