Abdourahman Waberi’s "Passage of Tears” - Words Without Borders (no date). Available at: https://www.wordswithoutborders.org/book-review/abdourahman-waberis-passage-of-tears.
Adorno, A. and Horkheimer, M. (1997a) ‘The Concept of Enlightenment’, in Dialectic of Enlightenment. London: Verso.
Adorno, A. and Horkheimer, M. (1997b) ‘The Culture Industry: Enlightenment as Mass Deception’, in Dialectic of Enlightenment. London: Verso.
Al Jazeera English (2011) ‘🇸🇴 Horn of Africa Crisis: Somalia’s Famine | Fault Lines - YouTube’. Available at: https://www.youtube.com/watch?v=iRZPMd1H7Z0.
Al Jazeera English (2011) ‘Inside Story - Drought in the Horn of Africa - YouTube’. Available at: https://www.youtube.com/watch?v=HXYFvx0SAMI.
Alway, J. and ProQuest (Firm) (1995) Critical theory and political possibilities: conceptions of emancipatory politics in the works of Horkheimer, Adorno, Marcuse, and Habermas. Westport, CT: Greenwood Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=491599.
Anderson, B.R.O. (1991) Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso.
Anderson, Benedict Richard O’Gorman (2006) Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso. Available at: https://www.fulcrum.org/concern/monographs/jd472w57m.
Anderson, Benedict R. O’G. (2006) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.01609.
Anderson, B.R.O. (2016) Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition. London: Verso.
Andrews, G.J. et al. (2011) ‘Cool Aid? Health, Wellbeing and Place in the Work of Bono and U2’, Health & Place, 17(1), pp. 185–194. Available at: https://doi.org/10.1016/j.healthplace.2010.09.008.
Arendt, H. (1970) On Violence. London: Allen Lane.
Attali, J. (1985) Noise: The Political Economy of Music. Manchester: Manchester University Press.
Baade, C. (2006) ‘“The Dancing Front”: Dance Music, Dancing, and the BBC in World War II’, Popular Music, 25(3). Available at: https://doi.org/10.1017/S0261143006000973.
Baily, J. (1985) ‘Amir: An Afghan Refugee Musician’s Life in Peshawar, Pakistan’. Available at: https://rhul.kanopy.com/video/amir-afghan-refugee-musicians-life-peshawar-pakistan-1985.
Baily, J. (no date) Can You Stop the Birds Singing?  The Censorship of Music in Afghanistan. Available at: https://freemuse.org/resources/%item_category%/press-launch-afghanistan-report-launched-in-london/.
Bairner, A. (2001) Sport, Nationalism, and Globalization: European and North American Perspectives. Albany: State University of New York Press.
Barker, P. (1998) Michel Foucault: An Introduction. Edinburgh: Edinburgh University Press.
Barrett, M. (1998) The Politics of Truth: From Marx to Foucault. Cambridge: Polity Press.
Beer, D. (2002) Michel Foucault: Form and Power. Oxford: EHRC.
Benjamin, A.E. (1989) The Problems of modernity: Adorno and Benjamin. London: Routledge.
Bennett, A. (2001) Cultures of Popular Music. S.l: Open University Press. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780335230716.
Bernauer, J.W. (1990) Michel Foucault’s Force of Flight: Toward an Ethics for Thought. Atlantic Highlands, NJ: Humanities Press International.
Bernstein, J.M. (2001) Adorno: Disenchantment and Ethics. Cambridge: Cambridge University Press.
Bohlman, P.V. (2004a) ‘Nationalist Music’, in The Music of European Nationalism: Cultural Identity and Modern History. Santa Barbara, CA: ABC-CLIO, pp. 117–160. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410215550002671&institutionId=2671&customerId=2670.
Bohlman, P.V. (2004b) ‘Nationalist Music’, in The Music of European Nationalism: Cultural Identity and Modern History. Santa Barbara, CA: ABC-CLIO, pp. 117–160. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410341830002671&institutionId=2671&customerId=2670.
Brauer, J. (2016a) ‘How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps’, Music & Politics, X(1). Available at: https://doi.org/10.3998/mp.9460447.0010.103.
