Bibliography for CL2191: Greek and Roman Art In Context (2015-16) BETA

Adam, S. (1966) The Technique of Greek Sculpture in the Archaic and Classical Periods. London: Thames & Hudson.

Andronicos, M. (1984) Vergina: the royal tombs and the ancient city. Athens: Ekdotike Athenon S.A.

Ashmole, B. (1972) Architect and Sculptor in Classical Greece. London: Phaidon Press.

Ashmole, B., Yalouris, N. and Frantz, A. (1967) Olympia: The Sculptures of the Temple of Zeus. London: Phaidon.

Bailey, D.M. and British Museum (2008) Catalogue of the Terracottas in the British Museum: Vol. IV: Ptolemaic and Roman Terracottas From Egypt. London: The British Museum Press.

Bartman, E. (1999) Portraits of Livia: imaging the imperial woman in Augustan Rome. Cambridge, U.K: Cambridge University Press.

Beard, M. and Henderson, J. (2001) Classical Art: From Greece to Rome. Oxford: Oxford University Press.

Beazley, J.D. (1974a) The Kleophrades Painter. Mainz: Von Zabern.

Beazley, J.D. (1974b) The Pan Painter. Mainz: Von Zabern.

Beazley, J.D., Moore, M.B. and Von Bothmer, D. (1986) The Development of Attic Black-Figure. Rev ed., [edited by Dietrich von Bothmer and Mary B. Moore]. Berkeley, Calif: University of California Press.

Beck, H. et al. (1990) Polyklet: der Bildhauer der griechische Klassik : Ausstellung im Liebieghaus Museum alter Plastik Frankfurt am Main. Mainz am Rhein: Zabern.

Bieber, M. (1981) Sculpture of the Hellenistic Age. Hacker Art Books.

Boardman, J. (1975) Athenian Red Figure Vases: The Archaic Period: A Handbook. London: Thames and Hudson.

Boardman, J. (1989) Athenian Red Figure Vases: The Classical Period: A Handbook. London: Thames and Hudson.

Boardman, J. (1991a) Athenian Black Figure Vases: A Handbook. Corr. ed. London: Thames and Hudson.

Boardman, J. (1991b) Greek Sculpture: The Archaic Period: A Handbook. Corr. ed. London: Thames and Hudson.

Boardman, J. (1991c) Greek Sculpture: The Classical Period: A Handbook. London: Thames and Hudson.

Boardman, J. (1993) The Oxford History of Classical Art. Oxford: Oxford University Press.

Boardman, J. (1995) Greek Sculpture: The Late Classical Period and Sculpture in Colonies and Overseas : A Handbook. London: Thames & Hudson.

Boardman, J. (1996) Greek Art. 4th ed., rev.expanded. New York, N.Y.: Thames and Hudson.

Boardman, J. (1998) Early Greek vase painting: 11th-6th centuries BC : a handbook / John Boardman. New York: Thames and Hudson.

Boardman, J. and Finn, D. (1985) The Parthenon and Its Sculpture. London: Thames and Hudson.

Brijder, H.A.G. (1983) Siana Cups I and Komast Cups. Amsterdam: Allard Pierson Museum.

Buitron-Oliver, D. and National Gallery of Art (1997) The Interpretation of Architectural Sculpture in Greece and Rome. Washington: National Gallery of Art.

Burford, A. (1972) Craftsmen in Greek and Roman society. London: Thames and Hudson.

Burn, L. (1987) The Meidias Painter. Oxford: Clarendon.

Buschor, E. (1980) On the Meaning of Greek Statues. Amherst: University of Massachusetts Press.

Busignani, A. (1981) The Bronzes of Riace. Sansoni; First Edition edition.

Carey, S. (2003a) Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Oxford: Oxford University Press.

Carey, S. (2003b) Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Oxford: Oxford University Press.

Carey, S. (2006a) Pliny’s Catalogue of Culture: Art and Empire in the Natural History [electronic book]. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514098.

