@article{Albright_1985, title={Pound, Yeats, and the Noh Theater}, volume={15}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_jstor_archive_520156175&indx=2&recIds=TN_jstor_archive_520156175&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&vid=44ROY_VU2&mode=Basic&srt=rank&tab=tab1&dum=true&vl(freeText0)=Pound%2C%20Yeats%2C%20and%20the%20Noh%20Theater&dstmp=1531211654016}, number={2}, journal={Iowa Review}, author={Albright, Daniel}, year={1985}, pages={34–50} }
@article{Alter_1968, title={Bertolt Brecht and the Noh Drama}, volume={11}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla1968118897&indx=1&recIds=TN_mla1968118897&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=Bertolt%20Brecht%20and%20the%20Noh%20Drama&dstmp=1531212036003}, journal={Modern Drama}, author={Alter, Maria P.}, year={1968}, pages={122–131} }
@article{Anno_Halebsky_2014, title={Innovation in Nō: Matsui Akira Continues a Tradition of Change}, volume={31}, DOI={10.1353/atj.2014.0028}, number={1}, journal={Asian Theatre Journal}, author={Anno, Mariko and Halebsky, Judy}, year={2014}, pages={126–152} }
@inbook{Appadurai_1996a, address={Minneapolis}, title={Disjuncture and Difference in the Global Cultural Economy}, booktitle={Modernity at Large: Cultural Dimensions of Globalization}, publisher={University of Minnesota Press}, author={Appadurai, Arjun}, year={1996} }
@inbook{Appadurai_1996b, address={Minneapolis, Minn}, title={Disjuncture and Difference in the Global Cultural Economy}, volume={v. 1}, url={http://hdl.handle.net/2027/heb.06472}, booktitle={Modernity at Large: Cultural Dimensions of Globalization}, publisher={University of Minnesota Press}, author={Appadurai, Arjun}, year={1996} }
@article{Arcari_2010, title={Treasuring the Secret Within: Grotowski and the Flower}, volume={1}, DOI={10.1080/19443920903432452}, number={1}, journal={Theatre, Dance and Performance Training}, author={Arcari, Jason}, year={2010}, pages={4–21} }
@book{Arlington_1930, address={Shanghai}, title={The Chinese Drama: From the Earliest Times Until Today}, publisher={Kelly and Walsh}, author={Arlington, L. C.}, year={1930} }
@article{Arnold_1996, title={The Barter Concept and Practices of Eugenio Barba’s Odin Theatre: Cultural Exchange or Cultural Colonialism?}, volume={1}, DOI={10.1080/10848779608579551}, number={3}, journal={The European Legacy}, author={Arnold, Nicholas}, year={1996}, pages={1207–1212} }
@inbook{Banu_1996, address={London}, title={The Absent Presence}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Banu, Georges}, year={1996} }
@inbook{Barba_1985, address={Rome}, title={The Dilated Body}, booktitle={The Dilated Body, Followed by the Gospel According to Oxyrhincus}, publisher={Zeami Libri}, author={Barba, Eugenio}, editor={Fowler, Richard}, year={1985}, pages={11–32} }
@book{Barba_1994, address={London}, title={The Paper Canoe: A Guide to Theatre Anthropology}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179536}, publisher={Routledge}, author={Barba, Eugenio}, year={1994} }
@book{Barba_Fowler_1995, address={London}, title={The Paper Canoe: A Guide to Theatre Anthropology}, publisher={Routledge}, author={Barba, Eugenio and Fowler, Richard}, year={1995} }
@book{Barba_Savarese_2006a, address={London}, edition={2nd ed}, title={A Dictionary of Theatre Anthropology: The Secret Art of the Performer}, publisher={Routledge}, author={Barba, Eugenio and Savarese, Nicola}, year={2006} }
@book{Barba_Savarese_2006b, address={London}, edition={2nd ed}, title={A Dictionary of Theatre Anthropology: The Secret Art of the Performer}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=668433}, publisher={Routledge}, author={Barba, Eugenio and Savarese, Nicola}, year={2006} }
@article{Barnes_1992, title={Working With Yukio Ninagawa}, volume={8}, DOI={10.1017/S0266464X00007181}, number={32}, journal={New Theatre Quarterly}, author={Barnes, Peter}, year={1992}, pages={389–391} }
@inbook{Bethe_Brazell_1990, address={Cambridge}, title={The Practice of Noh Theatre}, booktitle={By Means of Performance: Intercultural Studies of Theatre and Ritual}, publisher={Cambridge University Press}, author={Bethe, M. and Brazell, K.}, year={1990} }
@book{Bethe_1982, title={Dance in the No Theater: 1}, publisher={Cornell Univ East Asia Program East Asia Series}, author={Bethe, Monica}, year={1982} }
@book{Bharucha_1993a, address={London}, edition={[Rev. ed.]}, title={Theatre and the World: Performance and the Politics of Culture}, publisher={Routledge}, author={Bharucha, Rustom}, year={1993} }
@book{Bharucha_1993b, address={London}, title={Theatre and the World: Performance and the Politics of Culture}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179242}, publisher={Routledge}, author={Bharucha, Rustom}, year={1993} }
@article{Bharucha_2004, title={Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization}, volume={56}, DOI={10.1353/tj.2004.0004}, number={1}, journal={Theatre Journal}, author={Bharucha, Rustom}, year={2004}, pages={1–28} }