Brauer, J. (2016b) ‘How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps’, Music & Politics, X(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main.
Bronner, S.E. (2002) Of Critical Theory and Its Theorists. 2nd ed. New York: Routledge.
Brown, J.M. (2011) The Cambridge Companion to Gandhi. Edited by A. Parel. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521116701.
Brown, J.M. and Parel, A. (2011) The Cambridge Companion to Gandhi. Cambridge: Cambridge University Press.
Brunkhorst, H. (1999) Adorno and Critical Theory. Cardiff: University of Wales Press.
Bulhan, H.A. (1985) Frantz Fanon and the psychology of oppression. New York: Plenum Press.
Byerly, I.B. (1998) ‘Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa’, Ethnomusicology, 42(1). Available at: https://doi.org/10.2307/852825.
Chambers, S.A. (2014) The Lessons of Rancière. Oxford University Press.
Chastagner, C. (1999) ‘The Parents’ Music Resource Center: From Information to Censorship’, Popular Music, 18(2), pp. 179–192. Available at: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents.
Chastagner, C. (no date) ‘Hate Music’, Transatlantica. Revue d’études américaines. American Studies Journal [Preprint], (2). Available at: https://journals.openedition.org/transatlantica/6075.
Chornik, K. (2013) ‘Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police’, The World of Music (new series), 2(1), pp. 51–65. Available at: https://www.jstor.org/stable/24318196.
Cisney, V.W. and Morar, N. (eds) (2016) Biopower: Foucault and Beyond. Chicago: The University of Chicago Press.
Clifford, M. (2001) Political Genealogy After Foucault: Savage Identities. New York: Routledge.
Cloonan, M. (1995) ‘Popular Music and Censorship in Britain: An Overview’, Popular Music and Society, 19(3), pp. 75–104. Available at: https://doi.org/10.1080/03007769508591600.
Cloonan, M. (1996) Banned!: Censorship of Popular Music in Britain, 1967-92. Aldershot: Arena.
Cloonan, M. and Garofalo, R. (2003) Policing Pop. Philadelphia: Temple University Press.
Cloonan, M. and Johnson, B. (2002) ‘Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression’, Popular Music, 21(01). Available at: https://doi.org/10.1017/S0261143002002027.
Connolly, W.E. (1985) ‘Taylor, Foucault, and Otherness’, Political Theory, 13(3). Available at: https://www.jstor.org/stable/191237?seq=1#metadata_info_tab_contents.
Cook, D. (1996) The Culture Industry Revisited: Theodor W. Adorno on Mass Culture. Lanham, Md: Rowman & Littlefield.
Cronin, M. and Mayall, D. (1998) Sporting Nationalisms: Identity, Ethnicity, Immigration and Assimilation. London: Frank Cass.
Cusick, S.G. (2008) ‘"You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”’, Journal of the Society for American Music, 2(1), pp. 1–26. Available at: https://doi.org/10.1017/S1752196308080012.
Davis, O. (2013) Jacques Rancière. 1st ed. Oxford: Wiley. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4029565.
Déloye, Y. (2013) National Identity and Everyday Life. Oxford University Press. Available at: https://doi.org/10.1093/oxfordhb/9780199209194.013.0031.
Denisoff, R.S. (1968) ‘Protest Movements: Class Consciousness and the Propaganda Song’, The Sociological Quarterly, 9(2), pp. 228–247. Available at: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/4105044?seq=2#page_scan_tab_contents.
DeNora, T. (2000a) ‘Formulating Questions - The “Music and Society” Nexus’, in Music in Everyday Life. Cambridge: Cambridge University Press, pp. 1–20.
DeNora, T. (2000b) ‘Formulating Questions - The “Music and Society” Nexus’, in Music in Everyday Life. Cambridge: Cambridge University Press, pp. 1–20. Available at: http://dx.doi.org/10.1017/CBO9780511489433.
Deranty, J.-P. (2010) Jacques Rancière: key concepts. Durham: Acumen.
Dillane, A. et al. (eds) (2018) Songs of Social Protest: International Perspectives. London: Rowman & Littlefield International. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161.
