‘9/11: The Falling Man’ (no date). More4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00582878?bcast=127468706.
‘1942 British World War Ii  Propaganda Film  “Listen to Britain” Wartime England 63584 - Youtube’ (no date). Available at: https://www.youtube.com/watch?v=wvmNRCgXLew.
‘Aileen Wuornos: The Selling of a Serial Killer’ (no date).
ANDREW TOLSON (2001) ‘“Being yourself”: the pursuit of authentic celebrity’, Discourse Studies, 3(4). Available at: https://www.jstor.org/stable/24047527?seq=1#metadata_info_tab_contents.
Anthony, S., Mansell, J.G., and British Film Institute (2011) ‘Rhythm, modernity and the politics of sound’, in The projection of Britain: a history of the GPO Film Unit. Basingstoke: Palgrave Macmillan.
Ashcroft, B., Griffiths, G. and Tiffin, H. (1998) Key concepts in post-colonial studies. London: Routledge.
Banks, M. (1994) ‘Television and anthropology: an unhappy marriage?’, Visual Anthropology, 71(1), pp. 21–45.
Barraclough, J. (1971) ‘Man Alive - Gale is Dead | BBC’. Available at: https://www.bbc.co.uk/programmes/p055sys5.
Benjamin, W. (2008) The work of art in the age of mechanical reproduction. London: Penguin.
Bettie, K. (2004) ‘Constructing and contesting otherness: Ethnographic film’, in Documentary screens: non-fiction film and television. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, pp. 44–62. Available at: http://www.loc.gov/catdir/toc/hol052/2004042736.html.
‘Bowling for Columbine (2002)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004F4CF3?bcast=7204754.
Bruzzi, S. (2006a) New documentary. 2nd ed. London: Routledge.
Bruzzi, S. (2006b) New Documentary. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203967386.
Bruzzi, S. (2006c) ‘The Performative Documentary’, in New documentary. 2nd ed. London: Routledge, pp. 185–218.
Chanan, M. (2007) The politics of documentary. London: British Film Institute.
‘Coal Face (1935) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=H_eBZSWVGEM.
Coldstream, W. (2019) ‘The Fairy of the Phone’.
Cousins, M. and Macdonald, K. (2006) ‘“Jean Rouch Interviewed by G. Roy-Leven” and “Jean Rouch Interviewed by James Blue”’, in Imagining Reality: The Faber Book of Documentary. Rev. ed. London: Faber and Faber, pp. 264–270.
Craigie, J. (1944) ‘Out of Chaos | British Film Institute’. Available at: https://player.bfi.org.uk/free/film/watch-out-of-chaos-1944-online.
Craigie, J. (1946) ‘The Way We Live | British Film Institute’. Available at: https://player.bfi.org.uk/free/film/watch-way-we-live-1946-online.
Craigie, J. (1951) ‘To Be a Woman | YouTube’. Available at: https://www.youtube.com/watch?v=V4f68SaDqBU.
David Maysles (1969) ‘Salesman’. S.L Criterion collection.
Davies, R. (2007) ‘Explicit commentaries and implicit designs: The evolving role of post-production sound in mainstream documentary’, Journal of Media Practice, 8(2), pp. 161–181. Available at: https://doi.org/10.1386/jmpr.8.2.161_1.
Dineen, M. (1999) ‘Geri’.
Elisabeth Weis (1985a) ‘Enthusiasm: From Kino-Eye to Radio-Eye’, in Film sound : theory and practice. New York: Columbia University Press. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129872450002671&context=L&vid=44ROY_VU2〈=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Film%20sound:%20theory%20and%20practice&sortby=rank.
Elisabeth Weis (1985b) Film sound : theory and practice. New York: Columbia University Press. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129872450002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Film%20sound:%20theory%20and%20practice%20weis&sortby=rank.
Ellis, J. (2012a) ‘Documentary filming as personal interaction’, in Documentary: witness and self-revelation. Abingdon, Oxon: Routledge, pp. 53–63.
Ellis, J. (2012b) ‘Performance and Self-Revelation’, in Documentary: witness and self-revelation. Abingdon, Oxon: Routledge, pp. 45–52.
