1.
D’Ambra E. The Calculus of Venus: Nude Portraits of Roman Matrons. In: Sexuality in Ancient Art. Vol Cambridge studies in new art history and criticism. Cambridge University Press; 1996:219-232.
2.
D’Ambra E. Nudity and Adornment in Female Portrait Sculpture of the Second Century AD. In: I, Claudia II: Women in Roman Art and Society. University of Texas Press; 2000:101-114.
3.
Wallace-Hadrill A. Rome’s Cultural Revolution. Cambridge University Press; 2008.
4.
Zanker P. The Mask of Socrates: The Image of the Intellectual in Antiquity. Vol Sather classical lectures. University of California Press; 1995.
5.
Smith RRR. ‘Cultural Choice and Political Identity in Honorific Portrait Statues in the Greek East in the Second Century A.D.’ in Journal of Roman Studies. Journal of Roman Studies. 1998;88:56-93. http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-05T15:11:59IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_ofa&rft_val_fmt=info:ofi/fmt:kev:mtx:&rft.genre=article&rft.atitle=Cultural choice and political identity in honorific portrait statues in the Greek east in the second century A.D.&rft.jtitle=Journal of Roman Studies&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Smith, R.R.R.&rft.aucorp=&rft.date=19980101&rft.volume=88&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=56&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0075-4358&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=55343766&rft.eisbn=&req.language=eng
6.
Weis HA. Odysseus at Sperlonga. In: From Pergamon to Sperlonga: Sculpture and Context. Vol Hellenistic culture and society. University of California Press; 2000:111-165.
7.
Dunbabin KMD. Convivial Spaces: Dining and Entertainment in the Roman Villa. Journal of Roman Archaeology. 1996;9:66-80. doi:10.1017/S1047759400016500
8.
Carey S. Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003.
9.
Carey S. Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Oxford University Press; 2006. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514098
10.
Mattusch CC, Lie H. The Villa Dei Papiri at Herculaneum: Life and Afterlife of a Sculpture Collection. J. Paul Getty Museum; 2005.
11.
Dillon S. Subject Selection and Viewer Reception of Greek Portraits from Herculaneum and Tivoli. Journal of Roman Archaeology. 2000;13:21-40. doi:10.1017/S1047759400018754
12.
Warden PG, Romano DG. ‘The Course of Glory: Greek Art in a Roman Context at the Villa of the Papyri at Herculaneum’ in Art History. Art History. 1994;17:228-254.
13.
Warden PG. The Sculptural Programme of the Villa of the Papyri. Journal of Roman Archaeology. 1991;4:257-264. doi:10.1017/S1047759400015725
14.
Edwards C. ‘Incorporating the Alien; the Art of Conquest’ in Rome the Cosmopolis. In: Rome the Cosmopolis. Cambridge University Press; 2003:44-70.
15.
Marvin M. The Ludovisi Barbarians: the Grand Manner. In: The Ancient Art of Emulation: Studies in Artistic Originality and Tradition From the Present to Classical Antiquity. Vol Memoirs of the American Academy in Rome Supplementary volumes. University of Michigan Press; 2002:205-223.
16.
Marszal JR. Ubiquitous Barbarians. Representations of the Gauls at Pergamon and Elsewhere. In: From Pergamon to Sperlonga: Sculpture and Context. Vol Hellenistic culture and society. University of California Press; 2000:191-234.
17.
Humphrey JH. Roman Circuses: Arenas for Chariot Racing. University of California Press; 1986.
18.
Huskinson J. Roman Children’s Sarcophagi: Their Decoration and Its Social Significance. Clarendon; 1996.
19.
Walker S. The Sarcophagus of Maconiana Severiana. In: Roman Funerary Monuments in the J. Paul Getty Museum. Vol Occasional papers on antiquities. J. Paul Getty Museum; 1990:83-94.
20.
Huskinson J. ‘Unfinished Portrait Heads’ on Later Roman Sarcophagi: Some New Perspectives. Papers of the British School at Rome. 1998;66:129-158. doi:10.1017/S0068246200004256
21.