Djibouti: Passage of Tears (Passage des Larmes) by Abdourahman Waberi – Travel Readings (no date). Available at: http://www.travelreadings.org/2015/12/19/djibouti-passage-of-tears-passage-des-larmes-by-abdourahman-waberi/.
Donaldson, S. (2015) ‘After the Berlin Wall: Hip-Hop and the Politics of German Reunification’, African and Black Diaspora: An International Journal, 8(2), pp. 190–201. Available at: https://doi.org/10.1080/17528631.2015.1027326.
Douglas, T. (2013) ‘Sport, Nationalism and Orientalism: The Asian Games’, Sport in History, 33(3), pp. 397–400. Available at: https://doi.org/10.1080/17460263.2013.825966.
Dreyfus, H.L. and Rabinow, P. (1982) Michel Foucault: Beyond Structuralism and Hermeneutics. New York: Harvester Wheatsheaf. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315835259.
Dreyfus, H.L., Rabinow, P. and Foucault, M. (1983) Michel Foucault, Beyond Structuralism and Hermeneutics. 2nd ed. Chicago: University of Chicago Press.
Dumm, T.L. (2002) Michel Foucault and the Politics of Freedom. New ed. Lanham, Md: Rowman & Littlefield.
eplumechannel (2014) ‘Fishing Without Nets (Short Film) - YouTube’. Available at: https://www.youtube.com/watch?v=TerRCg8BZ9w.
Fairley, J. (1994) ‘Rockin’ the Boat: Mass Music and Mass Movements’, Popular Music, 13(1). Available at: https://www.jstor.org/stable/852907?seq=1#metadata_info_tab_contents.
Fanon, F. (1991a) ‘Concerning Violence’, in The Wretched of the Earth. New York: Grove Weidenfeld.
Fanon, F. (1991b) The Wretched of the Earth. New York: Grove Weidenfeld.
Fanon, F. (2008) Black Skin, White Masks. London: Pluto Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532.
Fanon, F. and Haddour, A. (2006) The Fanon Reader. London: Pluto Press.
Fanon, F. and Markmann, C.L. (1986) Black Skin, White Masks. London: Pluto Press.
Farah, N. (2013) Crossbones. Revised edition. London: Granta.
Farr, A.L. (2009) Critical Theory and Democratic Vision: Herbert Marcuse and Recent Liberation Philosophies. Lanham, MD: Lexington Books.
Fauser, A. (2013) Sounds of War: Music in the United States During World War II. New York: Oxford University Press. Available at: http://dx.doi.org/10.1093/acprof:oso/9780199948031.001.0001.
Fish, D.R. (1995) ‘Serving the Servants: An Analysis of the Music of Kurt Cobain’, Popular Music and Society, 19(2), pp. 87–102. Available at: https://doi.org/10.1080/03007769508591593.
Fisher, A.J. (2014) Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria. New York: Oxford University Press. Available at: http://dx.doi.org/10.1093/acprof:oso/9780199764648.001.0001.
Foucault, M. (1982a) ‘Afterword: The Subject and Power’, in Michel Foucault, beyond structuralism and hermeneutics. 2nd ed. Chicago: University of Chicago Press, pp. 208–226.
Foucault, M. (1982b) ‘Afterword: The Subject and Power’, in Michel Foucault: beyond structuralism and hermeneutics. New York: Harvester Wheatsheaf. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315835259.
Friedman, J.C. (ed.) (2017) The Routledge History of Social Protest in Popular Music. New York: Routledge.
Gandhi, M. and Parel, A.J. (1997) ‘Hind Swaraj’ and Other Writings. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511558696.
Gandhi, M.K. and Parel, A.J. (1997) Hind Swaraj and Other Writings. Cambridge: Cambridge University Press.
Gellner, E. (2008) Nations and Nationalism. 2nd ed. Ithaca, N.Y.: Cornell University Press.
Gellner, E. and Breuilly, J. (2008) Nations and Nationalism. 2nd ed. Ithaca, N.Y.: Cornell University Press.
Gibson, N. and Rubin, A. (2002) Adorno: A Critical Reader. Oxford: Blackwell.
Gibson, N.C. (2003) Fanon: The Postcolonial Imagination. Cambridge: Polity.