@book{Bonds_2008, address={Honolulu}, title={Beijing Opera Costumes: The Visual Communication of Character and Culture}, publisher={University of Hawai’i Press}, author={Bonds, Alexandra B.}, year={2008} }
@article{Borlik_2011, title={A Season in Intercultural Limbo: Ninagawa Yukio’s Doctor Faustus, Theatre Cocoon, Tokyo}, volume={62}, DOI={10.1353/shq.2011.0063}, number={3}, journal={Shakespeare Quarterly}, author={Borlik, Todd A.}, year={2011}, pages={444–456} }
@book{Brandon_1997, address={Honolulu, Hawaii}, title={Nô and Kyôgen in the Contemporary World}, publisher={University of Hawai’i Press}, author={Brandon, James R.}, year={1997} }
@book{Braun_1995, address={London}, edition={2nd ed., rev.exp}, title={Meyerhold: A Revolution in Theatre}, publisher={Methuen}, author={Braun, Edward}, year={1995} }
@book{Brazell_Araki_1998, address={New York}, title={Traditional Japanese Theater: An Anthology of Plays}, publisher={Columbia University Press}, author={Brazell, Karen and Araki, James T.}, year={1998} }
@inbook{Brecht_1964, address={London}, title={Alienation Effects in Chinese Acting}, booktitle={Brecht on Theatre: The Development of an Aesthetic}, publisher={Methuen}, author={Brecht, Bertolt}, year={1964} }
@book{Brecht_Sauerländer_Brecht_2014a, address={London}, title={He Who Says Yes}, DOI={10.5040/9781408163160.00000034}, publisher={Bloomsbury}, author={Brecht, Bertolt and Sauerländer, Wolfgang and Brecht, Bertolt}, year={2014} }
@book{Brecht_Sauerländer_Brecht_2014b, address={London}, title={He Who Says No}, url={http://dx.doi.org/}, DOI={10.5040/9781408163160.00000040}, publisher={Bloomsbury}, author={Brecht, Bertolt and Sauerländer, Wolfgang and Brecht, Bertolt}, year={2014} }
@book{Brecht_Stern_Stern_Auden_Rorrison_1984a, address={London}, title={The Caucasian Chalk Circle}, publisher={Methuen}, author={Brecht, Bertolt and Stern, James and Stern, Tania and Auden, W. H. and Rorrison, Hugh}, year={1984} }
@article{Brecht_Stern_Stern_Auden_Rorrison_1984b, address={London}, title={The Caucasian Chalk Circle}, DOI={10.5040/9781408162965.00000022}, publisher={Methuen}, author={Brecht, Bertolt and Stern, James and Stern, Tania and Auden, W. H. and Rorrison, Hugh}, year={1984} }
@book{Brook_1990, address={Penguin}, title={The Empty Space}, author={Brook, Peter}, year={1990} }
@inbook{Brook_1996, address={London}, title={The Culture of Links}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Brook, Peter}, year={1996} }
@article{Brook_Kalb_2010, title={The Mahabharata Twenty-Five Years Later}, volume={32}, DOI={10.1162/PAJJ_a_00009}, number={3}, journal={PAJ: A Journal of Performance and Art}, author={Brook, Peter and Kalb, Jonathan}, year={2010}, pages={63–71} }
@inbook{Brusák_1976, address={Cambridge, Mass}, title={Signs in the Chinese Theater}, booktitle={Semiotics of Art: Prague School Contributions}, publisher={MIT}, author={Brusák, K.}, year={1976} }
@inbook{Canckini_2010, address={New York}, title={Theatre and Performance in the Age of Global Communications, 1950-Present}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203879177}, booktitle={Theatre Histories: An Introduction}, publisher={Routledge}, author={Canckini, Garcia}, year={2010}, pages={409–424} }
@inbook{Canclini_2006, address={London}, title={Theatre and Performance in the Age of Global Communications, 1950-Present}, booktitle={Theatre Histories: An Introduction}, publisher={Routledge}, author={Canclini, Garcia}, year={2006}, pages={409–424} }
@inbook{Carlson_1990, address={Tübingen}, title={Peter Brook’s The Mahabharata and Ariane Mnouchkine’s L’Indiade as Examples of Contemporary Cross-Cultural Theatre}, volume={Bd.2}, url={https://contentstore.cla.co.uk/secure/link?id=98f7675d-83cc-e811-80cd-005056af4099}, booktitle={The Dramatic Touch of Difference: Theatre, Own and Foreign}, publisher={Narr}, author={Carlson, Marvin}, year={1990}, pages={49–56} }
@article{Chang_Mitchell_Yeu_1974, title={How the Chinese Actor Trains: Interviews with Two Peking Opera Performers.}, volume={26}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_mla1975213774&indx=1&recIds=TN_mla1975213774&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=How%20the%20Chinese%20Actor%20Trains%3A%20Interviews%20%20with%20Two%20Peking%20Opera%20Performers&dstmp=1531128010854}, journal={Educational Theatre Journal}, author={Chang, Donald and Mitchell, John D. and Yeu, Roger}, year={1974}, pages={183–91} }
@book{Coldiron_2004, address={Lewiston, NY}, title={Trance and Transformation of the Actor in Japanese Noh and Balinese Masked Dance-Drama}, volume={v. 30}, publisher={E. Mellen}, author={Coldiron, Margaret}, year={2004} }
@book{Crump_Malm_1975, address={Ann Arbor}, title={Chinese and Japanese Music-Dramas}, volume={no. 19}, publisher={Center for Chinese Studies, University of Michigan}, author={Crump, J. I. and Malm, William P.}, year={1975} }
@book{Dolby_1976, address={London}, title={A History of Chinese Drama}, publisher={Elek}, author={Dolby, William}, year={1976} }