Carey, S. (2006b) Pliny’s Catalogue of Culture: Art and Empire in the Natural History [electronic book]. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514098.

Carpenter, T.H. (1991) Art and Myth in Ancient Greece: A Handbook. London: Thames and Hudson.

Clairmont, C.W. (1970) Gravestone and Epigram: Greek Memorials From the Archaic and Classical Period. Mainz: Von Zabern.

Clairmont, C.W. (1983) Patrios Nomos: Public Burial in Athens During the Fifth and Fourth Centuries B.C. : The Archaeological, Epigraphic-Literary and Historical Evidence. Oxford: B.A.R.

Clarke, J.R. (2003) Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315. Berkeley: University of California Press.

Coldstream, J.N. (1968) Greek Geometric Pottery: A Survey of Ten Local Styles and Their Chronology. London: Methuen.

Conlin, D.A. (1997) The Artists of the Ara Pacis: The Process of Hellenization in Roman Relief Sculpture. Chapel Hill: University of North Carolina Press.

Connelly, J.B. (1996) ‘Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze’, American Journal of Archaeology, 100(1). Available at: https://doi.org/10.2307/506297.

Corso, A. (1991) ‘The Cnidian Aphrodite’, in Sculptors and Sculpture of Caria and the Dodecanese. London: Published for the Trustees of the British Museum by the British Museum Press, pp. 91–98.

Cuomo, S. (2007a) ‘Death and the Craftsman’, in Technology and culture in Greek and Roman antiquity. Cambridge: Cambridge University Press, pp. 77–102. Available at: http://eprints.bbk.ac.uk/629.

Cuomo, S. (2007b) ‘Death and the Craftsman’, in Technology and culture in Greek and Roman antiquity. Cambridge: Cambridge University Press, pp. 77–102.

D’Ambra, E. (1993a) Private Lives, Imperial Virtues: The Frieze of the Forum Transitorium in Rome. Princeton, N.J: Princeton University Press.

D’Ambra, E. (1993b) Roman Art in Context: An Anthology. Englewood Cliffs, N.J.: Prentice Hall.

D’Ambra, E. (1996) ‘The Calculus of Venus: Nude Portraits of Roman Matrons’, in Sexuality in ancient art. Cambridge: Cambridge University Press, pp. 219–232.

D’Ambra, E. (1998a) Art and Identity in the Roman World. London: Weidenfeld & Nicolson.

D’Ambra, E. (1998b) Roman Art. Cambridge: Cambridge University Press. Available at: http://www.loc.gov/catdir/toc/cam024/99166514.html.

D’Ambra, E. (2000) ‘Nudity and Adornment in Female Portrait Sculpture of the Second Century AD’, in I, Claudia II: Women in Roman Art and Society. Austin: University of Texas Press, pp. 101–114.

D’Ambra, E. and Métraux, G.P.R. (2006) The Art of Citizens, Soldiers and Freedmen in the Roman World. Oxford: Archaeopress.

Devambez, P. (1962) Greek Painting. Weidenfeld & Nicholson.

Dillon, S. (2000a) ‘Subject Selection and Viewer Reception of Greek Portraits from Herculaneum and Tivoli’, Journal of Roman Archaeology, 13, pp. 21–40. Available at: https://doi.org/10.1017/S1047759400018754.

Dillon, S. (2000b) ‘Subject Selection and Viewer Reception of Greek Portraits from Herculaneum and Tivoli’, Journal of Roman Archaeology, 13, pp. 21–40.

Dunbabin, K.M.D. (1996) ‘Convivial Spaces: Dining and Entertainment in the Roman Villa’, Journal of Roman Archaeology, 9, pp. 66–80. Available at: https://doi.org/10.1017/S1047759400016500.

Dunbabin, K.M.D. (1999) Mosaics of the Greek and Roman World. Cambridge: Cambridge University Press.

Edwards, C. (2003) ‘“Incorporating the Alien; the Art of Conquest” in Rome the Cosmopolis’, in Rome the cosmopolis. Cambridge: Cambridge University Press, pp. 44–70.