Stewart P. Statues in Roman Society: Representation and Response. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003.
22.
Stewart P. Statues in Roman Society: Representation and Response. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514241
23.
Rockwell P. Finish and Unfinish in the Carving of the Sebasteion. In: Aphrodisias Papers: Recent Work on Architecture and Sculpture : Including Papers Given at the Second International Aphrodisias Colloquium Held at King’s College London ... 1987. Vol Journal of Roman archaeology supplementary series. Department of Classical Studies, University of Michigan; 1990.
24.
Burford A. Craftsmen in Greek and Roman Society. Vol Aspects of Greek and Roman life. Thames and Hudson; 1972.
25.
Cuomo S. Death and the Craftsman. In: Technology and Culture in Greek and Roman Antiquity. Vol Key themes in ancient history. Cambridge University Press; 2007:77-102. http://eprints.bbk.ac.uk/629
26.
Cuomo S. Death and the Craftsman. In: Technology and Culture in Greek and Roman Antiquity. Vol Key themes in ancient history. Cambridge University Press; 2007:77-102.
27.
George M. Social Identity and the Dignity of Work in Freedmen’s Reliefs. In: The Art of Citizens, Soldiers and Freedmen in the Roman World. Vol BAR international series. Archaeopress; 2006:19-29.
28.
Green R, Handley E. Images of the Greek Theatre. Vol Classical bookshelf. British Museum; 1995.
29.
Trendall AD. Farce and Tragedy in South Italian Vase Painting. In: Looking at Greek Vases. Cambridge University Press; 1991:151-182.
30.
Havelock CM. The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art. First paperback ed. The University of Michigan Press; 2007.
31.
Corso A. The Cnidian Aphrodite. In: Sculptors and Sculpture of Caria and the Dodecanese. Published for the Trustees of the British Museum by the British Museum Press; 1991:91-98.
32.
Harrison EB. The Glories of Athenians. In: The Interpretation of Architectural Sculpture in Greece and Rome. Vol Studies in the history of art. National Gallery of Art; 1997:109-125.
33.
Pemberton EG. ‘The East and West Friezes of the Temple of Athena Nike’ in American Journal of Archaeology. American Journal of Archaeology. 1972;76(3):303-310. doi:10.2307/503923
34.
Fullerton MD. Archaistic Statuary of the Hellenistic Period. Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung. 1987;102:259-278.
35.
Havelock CM. The Archaic as Survival Versus the Archaistic as a New Style. American Journal of Archaeology. 1965;69(4):331-340. doi:10.2307/502182
36.
Morris I. ‘Archaeologies of Greece’ in Classical Greece: Ancient Histories and Modern Archaeologies. In: Classical Greece: Ancient Histories and Modern Archaeologies. Vol New directions in archaeology. Cambridge University Press; 1994:8-50.
37.
Whitley J. ‘Beazley as Theorist’ in Antiquity. Antiquity. 1997;71:40-47.
38.
Hornblower S. Mausolus. Clarendon; 1982.
39.
Jeppesen K. What Did the Maussolleion Look Like? In: Architecture and Society in Hecatomnid Caria: Proceedings of the Uppsala Symposium 1987. Vol Boreas. Acta Universitatis Upsaliensis; 1989:15-22.
40.
Neils J. Worshipping Athena: Panathenaia and Parthenon. Vol Wisconsin studies in classics. University of Wisconsin Press; 1996.
41.
Simon E. Festivals of Attica: An Archaeological Commentary. University of Wisconsin Press; 1982.
42.
Andronicos M. Vergina: The Royal Tombs and the Ancient City. Ekdotike Athenon S.A.; 1984.
43.