@inbook{Drain_1995, address={London}, title={Part V: The Global Dimension}, booktitle={Twentieth-Century Theatre: A Sourcebook}, publisher={Routledge}, author={Drain, Richard}, year={1995} }
@inbook{Duchesne_1994, address={London}, title={The Chinese Opera Star: Roles and Identity}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=475105}, booktitle={Boundaries in China}, publisher={Reaktion}, author={Duchesne, I.}, year={1994} }
@article{Ernst_1969, title={The Influence of Japanese Theatrical Style on Western Theatre}, volume={21}, DOI={10.2307/3205628}, number={2}, journal={Educational Theatre Journal}, author={Ernst, Earle}, year={1969}, pages={127–138} }
@article{Evans_2012, title={"Brand China” on the World Stage: Jingju, the Olympics, and Globalization}, volume={56}, DOI={10.1162/DRAM_a_00170}, number={2}, journal={TDR/The Drama Review}, author={Evans, Megan}, year={2012}, pages={113–130} }
@book{Fei_1999, address={Ann Arbor, Mich}, title={Chinese Theories of Theater and Performance From Confucius to the Present}, publisher={University of Michigan Press}, author={Fei, Faye Chunfang}, year={1999} }
@article{Fei_Sun_2006, title={Othello and Beijing Opera: Appropriation as a Two-Way Street}, volume={50}, DOI={10.1162/dram.2006.50.1.120}, number={1}, journal={TDR/The Drama Review}, author={Fei, Faye Chunfang and Sun, William Huizhu}, year={2006}, pages={120–133} }
@book{Fischer-Lichte_Riley_Gissenwehrer_1990, address={Tübingen}, title={The Dramatic Touch of Difference: Theatre, Own and Foreign}, volume={Bd.2}, publisher={Narr}, author={Fischer-Lichte, Erika and Riley, Josephine and Gissenwehrer, Michael}, year={1990} }
@book{Gilbert_Lo_2007, address={New York}, title={Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia}, publisher={Palgrave Macmillan}, author={Gilbert, Helen and Lo, Jacqueline}, year={2007} }
@book{Gilbert_Lo_2008, address={Houndmills}, title={Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia}, publisher={Palgrave Macmillan}, author={Gilbert, Helen and Lo, Jacqueline}, year={2008} }
@book{Goldstein_2007, address={Berkeley}, title={Drama Kings: Players and Publics in the Re-Creation of Peking Opera, 1870-1937}, publisher={University of California Press}, author={Goldstein, Joshua}, year={2007} }
@article{Graham-Jones_2005, title={Editorial Comment: Theorizing Globalization Through Theatre}, volume={57}, DOI={10.1353/tj.2005.0106}, number={3}, journal={Theatre Journal}, author={Graham-Jones, Jean}, year={2005}, pages={viii–xvi} }
@article{Grehan_2001, title={Theatre Works’ Desdemona: Fusing Technology and Tradition}, volume={45}, DOI={10.1162/10542040152587141}, number={3}, journal={TDR/The Drama Review}, author={Grehan, Helena}, year={2001}, pages={113–125} }
@book{Griffiths_1998, title={The Training of Noh Actors and the Dove}, volume={v.2}, publisher={Harwood Academic Publrs}, author={Griffiths, David}, year={1998} }
@inbook{Grotowski_1996, address={London}, title={Around Theatre: The Orient – The Occident}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Grotowski, Jerzy}, year={1996} }
@book{Grotowski_Barba_1969, address={London}, title={Towards a Poor Theatre}, publisher={Methuen}, author={Grotowski, Jerzy and Barba, Eugenio}, year={1969} }
@article{Guangrun_1999, title={Brecht’s Influence in China: A Chinese Perspective}, volume={42}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?frbrVersion=2&tabs=detailsTab&ct=display&fn=search&doc=TN_museS1712528699200097&indx=1&recIds=TN_museS1712528699200097&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=Brecht%E2%80%99s%20influence%20in%20China%3A%20A%20Chinese%20Perspective&dstmp=1530875348128}, number={2}, journal={Modern Drama}, author={Guangrun, Rong}, year={1999}, pages={247–252} }
@book{Halson_1966, address={Hong Kong}, title={Peking Opera: A Short Guide}, publisher={Oxford University Press}, author={Halson, Elizabeth}, year={1966} }
@book{Hare_1986, address={Stanford, California}, title={Zeami’s Style: The Noh Plays of Zeami Motokiyo}, publisher={Stanford University Press}, author={Hare, Thomas Blenman}, year={1986} }
@book{Hare_Zeami_2008, address={New York}, title={Zeami: Performance Notes}, publisher={Columbia University Press}, author={Hare, Thomas Blenman and Zeami, M.}, year={2008} }
@book{Holledge_Tompkins_2000, address={London}, title={Women’s Intercultural Performance}, publisher={Routledge}, author={Holledge, Julie and Tompkins, Joanne}, year={2000} }
@book{Holmberg_1996, address={Cambridge}, title={The Theatre of Robert Wilson}, publisher={Cambridge University Press}, author={Holmberg, Arthur}, year={1996} }
@book{Horie-Webber_1994, address={London}, title={Japanese Theatre and the West}, volume={v.6, pts.1–2}, publisher={Harwood}, author={Horie-Webber, Ann}, year={1994} }
@book{Hsu_1985, address={Seattle}, title={The Chinese Conception of the Theatre}, publisher={University of Washington Press}, author={Hsu, T. C.}, year={1985} }