Elsner, J. (1995) Art and the Roman Viewer: The Transformation of Art From the Pagan World to Christianity. Cambridge: Cambridge University Press.

Elsner, J. (1996) Art and Text in Roman Culture. Cambridge: Cambridge University Press.

Elsner, J. (1998) Imperial Rome and Christian triumph: the art of the Roman Empire, AD 100-450. Oxford: Oxford University Press.

Fedak, J. (1990) Monumental Tombs of the Hellenistic Age: A Study of Selected Tombs From the Pre-Classical to the Early Imperial Era. Toronto, Ont: University of Toronto Press.

Fejfer, J. (2008a) Roman Portraits in Context. Berlin: Walter de Gruyter.

Fejfer, J. (2008b) Roman Portraits in Context [electronic book]. Berlin: Walter de Gruyter. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=207322.

Fullerton, M.D. (1987) ‘Archaistic Statuary of the Hellenistic Period’, Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung, 102, pp. 259–278.

Gazda, E.K. and Haeckl, A.E. (1994) Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa and Insula. Ann Arbor, Mich.University of Michigan Press.

George, M. (2006) ‘Social Identity and the Dignity of Work in Freedmen’s Reliefs’, in The Art of Citizens, Soldiers and Freedmen in the Roman World. Oxford: Archaeopress, pp. 19–29.

Green, R. and Handley, E. (1995) Images of the Greek theatre. London: British Museum.

Grossman, J.B. (2003) Looking at Greek and Roman Sculpture in Stone. Los Angeles: The J. Paul Getty Museum.

Guralnick, E. (1978) ‘The Proportions of Kouroi’, American Journal of Archaeology, 82(4), pp. 461–472. Available at: https://doi.org/10.2307/504635.

Hallett, C.H. (2005) The Roman Nude: Heroic Portrait Statuary, 200 B.C.-A.D. 300. New York: Oxford University Press.

Hammond, N.G.L. (1991) ‘“The Royal Tombs at Vergina: Evolution and Identities” in The Annual of the British School at Athens’, The Annual of the British School at Athens, 86, pp. 69–82. Available at: http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-04T13:55:21IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_archive&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The Royal Tombs at Vergina: Evolution and Identities&rft.jtitle=The Annual of the British School at Athens&rft.btitle=&rft.aulast=Hammond&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Hammond, N. G. L.&rft.aucorp=&rft.date=19910101&rft.volume=86&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=69&rft.epage=82&rft.pages=69-82&rft.artnum=&rft.issn=00682454&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=30102873&rft.eisbn=&req.language=eng.

Hannestad, N. (1988) Roman Art and Imperial Policy. Aarhus: Aarhus University Press.

Harrison, E.B. (1997) ‘The Glories of Athenians’, in The Interpretation of Architectural Sculpture in Greece and Rome. Washington: National Gallery of Art, pp. 109–125.

Havelock, C.M. (1965) ‘The Archaic as Survival Versus the Archaistic as a New Style’, American Journal of Archaeology, 69(4), pp. 331–340. Available at: https://doi.org/10.2307/502182.

Havelock, C.M. (2007) The Aphrodite of Knidos and her successors: a historical review of the female nude in Greek art. First paperback ed. Ann Arbor, MI: The University of Michigan Press.

Haynes, S. (2000) Etruscan Civilization: A Cultural History. London: British Museum.

Higgins, R.A. (1986) Tanagra and the Figurines. London: Trefoil Books.

Holloway, R.R. (1975) Influences and Styles in the Late Archaic and Early Classical Greek Sculpture of Sicily and Magna Graecia. Louvain: Institut Supérieur d’archéologie et d’histoire de l’art.

Holloway, R.R. (1988) ‘“Early Greek Architectural Decoration as Functional Art” in American Journal of Archaeology’, American Journal of Archaeology, 92(2), pp. 177–183. Available at: https://doi.org/10.2307/505628.