Hammond NGL. ‘The Royal Tombs at Vergina: Evolution and Identities’ in The Annual of the British School at Athens. The Annual of the British School at Athens. 1991;86:69-82. http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-04T13:55:21IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_archive&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The Royal Tombs at Vergina: Evolution and Identities&rft.jtitle=The Annual of the British School at Athens&rft.btitle=&rft.aulast=Hammond&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Hammond, N. G. L.&rft.aucorp=&rft.date=19910101&rft.volume=86&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=69&rft.epage=82&rft.pages=69-82&rft.artnum=&rft.issn=00682454&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=30102873&rft.eisbn=&req.language=eng
44.
Beard M, Henderson J. Classical Art: From Greece to Rome. Vol Oxford history of art. Oxford University Press; 2001.
45.
Boardman J. Greek Art. Vol World of art. 4th ed., rev.expanded. Thames and Hudson; 1996.
46.
Boardman J. The Oxford History of Classical Art. Oxford University Press; 1993.
47.
Dunbabin KMD. Mosaics of the Greek and Roman World. Cambridge University Press; 1999.
48.
Elsner J. Imperial Rome and Christian Triumph: The Art of the Roman Empire, AD 100-450. Vol Oxford history of art. Oxford University Press; 1998.
49.
Hölscher T. The Language of Images in Roman Art: Art as a Semantic System in the Roman World. Cambridge University Press; 2004.
50.
Robertson M. A Shorter History of Greek Art. Cambridge University Press; 1981.
51.
Spivey N. Understanding Greek Sculpture: Ancient Meanings, Modern Readings. Thames and Hudson; 1996.
52.
Stewart P. Roman Art. Vol Greece&Rome. Oxford University Press; 2004.
53.
Stewart P. The Social History of Roman Art. Vol Key themes in ancient history. Cambridge University Press; 2008.
54.
Turner J. The Dictionary of Art. Grove; 1996.
55.
Jones WHS, Wycherley RE, Pausanias. Description of Greece. Rev. ed.; 1955.
56.
Rackham H, Pliny. Natural History. Vol Loeb classical library. Heinemann; 1938.
57.
Pollitt JJ. The Art of Ancient Greece: Sources and Documents. Cambridge University Press; 1990.
58.
Pollitt JJ. The Art of Rome, C. 753 b.c. - a.d. 337: Sources and Documents. Cambridge University Press; 1983.
59.
Adam S. The Technique of Greek Sculpture in the Archaic and Classical Periods. Thames & Hudson; 1966.
60.
Ashmole B, Yalouris N, Frantz A. Olympia: The Sculptures of the Temple of Zeus. Phaidon; 1967.
61.
Ashmole B. Architect and Sculptor in Classical Greece. Phaidon Press; 1972.
62.
Bailey DM, British Museum. Catalogue of the Terracottas in the British Museum: Vol. IV: Ptolemaic and Roman Terracottas From Egypt. The British Museum Press; 2008.
63.
Bartman E. Portraits of Livia: Imaging the Imperial Woman in Augustan Rome. Cambridge University Press; 1999.
64.
Beazley JD, Moore MB, Von Bothmer D. The Development of Attic Black-Figure. Vol Sather classical lectures. Rev ed., [edited by Dietrich von Bothmer and Mary B. Moore]. University of California Press; 1986.
65.
Beazley JD. The Kleophrades Painter. Von Zabern; 1974.
66.
Beazley JD. The Pan Painter. Von Zabern; 1974.
67.
Beck H, Buckling M, Bol P, Liebieghaus Museum alter Plastik. Polyklet: Der Bildhauer Der Griechische Klassik : Ausstellung Im Liebieghaus Museum Alter Plastik Frankfurt Am Main. Zabern; 1990.
68.
Bieber M. Sculpture of the Hellenistic Age.; 1981.
69.
Boardman J. Athenian Black Figure Vases: A Handbook. Corr. ed. Thames and Hudson; 1991.
70.
Boardman J. Early Greek Vase Painting: 11th-6th Centuries BC : A Handbook / John Boardman. Vol World of art. Thames and Hudson; 1998.
71.
Boardman J. Athenian Red Figure Vases: The Archaic Period: A Handbook. Vol [The world of art library]. Thames and Hudson; 1975.