Gier, C. (2013) ‘War, Anxiety, and Hope in American Sheet Music, 1914–1917’, Music & Politics, VII(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext.
Gordon, L.R. (1995) Fanon and the Crisis of European Man: An Essay on Philosophy and the Human Sciences. New York: Routledge.
Gross, J., McMurray, D. and Swedenburg, T. (1994) ‘Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identity’, Diaspora: A Journal of Transnational Studies, 3(1), pp. 3–39. Available at: https://doi.org/10.1353/dsp.1994.0010.
Gussow, A. (2002) Seems Like Murder Here: Southern Violence and the Blues Tradition. Chicago: University of Chicago Press.
Guthrie, K. (2014) ‘Propaganda Music in Second World War Britain: John Ireland’s’, Journal of the Royal Musical Association, 139(1), pp. 137–175. Available at: https://doi.org/10.1080/02690403.2014.886430.
Hammer, E. (2006) Adorno and the Political. London: Routledge.
Hammond, N. (2011) ‘The Disharmonious Honking of the Vuvuzelas: Homogenization and Difference in the Production and Promotion of the 2010 Soccer World Cup in South Africa’, Soccer & Society, 12(1), pp. 46–55. Available at: https://doi.org/10.1080/14660970.2011.530466.
Hanson, J. (2013) ‘German National Song in the Third Reich: A Tale of Two Anthems’, Music & Politics, VII(1). Available at: https://doi.org/10.3998/mp.9460447.0007.104.
Held, D. (2004) Introduction to Critical Theory: Horkheimer to Habermas. Cambridge: Polity. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745678054.
Hewlett, N. (2007) Badiou, Balibar, Rancière: Rethinking Emancipation. London: Continuum International Pub. Group.
Hirsch, L.E. (2011) ‘"Do You Really Want to Hurt Me?” Music as Punishment in the United States Legal System’, Popular Music and Society, 34(1), pp. 35–53. Available at: https://doi.org/10.1080/03007766.2011.539818.
Hobsbawm, E. and Ranger, T.O. (eds) (2012a) The Invention of Tradition. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295636.
Hobsbawm, E. and Ranger, T.O. (eds) (2012b) The Invention of Tradition. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295636.
Hobsbawm, E.J. (1992a) Nations and Nationalism Since 1780: Programme, Myth, Reality. Second edition. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295582.
Hobsbawm, E.J. (1992b) Nations and Nationalism Since 1780: Programme, Myth, Reality. 2nd Edition. Cambridge [England]: Cambridge University Press. Available at: http://hdl.handle.net/2027/heb.01299.
Hobsbawm, E.J. (1992c) Nations and Nationalism Since 1780: Programme, Myth, Reality. 2nd Edition. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295582.
Hobsbawm, E.J.‏ and Ranger, T.O. (1992) The Invention of Tradition. New ed. Cambridge: Cambridge University Press.
Hobsbawm, E.J. and Ranger, T.O. (1992) The Invention of Tradition. New ed. Cambridge: Cambridge University Press.
How Dijibouti Writer Abdourahman Ali Waberi Subverts African Stereotypes (no date). Available at: https://theculturetrip.com/africa/djibouti/articles/abdourahman-ali-waberi-subverting-african-stereotypes/.
How Geopolitics, Foreign Capital Fuel Terrorism, Conflict in Africa - the East African (no date). Available at: https://www.theeastafrican.co.ke/magazine/geopolitics-foreign-capital-fuel-terrorism-conflict-in-Africa-/434746-1999200-87mtd5z/index.html.
Hoy, D.C. (1998) Foucault: A Critical Reader. Oxford: Blackwell.
Ignatieff, M. (1998) ‘The Narcissism of Minor Differences’, in The Warrior’s Honor: Ethnic War and the Modern Conscience. New York: Henry Holt & Company Inc.
Illiano, R. and Sala, M. (2012) ‘The Politics оF Spectacle: Italian Music аNd Fascist Propaganda’, Muzikologija, (13), pp. 9–26. Available at: https://doi.org/10.2298/MUZ120325010I.
James, C.L.R. and Walvin, J. (2001) The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution. New [ed.]. London: Penguin.
