Bibliography for MU2333: Intercultural Performance: Theory and Practice BETA

@misc{Balosso-Bardin, title={#NoBordersTour. Världens Band: Creating and Performing Music Across Borders}, url={http://eprints.lincoln.ac.uk/31486/}, author={Balosso-Bardin, Cassandre} }

@book{Brinner, title={Beyond Israelis vs. Palestinians or Jews vs. Arabs:  The Social Ramifications of Musical Interaction}, url={https://www.umbc.edu/MA/index/number8/brinner/brin_0.htm}, author={Brinner, Ben} }

@book{Chang_2015, address={New York}, title={Representing China on the Historical London Stage: From Orientalism to Intercultural Performance}, volume={34}, publisher={Routledge}, author={Chang, Dongshin}, year={2015} }

@book{Chang, title={Representing China on the Historical London Stage: From Orientalism to Intercultural Performance}, volume={34}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203734940}, author={Chang, Dongshin} }

@inbook{Dessen_2004, address={Middletown, Conn}, edition={1st ed}, title={Improvising in a Different Clave: Steve Coleman and AfroCuba de Matanzas}, booktitle={The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue}, publisher={Wesleyan University Press}, author={Dessen, Michael}, year={2004} }

@inbook{Erlmann_1999a, title={Hero on the Pop Chart}, booktitle={Music, Modernity, and the Global Imagination: South Africa and the West}, publisher={Oxford University Press}, author={Erlmann, Veit}, year={1999} }

@inbook{Erlmann_1999b, address={New York}, title={Hero on the Pop Chart}, url={http://hdl.handle.net/2027/heb.05911}, booktitle={Music, Modernity, and the Global Imagination: South Africa and the West}, publisher={Oxford University Press}, author={Erlmann, Veit}, year={1999} }

@inbook{Erlmann_1999c, title={Fantasies of Hope}, booktitle={Music, Modernity, and the Global Imagination: South Africa and the West}, publisher={Oxford University Press}, author={Erlmann, Veit}, year={1999} }

@inbook{Erlmann_1999d, address={New York}, title={Fantasies of Hope}, url={http://hdl.handle.net/2027/heb.05911}, booktitle={Music, Modernity, and the Global Imagination: South Africa and the West}, publisher={Oxford University Press}, author={Erlmann, Veit}, year={1999} }

@article{Fusco_1994, title={The Other History of Intercultural Performance}, volume={38}, DOI={10.2307/1146361}, number={1}, journal={TDR}, author={Fusco, Coco}, year={1994} }

@article{Grant_Möllemann_Morlandstö_Christine Münz_Nuxoll_2010, title={Music and Conflict: Interdisciplinary Perspectives}, volume={35}, DOI={10.1179/030801810X12723585301237}, number={2}, journal={Interdisciplinary Science Reviews}, author={Grant, M J and Möllemann, Rebecca and Morlandstö, Ingvill and Christine Münz, Simone and Nuxoll, Cornelia}, year={2010}, pages={183–198} }

@book{Guilbault_1993, address={Chicago}, title={Zouk: World Music in the West Indies}, publisher={University of Chicago Press}, author={Guilbault, Jocelyne}, year={1993} }

@inbook{Hall_1997, address={Minneapolis, MN}, edition={Rev. ed}, title={The Local and the Global: Globalization and Ethnicity}, booktitle={Culture, Globalization and the World-System}, publisher={University of Minnesota Press}, author={Hall, Stuart}, year={1997} }

@inbook{Jason_2004, address={Middletown, Conn}, edition={1st ed}, title={Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation}, booktitle={The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue}, publisher={Wesleyan University Press}, author={Jason, Stanyek}, year={2004} }

@inbook{Keil_1994, address={Chicago}, title={Notes on World Beat}, booktitle={Music Grooves: Essays and Dialogues}, publisher={Univ. Chicago P.}, author={Keil, Charles}, year={1994}, pages={238–246} }

@article{Lei_2011, title={Interruption, Intervention, Interculturalism: Robert Wilson’s HIT Productions in Taiwan}, volume={63}, url={https://www.jstor.org/stable/41411240?seq=1#metadata_info_tab_contents}, number={4}, journal={Theatre Journal}, publisher={The Johns Hopkins University Press}, author={Lei, Daphne P.}, year={2011} }

@inbook{Lipsitz_1997, address={London}, title={Creative Misunderstanding in Inter-Cultural Communication}, booktitle={Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place}, publisher={Verso}, author={Lipsitz, George}, year={1997}, pages={159–170} }