72.
Boardman J. Athenian Red Figure Vases: The Classical Period: A Handbook. Vol World of art. Thames and Hudson; 1989.
73.
Boardman J. Greek Sculpture: The Archaic Period: A Handbook. Corr. ed. Thames and Hudson; 1991.
74.
Boardman J. Greek Sculpture: The Classical Period: A Handbook. Thames and Hudson; 1991.
75.
Boardman J. Greek Sculpture: The Late Classical Period and Sculpture in Colonies and Overseas : A Handbook. Vol World of art. Thames & Hudson; 1995.
76.
Boardman J, Finn D. The Parthenon and Its Sculpture. Thames and Hudson; 1985.
77.
Brijder HAG. Siana Cups I and Komast Cups. Allard Pierson Museum; 1983.
78.
Buitron-Oliver D, National Gallery of Art. The Interpretation of Architectural Sculpture in Greece and Rome. Vol Studies in the history of art. National Gallery of Art; 1997.
79.
Burn L. The Meidias Painter. Vol Oxford monographs on classical archaeology. Clarendon; 1987.
80.
Buschor E. On the Meaning of Greek Statues. University of Massachusetts Press; 1980.
81.
Busignani A. The Bronzes of Riace. Sansoni; First Edition edition; 1981.
82.
Carey S. Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003.
83.
Carey S. Pliny’s Catalogue of Culture: Art and Empire in the Natural History. Oxford University Press; 2006. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514098
84.
Carpenter TH. Art and Myth in Ancient Greece: A Handbook. Vol World of art. Thames and Hudson; 1991.
85.
Clairmont CW. Gravestone and Epigram: Greek Memorials From the Archaic and Classical Period. Von Zabern; 1970.
86.
Clairmont CW. Patrios Nomos: Public Burial in Athens During the Fifth and Fourth Centuries B.C. : The Archaeological, Epigraphic-Literary and Historical Evidence. Vol British archaeological reports. B.A.R.; 1983.
87.
Clarke JR. Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315. University of California Press; 2003.
88.
Coldstream JN. Greek Geometric Pottery: A Survey of Ten Local Styles and Their Chronology. Methuen; 1968.
89.
Conlin DA. The Artists of the Ara Pacis: The Process of Hellenization in Roman Relief Sculpture. Vol Studies in the history of Greece and Rome. University of North Carolina Press; 1997.
90.
Connelly JB. Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze. American Journal of Archaeology. 1996;100(1). doi:10.2307/506297
91.
D’Ambra E. Roman Art in Context: An Anthology. Prentice Hall; 1993.
92.
D’Ambra E. Art and Identity in the Roman World. Weidenfeld & Nicolson; 1998.
93.
D’Ambra E. Roman Art. Cambridge University Press; 1998. http://www.loc.gov/catdir/toc/cam024/99166514.html
94.
D’Ambra E. Private Lives, Imperial Virtues: The Frieze of the Forum Transitorium in Rome. Princeton University Press; 1993.
95.
D’Ambra E, Métraux GPR. The Art of Citizens, Soldiers and Freedmen in the Roman World. Vol BAR international series. Archaeopress; 2006.
96.
Devambez P. Greek Painting. Vol The Contact history of art. Weidenfeld & Nicholson; 1962.
97.
Dillon S. Subject Selection and Viewer Reception of Greek Portraits from Herculaneum and Tivoli. Journal of Roman Archaeology. 2000;13:21-40.
98.
Elsner J. Art and the Roman Viewer: The Transformation of Art From the Pagan World to Christianity. Vol Cambridge studies in new art history and criticism. Cambridge University Press; 1995.
99.
Elsner J. Art and Text in Roman Culture. Vol Cambridge studies in new art history and criticism. Cambridge University Press; 1996.
100.
Fejfer J. Roman Portraits in Context. Vol Image&context. Walter de Gruyter; 2008.
101.