@book{Ikegami_1995, address={Cambridge, Mass}, title={The Taming of the Samurai: Honorific Individualism and the Making of Modern Japan}, publisher={Harvard University Press}, author={Ikegami, Eiko}, year={1995} }
@article{Im_2004, title={The Pitfalls of Intercultural Discourse: The Case of Yukio Ninagaawa}, volume={22}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_mla2004583487&indx=1&recIds=TN_mla2004583487&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=The%20Pitfalls%20of%20Intercultural%20Discourse%3A%20The%20Case%20of%20Yukio%20%20Ninagawa&dstmp=1531125528885}, number={4}, journal={Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship}, author={Im, Yeeyon}, year={2004}, pages={7–30} }
@book{Immoos_Mayer_1977, address={New York}, title={Japanese Theatre}, publisher={Rizzoli}, author={Immoos, Thomas and Mayer, Fred}, year={1977} }
@book{Keene_1990, address={New York}, title={No; and, Bunraku: Two Forms of Japanese Theatre}, publisher={Columbia University Press}, author={Keene, Donald}, year={1990} }
@book{Kiernander_1993, address={Cambridge}, title={Ariane Mnouchkine and the Théâtre du Soleil}, publisher={Cambridge University Press}, author={Kiernander, Adrian}, year={1993} }
@book{Knowles_2010, address={Basingstoke}, title={Theatre & Interculturalism}, publisher={Palgrave Macmillan}, author={Knowles, Richard Paul}, year={2010} }
@book{Konparu_1983, address={New York}, title={The Noh Theater: Principles and Perspectives}, publisher={Weatherhill/Tankosha}, author={Konparu, Kunio}, year={1983} }
@article{Lan_2004, title={Ong Keng Sen’s Desdemona, Ugliness, and the Intercultural Performative}, volume={56}, DOI={10.1353/tj.2004.0065}, number={2}, journal={Theatre Journal}, author={Lan, Yong Li}, year={2004}, pages={251–273} }
@article{Latrell_2000, title={After Appropriation}, volume={44}, url={https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=TN_gale_ofa68640730&indx=2&recIds=TN_gale_ofa68640730&recIdxs=1&elementId=1&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&mode=Basic&vid=44ROY_VU2&srt=rank&tab=tab1&dum=true&vl(freeText0)=After%20Appropriation&dstmp=1530872135269}, number={4}, journal={TDR (Cambridge, Mass.)}, author={Latrell, Craig}, year={2000} }
@book{Lei_2011, address={Basingstoke}, title={Alternative Chinese Opera in the Age of Globalization: Performing Zero}, publisher={Palgrave Macmillan}, author={Lei, Daphne Pi-Wei}, year={2011} }
@book{Leiter_Ortolani_1998, address={New York}, title={Zeami and the No Theatre in the World}, publisher={Center for Advanced Studies in Theatre Arts}, author={Leiter, Samuel L. and Ortolani, Benito}, year={1998} }
@book{Li_2010a, address={Hong Kong}, title={The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World}, publisher={Hong Kong University Press}, author={Li, Ruru}, year={2010} }
@book{Li_2010b, address={Hong Kong}, title={The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677455}, publisher={Hong Kong University Press}, author={Li, Ruru}, year={2010} }
@book{Li_2006, address={Hong Kong}, title={Cross-Dressing in Chinese Opera}, publisher={Hong Kong University Press}, author={Li, Siu Leung}, year={2006} }
@book{Li_2003, address={Hong Kong}, title={Cross-Dressing in Chinese Opera}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677456}, publisher={Hong Kong University Press}, author={Li, Siuleung}, year={2003} }
@article{Lo_Gilbert_2002, title={Toward a Topography of Cross-Cultural Theatre Praxis}, volume={46}, number={3}, journal={TDR/The Drama Review}, author={Lo, Jacqueline and Gilbert, Helen}, year={2002}, pages={31–53} }
@book{Lonergan_2009, address={Basingstoke}, title={Theatre and Globalization: Irish Drama in the Celtic Tiger Era}, publisher={Palgrave Macmillan}, author={Lonergan, Patrick}, year={2009} }
@book{Ma_2005, address={Lanham, Md}, title={Women in Traditional Chinese Theater: The Heroine’s Play}, publisher={University Press of America}, author={Ma, Qian}, year={2005} }
@book{Mackerras_1972, address={Oxford}, title={The Rise of the Peking Opera, 1770-1870: Social Aspects of the Theatre in Manchu China}, publisher={Clarendon Press}, author={Mackerras, Colin}, year={1972} }
@book{Mackerras_1983, address={Honolulu}, title={Chinese Theater: From Its Origins to the Present Day}, publisher={University of Hawaii Press}, author={Mackerras, Colin}, year={1983} }
@book{Marranca_Dasgupta_1991, address={New York}, title={Interculturalism and Performance: Writings for PAJ}, publisher={PAJ}, author={Marranca, Bonnie and Dasgupta, Gautam}, year={1991} }
@book{Marranca_Foreman_Wilson_Breuer_1996, address={Baltimore}, edition={New ed}, title={Theatre of Images}, publisher={Johns Hopkins University Press}, author={Marranca, Bonnie and Foreman, Richard and Wilson, Robert and Breuer, Lee}, year={1996} }
@book{Martin_2004, address={London}, title={The Intercultural Performance Handbook}, publisher={Routledge}, author={Martin, John}, year={2004} }
@book{Maruoka_Yoshikoshi_1969, address={Osaka}, title={Noh}, publisher={Hoikusha}, author={Maruoka, Daiji and Yoshikoshi, Tatsuo}, year={1969} }