@article{Meintjes_1990, title={Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning}, volume={34}, DOI={10.2307/852356}, number={1}, journal={Ethnomusicology}, author={Meintjes, Louise}, year={1990} }

@article{Monson_1999, title={Riffs, Repetition, and Theories of Globalization}, volume={43}, DOI={10.2307/852693}, number={1}, journal={Ethnomusicology}, author={Monson, Ingrid}, year={1999} }

@inbook{Pavis_1996a, address={London}, title={Introduction: Towards a Theory of Interculturism in Theatre?}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Pavis, Patrice}, year={1996} }

@book{Pavis_1996b, address={London}, title={The Intercultural Performance Reader}, publisher={Routledge}, author={Pavis, Patrice}, year={1996} }

@article{Rachel Beckles Willson, title={Whose Utopia? Perspectives on the West-Eastern Divan Orchestra}, url={https://quod.lib.umich.edu/m/mp/9460447.0003.201/--whose-utopia-perspectives-on-the-west-eastern-divan?rgn=main;view=fulltext}, author={Rachel Beckles Willson} }

@inbook{Sharma_1996, address={London}, title={Sounds Oriental: The (Im)possibility of Theorizing Asian Musical Cultures}, booktitle={Disorienting Rhythms: The Politics of the New Asian Dance Music}, publisher={Zed}, author={Sharma, Sanjay}, year={1996}, pages={15–31} }

@inbook{Slobin_1993, address={Hanover, NH}, title={Interpolating the Interculture}, booktitle={Subcultural Sounds: Micromusics of the West}, publisher={Wesleyan University Press}, author={Slobin, Mark}, year={1993}, pages={61–82} }

@misc{Sompiboon_2013, title={Likay Aka Oni Red Demon: Encounter and Exchange of Intercultural Performance | The International Academic Forum (IAFOR)}, volume={2}, url={https://iafor.org/journal/iafor-journal-of-literature-and-librarianship/volume-2-issue-1/article-6/}, number={1}, journal={IAFOR Journal of Literature & Librarianship}, author={Sompiboon, Sukanya}, year={2013} }

@inbook{Taylor_2001, address={New York}, title={Music, Technology, Agency, and Practice}, booktitle={Strange Sounds: Music, Technology, & Culture}, publisher={Routledge}, author={Taylor, Timothy}, year={2001}, pages={15–40} }

@book{Taylor_2007, address={Durham}, title={Beyond Exoticism: Western Music and the World}, publisher={Duke University Press}, author={Taylor, Timothy Dean}, year={2007} }

@inbook{Urbain_2008a, address={London}, title={Music as a Tool of Reconciliation in South Africa}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009984}, booktitle={Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics}, publisher={I.B Tauris in association with the Toda Institute for Global Peace and Policy Research}, author={Urbain, Oliver}, year={2008} }

@inbook{Urbain_2015a, address={London}, title={Music as a Tool of Reconciliation in South Africa}, volume={19}, booktitle={Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics}, publisher={I. B. Tauris}, author={Urbain, Oliver}, editor={Urbain, Olivier}, year={2015} }

@book{Urbain_2008b, address={London}, title={Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009984}, publisher={I.B Tauris in association with the Toda Institute for Global Peace and Policy Research}, author={Urbain, Olivier}, year={2008} }

@book{Urbain_2015b, address={London}, title={Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics}, volume={19}, publisher={I. B. Tauris}, author={Urbain, Olivier}, year={2015} }

@article{Willson_2009, title={The Parallax Worlds of the West–Eastern Divan Orchestra}, volume={134}, DOI={10.1080/02690400903109109}, number={2}, journal={Journal of the Royal Musical Association}, author={Willson, Rachel Beckles}, year={2009}, pages={319–347} }

@article{Woodward_Sloth-Nielsen_Mathiti_2007, title={South Africa, the Arts and Youth in Conflict With the Law}, volume={1}, url={http://repository.uwc.ac.za/bitstream/handle/10566/1123/WoodwardLaw2007.pdf?sequence=3&isAllowed=y}, number={1}, journal={International Journal of Community Music}, author={Woodward, Sheila C. and Sloth-Nielsen, Julia and Mathiti, Vuyisile}, year={2007}, pages={69–98} }

@article{Theatre Journal, url={https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/i40068692}, publisher={The Johns Hopkins University Press} }