Fejfer J. Roman Portraits in Context. Walter de Gruyter; 2008. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=207322
102.
Fedak J. Monumental Tombs of the Hellenistic Age: A Study of Selected Tombs From the Pre-Classical to the Early Imperial Era. Vol Phoenix. University of Toronto Press; 1990.
103.
Gazda EK, Haeckl AE. Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa and Insula.; 1994.
104.
Grossman JB. Looking at Greek and Roman Sculpture in Stone. The J. Paul Getty Museum; 2003.
105.
Guralnick E. The Proportions of Kouroi. American Journal of Archaeology. 1978;82(4):461-472. doi:10.2307/504635
106.
Hallett CH. The Roman Nude: Heroic Portrait Statuary, 200 B.C.-A.D. 300. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2005.
107.
Hannestad N. Roman Art and Imperial Policy. Aarhus University Press; 1988.
108.
Haynes S. Etruscan Civilization: A Cultural History. British Museum; 2000.
109.
Higgins RA. Tanagra and the Figurines. Trefoil Books; 1986.
110.
Holloway RR. ‘Early Greek Architectural Decoration as Functional Art’ in American Journal of Archaeology. American Journal of Archaeology. 1988;92(2):177-183. doi:10.2307/505628
111.
Holloway RR. Influences and Styles in the Late Archaic and Early Classical Greek Sculpture of Sicily and Magna Graecia. Vol Publications d’histoire de l’art et d’archeologie de l’Universite Catholique de Louvain. Institut Supérieur d’archéologie et d’histoire de l’art; 1975.
112.
Houser C, Finn D. Greek Monumental Bronze Sculpture. Thames & Hudson; 1983.
113.
Humphrey JH. Roman Circuses: Arenas for Chariot Racing. University of California Press; 1986.
114.
Hurwit JM. The Art and Culture of Early Greece, 1100-480 B.C. Cornell University Press; 1985.
115.
Hurwit JM. The Athenian Acropolis: History, Mythology, and Archaeology From the Neolithic Era to the Present. Cambridge University Press; 1999.
116.
Huskinson J. Roman Children’s Sarcophagi: Their Decoration and Its Social Significance. Clarendon; 1996.
117.
Jeppesen K. What Did the Maussolleion Look Like? In: Architecture and Society in Hecatomnid Caria: Proceedings of the Uppsala Symposium 1987. Vol Boreas. Acta Universitatis Upsaliensis; 1989:15-22.
118.
Johansen KF. The Attic Grave-Reliefs of the Classical Period: An Essay in Interpretation. Munksgaard; 1951.
119.
Kleiner DEE, Matheson SB. I, Claudia II: Women in Roman Art and Society. University of Texas Press; 2000.
120.
Kleiner DEE. Roman Sculpture. Vol Yale publications in the history of art. Yale University Press; 1992.
121.
Koortbojian M. Myth, Meaning, and Memory on Roman Sarcophagi. University of California Press; 1995.
122.
Koortbojian M. Myth, Meaning, and Memory on Roman Sarcophagi. University of California Press; 1995. http://ark.cdlib.org/ark:/13030/ft4199n900/
123.
Kurtz DC, Boardman J. Greek Burial Customs. Vol Aspects of Greek and Roman life. Thames and Hudson; 1971.
124.
Kurtz DC. Athenian White Lekythoi: Patterns and Painters. Vol Oxford monographs on classical archaeology. Clarendon Press; 1975.
125.
Kurtz DC, Beazley JD. The Berlin Painter. Vol Oxford monographs on classical archaeology. Clarendon Press; 1983.
126.
Ling R. Roman Painting. Cambridge University Press; 1991.
127.
Ling R. Ancient Mosaics. British Museum Press; 1998.
128.
Ling R. Stuccowork and Painting in Roman Italy. Vol Variorum collected studies series. Ashgate/Variorum; 1999.
129.
Ling R. Making Classical Art: Process & Practice. Tempus; 2000.
130.
Mattusch CC. Greek Bronze Statuary: From the Beginnings Through the Fifth Century B.C. Cornell University Press; 1988.
