Bibliography for EN2118/EN3118: Literary Adaptations: Shakespeare BETA

‘BBC Shakespeare Retold’ (2005). BBC.

Boose, L.E. (1991) ‘Scolding Brides and Bridling Scolds: Taming the Woman’s Unruly Member’, Shakespeare Quarterly, 42(2). Available at: https://doi.org/10.2307/2870547.

Brozel, M. (2005a) ‘Macbeth - Shakespeare Retold’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0055636B?bcast=12905367.

Brozel, M. (2005b) ‘Macbeth - Shakespeare Retold’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0055636B?bcast=12905367.

Burnett, M.T. and Streete, A. (2011a) Filming and Performing Renaissance History. Basingstoke: Palgrave Macmillan. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401178940002671&institutionId=2671&customerId=2670.

Burnett, M.T. and Streete, A. (2011b) Filming and Performing Renaissance History. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230299429.

Burnett, M.T. and Wray, R. (2006a) Screening Shakespeare in the Twenty-First Century. Edinburgh University Press.

Burnett, M.T. and Wray, R. (2006b) Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=64323.

Burt, R. (2002) Shakespeare After Mass Media. New York: Palgrave.

Burt, R. and Boose, L.E. (2003) Shakespeare the Movie, II: Popularizing the Plays on Film, TV, Video, and DVD. London: Routledge.

Carroll, T. (2008) ‘Practicing behaviour to his own shadow’, in Shakespeare’s Globe: A Theatrical Experiment. Cambridge: Cambridge University Press, pp. 37–44.

Carson, C. and Kirwan, P. (eds) (2014) Shakespeare and the Digital World: Redefining Scholarship and Practice. Cambridge: Cambridge University Press.

Chris Hunt and Porter, C. (2003) ‘Kiss me Kate’. S.l.: TDK Mediactive. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2126688460002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,kiss%20me%20kate%20and%20Porter&sortby=rank.

Crockett, P. (2009a) ‘Performing the Queen’s Men: a Project in Theatre Historiography’, in Locating the Queen’s Men, 1583-1603: Material Practices and Conditions of Playing. Farnham: Ashgate, pp. 229–241.

Crockett, P. (2009b) ‘Performing the Queen’s Men: a Project in Theatre Historiography’, in Locating the Queen’s Men, 1583-1603: material practices and conditions of playing. Farnham: Ashgate, pp. 229–241. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315592893.

Detmer, E. (1997) ‘Civilizing Subordination: Domestic Violence and The Taming of the Shrew’, Shakespeare Quarterly, 48(3). Available at: https://doi.org/10.2307/2871017.

Dymkowski, C. and Carson, C. (2010) Shakespeare in Stages: New Theatre Histories. New York: Cambridge University Press.

Fickman, A. (2006a) ‘She’s the Man’. United Kingdom: Dreamworks Pictures. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2149965150002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,shes%20the%20man&sortby=rank&offset=0.

Fickman, A. (2006b) ‘She’s the Man’. Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00E45B13?bcast=31801398.

Fineman, J. (1985) ‘The Turn of the Shrew’, in Shakespeare and the Question of Theory. London: Routledge, pp. 138–159.

Fineman, J. (1990) ‘The Turn of the Shrew’, in Shakespeare and the question of theory. New York: Routledge, pp. 138–159. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203414743.

Fletcher, J., Daileader, C.R. and Taylor, G. (2006) The Tamer Tamed, or the Woman’s Prize. Manchester: Manchester University Press.

Fletcher, J. and Royal Shakespeare Company (2003) The Tamer Tamed. London: Nick Hern Books.

Fraiman, E. (2005) ‘A Midsummer Night’s Dream - Shakespeare Retold’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005597F4?bcast=13211066.

French, E. (2006) Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations From 1989 Into the New Millennium. Hatfield: University of Hertfordshire Press.

Gil Junger (1999) 10 Things I Hate About You. Touchstone. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS7124473170002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,10%20things%20I%20hate%20about%20you&offset=0.

Goold, R. and Shakespeare, W. (2012) ‘Macbeth | Box of Broadcasts’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0185EF21?bcast=87264431.

Hampton-Reeves, S. and Escolme, B. (2012) Shakespeare and the Making of Theatre. Basingstoke: Palgrave Macmillan.

Henderson, D.E. (2006a) A Concise Companion to Shakespeare on Screen. Oxford: Blackwell Publishing.