Jarvis, S. (1998) Adorno: A Critical Introduction. Cambridge: Polity Press.
Jay, M. (1984) Adorno. Cambridge, Mass: Harvard University Press.
Jay, M. (1996a) The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950. Berkeley: University of California Press.
Jay, M. (1996b) The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950. Berkeley: University of California Press. Available at: http://hdl.handle.net/2027/heb.00152.
Jones, C.O. (2013) ‘"Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan’, Music & Politics, VII(2). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext.
Jowett, G. and O’Donnell, V. (2015) ‘What Is Propaganda and How It Differs From Persuasion’, in Propaganda & persuasion. Sixth edition. Thousand Oaks: SAGE Publications Inc.
Kedourie, E. (1993) Nationalism. 4th, expanded ed edn. Oxford, UK: Blackwell.
Kellner, D. (1989) Critical Theory, Marxism and Modernity. Cambridge: Polity.
Kelly, M.G.E. (2014a) Foucault and Politics: A Critical Introduction. Edinburgh: Edinburgh University Press.
Kelly, M.G.E. (2014b) Foucault and Politics: A Critical Introduction. Edinburgh: Edinburgh University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748676873.
King, A. (2010) ‘A Passage of Tears (2009) - Review’, World Literature Today, 84(1). Available at: https://www.jstor.org/stable/20621879?seq=1#metadata_info_tab_contents.
Kirkegaard, A. and Otterbeck, J. (2017) ‘Introduction: Researching Popular Music Censorship’, Popular Music and Society, 40(3), pp. 257–260. Available at: https://doi.org/10.1080/03007766.2017.1307656.
Levy, M. (2012) ‘Crossbones by Nuruddin Farah - Review’, World Literature Today, 86(4). Available at: https://doi.org/10.7588/worllitetoda.86.4.0056.
Llano, S. (2013) ‘"Spanish Music” as Catholic Propaganda’, in Whose Spain?: Negotiating ‘Spanish Music’ in Paris, 1908-1929. New York, New York: Oxford University Press, pp. 49–96. Available at: https://doi.org/10.1093/acprof:oso/9780199858460.003.0002.
Lousley, C. (2014) ‘“With Love From Band Aid”: Sentimental Exchange, Affective Economies, and Popular Globalism’, Emotion, Space and Society, 10, pp. 7–17. Available at: https://doi.org/10.1016/j.emospa.2013.02.009.
Macey, D. (2001) Frantz Fanon: A Life. London: Granta.
Mangan, J.A. (1996) Tribal Identities: Nationalism, Europe, Sport. London: Cass.
May, T. and May, T. (2008) The Political Thought of Jacques Ranci├¿re : Creating Equality. Edinburgh University Press.
Mazzini, G. (1907a) ‘Duties Towards Humanity’, in The Duties of Man: And Other Essays. London: Dent.
Mazzini, G. (1907b) ‘God’, in The Duties of Man: And Other Essays. London: Dent.
Mazzini, G. (1907c) ‘Introduction’, in The Duties of Man: And Other Essays. London: Dent.
Mazzini, G. (1907d) ‘The Law’, in The Duties of Man: And Other Essays. London: Dent.
Mazzini, G., Recchia, S. and Urbinati, N. (2009a) A Cosmopolitanism of Nations: Giuseppe Mazzini’s Writings on Democracy, Nation Building, and International Relations. Princeton, N.J.: Princeton University Press.
Mazzini, G., Recchia, S. and Urbinati, N. (2009b) A Cosmopolitanism of Nations: Giuseppe Mazzini’s Writings on Democracy, Nation Building, and International Relations. Princeton, N.J.: Princeton University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400831319.
Megill, A. (1985) Prophets of Extremity: Nietzsche, Heidegger, Foucault, Derrida. Berkeley: University of California Press.
Millar, S.R. (2015) ‘Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland’, Music & Politics, IX(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext.
Morcom, A. (2004a) ‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’, in Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network.
Morcom, A. (2004b) ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network.
Morcom, A. (2004c) ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet. Available at: https://pure.royalholloway.ac.uk/portal/files/7281616/Ch4_Morcom_Unity_and_discord_2004.pdf.