Hölscher, T. (2004) The Language of Images in Roman Art: Art as a Semantic System in the Roman World. Cambridge: Cambridge University Press.

Hornblower, S. (1982) Mausolus. Oxford: Clarendon.

Houser, C. and Finn, D. (1983) Greek Monumental Bronze Sculpture. London: Thames & Hudson.

Humphrey, J.H. (1986a) Roman Circuses: Arenas for Chariot Racing. Berkeley: University of California Press.

Humphrey, J.H. (1986b) Roman Circuses: Arenas for Chariot Racing. Berkeley: University of California Press.

Hurwit, J.M. (1985) The Art and Culture of Early Greece, 1100-480 B.C. Ithaca: Cornell University Press.

Hurwit, J.M. (1999) The Athenian Acropolis: History, Mythology, and Archaeology From the Neolithic Era to the Present. Cambridge, UK: Cambridge University Press.

Huskinson, J. (1996a) Roman Children’s Sarcophagi: Their Decoration and Its Social Significance. Oxford: Clarendon.

Huskinson, J. (1996b) Roman Children’s Sarcophagi: Their Decoration and Its Social Significance. Oxford: Clarendon.

Huskinson, J. (1998) ‘“Unfinished Portrait Heads” on Later Roman Sarcophagi: Some New Perspectives’, Papers of the British School at Rome, 66, pp. 129–158. Available at: https://doi.org/10.1017/S0068246200004256.

Jeppesen, K. (1989a) ‘What Did the Maussolleion Look Like?’, in Architecture and Society in Hecatomnid Caria: Proceedings of the Uppsala Symposium 1987. Uppsala: Acta Universitatis Upsaliensis, pp. 15–22.

Jeppesen, K. (1989b) ‘What Did the Maussolleion Look Like?’, in Architecture and Society in Hecatomnid Caria: Proceedings of the Uppsala Symposium 1987. Uppsala: Acta Universitatis Upsaliensis, pp. 15–22.

Johansen, K.F. (1951) The Attic Grave-Reliefs of the Classical Period: An Essay in Interpretation. Copenhagen: Munksgaard.

Jones, W.H.S., Wycherley, R.E., and Pausanias (1955) Description of Greece. Rev. ed.

Kleiner, D.E.E. (1992) Roman Sculpture. New Haven, Conn: Yale University Press.

Kleiner, D.E.E. and Matheson, S.B. (2000) I, Claudia II: Women in Roman Art and Society. Austin: University of Texas Press.

Koortbojian, M. (1995a) Myth, Meaning, and Memory on Roman Sarcophagi. Berkeley: University of California Press.

Koortbojian, M. (1995b) Myth, Meaning, and Memory on Roman Sarcophagi [electronic book]. Berkeley: University of California Press. Available at: http://ark.cdlib.org/ark:/13030/ft4199n900/.

Kurtz, D.C. (1975) Athenian White Lekythoi: Patterns and Painters. Oxford: Clarendon Press.

Kurtz, D.C. and Beazley, J.D. (1983) The Berlin Painter. Oxford: Clarendon Press.

Kurtz, D.C. and Boardman, J. (1971) Greek Burial Customs. London: Thames and Hudson.

Ling, R. (1991) Roman Painting. Cambridge: Cambridge University Press.

Ling, R. (1998) Ancient Mosaics. London: British Museum Press.

Ling, R. (1999) Stuccowork and Painting in Roman Italy. Aldershot: Ashgate/Variorum.

Ling, R. (2000) Making Classical Art: Process & Practice. Stroud: Tempus.

Marszal, J.R. (2000) ‘Ubiquitous Barbarians. Representations of the Gauls at Pergamon and Elsewhere’, in From Pergamon to Sperlonga: sculpture and context. Berkeley: University of California Press, pp. 191–234.