Henderson, D.E. (2006b) A Concise Companion to Shakespeare on Screen. Malden, MA: Blackwell Pub. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405148887.

Jardine, L. (1996a) ‘Twins and travesties: gender, dependency and sexual availability in Twelfth Night’, in Reading Shakespeare Historically. London: Routledge, pp. 63–75.

Jardine, L. (1996b) ‘Twins and Travesties: Gender, Dependency and Sexual Availability in Twelfth Night’, in Reading Shakespeare historically. London: Routledge, pp. 63–75. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=11493.

Jess-Cooke, C. (2006a) ‘Screening the McShakespeare in Post-Millennial Shakespeare Cinema’, in Screening Shakespeare in the Twenty-First Century. Edinburgh University Press, pp. 163–184.

Jess-Cooke, C. (2006b) ‘Screening the McShakespeare in Post-Millennial Shakespeare Cinema’, in Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press, pp. 163–184. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=64323.

John Madden (1999) ‘Shakespeare in Love’. S.l.: Universal. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129406200002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Shakespeare%20in%20Love&sortby=rank&offset=0.

Junger, G. (1999) ‘10 Things I Hate about You’. Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0017C8AF?bcast=114697393.

Lanier, D. (2006a) ‘Shakespeare and Cultural Studies: An Overview’, Shakespeare, 2(2), pp. 228–248. Available at: https://doi.org/10.1080/17450910600983893.

Lanier, D. (2006b) ‘Shakespeare and Cultural Studies: An Overview’, Shakespeare, 2(2), pp. 228–248. Available at: https://doi.org/10.1080/17450910600983893.

Madden, J. (1999) ‘Shakespeare in Love’. ITV3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00161CBA?bcast=79779241.

Malcolmson, C. (1991) ‘"What you will”: social mobility and gender in Twelfth Night’, in The Matter of Difference: Materialist Feminist Criticism of Shakespeare. New York: Harvester Wheatsheaf.

Marcus, L. (1992) ‘The Shakespearean Editor as Shrew-Tamer’, English Literary Renaissance, 22(2), pp. 177–200. Available at: https://www.jstor.org/stable/43447391.

Mason, P. (2007a) ‘Orson Welles and filmed Shakespeare’, in The Cambridge Companion to Shakespeare on Film. Second edition. Cambridge: Cambridge University Press, pp. 187–202.

Mason, P. (2007b) ‘Orson Welles and filmed Shakespeare’, in R. Jackson (ed.) The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press, pp. 187–202. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006.

Morrissette, B. (2001) ‘Scotland, Pa’.

Mullin, M. (1987a) ‘Stage and Screen: The Trevor Nunn “Macbeth”’, Shakespeare Quarterly, 38(3), pp. 350–359. Available at: https://doi.org/10.2307/2870509.

Mullin, M. (1987b) ‘Stage and Screen: The Trevor Nunn “Macbeth”’, Shakespeare Quarterly, 38(3), pp. 350–359. Available at: https://doi.org/10.2307/2870509.

Nelson Garner, S. (1988) ‘The Taming of the Shrew:  Inside or Outside of the Joke?’, in ‘Bad’ Shakespeare: Revaluations of the Shakespeare Canon. Rutherford, N. J.: Fairleigh Dickinson University Press.

Nunn, T. (1997) ‘Twelfth Night’. S.l. Entertainment in Video. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125328890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Twelfth%20Night%20and%20Nunn&sortby=date&facet=frbrgroupid,include,298490920&offset=0.

Nunn, T., Royal Shakespeare Company and Philip Casson (no date) ‘Macbeth’. S.l.: Fremantle Home Entertainment. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122831070002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,macbeth,%20royal%20shakespeare%20company&sortby=date&facet=frbrgroupid,include,8555838&offset=0.

Pearson, R.E. and Uricchio, W. (2006a) ‘Television Studies: Brushing up Shakespeare: Relevance and Televisual Form’, in A Concise Companion to Shakespeare on Screen. Oxford: Blackwell Publishing, pp. 216–237.

Pearson, R.E. and Uricchio, W. (2006b) ‘Television Studies: Brushing up Shakespeare: Relevance and Televisual Form’, in A Concise Companion to Shakespeare on Screen. Malden, MA: Blackwell Pub, pp. 216–237. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405148887.

Percival, B. et al. (2005) ‘BBC Shakespeare Retold’. BBC.

Percival, B. (2005) ‘Much Ado about Nothing - Shakespeare Retold’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005556B2?bcast=12750848.