Ellis, J. (2012c) ‘The changing technologies of documentary filmmaking’, in Documentary: witness and self-revelation. Abingdon, Oxon: Routledge, pp. 34–44.
Ellis, J. and Dawsonera (2012a) ‘Documentary filming as personal interaction’, in Documentary: witness and self-revelation. London: Routledge, pp. 53–63. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467.
Ellis, J. and Dawsonera (2012b) ‘Performance and self-revelation’, in Documentary: witness and self-revelation. London: Routledge, pp. 45–52. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467.
Ellis, J. and Dawsonera (2012c) ‘Performance and self-revelation’, in Documentary: witness and self-revelation. London: Routledge, pp. 45–52. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467.
Ellis, J. and Dawsonera (2012d) ‘The changing technologies of documentary filmmaking’, in Documentary: witness and self-revelation. London: Routledge, pp. 34–44. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203808467.
‘Enthusiasm by Dziga Vertov - 1931 Full Movie - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=vUInm2dC6Ug.
Errol Morris (2005a) ‘The fog of war : eleven lessons from the life of Robert S.McNamara’. S.l.: Columbia TriStar. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123433560002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,the%20fog%20of%20war&sortby=rank&offset=0.
Errol Morris (2005b) ‘The thin blue line’. S.l.: MGM Home Entertainment. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122646390002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20thin%20blue%20line%20morris&sortby=rank.
Fox, J. (2013) ‘“To Be a Woman”: Female Labour and Memory in Documentary Film Production, 1929–50’, Journal of British Cinema and Television, 10(3), pp. 584–602. Available at: https://doi.org/10.3366/jbctv.2013.0159.
Frankin, I. (2013a) ‘Think-tape: The aesthetics of montage in the post-war television documentary’, in S. Peacock and J. Jacobs (eds) Television aesthetics and style. London: Bloomsbury Academic.
Frankin, I. (2013b) ‘Think-tape: The aesthetics of montage in the post-war television documentary’, in S. Peacock and J. Jacobs (eds) Television aesthetics and style. London: Bloomsbury Academic. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781623569037.
Gade, S. (2018) ‘The Promise of the Index in Contemporary Documentary Performance’, The Nordic Journal of Aesthetics, 27(55–56), pp. 41–64. Available at: https://doi.org/10.7146/nja.v27i55-56.110753.
GAINTY, C. (2017) ‘“Items for criticism (not in sequence)”: Joseph DeLee, Pare Lorentz and The Fight for Life (1940)’, The British Journal for the History of Science, 50(03), pp. 429–449. Available at: https://doi.org/10.1017/S0007087417000620.
Goffman, E. (1990) The presentation of self in everyday life. Harmondsworth: Penguin.
Goffman, E. and Berger, B. (1986) Frame analysis: an essay on the organization of experience. Boston, Mass: Northeastern University Press.
Grimshaw, A. (2001) The ethnographer’s eye: ways of seeing in modern anthropology. Cambridge: Cambridge University Press.
Hallam, E. and Street, B.V. (2000) ‘Introduction: cultural encounters – representing "otherness’, in Cultural encounters: representing ‘otherness’. London: Routledge.
Henry Singer (2007) ‘9/11 : the falling man’. BUFVC Off-air. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125911930002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,9%2F11:%20The%20Falling%20Man&sortby=rank.
‘Housing regeneration in 1935. Stepney’s Limehouse Fields, east London, UK. - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=tphbEpVfv24.
Hughes, H. (2019) ‘The Story of Atoms at Work’, Screen, 60(1), pp. 172–180. Available at: https://doi.org/10.1093/screen/hjz001.
‘Into the Abyss: A Tale of Death, a Tale of Life (2011)’ (no date). 3sat. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0240EA0A?bcast=125123949.
Jean Rouch (2005) ‘Chronique d’un été’. S.l.: Arte video. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132296570002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Chronique%20d%27un%20%C3%89t%C3%A9&sortby=rank&offset=0.
Jean Rouch filmaker. (2017) ‘Eight films by Jean Rouch..’ Brooklyn, N.Y.: Icarus Films. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2152306790002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Eight%20Films%20rouch&offset=0.
Jean Vigo (2005) ‘À propos de Nice in The complete Jean Vigo.’ S. l.: Artificial Eye. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2128112480002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,%C3%80%20propos%20de%20Nice&sortby=rank.