131.
Miller SG. Macedonian Tombs: their Architecture and Decoration. In: Macedonia and Greece in Late Classical and Early Hellenistic Times. National Gallery of Art; 1982:152-171.
132.
Moon WG. Ancient Greek Art and Iconography. Vol Wisconsin studies in classics. University of Wisconsin Press; 1983.
133.
Moon WG. Polykleitos, the Doryphoros, and Tradition. Vol Wisconsin studies in classics. University of Wisconsin Press; 1995.
134.
Morris SP. The Black and White Style: Athens and Aigina in the Orientalizing Period. Vol Yale classical monographs. Yale University Press; 1984.
135.
Morrow KD. Greek Footwear and the Dating of Sculpture. Vol Wisconsin studies in classics. University of Wisconsin Press; 1985.
136.
Neudecker R, Deutsches Archaologisches Institut. Die Skulpturenausstattung Römischer Villen in Italien. Vol Beiträge zur Erschliessung hellenistischer und kaiserzeitlicher Skulptur und Architektur. P. von Zabern; 1988.
137.
Neils J, Barber EJW, Hood Museum of Art. Goddess and Polis: The Panathenaic Festival in Ancient Athens : [Exhibition]. Princeton University Press; 1992.
138.
Neils J. Worshipping Athena: Panathenaia and Parthenon. Vol Wisconsin studies in classics. University of Wisconsin Press; 1996.
139.
Newby Z. Greek Athletics in the Roman World: Victory and Virtue. Vol Oxford Studies in Ancient Culture&Representation. Oxford University Press, UK; 2005. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13395923990002671&institutionId=2671&customerId=2670
140.
Newby Z. Greek Athletics in the Roman World: Victory and Virtue. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191515576
141.
Newby Z. Athletics in the Ancient World. Vol Classical world series. Bristol Classical Press; 2006.
142.
Newby Z, Leader-Newby RE. Art and Inscriptions in the Ancient World. Cambridge University Press; 2007. http://www.loc.gov/catdir/enhancements/fy0664/2006023477-t.html
143.
Palagia O. Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods. Cambridge University Press; 2008.
144.
Panzanelli R, Schmidt ED, Lapatin KDS, J. Paul Getty Museum. The Color of Life: Polychromy in Sculpture From Antiquity to the Present. J. Paul Getty Museum; 2008.
145.
Pedley JG. Greek Art and Archaeology. 2nd ed. King; 1998.
146.
Pickard-Cambridge A, Lewis DM, Gould SJ. The Dramatic Festivals of Athens. Oxford University Press; 1968.
147.
Pollitt JJ. Art and Experience in Classical Greece. Cambridge University Press; 1972.
148.
Pollitt JJ. Art in the Hellenistic Age. Cambridge University Press; 1986.
149.
Rasmussen T, Spivey NJ. Looking at Greek Vases. Cambridge University Press; 1991.
150.
Richter GMA. The Portraits of the Greeks. Phaidon Press; 1965.
151.
Richter GMA. The Portraits of the Greeks: Vol.2: 3A.The Fourth and Third Centuries. 3B.The Third and Second Centuries. Phaidon Press; 1965.
152.
Richter GMA. The Portraits of the Greeks: Vol.3: 4 Hellenistic Rulers, 5 Greeks of the Roman Period; Bibliographies; Index. Phaidon Press; 1965.
153.
Richter GMA, Frantz A. Korai: Archaic Greek Maidens: A Study of the Development of the Kore Type in Greek Sculpture. Phaidon; 1968.
154.
Richter GMA, Richter IA. Kouroi: Archaic Greek Youths: A Study of the Development of the Kouros Type in Greek Sculpture. Phaidon; 1960.
155.
Ridgway BS. Fifth Century Styles in Greek Sculpture. Princeton University Press; 1981.
156.
Ridgway BS. The Archaic Style in Greek Sculpture. 2nd ed. Ares; 1993.