@misc{Matsui_Hughes_Emmert_1991, address={S.l.}, title={Inside Noh: 1-2}, publisher={BBC Radio Off-air}, author={Matsui, Akira and Hughes, David and Emmert, Richard}, year={1991} }
@book{McDonald_1993, address={Rutherford}, title={Japanese Classical Theater in Films}, publisher={Fairleigh Dickinson University Press}, author={McDonald, Keiko I.}, year={1993} }
@book{Meierkhold_Braun_1998, address={London}, edition={Rev. ed}, title={Meyerhold on Theatre}, publisher={Methuen Drama}, author={Meierkhold, Vsevolod Emilevich and Braun, Edward}, year={1998} }
@inbook{Meyer-Dinkgrafe_2001, address={London}, title={Approaches to Acting in the Intercultural Paradigm}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742985}, booktitle={Approaches to Acting: Past and Present}, publisher={Continuum}, author={Meyer-Dinkgrafe, Daniel}, year={2001}, pages={137–158} }
@book{Miller_2007a, address={New York}, title={Ariane Mnouchkine}, publisher={Routledge}, author={Miller, Judith Graves}, year={2007} }
@book{Miller_2007b, address={London}, title={Ariane Mnouchkine}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=308538}, publisher={Routledge}, author={Miller, Judith Graves}, year={2007} }
@article{Min_2000, title={Male Dan: The Paradox of Sex, Acting, and Perception in Traditional Chinese Theatre}, volume={17}, DOI={10.1353/atj.2000.0007}, number={1}, journal={Asian Theatre Journal}, author={Min, Tian}, year={2000}, pages={78–97} }
@book{Mitra_2015, address={Houndmills, Basingstoke, Hampshire}, title={Akram Khan: Dancing New Interculturalism}, publisher={Palgrave Macmillan}, author={Mitra, Royona}, year={2015} }
@inbook{Mnouchkine_1996, address={London}, title={The Theatre is Oriental}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Mnouchkine, Ariane}, year={1996} }
@article{Moody_1995, title={Peter Brook’s Heart of Light: ‘Primitivism’ and Intercultural Theatre}, volume={11}, DOI={10.1017/S0266464X0000885X}, number={41}, journal={New Theatre Quarterly}, author={Moody, David}, year={1995}, pages={33–39} }
@inbook{Murray_Keefe_2007a, address={New York}, title={Bodies and Cultures}, booktitle={Physical Theatres: A Critical Introduction}, publisher={Routledge}, author={Murray, Simon and Keefe, John}, year={2007}, pages={185–203} }
@inbook{Murray_Keefe_2007b, address={London}, title={Bodies and Cultures}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203012826}, booktitle={Physical Theatres: A Critical Introduction}, publisher={Routledge}, author={Murray, Simon and Keefe, John}, year={2007}, pages={185–203} }
@inbook{Nascimento_2009a, address={New York, NY}, title={Tenuous Boundaries: Intra- and Intercultural Embodiments}, volume={9}, booktitle={Crossing Cultural Borders Through the Actor’s Work: Foreign Bodies of Knowledge}, publisher={Routledge}, author={Nascimento, Claudia Tatinge}, year={2009}, pages={53–76} }
@inbook{Nascimento_2009b, address={London}, title={Tenuous Boundaries: Intra- and Intercultural Embodiments}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203891957}, booktitle={Crossing Cultural Borders Through the Actor’s Work: Foreign Bodies of Knowledge}, publisher={Routledge}, author={Nascimento, Claudia Tatinge}, year={2009}, pages={53–76} }
@book{Nogami_1934, address={Tokyo}, title={Japanese Noh Plays: How to See Them}, volume={2}, publisher={Board of Tourist Industry, Japanese Government Railways}, author={Nogami, Toyoichirō}, year={1934} }
@article{Norridge_2010, title={Dancing the Multicultural Conversation? Critical Responses to Akram Khan’s Work in the Context of Pluralist Poetics}, volume={46}, DOI={10.1093/fmls/cqq019}, number={4}, journal={Forum for Modern Language Studies}, author={Norridge, Z.}, year={2010}, pages={415–430} }
@inbook{Onderdelinden_1993, address={Amsterdam}, title={Brecht and Asia}, volume={1}, booktitle={Theatre Intercontinental: Forms, Functions, Correspondences}, publisher={Rodofi}, author={Onderdelinden, Siaak}, year={1993} }
@book{Ortolani_1995, address={Princeton, N.J.}, edition={Rev. ed}, title={The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism}, publisher={Princeton University Press}, author={Ortolani, Benito}, year={1995} }
@inbook{Pavis_1992a, address={London}, title={Culture and Mise en Scene}, booktitle={Theatre at the Crossroads of Culture}, publisher={Routledge}, author={Pavis, Patrice}, year={1992}, pages={1–23} }
@inbook{Pavis_1992b, address={London}, title={Culture and Mise en Scene}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203359334}, booktitle={Theatre at the Crossroads of Culture}, publisher={Routledge}, author={Pavis, Patrice}, year={1992}, pages={1–23} }
@book{Pavis_1996, address={London}, title={The Intercultural Performance Reader}, publisher={Routledge}, author={Pavis, Patrice}, year={1996} }
@article{Peterson_2003, title={Consuming the Asian Other in Singapore: Interculturalism in Theatreworks’ Desdemona}, volume={28}, DOI={10.1017/S0307883303000166}, number={1}, journal={Theatre Research International}, author={Peterson, William}, year={2003}, pages={79–95} }