Marvin, M. (2002) ‘The Ludovisi Barbarians: the Grand Manner’, in The Ancient Art of Emulation: Studies in Artistic Originality and Tradition From the Present to Classical Antiquity. Ann Arbor, Mich: University of Michigan Press, pp. 205–223.

Mattusch, C.C. (1988) Greek Bronze Statuary: From the Beginnings Through the Fifth Century B.C. Ithaca, N.Y.: Cornell University Press.

Mattusch, C.C. and Lie, H. (2005) The Villa dei Papiri at Herculaneum: life and afterlife of a sculpture collection. Los Angeles: J. Paul Getty Museum.

Miller, S.G. (1982) ‘Macedonian Tombs: their Architecture and Decoration’, in Macedonia and Greece in Late Classical and Early Hellenistic Times. Washington: National Gallery of Art, pp. 152–171.

Moon, W.G. (1983) Ancient Greek Art and Iconography. Madison, Wis: University of Wisconsin Press.

Moon, W.G. (1995) Polykleitos, the Doryphoros, and Tradition. Madison: University of Wisconsin Press.

Morris, I. (1994) ‘“Archaeologies of Greece” in Classical Greece: Ancient Histories and Modern Archaeologies’, in Classical Greece: ancient histories and modern archaeologies. Cambridge: Cambridge University Press, pp. 8–50.

Morris, S.P. (1984) The Black and White Style: Athens and Aigina in the Orientalizing Period. New Haven: Yale University Press.

Morrow, K.D. (1985) Greek Footwear and the Dating of Sculpture. Madison, Wis: University of Wisconsin Press.

Neils, J. (1996a) Worshipping Athena: Panathenaia and Parthenon. Madison, Wis: University of Wisconsin Press.

Neils, J. (1996b) Worshipping Athena: Panathenaia and Parthenon. Madison, Wis: University of Wisconsin Press.

Neils, J., Barber, E.J.W., and Hood Museum of Art (1992) Goddess and Polis: The Panathenaic Festival in Ancient Athens : [Exhibition]. Princeton, N.J.: Princeton University Press.

Neudecker, R. and Deutsches Archaologisches Institut (1988) Die Skulpturenausstattung römischer Villen in Italien. Mainz am Rhein: P. von Zabern.

Newby, Z. (2005a) Greek Athletics in the Roman World: Victory and Virtue [electronic resource]. Oxford: Oxford University Press, UK. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13395923990002671&institutionId=2671&customerId=2670.

Newby, Z. (2005b) Greek Athletics in the Roman World: Victory and Virtue [electronic book]. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191515576.

Newby, Z. (2006) Athletics in the Ancient World. Bristol: Bristol Classical Press.

Newby, Z. and Leader-Newby, R.E. (2007) Art and Inscriptions in the Ancient World. Cambridge: Cambridge University Press. Available at: http://www.loc.gov/catdir/enhancements/fy0664/2006023477-t.html.

Palagia, O. (2008) Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods. Cambridge: Cambridge University Press.

Panzanelli, R. et al. (2008) The Color of Life: Polychromy in Sculpture From Antiquity to the Present. Los Angeles: J. Paul Getty Museum.

Pedley, J.G. (1998) Greek Art and Archaeology. 2nd ed. London: King.

Pemberton, E.G. (1972) ‘“The East and West Friezes of the Temple of Athena Nike” in American Journal of Archaeology’, American Journal of Archaeology, 76(3), pp. 303–310. Available at: https://doi.org/10.2307/503923.

Pickard-Cambridge, A., Lewis, D.M. and Gould, S.J. (1968) The Dramatic Festivals of Athens. Oxford: Oxford University Press.

Pollitt, J.J. (1972) Art and Experience in Classical Greece. London: Cambridge University Press.

Pollitt, J.J. (1983) The Art of Rome, C. 753 b.c. - a.d. 337: Sources and Documents. Cambridge: Cambridge University Press.

Pollitt, J.J. (1986) Art in the Hellenistic age. Cambridge: Cambridge University Press.