157.
Ridgway BS. The Severe Style in Greek Sculpture. Princeton University Press; 1970.
158.
Ridgway BS. Hellenistic Sculpture: 1: The Styles of ca. 331-200 B.C. / Brunilde Sismondo Ridgway. Bristol Classical; 1990.
159.
Robertson M. Greek Painting. Vol The great centuries of painting. Skira; 1959.
160.
Robertson M. The Art of Vase-Painting in Classical Athens. Cambridge University Press; 1992.
161.
Rolley C. Greek Bronzes. Sotheby’s Publications; 1986.
162.
Rose CB. Dynastic Art and Ideology in the Julio-Claudian Period. Vol Cambridge studies in classical art and iconography. Cambridge University Press; 1997.
163.
Schweitzer B. Greek Geometric Art. Phaidon; 1971.
164.
Smith RRR. ‘Late Antique Portraits in a Public Context: Honorific Statuary at Aphrodisias in Caria, A.D. 300 - 600’ in Journal of Roman Studies. Journal of Roman Studies. 1999;89:155-189. http://findit.royalholloway.ac.uk/openurl/44ROY/44ROY_Services_page?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2016-01-04T17:14:11IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_ofa&rft_val_fmt=info:ofi/fmt:kev:mtx:&rft.genre=article&rft.atitle=Late Antique portraits in a public context: honorific statuary at Aphrodisias in Caria, A.D. 300 - 600.&rft.jtitle=Journal of Roman Studies&rft.btitle=&rft.aulast=&rft.auinit=&rft.auinit1=&rft.auinitm=&rft.ausuffix=&rft.au=Smith, R.R.R.&rft.aucorp=&rft.date=19990101&rft.volume=89&rft.issue=&rft.part=&rft.quarter=&rft.ssn=&rft.spage=155&rft.epage=&rft.pages=&rft.artnum=&rft.issn=0075-4358&rft.eissn=&rft.isbn=&rft.sici=&rft.coden=&rft_id=info:doi/&rft_id=info:oai/&rft.object_id=&svc_val_fmt=info:ofi/fmt:kev:mtx:sch_svc&svc.any=yes&rft_dat=59216063&rft.eisbn=&req.language=eng
165.
Smith RRR. Late Roman Philosopher Portraits from Aphrodisias. Journal of Roman Studies. 1990;80:127-155. doi:10.2307/300284
166.
Smith RRR. ‘The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century’ in The Journal of Roman Studies. The Journal of Roman Studies. 1997;87:170-202. doi:10.2307/301374
167.
Smith RRR. Hellenistic Royal Portraits. Vol Oxford monographs on classical archaeology. Clarendon; 1988.
168.
Smith RRR. Hellenistic Sculpture: A Handbook. Vol World of art. Thames and Hudson; 1991.
169.
Snodgrass AM. The First Figure Scenes in Greek Art. In: An Archaeology of Greece: The Present State and Future Scope of a Discipline. Vol Sather classical lectures. University of California Press; 1987:132-169.
170.
Snodgrass A. Narration and Allusion in Archaic Greek Art: A Lecture Delivered at New College Oxford, on 29th May, 1981. Vol J. L. Myers memorial lecture. Leopard’s Head Press; 1982.
171.
Sparkes BA. Greek Pottery: An Introduction. Manchester University Press; 1991.
172.
Spencer N, Theoretical Archaeology Group. Time, Tradition, and Society in Greek Archaeology: Bridging the ‘Great Divide’. Routledge; 1995.
173.
Spivey N. Understanding Greek Sculpture: Ancient Meanings, Modern Readings. Thames and Hudson; 1996.
174.
Stansbury-O’Donnell M. Pictorial Narrative in Ancient Greek Art. Vol Cambridge studies in classical art and iconography. Cambridge University Press; 1999.
175.
Steiner D. Images in Mind: Statues in Archaic and Classical Greek Literature and Thought. Princeton University Press; 2003.
176.