@book{Pitches_2003, address={London}, title={Vsevolod Meyerhold}, publisher={Routledge}, author={Pitches, Jonathan}, year={2003} }
@book{Plowright_2002, address={Lewiston, N.Y.}, title={Mediums, Puppets, and the Human Actor in the Theatres of the East}, volume={v. 4}, publisher={E. Mellen Press}, author={Plowright, Poh Sim}, year={2002} }
@book{Quinn_2005, address={Honolulu, Hawaii}, title={Developing Zeami: The Noh Actor’s Attunement in Practice}, publisher={University of Hawaii Press}, author={Quinn, Shelley Fenno}, year={2005} }
@article{Rafolt_2015a, title={Transcultural and Transcorporal Neighbors: Japanese Performance Utopias in Jerzy Grotowski, Eugenio Barba and Phillip B. Zarrilli}, DOI={10.11649/ch.2015.00610.11649/ch.2015.006}, number={4}, journal={Colloquia Humanistica}, author={Rafolt, Leo}, year={2015}, pages={95–121} }
@article{Rafolt_2015b, title={Transcultural and Transcorporal Neighbors: Japanese Performance Utopias in Jerzy Grotowski, Eugenio Barba and Phillip B. Zarrilli}, DOI={10.11649/ch.2015.00610.11649/ch.2015.006}, number={4}, journal={Colloquia Humanistica}, author={Rafolt, Leo}, year={2015}, pages={95–121} }
@article{Rafolt_2015c, title={Transcultural and Transcorporal Neighbors: Japanese Performance Utopias in Jerzy Grotowski, Eugenio Barba and Phillip B. Zarrilli}, DOI={10.11649/ch.2015.00610.11649/ch.2015.006}, number={4}, journal={Colloquia Humanistica}, author={Rafolt, Leo}, year={2015}, pages={95–121} }
@book{Rebellato_Ravenhill_2009, address={Basingstoke}, title={Theatre & Globalization}, publisher={Palgrave Macmillan}, author={Rebellato, Dan and Ravenhill, Mark}, year={2009} }
@inbook{Richie_1997, address={London}, title={Asian Theatre and Grotowski}, booktitle={The Grotowski Sourcebook}, publisher={Routledge & Kegan Paul}, author={Richie, Donald}, year={1997} }
@book{Riley_1997, address={Cambridge}, title={Chinese Theatre and the Actor in Performance}, publisher={Cambridge University Press}, author={Riley, Jo}, year={1997} }
@book{Scholz-Cionca_Leiter_2001, address={Leiden}, title={Japanese Theatre and the International Stage}, volume={v. 12}, publisher={Brill}, author={Scholz-Cionca, Stanca and Leiter, Samuel L}, year={2001} }
@book{Scott_1982, address={Madison, Wis}, title={Actors Are Madmen: Notebook of a Theatregoer in China}, publisher={University of Wisconsin Press}, author={Scott, A. C.}, year={1982} }
@book{Scott_1957, title={The Classical Theatre of China}, publisher={Allen & Unwin}, author={Scott, Adolphe Clarence}, year={1957} }
@book{Scott_1969, address={Madison}, title={Traditional Chinese Plays: Volume 2}, publisher={University of Wisconsin Press}, author={Scott, Adolphe Clarence}, year={1969} }
@book{Scott_1970, title={Traditional Chinese Plays: Volume 1}, publisher={Univ.Wisconsin P.}, author={Scott, Adolphe Clarence}, year={1970} }
@book{Scott_1975, address={Madison}, title={Traditional Chinese Plays: Volume 3}, publisher={University of Wisconsin Press}, author={Scott, Adolphe Clarence}, year={1975} }
@book{Sekine_Murray_1990, address={Gerrards Cross}, title={Yeats and the Noh: A Comparative Study}, volume={38}, publisher={Smythe}, author={Sekine, Masara and Murray, Christopher}, year={1990} }
@article{Sen_2007, title={The New Chinoiserie}, volume={37}, DOI={10.1215/01610775-2006-010}, number={1}, journal={Theater}, author={Sen, O. K.}, year={2007}, pages={55–68} }
@article{Sen_2001, title={Encounters}, volume={45}, DOI={10.1162/10542040152587150}, number={3}, journal={TDR/The Drama Review}, author={Sen, Ong Keng}, year={2001}, pages={126–133} }
@article{Shen_2012, title={Chinese Chuanqi Opera in English: Directing The West Wing With Modern Music}, volume={29}, DOI={10.1353/atj.2012.0016}, number={1}, journal={Asian Theatre Journal}, author={Shen, Grant}, year={2012}, pages={183–205} }
@article{Shevtsova_1997, title={Interculturalism, Aestheticism, Orientalism: Starting From Peter Brook’s Mahabharata}, volume={22}, DOI={10.1017/S0307883300020502}, number={02}, journal={Theatre Research International}, author={Shevtsova, Maria}, year={1997}, pages={98–104} }
@article{Singleton_1997, title={Receiving Les Atrides Productively: Mnouchkine’s Intercultural Signs as Intertexts}, volume={22}, DOI={10.1017/S030788330001590X}, number={1}, journal={Theatre Research International}, author={Singleton, Brian}, year={1997}, pages={19–23} }
@book{Smethurst_1988, address={Princeton, N.J.}, title={The Artistry of Aeschylus and Zeami: A Comparative Study of Greek Tragedy and Nō}, publisher={Princeton University Press}, author={Smethurst, Mae J}, year={1988} }
@book{Sugawara_Sabin_1996, address={Toky}, title={Lives of Master Swordsmen}, publisher={The East Publications}, author={Sugawara, Makoto and Sabin, Burritt}, year={1996} }
@article{Sun_Sun_2009, title={Performing Arts and Cultural Identity in the Era of Interculturalism}, volume={53}, DOI={10.1162/dram.2009.53.2.7}, number={2}, journal={TDR/The Drama Review}, author={Sun, Huizhu and Sun, William}, year={2009}, pages={7–11} }
