Bibliography for MA3014: The Hollywood Renaissance 1966 - 1981 BETA

Alan J Pakula (2002) ‘Klute’. S.l.: Warner Home Video. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0.

Arthur Penn (2005) ‘Night Moves’. S.l.: Warner Home Video. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0.

Arthur Penn (2008) ‘Bonnie and Clyde’. Warner Bros. Entertainment Inc. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0.

Benjamin Wiggins (2012) ‘“You Talkin’ Revolution, Sweetback”: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking’, Black Camera, 4(1), pp. 28–52. Available at: https://muse.jhu.edu/article/488215.

Beuka, R. (2000) ‘Retrospectives "Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’, Journal of Popular Film and Television, 28(1), pp. 12–21. Available at: https://doi.org/10.1080/01956050009602817.

‘Bonnie and Clyde (1967)’ (2013). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052.

Buckland, W. (2018a) ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in Y. Tzioumakis and P. Kramer (eds) The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era. New York: Bloomsbury Academic, pp. 19–34.

Buckland, W. (2018b) ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in Y. Tzioumakis and P. Kramer (eds) The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era. New York: Bloomsbury Academic, pp. 19–34. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901.

Corkin, S. (2011) ‘Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976)’, in Starring New York: Filming the Grime and the Glamour of the Long 1970s. New York: Oxford University Press, pp. 134–161.

Corrigan, T. (1998) ‘Auteurs and the New Hollywood’, in The New American Cinema. Durham: Duke University Press, pp. 38–63. Available at: http://catdir.loc.gov/catdir/toc/fy035/97035210.html.

Demme and LaGravanese (2003) ‘A Decade Under the Influence’.

Dennis Hopper (1969) ‘Easy Rider’. S.l.: Columbia Tristar, 1999. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0.

Diner, H. (2011) ‘The Right Film at the Right Time: Hester Street as a Reflection of Its Era’, in The modern Jewish experience in world cinema. Waltham, Mass: Brandeis University Press, pp. 98–105.

Dixon, W. (1999) ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch’, in Sam Peckinpah’s The Wild Bunch. Cambridge University Press.

‘Easy Rider (1969)’ (2018). 5Spike. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676.

Elsaesser, T. (2004a) ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press, pp. 279–292.

Elsaesser, T. (2004b) ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press, pp. 279–292. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681.

Francis Ford Coppola (no date) ‘The Conversation’. S.l.: Buena Vista. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0.

George Lucas (2003) ‘American Graffiti’. S.l.: Universal. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0.

‘Jaws (1975)’ (2018). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543.

John G Avildsen (2007) ‘Rocky’. S.l.: MGM Home Entertainment. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank.

Kael, P. (1970) ‘Bonnie and Clyde’, in Kiss Kiss Bang Bang. London: Calder & Boyars.

Kellner, D. and Ryan, M. (1990) ‘Crisis Films’, in Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Bloomington: Indiana University Press, pp. 49–65.

‘Klute (1971)’ (2015). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715.

Knight, D. (2010a) ‘The Northwestern: “McCabe and Mrs. Miller”’, in The philosophy of the Western. Lexington, Ky: University Press of Kentucky.

Knight, D. (2010b) ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western. Lexington, Ky: University Press of Kentucky, pp. 241–257. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856.

Langford, B. (2007a) ‘American Graffiti’, in America first: naming the nation in US film. London: Routledge, pp. 157–176.

Langford, B. (2007b) ‘American Graffiti’, in America First: Naming the Nation in Us Film. London: Routledge, pp. 157–176. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912.

Lucas, G. (1973) ‘American Graffiti | Box of Broadcasts’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096.

Martin Scorsese (2004) ‘Taxi Driver’. S.l.: Columbia Tristar. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0.

‘Midnight Cowboy (1969)’ (2007). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212.

Mike Nichols (2008) ‘The Graduate’. S.l.: Optimum Releasing. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0.

Motley, C. (2005) ‘Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism’, Film & History: An Interdisciplinary Journal of Film and Television Studies, 35(2), pp. 60–66. Available at: https://doi.org/10.1353/flm.2005.0051.

Nystrom, D. (2012) ‘The New Hollywood’, in The Wiley-Blackwell history of American film. Malden: Wiley-Blackwell. Available at: https://doi.org/10.1002/9780470671153.wbhaf062.

Ortega Murphy, B. and Harder, J.S. (1993) 1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies, Canadian Review of American Studies.

Patzig, J. (2007) The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor, PhiN: Philologie im Netz. Available at: http://web.fu-berlin.de/phin/phin40/p40t2.htm.

Polanski, R. (1974) ‘Chinatown | Box of Broadcasts’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718.

Ray, R.B. (1985) ‘The Left and Right Cycles’, in A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton, N.J.: Princeton University Press, pp. 296–325. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0.

‘Reds (1981)’ (2010). ITV3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518.

Robert Altman (2003) ‘McCabe and Mrs. Miller’. Warner Brothers. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0.

‘Rocky (1976)’ (2013). Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508.

Roman Polanski (2007) ‘Chinatown’. S.l.: Paramount. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0.

Silver, J.M. (1975) ‘Hester Street | Kanopy’. Available at: https://rhul.kanopy.com/video/hester-street.

Steven Spielberg (2005) ‘Jaws’. S.l.: Universal. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0.

‘Sweet Sweetback’s Baadasssss Song’ (1971).

Sylvia Shin Huey Chong (2005) ‘Restaging the War: “The Deer Hunter” and the Primal Scene of Violence’, Cinema Journal, 44(2). Available at: https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents.

Symmons, T. (2016) ‘Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War’, in The New Hollywood Historical Film: 1967-78. London: Palgrave Macmillan, pp. 87–124. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305.

‘Taxi Driver (1976)’ (2015). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069.

‘The Conversation (1974)’ (2012). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187.

‘The Deer Hunter (1978)’ (2016). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172.

‘The Dirty Dozen (1967)’ (2011). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920.

‘The Exorcist (1973)’ (2012). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444.

‘The Graduate (1967)’ (2014). ITV3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695.

‘The Wild Bunch (1969)’ (2015). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240.

Truffaut, F. (1960) ‘Shoot the Pianist’.

Warren Beatty (2007) ‘Reds’. S.l.: Paramount. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0.

Webb, L. (2014a) ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City. Amsterdam: Amsterdam University Press.

Webb, L. (2014b) ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City. Amsterdam, NETHERLANDS: Amsterdam University Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123.

Wheeler, D.W. (no date) ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s “The Wild Bunch”’, in Sam Peckinpah’s ‘The Wild Bunch’, pp. 155–174. Available at: https://hdl.handle.net/2027/fulcrum.w6634404z.

William Friedkin (1999) ‘The Exorcist’. S.l.: Warner. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0.