Pollitt, J.J. (1990) The Art of Ancient Greece: Sources and Documents. Cambridge: Cambridge University Press.

Rackham, H. and Pliny (1938) Natural History. London: Heinemann.

Rasmussen, T. and Spivey, N.J. (1991) Looking at Greek Vases. Cambridge: Cambridge University Press.

Richter, G.M.A. (1965a) The Portraits of the Greeks. London: Phaidon Press.

Richter, G.M.A. (1965b) The Portraits of the Greeks: Vol.2: 3A.The Fourth and Third Centuries. 3B.The Third and Second Centuries. London: Phaidon Press.

Richter, G.M.A. (1965c) The Portraits of the Greeks: Vol.3: 4 Hellenistic Rulers, 5 Greeks of the Roman Period; Bibliographies; Index. London: Phaidon Press.

Richter, G.M.A. and Frantz, A. (1968) Korai: Archaic Greek Maidens: A Study of the Development of the Kore Type in Greek Sculpture. London: Phaidon.

Richter, G.M.A. and Richter, I.A. (1960) Kouroi: Archaic Greek Youths: a Study of the Development of the Kouros Type in Greek Sculpture. London: Phaidon.

Ridgway, B.S. (1970) The Severe style in Greek sculpture. Princeton, N.J: Princeton University Press.

Ridgway, B.S. (1981) Fifth Century Styles in Greek Sculpture. Princeton, N.J.: Princeton University Press.

Ridgway, B.S. (1990) Hellenistic sculpture: 1: The styles of ca. 331-200 B.C. / Brunilde Sismondo Ridgway. Bristol: Bristol Classical.

Ridgway, B.S. (1993) The Archaic Style in Greek Sculpture. 2nd ed. Chicago, Ill: Ares.

Robertson, M. (1959) Greek Painting. Geneva: Skira.

Robertson, M. (1981) A Shorter History of Greek Art. Cambridge: Cambridge University Press.

Robertson, M. (1992) The Art of Vase-Painting in Classical Athens. Cambridge: Cambridge University Press.

Rockwell, P. (1990) ‘Finish and Unfinish in the Carving of the Sebasteion’, in Aphrodisias Papers: Recent Work on Architecture and Sculpture : Including Papers Given at the Second International Aphrodisias Colloquium Held at King’s College London ... 1987. Ann Arbor, Mich: Department of Classical Studies, University of Michigan.

Rolley, C. (1986) Greek Bronzes. [London]: Sotheby’s Publications.

Rose, C.B. (1997) Dynastic Art and Ideology in the Julio-Claudian Period. Cambridge: Cambridge University Press.

Schweitzer, B. (1971) Greek Geometric Art. London: Phaidon.

Simon, E. (1982) Festivals of Attica: an archaeological commentary. Madison, Wis: University of Wisconsin Press.

Smith, R.R.R. (1988) Hellenistic Royal Portraits. Oxford: Clarendon.

Smith, R.R.R. (1990) ‘Late Roman Philosopher Portraits from Aphrodisias’, Journal of Roman Studies, 80, pp. 127–155. Available at: https://doi.org/10.2307/300284.

Smith, R.R.R. (1991) Hellenistic Sculpture: A Handbook. London: Thames and Hudson.

Smith, R.R.R. (1997) ‘“The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century” in The Journal of Roman Studies’, The Journal of Roman Studies, 87, pp. 170–202. Available at: https://doi.org/10.2307/301374.

Smith, R.R.R. (1998) ‘“Cultural Choice and Political Identity in Honorific Portrait Statues in the Greek East in the Second Century A.D.” in Journal of Roman Studies’, Journal of Roman Studies, 88, pp. 56–93. Available at: http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-05T15:11:59IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_ofa&rft_val_fmt=info:ofi/fmt:kev:mtx:&rft.genre=article&rft.atitle=Cultural choice and political identity in honorific portrait statues in the Greek east in the second century A.D.&rft.jtitle=Journal of Roman Studies&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Smith, R.R.R.&rft.aucorp=&rft.date=19980101&rft.volume=88&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=56&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0075-4358&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=55343766&rft.eisbn=&req.language=eng.