@book{Tatlow_Wong_1982, address={[Hong Kong]}, title={Brecht and East Asian Theatre: The Proceedings of a Conference on Brecht in East Asian Theatre}, publisher={Hong Kong University Press}, author={Tatlow, Antony and Wong, Tak-Wai}, year={1982} }
@book{Thorpe_2007, address={Lewiston}, title={The Role of the Chou (‘Clown’) in Traditional Chinese Drama: Comedy, Criticism, and Cosmology on the Chinese Stage}, publisher={Edwin Mellen Press}, author={Thorpe, Ashley}, year={2007} }
@article{Thorpe_2011a, title={Transforming Tradition: Performances of Jingju (‘Beijing Opera’) in the Uk}, volume={36}, DOI={10.1017/S0307883310000702}, number={1}, journal={Theatre Research International}, author={Thorpe, Ashley}, year={2011}, pages={33–46} }
@article{Thorpe_2011b, title={Style, Experimentation and Jingju (Beijing Opera) as a Decentred Multiplicity}, volume={31}, DOI={10.1386/stp.31.3.275_1}, number={3}, journal={Studies in Theatre and Performance}, author={Thorpe, Ashley}, year={2011}, pages={275–291} }
@article{Thorpe_2014, title={How Can Westerners Study Japanese Noh? an Interview With Richard Emmert, Director of the Noh Training Project and Theatre Nohgaku}, volume={5}, DOI={10.1080/19443927.2014.940113}, number={3}, journal={Theatre, Dance and Performance Training}, author={Thorpe, Ashley}, year={2014}, pages={321–333} }
@article{Thorpe_2018, title={Lines of Flight: Intersubjective Training Across Intercultures as the Basis for a Comparison Between Japanese Nô and Chinese Jingju (‘Beijing Opera’)}, volume={9}, DOI={10.1080/19443927.2017.1386231}, number={1}, journal={Theatre, Dance and Performance Training}, author={Thorpe, Ashley}, year={2018}, pages={81–98} }
@article{Tian_1999, title={Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful}, volume={33}, DOI={10.1353/cdr.1999.0039}, number={2}, journal={Comparative Drama}, author={Tian, Min}, year={1999}, pages={234–269} }
@book{Tian_2008a, address={Hong Kong}, title={The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre}, publisher={Hong Kong University Press}, author={Tian, Min}, year={2008} }
@book{Tian_2008b, address={Hong Kong}, title={The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre}, publisher={Hong Kong University Press}, author={Tian, Min}, year={2008} }
@article{Tian_2016, title={Authenticity and Usability, or "Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre}, volume={33}, DOI={10.1353/atj.2016.0033}, number={2}, journal={Asian Theatre Journal}, author={Tian, Min}, year={2016}, pages={310–346} }
@book{Trivedi_Minami_2010a, address={New York}, title={Re-playing Shakespeare in Asia}, volume={2}, publisher={Routledge}, author={Trivedi, Poonam and Minami, Ryuta}, year={2010} }
@book{Trivedi_Minami_2010b, address={New York}, title={Re-playing Shakespeare in Asia}, volume={v. 2}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=465399}, publisher={Routledge}, author={Trivedi, Poonam and Minami, Ryuta}, year={2010} }
@book{Tyler_1992, address={London}, title={Japanese No dramas}, publisher={Penguin}, author={Tyler, Royall}, year={1992} }
@article{Umewaka_1994, title={The Inner World of The No}, volume={1}, DOI={10.1080/10486809408568262}, number={2}, journal={Contemporary Theatre Review}, author={Umewaka, Naohiko}, year={1994}, pages={29–38} }
@book{Varley_2000, address={Honolulu}, edition={4th Edition}, title={Japanese Culture}, publisher={University of Hawaiʻi Press}, author={Varley, H. Paul}, year={2000} }
@book{Watson_1993, address={London}, title={Towards a Third Theatre: Eugenio Barba and the Odin Teatret}, publisher={Routledge}, author={Watson, Ian}, year={1993} }
@inbook{Watson_2000a, address={New York}, title={Training With Eugenio Barba: Acting Principles, the Pre- Expressive and ‘Personal Temperature’}, booktitle={Twentieth Century Actor Training}, publisher={Routledge}, author={Watson, Ian}, year={2000} }
@inbook{Watson_2000b, address={London}, title={Training With Eugenio Barba: Acting Principles, the Pre- Expressive and ‘Personal Temperature’}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=33513}, booktitle={Twentieth Century Actor Training}, publisher={Routledge}, author={Watson, Ian}, year={2000} }
@book{Watson_2001, address={Australia}, title={Performer Training: Developments Across Cultures}, volume={v. 38}, publisher={Harwood Academic}, author={Watson, Ian}, year={2001} }
@inbook{Watson_2002a, address={Manchester}, title={The Dynamics of Barter}, booktitle={Negotiating Cultures: Eugenio Barba and the Intercultural Debate}, publisher={Manchester University Press}, author={Watson, Ian}, year={2002} }
@inbook{Watson_2002b, address={Manchester}, title={The Dynamics of Barter}, booktitle={Negotiating Cultures: Eugenio Barba and the Intercultural Debate}, publisher={Manchester University Press}, author={Watson, Ian}, year={2002} }
@inbook{Weiler_1996, address={London}, title={Japanese Traces in Robert Wilson’s Productions}, booktitle={The Intercultural Performance Reader}, publisher={Routledge}, author={Weiler, Christel}, year={1996} }
