Bibliography for MU2333: Intercultural Performance: Theory and Practice BETA

Balosso-Bardin, C. (no date) ‘#NoBordersTour. Världens Band: Creating and Performing Music Across Borders’. Available at: http://eprints.lincoln.ac.uk/31486/.

Brinner, B. (no date) Beyond Israelis vs. Palestinians or Jews vs. Arabs:  The Social Ramifications of Musical Interaction. Available at: https://www.umbc.edu/MA/index/number8/brinner/brin_0.htm.

Chang, D. (2015) Representing China on the Historical London Stage: From Orientalism to Intercultural Performance. New York: Routledge.

Chang, D. (no date) Representing China on the Historical London Stage: From Orientalism to Intercultural Performance. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203734940.

Dessen, M. (2004) ‘Improvising in a Different Clave: Steve Coleman and AfroCuba de Matanzas’, in The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. 1st ed. Middletown, Conn: Wesleyan University Press.

Erlmann, V. (1999a) ‘Fantasies of Hope’, in Music, Modernity, and the Global Imagination: South Africa and the West. Oxford University Press.

Erlmann, V. (1999b) ‘Fantasies of Hope’, in Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press. Available at: http://hdl.handle.net/2027/heb.05911.

Erlmann, V. (1999c) ‘Hero on the Pop Chart’, in Music, Modernity, and the Global Imagination: South Africa and the West. Oxford University Press.

Erlmann, V. (1999d) ‘Hero on the Pop Chart’, in Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press. Available at: http://hdl.handle.net/2027/heb.05911.

Fusco, C. (1994) ‘The Other History of Intercultural Performance’, TDR, 38(1). Available at: https://doi.org/10.2307/1146361.

Grant, M.J. et al. (2010) ‘Music and Conflict: Interdisciplinary Perspectives’, Interdisciplinary Science Reviews, 35(2), pp. 183–198. Available at: https://doi.org/10.1179/030801810X12723585301237.

Guilbault, J. (1993) Zouk: World Music in the West Indies. Chicago: University of Chicago Press.

Hall, S. (1997) ‘The Local and the Global: Globalization and Ethnicity’, in Culture, Globalization and the World-System. Rev. ed. Minneapolis, MN: University of Minnesota Press.

Jason, S. (2004) ‘Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation’, in The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. 1st ed. Middletown, Conn: Wesleyan University Press.

Keil, C. (1994) ‘Notes on World Beat’, in Music Grooves: Essays and Dialogues. Chicago: Univ. Chicago P., pp. 238–246.

Lei, D.P. (2011) ‘Interruption, Intervention, Interculturalism: Robert Wilson’s HIT Productions in Taiwan’, Theatre Journal, 63(4). Available at: https://www.jstor.org/stable/41411240?seq=1#metadata_info_tab_contents.

Lipsitz, G. (1997) ‘Creative Misunderstanding in Inter-Cultural Communication’, in Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London: Verso, pp. 159–170.

Meintjes, L. (1990) ‘Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning’, Ethnomusicology, 34(1). Available at: https://doi.org/10.2307/852356.

Monson, I. (1999) ‘Riffs, Repetition, and Theories of Globalization’, Ethnomusicology, 43(1). Available at: https://doi.org/10.2307/852693.

Pavis, P. (1996a) ‘Introduction: Towards a Theory of Interculturism in Theatre?’, in The Intercultural Performance Reader. London: Routledge.

Pavis, P. (1996b) The Intercultural Performance Reader. London: Routledge.

Rachel Beckles Willson (no date) ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’. Available at: https://quod.lib.umich.edu/m/mp/9460447.0003.201/--whose-utopia-perspectives-on-the-west-eastern-divan?rgn=main;view=fulltext.

Sharma, S. (1996) ‘Sounds Oriental: The (Im)possibility of Theorizing Asian Musical Cultures’, in Disorienting Rhythms: The Politics of the New Asian Dance Music. London: Zed, pp. 15–31.

Slobin, M. (1993) ‘Interpolating the Interculture’, in Subcultural Sounds: Micromusics of the West. Hanover, NH: Wesleyan University Press, pp. 61–82.

Sompiboon, S. (2013) Likay Aka Oni Red Demon: Encounter and Exchange of Intercultural Performance | The International Academic Forum (IAFOR), IAFOR Journal of Literature & Librarianship. Available at: https://iafor.org/journal/iafor-journal-of-literature-and-librarianship/volume-2-issue-1/article-6/.

Taylor, T. (2001) ‘Music, Technology, Agency, and Practice’, in Strange Sounds: Music, Technology, & Culture. New York: Routledge, pp. 15–40.

Taylor, T.D. (2007) Beyond Exoticism: Western Music and the World. Durham: Duke University Press.

‘Theatre Journal’ (no date). Available at: https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/i40068692.

Urbain, Olivier (2008) Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics. London: I.B Tauris in association with the Toda Institute for Global Peace and Policy Research. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009984.

Urbain, Oliver (2008) ‘Music as a Tool of Reconciliation in South Africa’, in Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics. London: I.B Tauris in association with the Toda Institute for Global Peace and Policy Research. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009984.

Urbain, Olivier (2015) Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics. London: I. B. Tauris.

Urbain, Oliver (2015) ‘Music as a Tool of Reconciliation in South Africa’, in Olivier Urbain (ed.) Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics. London: I. B. Tauris.

Willson, R.B. (2009) ‘The Parallax Worlds of the West–Eastern Divan Orchestra’, Journal of the Royal Musical Association, 134(2), pp. 319–347. Available at: https://doi.org/10.1080/02690400903109109.

Woodward, S.C., Sloth-Nielsen, J. and Mathiti, V. (2007) ‘South Africa, the Arts and Youth in Conflict With the Law’, International Journal of Community Music, 1(1), pp. 69–98. Available at: http://repository.uwc.ac.za/bitstream/handle/10566/1123/WoodwardLaw2007.pdf?sequence=3&isAllowed=y.