Smith, R.R.R. (1999) ‘“Late Antique Portraits in a Public Context: Honorific Statuary at Aphrodisias in Caria, A.D. 300 - 600” in Journal of Roman Studies’, Journal of Roman Studies, 89, pp. 155–189. Available at: http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-04T17:14:11IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_ofa&rft_val_fmt=info:ofi/fmt:kev:mtx:&rft.genre=article&rft.atitle=Late Antique portraits in a public context: honorific statuary at Aphrodisias in Caria, A.D. 300 - 600.&rft.jtitle=Journal of Roman Studies&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Smith, R.R.R.&rft.aucorp=&rft.date=19990101&rft.volume=89&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=155&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0075-4358&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=59216063&rft.eisbn=&req.language=eng.

Snodgrass, A. (1982) Narration and Allusion in Archaic Greek Art: A Lecture Delivered at New College Oxford, on 29th May, 1981. London: Leopard’s Head Press.

Snodgrass, A.M. (1987) ‘The First Figure Scenes in Greek Art’, in An Archaeology of Greece: The Present State and Future Scope of a Discipline. Berkeley, Calif: University of California Press, pp. 132–169.

Sparkes, B.A. (1991) Greek Pottery: An Introduction. Manchester: Manchester University Press.

Spencer, N. and Theoretical Archaeology Group (1995) Time, Tradition, and Society in Greek Archaeology: Bridging the ‘Great Divide’. London: Routledge.

Spivey, N. (1996a) Understanding Greek Sculpture: Ancient Meanings, Modern Readings. London: Thames and Hudson.

Spivey, N. (1996b) Understanding Greek sculpture: ancient meanings, modern readings. London: Thames and Hudson.

Stansbury-O’Donnell, M. (1999) Pictorial Narrative in Ancient Greek Art. Cambridge: Cambridge University Press.

Steiner, D. (2003) Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton, N.J: Princeton University Press.

Stewart, A. (1977) Skopas of Paros. Park Ridge, N.J: Noyes Press.

Stewart, A. (1990) Greek Sculpture: An Exploration. New Haven, Conn: Yale University Press.

Stewart, A. and Society for the Promotion of Hellenic Studies (1979) Attika: Studies in Athenian Sculpture of the Hellenistic Age. London: Society for the Promotion of Hellenic Studies.

Stewart, A.F. (1985) ‘“History, Myth, and Allegory in the Program of the Temple of Athena Nike, Athens” in Studies in the History of Art’, Studies in the History of Art, 16, pp. 53–73. Available at: http://www.jstor.org/stable/42617835?seq=1#page_scan_tab_contents.

Stewart, P. (2003a) Statues in Roman Society: Representation and Response. Oxford: Oxford University Press.

Stewart, P. (2003b) Statues in Roman Society: Representation and Response [electronic book]. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514241.

Stewart, P. (2003c) Statues in Roman Society: Representation and Response. Oxford: Oxford University Press.

Stewart, P. (2003d) Statues in Roman Society: Representation and Response [electronic book]. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514241.

Stewart, P. (2004) Roman Art. Oxford: Oxford University Press.

Stewart, P. (2008) The Social History of Roman Art. New York: Cambridge University Press.

Strong, D. and Brown, D. (1976) Roman Crafts. London: Duckworth.

Strong, D. and Ling, R. (1988) Roman Art. 2nd ed. New Haven: Yale University Press.

Strong, D.E. (1961) Roman Imperial Sculpture: An Introduction to the Commemorative and Decorative Sculpture of the Roman Empire Down to the Death of Constantine. London: Tiranti.

Strong, D.E. (1966) Greek and Roman Gold and Silver Plate. Methuen.

Trendall, A.D. (1966) South Italian Vase Painting. London: British Museum.

Trendall, A.D. (1967) Phlyax Vases. 2nd ed., rev.enl. London: Institute of Classical Studies.