Polanski, R. (2003) ‘Macbeth’. Columbia Tri-Star. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123628850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,macbeth%20and%20polanski&sortby=rank&offset=0.

Porter, C. and Sidney, G. (1953) ‘Kiss Me Kate’. BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0131188D?bcast=76994511.

Richards, D. (2005) ‘The Taming of the Shrew - Shakespeare Retold’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00557496?bcast=13011830.

Rokison, A. (2010) ‘Authenticity in the twenty-first century: Propeller and Shakespeare’s Globe’, in Shakespeare in Stages: New Theatre Histories. New York: Cambridge University Press, pp. 71–90.

Schafer, E. (no date) ‘A Shrew and The Shrew’. Available at: https://www.bl.uk/treasures/shakespeare/shrew.html.

Shakespeare, W. (2008) Macbeth. Updated ed. Cambridge: Cambridge University Press.

Shakespeare, W. (no date a) Macbeth. Available at: http://www.dramaonlinelibrary.com/plays/macbeth-arden-shakespeare-second-series-iid-137784/do-9781408160244-div-00000010.

Shakespeare, W. (no date b) Twelfth Night. Available at: http://www.dramaonlinelibrary.com/plays/twelfth-night-arden-shakespeare-third-series-iid-133547/do-9781408160107-div-00000011.

Shakespeare, W. and Hodgdon, B. (2010a) The Taming of the Shrew. London: Arden Shakespeare.

Shakespeare, W. and Hodgdon, B. (2010b) The Taming of the Shrew. London: Arden Shakespeare. Available at: http://dx.doi.org/10.5040/9781408160299.00000010.

Shakespeare, W. and Schafer, E. (2002) The Taming of the Shrew. Cambridge: Cambridge University Press.

Shakespeare, W. and Schafer, E. (2009) Twelfth Night. Cambridge, UK: Cambridge University Press.

Shakespeare, W. and Thompson, A. (2003) The Taming of the Shrew. Updated ed. Cambridge: Cambridge University Press.

Shaughnessy, R. (2007a) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401178990002671&institutionId=2671&customerId=2670.

Shaughnessy, R. (ed.) (2007b) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521844291.

Sinfield, A. (1994a) ‘Royal Shakespeare: Theatre and the Making of Ideology’, in Political Shakespeare: Essays in Cultural Materialism. 2nd ed. Manchester: Manchester University Press, pp. 182–205.

Sinfield, A. (1994b) ‘Royal Shakespeare: Theatre and the Making of Ideology’, in Political Shakespeare: essays in cultural materialism. 2nd ed. Manchester: Manchester University Press, pp. 182–205.

Teague, F. (2011a) ‘Shakespeare and Musical Theatre’, in The Edinburgh Companion to Shakespeare and the Arts. Edinburgh: Edinburgh University Press, pp. 185–199.

Teague, F. (2011b) ‘Shakespeare and Musical Theatre’, in The Edinburgh Companion to Shakespeare and the Arts. Edinburgh University Press, pp. 185–199.

Trevor Nunn (1996) ‘Twelfth Night’. BBC2 Scotland. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000B88B9?bcast=85053719.

Walker, E. (2006a) ‘Authorship: Getting Back to Shakespeare’, in A Concise Companion to Shakespeare on Screen. Oxford: Blackwell Publishing, pp. 8–30.

Walker, E. (2006b) ‘Authorship: Getting Back to Shakespeare’, in A Concise Companion to Shakespeare on Screen. Malden, MA: Blackwell Pub, pp. 8–30. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405148887.

Welles, O. (1948) ‘Macbeth’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00179C6D?bcast=95197829.

Welles, O. (2000) ‘Macbeth’. S.l.: Second Sight. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127559440002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,macbeth%20and%20welles&sortby=date&facet=frbrgroupid,include,8555838&offset=0.

White, R.S. (1996) Twelfth Night. Houndsmill: Macmillan.

Wray, R. (2006a) ‘Shakespeare and the Singletons, or Beatrice Meets Bridget Jones: Post-Feminism, Popular Culture and "Shakespeare (Re)-Told”’, in Screening Shakespeare in the Twenty-First Century. Edinburgh University Press, pp. 185–205.

Wray, R. (2006b) ‘Shakespeare and the Singletons, or Beatrice Meets Bridget Jones: Post-Feminism, Popular Culture and "Shakespeare (Re)-Told”’, in Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press, pp. 185–205. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=64323.