Müller, T.R. (2013) ‘“The Ethiopian Famine” Revisited: Band Aid and the Antipolitics of Celebrity Humanitarian Action’, Disasters, 37(1), pp. 61–79. Available at: https://doi.org/10.1111/j.1467-7717.2012.01293.x.
‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’ (no date). Available at: https://pure.royalholloway.ac.uk/portal/files/7281615/Ch3_Morcom_Unity_and_discord_2004.pdf.
Nooshin, L. (2009a) ‘Prelude: Power and the Play of Music’, in Music and the Play of Power in the Middle East, North Africa and Central Asia. Farnham, Surrey, England: Ashgate, pp. 1–22.
Nooshin, L. (2009b) ‘Prelude: Power and the Play of Music’, in L. Nooshin (ed.) Music and the Play of Power in the Middle East, North Africa and Central Asia. Farnham, Surrey: Ashgate, pp. 1–22.
Nuxoll, C. (2015) ‘"We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War’, Music & Politics, IX(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext.
Nuzum, E. (2004) ‘Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11’, in Shoot the singer!: Music censorship today. New York: Zed Books, pp. 149–159.
O’Connor, B. (2005) Adorno’s Negative Dialectic: Philosophy and the Possibility of Critical Rationality. Cambridge, Mass: MIT.
O’Farrell, C. (2005) Michel Foucault. London: SAGE.
Oksala, J. (2005) Foucault on Freedom. Cambridge: Cambridge University Press.
On Max Horkheimer (1995a). The MIT Press.
On Max Horkheimer (1995b). The MIT Press.
Otterbeck, J. (2004) ‘Music as a Useless Activity: Conservative Interpretations of Music in Islam’, in Shoot the Singer!: Music Censorship Today. New York: Zed Books, pp. 11–16.
Papa, M.J. and Singhal, A. (2009) ‘How Entertainment-Education Programmes Promote Dialogue in Support of Social Change’, Journal of Creative Communications, 4(3), pp. 185–208. Available at: https://doi.org/10.1177/097325861000400304.
Parekh, B.C. (2001) Gandhi: A Very Short Introduction. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=44463.
Parel, A. (1997a) ‘Intorduction’, in Hind Swaraj and Other Writings. Cambridge: Cambridge University Press.
Parel, A. (1997b) ‘Intorduction’, in Gandhi: ‘Hind Swaraj’ and Other Writings. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511558696.
Parel, A. (2000) Gandhi, Freedom, and Self-Rule. Lanham, MD: Lexington Books.
Passage of Tears: Abdourahman A. Waberi and David Ball and Nicole Ball: Hardcover: 9780857420213: Powell’s Books (no date). Available at: https://www.powells.com/book/passage-of-tears-9780857420213.
Passage of Tears by Abdourahman Waberi | Quarterly Conversation (no date). Available at: http://quarterlyconversation.com/passage-of-tears-by-abdourahman-waberi.
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Rancière, J. (2010b) ‘Biopolitics of Politics’, in Dissensus: On Politics and Aesthetics. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441119414.
Rancière, J. (2010c) ‘September 11 and Afterwards: A Rupture of the Symbolic Order?’, in S. Corcoran (ed.) Dissensus: On Politics and Aesthetics. London, England: Continuum.
Rancière, J. (2010d) ‘September 11 and Afterwards: A Rupture of the Symbolic Order?’, in Dissensus: On Politics and Aesthetics. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441119414.
Rancière, J. (2010e) ‘Ten Theses on Politics’, in S. Corcoran (ed.) Dissensus: On Politics and Aesthetics. London, England: Continuum.
Rancière, J. (2010f) ‘Ten Theses on Politics’, in Dissensus: On Politics and Aesthetics. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441119414.
Rancière, J. (2010g) ‘The Ethical Turn of Aesthetics and Politic’, in S. Corcoran (ed.) Dissensus: On Politics and Aesthetics. London, England: Continuum.
Rancière, J. (2010h) ‘The Ethical Turn of Aesthetics and Politic’, in Dissensus: On Politics and Aesthetics. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441119414.