Stewart AF. ‘History, Myth, and Allegory in the Program of the Temple of Athena Nike, Athens’ in Studies in the History of Art. Studies in the History of Art. 1985;16:53-73. http://www.jstor.org/stable/42617835?seq=1#page_scan_tab_contents
177.
Stewart A. Skopas of Paros. Noyes Press; 1977.
178.
Stewart A, Society for the Promotion of Hellenic Studies. Attika: Studies in Athenian Sculpture of the Hellenistic Age. Vol Supplementary paper. Society for the Promotion of Hellenic Studies; 1979.
179.
Stewart A. Greek Sculpture: An Exploration. Yale University Press; 1990.
180.
Stewart P. Statues in Roman Society: Representation and Response. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003.
181.
Stewart P. Statues in Roman Society: Representation and Response. Vol Oxford studies in ancient culture and representation. Oxford University Press; 2003. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191514241
182.
Strong D, Brown D. Roman Crafts. Duckworth; 1976.
183.
Strong D, Ling R. Roman Art. 2nd ed. Yale University Press; 1988.
184.
Strong DE. Greek and Roman Gold and Silver Plate. Vol Handbooks of archaeology. Methuen; 1966.
185.
Strong DE. Roman Imperial Sculpture: An Introduction to the Commemorative and Decorative Sculpture of the Roman Empire Down to the Death of Constantine. Tiranti; 1961.
186.
Trendall AD. Masks on Apulian Red-Figured Vases. In: Studies in Honour of T. B. L. Webster: Vol. 2. Bristol Classical Press; 1991:137-154.
187.
Trendall AD, Webster TBL. Illustrations of Greek Drama. Phaidon; 1971.
188.
Trendall AD. Phlyax Vases. Vol Bulletin supplement / University of London Institute of Classical Studies. 2nd ed., rev.enl. Institute of Classical Studies; 1967.
189.
Trendall AD. South Italian Vase Painting. British Museum; 1966.
190.
Trendall AD. Red Figure Vases of South Italy and Sicily: A Handbook. Thames and Hudson; 1989.
191.
True M. Papers on the Amasis Painter and His World / Colloquium Sponsored by the Getty Center for the History of Art and the Humanities and Symposium. J. Paul Getty Museum; 1987.
192.
Vermeule CC. Greek Sculpture and Roman Taste: The Purpose and Setting of Graeco-Roman Art in Italy and the Greek Imperial East. Vol Jerome lectures. University of Michigan Press; 1977.
193.
Vermeule CC. Roman Imperial Art in Greece and Asia Minor. Harvard University Press; 1968.
194.
Walker S. Ancient Faces: Mummy Portraits From Roman Egypt. British Museum; 1997.
195.
Walker S. Greek and Roman Portraits. Vol Classical bookshelf. British Museum; 1995.
196.
Walker S, British Museum Trustees. Memorials to the Roman Dead. Published for the Trustees of the British Museum by British Museum Publications; 1985.
197.
Waywell GB, British Museum. The Free-Standing Sculptures of the Mausoleum at Halicarnassus in the British Museum: A Catalogue. British Museum Publications Ltd for the Trustees; 1978.
198.
Whitley J. The Archaeology of Ancient Greece. Vol Cambridge world archaeology. Cambridge University Press; 2001.
199.
Williams CK. Zeus and Other Deities: Notes on Two Archaistic Piers. Hesperia Supplements. 1982;20:175-224. doi:10.2307/1353959
200.
Williams D. Sophilos in the British Museum. J Paul Getty Museum Occasional Papers on Antiquity. 1983;1:9-34. http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892360585.pdf
201.
Williams D, British Museum. Greek Vases. Published for the Trustees of the British Museum by British Museum Publications; 1985.
202.
Zanker P. The Power of Images in the Age of Augustus. Vol Jerome lectures. University of Michigan Press; 1990.
203.
Zanker P. The Mask of Socrates: The Image of the Intellectual in Antiquity. Vol Sather classical lectures. University of California Press; 1995.