Jill Craigie’s 1951 Film, to Be a Woman, Is ‘Of, and Ahead Of, Its Time’ | Talking Humanities (2018). Available at: https://talkinghumanities.blogs.sas.ac.uk/2018/09/18/jill-craigies-1951-film-to-be-a-woman-is-of-and-ahead-of-its-time/.
Krauss, R. (1992) ‘Photography’s discursive spaces’, in The contest of meaning: critical histories of photography. Cambridge, Mass: MIT Press.
KROES, R., ORVELL, M. and NADEL, A. (2011) ‘The Ascent of the Falling Man: Establishing a Picture’s Iconicity’, Journal of American Studies, 45(04). Available at: https://doi.org/10.1017/S0021875811000995.
Legg, S. (1933) ‘The Coming of the Dial | YouTube’. Available at: https://www.youtube.com/watch?v=GFbRvAuJkXg.
Loizos, P. (1993) Innovation in ethnographic film: from innocence to self-consciousness, 1955-85. Chicago: University of Chicago Press.
‘Louis and the Nazis’ (no date).
‘Louis Theroux’s Weird Weekends’ (no date).
MacClancy, J. (1995) ‘Brief Encounter: The Meeting, in Mass-Observation, of British Surrealism and Popular Anthropology’, The Journal of the Royal Anthropological Institute, 1(3). Available at: https://doi.org/10.2307/3034572.
MacDougall, D. and Castaing-Taylor, L. (1998) Transcultural cinema. Princeton, N.J.: Princeton University Press.
‘Making Fashion (1938) - extract - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=g-7z2OiiqzA.
Maysles, D. (2006) ‘Salesman | Box of Broadcasts’. BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0003F579?bcast=19814741.
McLane, B.A. (2012) ‘Institutionalization: Great Britain, 1929-1939’, in A New History of Documentary Film. 2nd ed. New York: Continuum, pp. 73–93.
Michael Moore (2003) ‘Bowling for Columbine’. S.l.: Momentum Pictures. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124256780002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Bowling%20For%20Columbine&sortby=rank&offset=0.
‘Mississippi River Valley: “The River” 1937 US Department of Agriculture (USDA) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=9H9im79cK7g.
Mitchell, D. (1959) ‘Morning in the Streets | BBC’. Available at: https://www.bbc.co.uk/programmes/b00d30nz.
‘Moi, un noir’ (no date).
Moore, M. (2003) Roger & me. Burbank, CA: Warner Home Video.
Nichols, B. (2010) Introduction to Documentary, Second Edition Introduction to Documentary,. 2nd Revised ed. Indiana University Press.
Nick Broomfield (2002) ‘Biggie & Tupac’. Optimum Home Releasing. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129938660002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Biggie%20and%20Tupac&sortby=rank&offset=0.
Nick Broomfield (2005) ‘The leader, his driver and the driver’s wife’. S.l.: Metrodome. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2126139640002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Leader,%20His%20Driver,%20and%20the%20Driver%E2%80%99s%20Wife&sortby=rank.
Pare Lorentz (no date) ‘The Plow That Broke The Plains’. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2164320250002671&context=L&vid=44ROY_VU2〈=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,he%20Plow%20That%20Broke%20The%20Plains&sortby=rank.
Pare Lorentz Center (no date). Available at: http://www.parelorentzcenter.org/.
Preloran, J. (1987) ‘Ethical and aesthetic concerns in ethnographic film’, Third World Affairs [Preprint].
Ranciere, J. (2014) ‘Pedro Costa’s Politics’, in The Intervals of Cinema. London: Verso, pp. 127–142.
Rosenthal, A. and Corner, J. (2005) ‘Ultimately We are All Outsiders: The Ethics of Documentary Filming’, in New challenges for documentary. 2nd ed. Manchester: Manchester University Press.
Rosler, M. (1992) ‘In, around and afterthoughts’, in The contest of meaning: critical histories of photography. Cambridge, Mass: MIT Press.
Ruby, J. (2000) Picturing culture: explorations of film & anthropology. Chicago: University of Chicago Press.