@book{Wetmore_Liu_Mee_2014a, address={London}, title={Modern Asian Theatre and Performance 1900-2000}, publisher={Bloomsbury Methuen Drama}, author={Wetmore, Kevin J. and Liu, Siyuan and Mee, Erin B.}, year={2014} }
@book{Wetmore_Liu_Mee_2014b, address={London}, title={Modern Asian Theatre and Performance 1900-2000}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1645651}, publisher={Bloomsbury Methuen Drama}, author={Wetmore, Kevin J. and Liu, Siyuan and Mee, Erin B.}, year={2014} }
@article{Wichmann_1990, title={Tradition and Innovation in Contemporary Beijing Opera Performance}, volume={34}, DOI={10.2307/1146013}, number={1}, journal={TDR (1988-)}, author={Wichmann, Elizabeth}, year={1990}, pages={146–178} }
@book{Wichmann_1991, address={Honolulu}, title={Listening to Theatre: The Aural Dimension of Beijing Opera}, publisher={University of Hawaii Press}, author={Wichmann, Elizabeth}, year={1991} }
@inbook{Wichmann-Walczak_2005, address={London}, title={Jingju (Beijing/Peking ’Opera’) as International Art and as Transnational Root of Cultural Identification}, booktitle={Diasporas and Interculturalism in Asian Performing Arts: Translating Traditions}, publisher={RoutledgeCurzon}, author={Wichmann-Walczak, E.}, year={2005} }
@article{Wichmann-Walczak_2000, title={"Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory}, volume={44}, DOI={10.1162/10542040051058500}, number={4}, journal={TDR/The Drama Review}, author={Wichmann-Walczak, Elizabeth}, year={2000}, pages={96–119} }
@inbook{Williams_2006, address={London}, title={Interculturalism, Hybridity, Tourism: The Performing World on New Terms}, booktitle={Theatre Histories: An Introduction}, publisher={Routledge}, author={Williams, Gary Jay}, year={2006}, pages={485–519} }
@inbook{Williams_2010, address={New York}, title={Interculturalism, Hybridity, Tourism: The Performing World on New Terms}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203879177}, booktitle={Theatre Histories: An Introduction}, publisher={Routledge}, author={Williams, Gary Jay}, year={2010}, pages={485–519} }
@inbook{Wolford_2000a, address={New York}, title={Grotowski’s Vision of the Actor: The Search for Contact}, booktitle={Twentieth Century Actor Training}, publisher={Routledge}, author={Wolford, Lisa}, year={2000} }
@inbook{Wolford_2000b, address={London}, title={Grotowski’s Vision of the Actor: The Search for Contact}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=33513}, booktitle={Twentieth Century Actor Training}, publisher={Routledge}, author={Wolford, Lisa}, year={2000} }
@inbook{Yamanaka_2015, address={Tokyo}, title={Expressive Style in Noh: Monologue, Memory and Movement}, volume={3}, booktitle={Expressions of the Invisible: A Comparative Study of Noh and Other Theatrical Traditions}, publisher={The Nogami Memorial Noh theatre Research Institure of Hosei University}, author={Yamanaka, R.}, year={2015} }
@inbook{Yan_2003, address={Cambridge}, title={Theatricality in Classical Chinese Drama}, booktitle={Theatricality}, publisher={Cambridge University Press}, author={Yan, H.}, year={2003} }
@article{Yarrow_2017, title={Animating the Intercultural: Revisiting Peter Brook’s Practice and the Somatics of Performance}, volume={1}, DOI={10.1386/itj.1.2.147_1}, number={2}, journal={Indian Theatre Journal}, author={Yarrow, Ralph}, year={2017}, pages={147–156} }
@book{Zarrilli_2009, address={London}, title={Psychophysical Acting: An Intercultural Approach After Stanislavski}, publisher={Routledge}, author={Zarrilli, Phillip B.}, year={2009} }
@book{Zarrilli_Hulton_2009, address={London}, title={Psychophysical Acting: An Intercultural Approach After Stanislavski}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1047000}, publisher={Routledge}, author={Zarrilli, Phillip B. and Hulton, Peter}, year={2009} }
@book{Zeami_1984, address={Princeton, N.J.}, title={On the Art of the No Drama: The Major Treatises of Zeami}, publisher={Princeton University Press}, author={Zeami, M.}, editor={Masakazu, Yamazaki and Rimer, J. Thomas}, year={1984} }
@book{Zung_1937, address={Shanghai}, title={Secrets of the Chinese Drama: A Complete Explanatory Guide to Actions and Symbols as Seen in the Performance of Chinese Dramas}, publisher={Kelly and Walsh}, author={Zung, Cecilia S. L.}, year={1937} }
@misc{Acting Techniques of the Noh Classical Theatre of Japan_1980, address={Ann Arbor}, publisher={Instructional Media Center, Michigan State University}, year={1980} }
@book{Fischer-Lichte_Jost_Jain_2014a, address={New York}, title={The Politics of Interweaving Performance Cultures: Beyond Postcolonialism}, volume={33}, publisher={Routledge}, year={2014} }
@book{Fischer-Lichte_Jost_Jain_2014b, address={New York}, title={The Politics of Interweaving Performance Cultures Beyond Postcolonialism}, volume={33}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1596887}, publisher={Routledge}, year={2014} }