Trendall, A.D. (1989) Red Figure Vases of South Italy and Sicily: A Handbook. London: Thames and Hudson.

Trendall, A.D. (1991a) ‘Farce and Tragedy in South Italian Vase Painting’, in Looking at Greek vases. Cambridge: Cambridge University Press, pp. 151–182.

Trendall, A.D. (1991b) ‘Masks on Apulian Red-Figured Vases’, in Studies in Honour of T. B. L. Webster: Vol. 2. Bristol: Bristol Classical Press, pp. 137–154.

Trendall, A.D. and Webster, T.B.L. (1971) Illustrations of Greek drama. London: Phaidon.

True, M. (1987) Papers on the Amasis Painter and his World / Colloquium Sponsored by the Getty Center for the History of Art and the Humanities and Symposium. Malibu, Calif.: J. Paul Getty Museum.

Turner, J. (1996) The Dictionary of Art. London: Grove.

Vermeule, C.C. (1968) Roman Imperial Art in Greece and Asia Minor. Cambridge, Mass: Harvard University Press.

Vermeule, C.C. (1977) Greek Sculpture and Roman Taste: The Purpose and Setting of Graeco-Roman Art in Italy and the Greek Imperial East. Ann Arbor: University of Michigan Press.

Walker, S. (1990) ‘The Sarcophagus of Maconiana Severiana’, in Roman Funerary Monuments in the J. Paul Getty Museum. Malibu, Calif: J. Paul Getty Museum, pp. 83–94.

Walker, S. (1995) Greek and Roman Portraits. London: British Museum.

Walker, S. (1997) Ancient Faces: Mummy Portraits From Roman Egypt. London: British Museum.

Walker, S. and British Museum Trustees (1985) Memorials to the Roman Dead. London: Published for the Trustees of the British Museum by British Museum Publications.

Wallace-Hadrill, A. (2008) Rome’s Cultural Revolution. New York: Cambridge University Press.

Warden, P.G. (1991) ‘The Sculptural Programme of the Villa of the Papyri’, Journal of Roman Archaeology, 4, pp. 257–264. Available at: https://doi.org/10.1017/S1047759400015725.

Warden, P.G. and Romano, D.G. (1994) ‘“The Course of Glory: Greek Art in a Roman Context at the Villa of the Papyri at Herculaneum” in Art History’, Art History, 17, pp. 228–254.

Waywell, G.B. and British Museum (1978) The Free-Standing Sculptures of the Mausoleum at Halicarnassus in the British Museum: A Catalogue. London: British Museum Publications Ltd for the Trustees.

Weis, H.A. (2000) ‘Odysseus at Sperlonga’, in From Pergamon to Sperlonga: sculpture and context. Berkeley: University of California Press, pp. 111–165.

Whitley, J. (1997) ‘“Beazley as Theorist” in Antiquity’, Antiquity, 71, pp. 40–47.

Whitley, J. (2001) The Archaeology of Ancient Greece. Cambridge: Cambridge University Press.

Williams, C.K. (1982) ‘Zeus and Other Deities: Notes on Two Archaistic Piers’, Hesperia Supplements, 20, pp. 175–224. Available at: https://doi.org/10.2307/1353959.

Williams, D. (1983) ‘Sophilos in the British Museum’, J. Paul Getty Museum Occasional Papers on Antiquity, 1, pp. 9–34. Available at: http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892360585.pdf.

Williams, D. and British Museum (1985) Greek Vases. London: Published for the Trustees of the British Museum by British Museum Publications.

Zanker, P. (1990) The Power of Images in the Age of Augustus. Ann Arbor: University of Michigan Press.

Zanker, P. (1995a) The Mask of Socrates: The Image of the Intellectual in Antiquity. Berkeley, Calif: University of California Press.

Zanker, P. (1995b) The Mask of Socrates: The Image of the Intellectual in Antiquity. Berkeley, Calif: University of California Press.