Ruby, Jay (no date) ‘Speaking for, speaking about, speaking with, or speaking alongside: an anthropological documentary dilemma. (reexamination of the social role of documentary filmmakers)’, Speaking for, speaking about, speaking with, or speaking alongside: an anthropological documentary dilemma. (reexamination of the social role of documentary filmmakers) [Preprint]. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=TN_gale_ofa12649683&context=PC&vid=44ROY_VU2〈=en_US&search_scope=LSCOP_44ROY_ARTICLES&adaptor=primo_central_multiple_fe&tab=articles&query=any,contains,Speaking%20for,%20speaking%20about,%20speaking%20with,%20or%20speaking%20alongside:%20an%20anthropological%20and%20documentary%20dilemma&sortby=rank&offset=0.
Scannell, P. (2007) Media and communication. Los Angeles, [Calif.]: SAGE.
‘Seagull Eggs by Abbas Kiarostami - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=AlMNDOTEIb0.
‘Self-reflexivity in documentary’ (no date). Available at: https://library.brown.edu/cds/cinetracts/CT02.pdf.
Shirley Clarke 1919-1997. (2005) ‘Portrait of Jason’. United Kingdom: Second Run DVD. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2162097900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Portrait%20of%20Jason&sortby=rank.
Singer, A. and Seidenberg, S. (1992) ‘Television culture: the representation of anthropology in British broadcasting’, Visual Anthropology Review, 8(1).
‘Spare Time (1939) - extract - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=IAlq9mUHmxw.
Spike Lee (2006) ‘When the levees broke : a requiem in four acts’. New York? HBO Video. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2128240780002671&context=L&vid=44ROY_VU2〈=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,When%20the%20Levees%20Broke:%20A%20Requim%20in%20Four%20Acts&sortby=rank&offset=0.
Tay, S.L. (2009) ‘On the Edges of the Documentary: Jill Craigie’s Political and Aesthetic Sensibilities’, in Women on the Edge: Twelve Political Film Practices. New York: Palgrave Macmillan, pp. 42–60.
Taylor, L. (1994) ‘Marketing alterity’, in Visualizing theory: selected essays from V.A.R., 1990-1993. New York: Routledge.
‘The Fight for Life  Part 1 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=pfyFT33_o8E.
‘The House I Live In’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02EAD9D7?bcast=93274516.
‘The House Is Black on Vimeo’ (no date). Available at: https://vimeo.com/136522352.
‘The Leader, His Driver and the Driver’s Wife (1991)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B11A?bcast=91100415.
‘The Man with the Movie Camera(1929) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=z97Pa0ICpn8.
‘The Plow That Broke the Plains, ca. 1937 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=fQCwhjWNcH8.
‘The Thin Blue Line: Storyville’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0217A165?bcast=73625404.
Turner, G. (2009) Ordinary people and the media: the demotic turn. Thousand Oaks, CA: SAGE Publications.
Turton, D. (1992) ‘Anthropological knowledge and the culture of broadcasting’, Visual Anthropological Review, 8(1).
Varda, A. (2000) ‘The Gleaners and I’.
Various Directors (no date) ‘Ten Minutes Older’.
Vertov, D. and Michelson, A. (1984) Kino-eye. Berkeley: California University Press.
Ward, P. (2006) ‘Defining Documentary’, in Documentary - The Margins of Reality. London: Wallflower Press, pp. 6–30.
Watch Night Mail online - BFI Player (no date). Available at: https://player.bfi.org.uk/free/film/watch-night-mail-1936-online.
Watch Spare Time online - BFI Player (no date). Available at: https://player.bfi.org.uk/free/film/watch-spare-time-1939-online.
Watt, H. and Wright, B. (1936) ‘Night Mail | BFI’. Available at: https://player.bfi.org.uk/free/film/watch-night-mail-1936-online.
Winston, B. (2005) ‘Ethics’, in New challenges for documentary. 2nd ed. Manchester: Manchester University Press.
Winston, B. and British Film Institute (1995a) Claiming the real: the Griersonian documentary and its limitations. London: BFI.
Winston, B. and British Film Institute (1995b) Claiming the real: the Griersonian documentary and its limitations. London: BFI.
‘Words for Battle - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=nnZ5ExcXMxo.