Rancière, J. (2010i) ‘The Paradoxes of Political Art’, in S. Corcoran (ed.) Dissensus: On Politics and Aesthetics. London, England: Continuum.
Rancière, J. (2010j) ‘The Paradoxes of Political Art’, in Dissensus: On Politics and Aesthetics. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441119414.
Reilly, T. (2009) ‘The “Spiritual Temperature” of Contemporary Popular Music: An Alternative to the Legal Regulation of Death-Metal and Gangsta-Rap Lyrics’, Vanderbilt Journal of Entertainment &Technology Law, 11, pp. 335–1141.
Rockhill, G. and Watts, P. (2009) Jacques Ranciere: History, Politics, Aesthetics. Durham, N.C.: Duke University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822390930.
Rodnitzky, J.L. (1999) ‘The Sixties Between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963–1973’, Popular Music and Society, 23(4), pp. 105–122. Available at: https://doi.org/10.1080/03007769908591755.
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Scalmer, S. (2011) Gandhi in the West: The Mahatma and the Rise of Radical Protest. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://ebooks.cambridge.org/ebook.jsf?bid=CBO9780511974168.
Schumann, A. (2008) The Beat that Beat Apartheid, Wiener Zeitschrift für kritische Afrikastudien. Available at: http://stichproben.univie.ac.at/fileadmin/user_upload/p_stichproben/Artikel/Nummer14/Nr14_Schumann.pdf.
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Sekyi-Otu, A. (1996b) Fanon’s Dialectic of Experience. Cambridge, MA: Harvard University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674043442.
Shah, A.V., Hall, B.S. and Carr, E.R. (no date) ‘Bono, Band Aid, and Before: Celebrity Humanitarianism, Music, and the Objects of Its Action’, in G.J. Andrews, P. Kingsbury, and R.A. Kearns (eds) Soundscapes of wellbeing in popular music. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605.
Simons, J. (1995) Foucault & the Political. London: Routledge.
Singhal, A. and Rogers, E.M. (2002) ‘A Theoretical Agenda for Entertainment-Education’, Communication Theory, 12(2), pp. 117–135. Available at: https://doi.org/10.1111/j.1468-2885.2002.tb00262.x.
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Tanke, J.J. (2011) Jacques Ranciere: An Introduction. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441194732.
Taylor, C. (1985) ‘Connolly, Foucault, and Truth’, Political Theory, 13(3). Available at: https://www.jstor.org/stable/191238?seq=1#metadata_info_tab_contents.
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Van Der Merwe, S.D. (2014) ‘“Radio Apartheid”: Investigating a History of Compliance and Resistance in Popular Afrikaans Music, 1956–1979’, South African Historical Journal, 66(2), pp. 349–370. Available at: https://doi.org/10.1080/02582473.2014.891044.
Waberi, A.A., Ball, D. and Ball, N. (2017) Passage of Tears. London: Seagull Books.
Whittaker, L. (2010) Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa. Available at: http://www.musicandhiv-sa.com/.
Whittaker, L. (2014a) ‘No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa’, in Soundscapes of Wellbeing in Popular Music. Farnham, Surrey: Ashgate, pp. 237–256.
Whittaker, L. (2014b) ‘No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa’, in Soundscapes of Wellbeing in Popular Music. Farnham, Surrey: Ashgate, pp. 237–256. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605.
Widder, N. (2004) ‘Foucault and Power Revisited’, European Journal of Political Theory, 3(4), pp. 411–432. Available at: https://doi.org/10.1177/1474885104045913.
Wilson, T. (2015) ‘Un Pájaro Progresivo: Pop Music, Propaganda, and the Struggle for Modernity in Argentina’, Studies in Latin American Popular Culture, 33, pp. 89–107. Available at: https://muse.jhu.edu/article/580316.
Wright, R. (2000) ‘I’d Sell You Suicide: Pop Music and Moral Panic in the Age of Marilyn Manson’, Popular Music, 19(3), pp. 365–385. Available at: https://www.cambridge.org/core/journals/popular-music/article/id-sell-you-suicide-pop-music-and-moral-panic-in-the-age-of-marilyn-manson/73F162CE61977752705A0EE05B8286C9.